Відео

Meh...

I'm a DR beginner here. Thanks for bringing some light to the muddy water. I'm not aiming to know the subject very well, but just enough for some video color editing. Thanks.

Why gamma 2.2 and not 2.4 ?

Still doesn’t work most of the time

Great video

Sigma or tamron for Best image and image stabilizer

Use H265 Main 10 and if you want to go the extra mile use Main 10 4:2:2 10Bit and the banding goes away totally.

This is awesome. I really couldn't figure this out. Is there a way for me to do this on Adobe Premiere?

What's awful is premiere pro works flawlessly without codecs. Resolves seizes up so really want to know best proxy to be able to use it.

Very nice, I didn't know this was an industry standard solution! Thank you!

Very much appreciate the time and energy you took putting this very understandable video together. I'm just diving into Gamma, Color Spaces etc. and have yet to shoot a video - but this will happen in the future. From what I've learned in the last week or so, I heard one statement that caught my ear (although I know what you mean). "In real life there are colors out there. There are colors out there. There's green etc". Again, sorry about this, but from what I have learned, there are not colors out there. Just spectra. Colors are spectra that are given names by humans to describe them. Silly technical point, but the video is so good, that at least I'm listening closely. I can honestly say, with the reading and watching I've done over the last few days, this entire video made sense even though I have no "learned" experience with any of this. Really appreciate the detailed and simplified view. Very helpful. I hope you have some videos for getting started with DaVinci Resolve and how to find the values needed (i.e. Nikon Z9 video, luts, etc). Very nicely done. If you don't have it already, a video on minimum requirements to work on such video would be sweet! I do have one basic question (if you come back here and check some DAE: Is the statement you make at the end, that is, working in a bigger color space and then squeezing the information down into a smaller one (i.e. REC709) a desired thing? The reason I as is two-fold. 1st: As a new photographer, I've frequently heard that picking a color space like ADOBE RGB, when your output devices are in sRGB can lead to undesired color shifts (i.e. math rounding errors) is is not worth the hassle. This point was also made with respect to the potential gamut of even sRGB of the camera, software (i.e. Photoshop), and monitor might not overlap even though you are using the same space. So, in photography and video, is working in the bigger space worth it? Depends on the intended output display? 2. Does working in a larger color space benefit from a higher bit-depth? Lastly, can you recommend any of your videos (or others) recommended for a beginner getting started with video?

How much $

thank you sir

Hello, I have questions about the calculation of the lens mm in relation to the crop factor of the m4/3 and the Rokinon lenses. Should I multiply the mm by 2x (for example: a 24mm becomes 48mm) and then 0.71? In other words, a 24mm is equivalent to 35mm, a 35mm is equivalent to 50mm, a 50mm is equivalent to 70mm and an 85mm is equivalent to 120mm?

Really helpful, thanks. I am getting the same problem with a DaVinci Wide Gamut timeline, after importing Canon Log from a Canon EOS R. Any suggestions?

Thanks for the video, not many people talk about this feature. I also have a fairly important question about this; I had discovered "bypass color management" and I did all the color grading of a project that lasted about 30 minutes. The problem that came up is the export, it is not possible to export the project with all the corrections and color grading that I have done. Is there a way to do this even if the "bypass color management" function is active for each clip? The problem is that inside Resolve everything looks very beautiful and well done, but the exported video is faded and lifeless, as if I hadn't done anything. Thanks in advance 🙏

12K...2024?

Can't thank you enough.

ty

mine isnt working at all after 4-5 years with the camera its stopped working

hey tony . just got a lumix, is a tutorial or video for setting up exposures and other setting for a good cinematic experience

Thanks for the video , So helpful! The only thing I Can’t find output tone map in davinci 18.6 , the settings are slightly different, any suggestions? Thank you 🙏🏼

you sir are a bloody lifesaver!

In DR18 it has no effect.

beautfiul...and y r correct....newbies like me...woulld easily think wrong as i did recently....i made a mistake and too much white was recorded...but i did correct myself and all is well now...but...yes...the tools need to be used correctly...thx...good one...

Missed this when you first published it. Agree with your findings. I went with the GM f1.4 primarily for size and weight. Love the f1.2GM, it's special but I know I will use the smaller GM more just because it's easier to handle and carry.

I really thought matching up BMPCC6k & Pana Lumix S1 would be easier. Converted to Rec709 and huge difference. WTH!?

Thank you!

I don't have the option to bypass colour management with EXRs. Any tips?

This was excellent, thank you.

Yes I am impressed with this lenses bokeh. It looks more like prime bokeh than zoom.

what camera body did you take the samples photos with

Hello Tony or others...if I add the Panasonic 709 conversion lut is that doing what you're doing, changing the color space correctly? Thanks.

Thanks so much for making this and your other f1.2 GM video. They were super helpful and exactly the kind of info I've been looking for!

Can l get a slightly used one ,24-70 f2.8: for my Nikon d7100

Bro thank you so much! This was so helpful. I was doing export after export trying to figure out how to fix the banding issue.

I work a lot with braw shooting because of it's smaller size than prores, it's also the only way to get acces to the full 12 bit dynamic range of the bmpcc4k sensor, thank im also using ACES as an Open EXR intermediate for my CGI it's well implemented with Blender and Substance painter and designer. Those converting process was painfull in the begining, but when your final workflow is full ACES it became easier for export like dolby vision or even netflix or regular DCP and rec 709.

Oh great! Yeah I pushed 8bit footage a bit too far, this made a huge improvement, cheers!

thanks, man. This video helped me a lot

i do not want my images processed or stored on line, AIs will end up stealing them to get 'smarter' also faces of people in my images should not be on the internet. we have to stop giving big tech our private information.

i bought lightroom 6 paid cash. now they wont let me update it. I have to buy a subscription - that is paramount to stealing.

Great video. Thank you

I was just thinking about IRNDs and by some magic YT algorithm recommended your video. Thank you. Great test. Just ordered kit with your link

Such a simple fix but very effective! Totally fixed the banding issue I was getting while adding lens flare overlays and lighting composites. Thanks!

hi!My Davinci is 18.6 and i can't find ARRI Alexa (Output) and ARRI LogC (Output Gamma) when i add Color Space Transform there are just ARRI Wide Gamut4 and ARRI LogC4(gamma)

I sure wish I could have no banding in something that was lower res...

Hi Tony, is there any option to disable fans in this light. Thanks!

Mine also stopped when i previewed it on my laptop but the audio keeps playing. is the rest of the footage gone? I'm stressed.

Great Vid!!! Thanks

So the issue is with video then? How did you find with photo?