not sure if anyone gives a shit but if you are stoned like me during the covid times then you can watch pretty much all the new movies on Instaflixxer. Have been binge watching with my girlfriend for the last few days xD
Nice one guys. I have just been in the bush in Zambia and I am back on wifi to catch up. Nice to see my Wildebeest silhouette shot being featured. Thanks again. Andy
Your segment on large format sheet film brought back a lot of memories. Back in the 50's we referred to that size of film as "quarter plate", a plate being 8"X10". The one thing the salesman from Ffordes didn't mention was that the little notch on the sheet film was a guide to determine, in the darkroom, which was the emulsion side of the film. The idea was to put the notched part of the sheet film in the bottom left hand corner of the film holder, thereby guaranteeing that the emulsion side was facing the lens (light).
Hi Ken. Thanks for taking the time to comment. The salesman did actually explain all about the notch but this part (as well as lots of others) were exited out as we didn’t have 30 minutes for the feature so we could only keep the core parts of the chat. Hope it bought back some memories for you. Thanks for watching.
Brilliant show. So much information, and so many outstanding images. Loved the mountain shots 👍. Also I would like to say a massive thank you to all the team for giving my wife so much help and advice on her quest to book a trip to Scotland for my birthday. Thank you guys so much... Role on July and loch Lomond 😁
The content is really good. Well thought out and well presented... Just we missed so much while we were laughing.... you guys are really funny. Will have to watch twice.
I enjoyed the mountain photos very much and look forward to the result of the Canon camera comparison. Even when you just saw a great 30 minutes you want to see the next Photography Online show 👌
Another great show, thanks to all of your team! Good to see mirrorless and small sensor equipment getting a mention and I liked the mountain feature too. I was at Ruth's location (in the video) on Saturday, it really is stunning.
Another great production from the team - thanks to all. Enjoyed the 5x4 feature as that's where I started when I became serious. Look forward to Marcus and the continuation next episode.
Hope to see Ben become a regular part of the team; I'm always blown away when I see someone so young with that confidence on camera. If I could make one point regarding Harry's micro 4/3's slot... The crop factor applies to the aperture too, so an F4 lens is actually an F8 lens. I shot Olympus for years before moving to full frame. Great cameras for weight saving due to aforementioned point, not great in low light. Also, why anyone would choose the EM1X in regard to a feature on weight saving, when the EM1 MK2 or 3 will give the same image quality at significantly less weight.
Hi Joe. Thanks for taking the time to watch and comment. We will be using Ben again, so don’t worry. Harry used the EM1X because we were making comparisons to the Canon 1DX III and the Nikon D5, so it was the closest contender. With regards to the f/4 aperture being f/8 - it depends in what context. In terms of exposure, then it is still f/4, but in terms of depth of field then yes it is the equivalent of f/8 when compared to a FF lens of the same magnification. What do you shoot now? Thanks for your continued support. All the best.
This channel has maintained the freshness of its content still making it a must watch on every release. Ben's mountain photography segment was very good. Well done folks, but no, we don't want to see the results of Harry's visit to the Therapy studio, thanks....
Another great show from the Photography Online team . Enjoyed the camera and format comparisons. Looking forward to more mountain projects from Ben. Another item required on solo photography trips into the mountains is a PLB.... I wouldn't leave home without one.
Loved this episode, and can't wait for the next instalment. Marcus, good luck with the landscape image quality shootout! And thank you for featuring my silhouette photo of my daughter Jesse with the dandelion :-)
I am an Olympus user...trust me....we get far more shots....than we may otherwise not get because of the weight....and when we print these shots they look amazing !!
Another excellent episode, I especially liked the special feature on mountain photography, unfortunately it’s not something I’ll be doing, (oh to be 21 again,) some exceptional photographs.
Great Part 1 again guys & gals. I can't wait to see the reaction from Marcus IF BY CHANCE ! the mirrorless DSLT beats the Optical Canon DSLR for image quality ..... sparks might fly. what !!. Keep up the great work. The "above the Cloud layer shots" in the mountains were superb. Cheers Glenn, Australia.
Did Marcus get the accessory motor drive for the 4x5? I am not intending to start a controversy; however, the 4x5 also has an optical viewfinder, and I am sure has better image quality than the digital cameras. It will require the additional time spent doing the thing we all profess to enjoy, that being taking the photo.
Very interesting & informative...well over informative in Harry's case! Each to their own...for wildlife photography I can definitely see if an EVF has any lag it would be an issue but personally as someone who has to wear glasses for reading I've found an EVF where I can se the histogram and exposure simulation quite liberating. I hate having to keep getting my glasses out. I hope Canon will do a mirrorless version of the 5Ds without the filter. The mountain photography info was very useful and deserving of more in depth follow-ups for those of us who don't want to scale Everest but the normal UK heights e.g. crampons, contents of the first aid kit, GPS? Keep up the good work.
