Відео

@@EzyUA-cam that’s really interesting! I had no idea about the teleconverters! See I do video primarily and what Nikon is doing in our space is pretty wild! Overall great for us consumers!

@@jessejayphotography that would be awesome! I think they could definitely do that! I heard nothing but great things about REDCODE RAW.

there seems to be a Z9 firmware coming with shutter angle. Don't think there is any flagship camera that has been completely transformed since release. Yes the A1 was great at launch, but the Z9 is a completely new camera since 2021.

@ I agree. Nikon is putting in the work and it’s paying off. After just having garbage tier service from Fujifilm (both their firmware releases and my personal actual warranty “repair” issues with them) I’m selling my Fuji gear. And loooking real hard a Nikon right now.

@@nordfresse a box style xh2s in my opinion is all I ever need and wanted! Yes the xh2s has 1 stop more of dynamic range for sure! It’s not a huge difference but it’s there.

@@KrispyNuggetBoutique the vacuum is there only for testing the seals. You don’t want to suck all the air out of the housing then go diving with it. Imagine all the pressure at 100’ PLUS a suction effect inside the housing from no air.

@ That makes no sense its the vacuum that makes it stay sealed. It’s like 0.2 bars of pressure added to the atmosphere.

@@Elvirakondor switches from AF to MF

@ oh cool!

@@rubeeprod what are you shooting with now?

@@diluteduk that’s a vlogging camera. My point is Panasonic hasn’t released anything to compete in the flagship space.

@@ExaltedMediaInc you know what whenever I drink my espresso after that 30 seconds I feel like it becomes way more bitter.

@@jimgiraffe5253 man I hear you on this! Seems like these brands are focusing more on bloggers over filmmakers who spend serious money on their cameras.

@@CINENIMUS I agree to a certain extent with you… A z8 isn’t $4000 just because it’s $4000 for no reason it’s because it has better rolling shutter, ProRes raw, nraw, good dynamic range, 8k 60, 4k120, great photography these are all things Panasonic does NOT have. These are all tools filmmakers use. It’s not ONLY about making the image look good it’s about making the image look good under any environment. Panasonic needs a high end body because the s5iix is very much outdated compared to the competition.

@@adnan_velic I'm pretty confident Panasonic has made a conscious decision not to focus on high end bodies. It's the other way around, the competition is outdated compared to the s5iix. The competition isn't z8 or 8k 4k120 cameras, that's not the space the s5iix occupies and it's not the space Panasonic tries to compete in. They're doing well catering to the budget market who's willing to live without those features. Providing full frame bodies with good stabilization at a low price is a good idea, the only real world problem now is that the moire renders the s5ii useless for those critical pro shots.

@@xanderross I don’t think every year but the s1h hasn’t been updated in like 4 years. I think it’s due for an upgrade actually their entire s1 line up needs a refresh.

@@BuzzAdven like a high resolution S5?

@@adnan_velic Indeed, I think its just rumours right now.. But honestly, Im not sure how well that would go as high res generally impacts low light and noise performance in video.. So it makes me think its not a good rumour, since the S5/ii/iix lineup has generally been a "video first" camera.

@@Eric.mov_ the s5iix is a great camera and I mentioned it in the video but it’s not competing with an fx3 in the video department not only in frame rates but also rolling shutter and low light capabilities. It’s also not competing with a z6iii which is the s5iix main competitor and it’s definitely not competing with a z8. My point here was that Panasonic doesn’t have a high end body to compete in 2024. I also think Panasonic is cooking up something special with Arri and I would love to see this match made in heaven produce something incredible.

Idk. The moire/flickering means it gives you a taste of high end but it's also crippled. Production companies with decent budgets won't skimp on the camera, going from s5ii to fx3 isn't a big jump for them. Fun camera for run and gun solo shooters and hobbyists.

@@fredriksvard2603 exactly!

For sure! My point here is that they haven’t released anything to compete with z8, r5ii, fx3. The entire video is about Panasonic HAS to release something to compete with these cameras and I think they will.

The S1H/S5/S5II/S5IIX/S5D and S9 use the same sensor. This is the same story with the G9II/GH6/GH7. Their full frame are limited to 4K30fps full sensor and they still have pretty bad rolling shutter. They have absolutely nothing to compare with the R5/A1/Z6III/Z9 etc.

