3 Levels of Bleach Bypass: How to get the Look in Davinci Resolve from easy to complex
Вставка
- Опубліковано 9 лип 2024
- Bleach Bypass is one of the most talked about looks in filmmaking. But is it really as illusive of a look as people make it sound? Made famous by iconic films like Saving Private Ryan. In this video I walk through three levels of difficulty to implement this look. So whether you are a beginner, intermediate, or advanced you can apply the lesson. I also discuss the traditional bleach bypass process in film systems and how to use color management along with print film emulation techniques like PFE LUTS, grain, and halation for superior results compatible with Davinci Resolve 19 and previous generations.
My Dehancer Review: • IN-DEPTH Dehancer Revi...
Free Resource Page
resources.revolutioncontent.c...
Huge shout out to Smarter Every Day for the Microscopic B-roll of B&W Film! If you don't follow Destin's work, you totally should. Here's the video the b-roll is from. • How Does Film ACTUALLY...
Barrett Kaufman - Film Colorist
Instagram: / barrett_kaufman
For business inquires reach out here revolutioncontent.com/#contac...
0:00 Bleach Bypass in 30 Seconds
1:01 Easy Bleach Bypass Look
1:45 How Bleach Bypass actually works
4:36 Building level 2
8:27 Advanced Bleach Bypass
#davinciresolve #colorgrading #bleachbypass - Розваги
So far this is the best, most technical channel I've found on UA-cam for color grading. Keep it up dude! your really filling a gap in the market.
Thanks! Glad it's helpful
Brett Varvel! I took a filmmaking class with him and he's so incredible to work with!
Nice!
Another fantastic video! Your description of how it works on film was easy to understand and a new piece of knowledge i didn't have before! Keep it up, man!
Thanks!
This is the best explanation on this subject I've ever found here! Thanks!
Sure thing!
Really appreciate your content and hope you produce more. Your videos help me a lot
Thank you!
Hey man... good to 'discover' you channel. What I liked was the 3 levels approach. Knowing what it is at its core is great bur then to be able to level it up so to speak is great. Subscribed!
Thank you!
Love it. 👏👏 Keep it up!
Thanks!
i love this channel
Awesome! Glad it's helpful
Well this is kind of simplified version traditionally is done with layer node setting it up as black and white and then managing pass trough with opacity which would be the equivalent to reintroducing silver back in to the film
That method can work, but IMO it lacks the level of control and nuance I'm looking for when building a look
@@BarrettKaufman interesting about lack of control
Awesome 👍👍👍
Thanks!
Thank you!!
👍🏻👍🏻
Thank you
👍🏻👍🏻
I tried the Arri Log 4 Bleach Bypass Look LUT approach too from another channel and liked that too. These look nicer. Like this tutorial, I keep coming back to Dehancer + Scatter, and then shooting source material more cleanly being what I want to settle on….
Nice!
I don't use Dehancer but can you not save a still like you have with the CST , that does start out with a default?
Totally right 👍🏻 I'll probably end up doing that
The last node in stage 3 of the bleach bypass process, is it similar to CST or something else? And could you possibly create a tutorial on how to properly make a creative LUT? Thank you, Barret.
Hey! Yep, that last node is essentially another method (like a CST) of going from "scene space" to "display space"
And I like the idea of an intro to creative LUT design! That would be a good piece to release 👍🏻
Very good explanation here! :-) I just discovered your channel, and because of 2499, I just realized that you might be a member of Motion Image Mastery too. :-)
Welcome! Glad the video was helpful
Oh. So far I had the opinion, that Bleach Bypass is an developed overlay of black and white and colour film. Or did I get something wrong? Also in DaVinci I use a monochrom overlay. Works perfect.
There's an interesting article on my free resource page about the various historical techniques of bleach bypass. But it seems that the most common use is to leave more of the metallic silver in the internegative by modifying the "bleach" process
@@BarrettKaufman Ok, thank you. I`ll read it.
I’m surprised u didn’t use a layer node with the black n white layer in hard light composite. That’s how most people do bleach bypass but this is a kinda close result…. This method with the layer nodes creates more of that silvery look that saving private Ryan gets. But to each their own.
There is literally 20 different ways to get bleach bypass. Even using a layer to actually skip the bleach!…. Which is like 8 nodes!… it doesn’t need to be that complex, but I like mine the most cause it’s fast, easy and looks fantastic.
Hope this helps somebody out there…
& thanks for the video.
Always good to have options! You're definitely correct that there are a bunch of ways to approach it
I really like every single of your video, the explanation is clear. But one thing that not clear yet, that is the decible of your audio, I think you should turn up more gain of dB, because 30% volume on the other video is 100% volume on yours. Thanks
This is helpful! Thanks for letting me know
I've been testing out a couple different ways of processing the audio and I need to take more standard approach
Con Dsat 👊
👍🏻👍🏻
@@BarrettKaufman Nice tute thanks °¬)
The new Film look creator is sooo good. Just give the slider for bleach bypass a go and you're done!
I love that resolve is getting better look building tools! The film look creator is a good step in the right direction
I know you guys love to make the keyboards sound, maybe it makes you feel, more professional that way, but when people like me, have to listen on headphone, super annoying. Small tip there, thanks for the video!
Thanks for the feedback
Ironically a while back I actually switched to this keyboard because it was quieter than my last one :D
I'll keep an ear out for it in the future
Hollywood secret sauce aka saucy colorist won't forgive you. Lol 🤣
I'm not sure I understand. Could you clarify?
he’s talking about Waqas😹