Another great episode guys, the youngster did great, and I'm not taking about you Marcus.! 😉 look forward to seeing him up high again. Looking forward to seeing the results from the large format.
45mp vs 50mp. I would say the old dog will win out with more detail in decent light. Would be nice to see the r5 shot with some canon rf native glass as it might just be sharper than the Sigma, making up for the MP short fall?
Hi HKF. We throw in a cheeky 70-200mm test between the EF mk 1, EF mk II, and the RF, so your wish is kind of granted. We’ll be doing more in the coming shows.
Great episode. Love the mountains and silhouettes. I enjoyed using my large format camera, developing film, and making prints in my darkroom many years ago. But, I prefer my digital system these days.
Thanks for your comment. There’s advantages and disadvantages to every format, but digital is obviously more convenient and practical. Glad you enjoyed the show.
I am really enjoy your content, particularly focusing on landscape photography. Maybe you could get a lads on debating their favorite landscape camera in 3 different price range? (similar to the 1,2,3 lens setup)
Hi James. Thanks for your suggestion. We do have a feature in the pipline about what gear you can get within a low, medium and upper budget, so hopefully this will be along the same lines. Thanks for watching and we hope you continue to enjoy our content.
Another great show, you left us hanging with the 5D and R5 comparison! Can't wait. Even if the R5 comes out better I don't think anything will convince Marcus to mirrorless 😂 I thought some of the silhouette images had a lot of shadow detail for the subject of silhouette? I'm just jealous for not being featured 😭
Hi Ian. We did say silhouette or semi silhouette so we wanted to show both. Sorry we didn’t get a chance to show your image. Maybe next time. We appreciate you taking part, but we just don’t have time to show more than a tiny fraction.
Hello Team, I am fortunate ( I Do Believe ) to have purchased a Canon R5 Mirrorless camera and RF lenses. Having owned the 5D3 before. However, this upgrade has been a bit of a difficulty to me, can you explain to me how you got the 2-second timer for this has been an elusive thing to me???
Hi Allan. This is Marcus and I don't have the R5 to hand, but I do have the R6 in front of me which is pretty much the same in terms of operation. There are a couple of ways you can activate the 2 second timer. The first is via the Quick menu - just press the Q button to the right of the screen or the Q icon in the top right and you will see all the options appear. The shooting mode will be the second option down the left side of the sceen. The other way to custom assign one of the programable buttons to become the shooting mode. This is my prefered method. For example, I have programmed my star button (top right of the back of the camera) to activate the shooting mode. That way I can always select this very quickly with just one button press - no need to faff around in menus. I hope this helps.
I'm amazed that Marcus is touting the 5dsr against modern high resolution cameras. The sensors in the Nikon z7 and Sony a7riv blow the 5dsr away (I know, I owned both). The 5dsr has very limited dynamic range.
Hi Kilo. Thanks for your comment. In order to make the comparison as fair as possible we needed to manually focus both cameras. Obviously that is not practical looking through the viewfinder (either optical or electronic), so the obvious thing to do is to use the Live View screen. Many thanks for watching.
Ye all DSLR shooters remark on the OVF and never even look through it and choose to use live view. I wonder my, might it be that they want to see the exposure ?
@@peterlynn6922 I use mine all the time. But I must admit, I want to hook up an ipad for this exact reason. Doesn't Sony have a magnifying (ZOOM IN) EVF? If I had deeper pockets I would get an R5 or Sony A1 & anbassortment of oem lens also.
@@thomastuorto9929 Yes Sony manual focus zooms in through the EVF, so accurate focusing (and focus peaking) looking through something that isn't subject to the glare of the sun, making it hard to see the rear panel. OVF has more negative aspects than positive. I gave away my last OVF camera in 2014 and haven't looked back
Harry's take on the Olympus was enjoyable, looking at Om solutions (Olympus) future plans for their next generation thier mirrorless cameras will tackle the low ligh't noise issue, Will be good if you compare DSLR to mirrorless in a few years time,
Yes generally speaking high ISO settings output more noise on smaller sensors due to the pixels being packed closer together and therefore receiving less light.
@@PhotographyOnline I like your explanation. I am using Nikon D7100 because I cannot afford to buy full-frame DSLR. Somebody told me it is better to use low ISO setting and increase the exposure in post production such as Photoshop to avoid the digital noise.
I did enjoy this part months part 1 as I use a Lumix and Olympus MFT equipment due to weight. But was disappointed that both Olympus and Panasonic now offer high-resolution shooting modes in their top-of-the-line cameras. I feel this could be tested at the same time as the Canon cameras. In 'Handheld' High Res Shot mode, the E-M1 Mark III and E-M1X capture 16 images in quick succession, and combine them to create a 50MP file. The cameras' powerful inbuilt stabilization system is employed to reduce the risk of shake.