@@aiseurnae5976 wrong

@@aiseurnae5976 this is a great point and exactly where I was going with in my video. Major crop at 4k60 on the s5iix meanwhile the z6iii can shoot 6k60 and in nraw and ProRes raw for a little more. Panasonic has a lot to catch up to.

@@MaxPhotoGraphic I like this 3 C’s you have in Italy. Thank you for watching the video really appreciate it 🙏🙏

@@The_M_and_R hey! This is with xh2s and 16-55mm f2.8. Flog2 converted to arri log c3 in resolve using CST. Then I adjusted the highlights a bit and mid Townes slightly. I also moved the hue to orange a little because the image was too blue and cold. Hope this helps!

Also ISO 1250 here.

Auto WB but next time I will manually set WB.

Hey! Thank you glad you like it! This is shot in flog2 then I use CST in resolve. I believe for this one I used Cineon. I also had a nice sunset in front of me and natural lighting which is probably the most important thing here.

@@Walahi223 thank you! This one was from Amazon! It just glues on top of the shutter release. It’s been on there solid for 2 years now.

@@AbrahamPaskarela it’s actually priced similar to what most Fuji lenses cost. It’s just a unique lens a lot of people don’t talk about.

@@StefanoFederici73 tell me about it!

@@christophmartin5381 I guess in my mind I thought about it like what I have in my xh2s a 3:2 sensor. I’m able to “cut” the top and bottom of the image to create the ratio I want. I use frame guides to more or less understand what my image will look like but instead of a 3:2 it’s a square instead of rectangle. I guess in my mind this made sense. An xtrans gfx sensor would be amazing!

@@The_M_and_R hey! Check out my previous full tutorial where I show exactly what the recipe is.

@@hritikwadhwa man I totally agree!

@@MeneM2Mateo nobody knows anything about the new sensor. We just know that one is coming.

@@kein4072 100% agree!

@@Lamp-209 thank you for letting me know!!! I’m using a new wireless mic I normally never use and I’m not familiar with all the settings it has. I will make sure to adjust it for my next video. When I played the video back through my phone speakers it sounded good so I didn’t know something was wrong.

@@Gregorioux lolll!

Hahaha

@@jcar4522 I get your frustration 100%%% I’ve been dealing with it for months now. I just saw the video where they said they will fix the xh2 and xh2s in November.

@@肖楠-p9x thanks for letting me know! I haven’t manually pulled focus on this lens yet but the focus ring feels quite nice.

@@Will_Speed thank you! 🙏🙏 Next recipe for me is that Reggie Porta! Looks stunning!

@@nativestrong7253 go to 3:15 where I said I used the 18-120 F4. Stop making excuses for fujifilm and accept the fact that Fuji made a mistake in their latest firmware update. Making a mistake is totally fine but taking months to fix it is NOT ok! Also my viltrox and tamron lenses perform BETTER in AFC and AFS than my Fuji lenses.

@@mutonchops1 i don’t think it will work because the diameter of the lenses are different. I think the 16-55mm is a bit bigger. You might be able to add something in between the zoom ring and the lens to fill that gap. Also I think the 16-80 extends a bit more when zooming so you might hit the front glass of the housing. I think they make a housing for the 16-80 if I’m not mistaken.

@@stormshadow9 I’m glad you like the video!

@@crashyyy4116 I’m glad you like it 🙏👍🏻

@@KostasUA-cam thank you! I tried to make it quick with no fuss! Thanks for watching!

@@johnsavagecrypto 13mm viltrox f1.4

@@Hyped007 man that’s a really tough one! To me cinema level quality means really good dynamic range. I think for that price range the fx3 is honestly king! It does video very very well.

@@gsfpv it has not improved unfortunately. Honestly the image quality is the only thing keeping me with Fuji.

@@adnan_velic argh... the XH2s is so cheap now too... under 1500 on ebay... but need reliability first of all... selling all my fuji gear for a A7S3 with a 24-70 is mighty appealing...

@@adnan_velic Such a shame. The XH2s going for 1.5k on ebay... but need reliability. May move to Sony A7s3...

@@investigativechannel7698 totally agree with you 🤝🏼