Відео

Can't thank you enough.

ty

What is important is how you setup your display and not what transforms you do to the image. Your display should be set up in a way that what you see is what most your viewers get. Same as in sound studio, they have many different types of speakers to see how it will sound on variety of speakers, here you need to see how this will look like on variety of displays. Check how your video or photo appears on Mac, PC, iPhone, Android phone, iPad, etc I wonder what would be most representative colourspace setting on MacBook for image and video editing. Would Rec 709 be something you set your MacBook to?

mine isnt working at all after 4-5 years with the camera its stopped working

hey tony . just got a lumix, is a tutorial or video for setting up exposures and other setting for a good cinematic experience

Thanks for the video , So helpful! The only thing I Can’t find output tone map in davinci 18.6 , the settings are slightly different, any suggestions? Thank you 🙏🏼

you sir are a bloody lifesaver!

In DR18 it has no effect.

beautfiul...and y r correct....newbies like me...woulld easily think wrong as i did recently....i made a mistake and too much white was recorded...but i did correct myself and all is well now...but...yes...the tools need to be used correctly...thx...good one...

Missed this when you first published it. Agree with your findings. I went with the GM f1.4 primarily for size and weight. Love the f1.2GM, it's special but I know I will use the smaller GM more just because it's easier to handle and carry.

I really thought matching up BMPCC6k & Pana Lumix S1 would be easier. Converted to Rec709 and huge difference. WTH!?

Thank you!

I don't have the option to bypass colour management with EXRs. Any tips?

This was excellent, thank you.

Yes I am impressed with this lenses bokeh. It looks more like prime bokeh than zoom.

what camera body did you take the samples photos with

Hello Tony or others...if I add the Panasonic 709 conversion lut is that doing what you're doing, changing the color space correctly? Thanks.

Thanks so much for making this and your other f1.2 GM video. They were super helpful and exactly the kind of info I've been looking for!

Can l get a slightly used one ,24-70 f2.8: for my Nikon d7100

Bro thank you so much! This was so helpful. I was doing export after export trying to figure out how to fix the banding issue.

I work a lot with braw shooting because of it's smaller size than prores, it's also the only way to get acces to the full 12 bit dynamic range of the bmpcc4k sensor, thank im also using ACES as an Open EXR intermediate for my CGI it's well implemented with Blender and Substance painter and designer. Those converting process was painfull in the begining, but when your final workflow is full ACES it became easier for export like dolby vision or even netflix or regular DCP and rec 709.

Oh great! Yeah I pushed 8bit footage a bit too far, this made a huge improvement, cheers!

thanks, man. This video helped me a lot

i do not want my images processed or stored on line, AIs will end up stealing them to get 'smarter' also faces of people in my images should not be on the internet. we have to stop giving big tech our private information.

i bought lightroom 6 paid cash. now they wont let me update it. I have to buy a subscription - that is paramount to stealing.

Great video. Thank you

I was just thinking about IRNDs and by some magic YT algorithm recommended your video. Thank you. Great test. Just ordered kit with your link

Such a simple fix but very effective! Totally fixed the banding issue I was getting while adding lens flare overlays and lighting composites. Thanks!

hi!My Davinci is 18.6 and i can't find ARRI Alexa (Output) and ARRI LogC (Output Gamma) when i add Color Space Transform there are just ARRI Wide Gamut4 and ARRI LogC4(gamma)

I sure wish I could have no banding in something that was lower res...

Hi Tony, is there any option to disable fans in this light. Thanks!

Mine also stopped when i previewed it on my laptop but the audio keeps playing. is the rest of the footage gone? I'm stressed.

Great Vid!!! Thanks

So the issue is with video then? How did you find with photo?

Does this mean that when using Final Cut the footage isn’t correct?

And the configuration for delivery on you tube?

can you use hlg2? for this

Thank you! I am a newb but am coming along pretty well with DR Studio because of people like you who are smart and care enough to help others.

CLear and to the point. Thumbs up from me and a save!!! Check out my ROCKED out tracks if you get a chance.

ISO 100 = no noise in shadows, high details in shadows but more grain and less details in highlights ISO 1000 = high noise and low details in shadows but no noise and high details in highlights. Everybody who claims this is a bullshit, you actually do not understand the principals how camera sensor works. ISO "is just exposure tool" in case when your image sensor is high quality as Canon C70 from 800 - MAX ISO the sensor claims 100% highlights and 100% shadows. Only below ISO800 you loose highlights details but you increasing details in shadows. BMPCC 4/6K does not have so good sensor and it's always changing better highlights (higher ISO) or better shadows (lower ISO). This is my personal experience, this is claimed by Canon and Blackmagic. BTW: Changing ISO values in post is not the same as in camera. Changing ISO in camera actually changing the physical values of light and shadow sensitivity and you can not do it in post. The data are written. This is why BMD show us the chart. The image sensor sensitivity at different ISO values in highlights and shadows chart provided by Blackmagic show us how excatly the image sensor works. In post you can change just overall exposure but not light stops below or above. And again, Canon C70 has flat line middle gray with 100% sensitivity of light and shadows you can changing ISO how you want the sensitivity is still the same. Of course higher ISO more noise but it's linear. Blackmagic 4/6K has no linear noise. It's exchange between "ha, I need highlights, put ND and boost ISO to 800-1000. Ha, I need clean shadows, turn ND off, lights on and ISO 100...

What if I shoot ISO 1000 to expose for highlights, leave it over exposed and bring the gain down later. Won’t that give me the highlight details and clean up the noise? Essentially a combo of high iso and ETTR?

When I link to Sony generated proxies, I get an invalid proxy selected error. It says I have to select a clip with matching frame rate and time code…

Great video thank you 👍😀

Honestly many DOP's choose not to use LED on people's skins... There's many comparatives on this site about that. As good as LED can be, tungsten delivers a better range in the color spectrum. Ofc video is mostly more "guerrilla" than cinema but it's getting up there in terms of expected quality.

what about in camera proxy in sony camera? i searched vid on youtube but couldnt find any. i m new to davinci ,

Little mad that a shoe mount can be added to everyone except the canon mount.

like it

thanks for the info planning to get this 12k in 2024, and what you pointed out explains, why a employee, use to tell me that 300mb dont mean anything, i learned something today sir, thank you

Damn you can shoot much better than most people with this lens

Yes it does make sense! Like a few others I was struggling to find a video that explained WHY we should use a rec. 709 cst, but this has really helped, thanks. I'm not very good at doing things "just because" the expert says, and understanding why it's done is super helpful to me. Muchos gracias!!