Hi David. Don’t worry, we’ll be doing many more tests in the future so we will try to include a test with a pixel shift camera at some point. Thanks for watching.
@@PhotographyOnline it's pretty windy up on Skye, HiRes can't fully compensate for that yet. For product photography it is unbelievable, near 12 stops of DR rivalling some medium format (from Photons to Photos - noncomparible with DXO measuring)
Have shot 4x5 for awhile now and I can honestly say the guy at the camera shop left out several very important items about just loading the film. Pretty poor segment for those that have never used LF before. I understand that there are limitations in time and such for your program but hopefully you will cover this in better detail in the future.
Hi Sophie. Thanks for taking the time to comment. The interview with the salesman in the shop lasted for 27 minutes, but we needed to edit this down to around 7 minutes, so obviously we had to cut lots of info out. Thus wasn’t meant to be a large format guide but to simply give people an understanding of what is involved. In part 2 we show a little more, but even this doesn’t have time to become a guide. We will be covering more features on LF over the coming months though, so we’ll try to address a variety of areas between all of them. Thanks for watching.
Great, i still have a Sinar F1 4x5" camera. But who devellops those sheets these days. Certently nobody in Belgium. B&W i can do myself even color with my jobo drum. Are there still chemicals for it?
Hi Erik. It’s easy to develop your own 4x5” film, regardless whether it’s E6, C41 or B&W. It’s easy to get the chemicals - just look up Tetenal E6 or C41. We’ll be showing how to develop them in a future show.
@@PhotographyOnline thanks for the info, i am a professional myself but the lab i am client with don't do developping anymore. My negative processor only goes until 120 or 220 rolfilm. And that's a AGFA FP1-72. A 22 year old neg. Processor. But i can still use my jobo cpp-2 in my own darkroom. Regards from Belgium. Keep up the good work!
It wasn’t a fashion show, it was an educational piece about clothing. Sorry that you didn’t get it. Hopefully the rest was okay for you. Thanks for watching.
Whilst you seem to mention the Sony range none of your photographers ever seem to shoot with any. Is there any reason for this? Given the performance of the A7Riv or A1 they may be surprised.
Hi Rick. Yes there is a reason we haven’t featured any Sony cameras - Sony are not interested in loaning us any gear. We are working on it though, but when a company doesn’t want to promote their gear, it’s easier to go with other brands who do want to promote their gear. Hope that makes sense.
@@PhotographyOnline I shot on canon for more than 15 years then moved over to Sony for the last 7 years, mainly into landscapes and commercial, it’s a brilliant system, having said that I perfectly understand your point of view, I’m watching from south Spain and I must say this is one of the most inspiring, interesting and entertaining photography channels out there, if a brand like Sony can’t acknowledge that then it’s there loss. Besides it’s not about gear but what you do with it. Thanks for all the hard work and effort you put into every episode!
Just look at the full frame 600MM len,s, scaffolding + cost, M43, cheaper, less weight/size, far superior, greater depth of field, low light? Use a tripod, mind the IBIS makes that redundant sometimes, unless you print to exibition size, no discernable diff.
Hi Steve. A MFT is certainly not “superior” to a full frame or as good in low light. Sure that MFT has certain advantages but those are definitely not two of them. Thanks for watching. We hope you enjoyed the feature.
@@PhotographyOnline Only on weight size +cost, yes in low light that,s the disadvantage, but 5 stop IBIS, then use a tripod if neccesary. A Canon say 300mm + len,s say £2k +, great, Oly eqiv 150mm, many Pro lenses 1/4 the weight + cost. With a modicom of post, superb result,s, unless you print to exhibition size.
D850 is way better than a 5Dsr despite the extra few mp, best DSLR ever made .. nice vid though :) not just my opinion, google best DSLR ever made, google never lies. :)
@14:06 he incorrectly states that a crop sensor gives you more reach from your lens. That is 100% wrong. The crop sensor yields a smaller image, not an increase in focal length. What he said adds confusion to a subject that most people don't fully understand. fStoppers.com has some excellent articles explaining the differences between sensor sizes and how sensor size affects what you see and what you get.
Hi Brian. What Harry says is actually true. As you correctly say, a crop sensor records a smaller image, but this means the lens has an increased perceived reach, as you will only need a 300mm to achieve the same shot as a 600mm on a full frame. We did a whole feature about sensor sizes in last month’s show, so you may be interested in this. Thanks for watching and for taking the time to comment.
@@PhotographyOnline It is not an increase in magnification. That is what confuses most people. The crop sensor with a 300mm has the same magnification as a 300mm on a Full Frame. What people fail to realize and discuss is the change of composition and compression of the image.
@@PhotographyOnline There have been a lot of online reviews and explanations of the effects that sensor size has on an image. Unfortunately, not all of them have been accurate or correct.
There’s always lots of incorrect information on the Internet, but you’ll hopefully find that our feature all about crop sizes is correct. We also did a feature which busted the myth that focal length influences compression - something you mentioned, so maybe check that out too. All the best.
Honestly, having shot digital, in all formats, in the last twenty odd years, I find it stale and boring. I lean more towards film, MF and LF in particular at the moment. The expense alone is a detrenet to producing mundane or so so images. Good show none the less. Thanks.
@@frankdecock2735 Marcus has expressed his disdain for EVFs (ELECTRONIC View Finder) on mirrorless cameras in past videos. The optical view finder shows the reflection of the actual image through the eye piece or on the ground glass of the large film cameras. I just thought it was funny that he kept repeating it. Cheers!
@@tjsinva I speak Sarcasm fluently... and have seen all episodes of this show. But thanks, at least you explain what an OPTICAL viewfinder actually is :)
So good I watched it twice
Hopefully it was as good second time!
@@PhotographyOnline Better !
not sure if anyone gives a shit but if you are stoned like me during the covid times then you can watch pretty much all the new movies on Instaflixxer. Have been binge watching with my girlfriend for the last few days xD
@Nehemiah King yea, I have been watching on instaflixxer for since december myself :D
The mountain segment was awesome. The new lad is fantastic. Hope to see him more among the regulars.
Thanks Gary. Ben will be doing more features so don’t worry.
Best informative videos on photography on youtube!
Thanks very much Amit. Glad you find them useful.
Excellent show everyone!! Lots of work went in to this one, as usual....see ya in two weeks.....
Cheers Joe. We appreciate your continued support. Thanks for watching again.
This is like a proper tv show, brilliant.
Thanks Mikey
Really loved the 'Viewers' Images' of the silhouettes - great feature. As I may have previously commented, this show should be on TV!
Another great show thank you Ruth and team!!
Thanks for watching and for supporting us Mark. All the best.
Great show again guys - thank you! If the R5 fails on quality you can chuck it my way! So funny seeing Harry thru the couch 'keyhole'! ;-)
Thanks as always for watching Ali. Harry with his happy ending - what a thought!
Stunning! 📸
Another awesome show thanks guys
Cheers Chris
Nice one guys. I have just been in the bush in Zambia and I am back on wifi to catch up. Nice to see my Wildebeest silhouette shot being featured. Thanks again. Andy
We hope you are having a good trip. Thanks for watching
Photoholics... We meet again 🤝📸
A Lady in a fine pair of Jeans right out of the Gate, Winning!
We know how to get things started!
@@PhotographyOnline ❤💚💙
Another brilliant show. Sit back with a fresh cup of coffee and bam, over much too soon. Hurry up Part II.
We can’t make the show any longer Garth otherwise your coffee would get cold! Thanks for watching.
Your segment on large format sheet film brought back a lot of memories. Back in the 50's we referred to that size of film as "quarter plate", a plate being 8"X10". The one thing the salesman from Ffordes didn't mention was that the little notch on the sheet film was a guide to determine, in the darkroom, which was the emulsion side of the film. The idea was to put the notched part of the sheet film in the bottom left hand corner of the film holder, thereby guaranteeing that the emulsion side was facing the lens (light).
Hi Ken. Thanks for taking the time to comment. The salesman did actually explain all about the notch but this part (as well as lots of others) were exited out as we didn’t have 30 minutes for the feature so we could only keep the core parts of the chat. Hope it bought back some memories for you. Thanks for watching.
Great Show As Always, Take Care All
Thanks for watching again and for your support Mark. All the best.
Brilliant show. So much information, and so many outstanding images. Loved the mountain shots 👍. Also I would like to say a massive thank you to all the team for giving my wife so much help and advice on her quest to book a trip to Scotland for my birthday. Thank you guys so much... Role on July and loch Lomond 😁
Thanks for watching and for your continued support - it’s much appreciated.
@@PhotographyOnline thank for your fantastic content
Good and interesting Video.
one of the best episodes, thanks guys.
Thanks for watching Andy
Beautiful piece on Mountain Photography. Many thanks, Ben.
Cheers Johnno
The content is really good. Well thought out and well presented... Just we missed so much while we were laughing.... you guys are really funny. Will have to watch twice.
Cheers Douglas. Glad you enjoy the show. All the best.
I enjoyed the mountain photos very much and look forward to the result of the Canon camera comparison. Even when you just saw a great 30 minutes you want to see the next Photography Online show 👌
Cheers Stefan. Not long to wait for the next one!
Another great show, thanks to all of your team! Good to see mirrorless and small sensor equipment getting a mention and I liked the mountain feature too. I was at Ruth's location (in the video) on Saturday, it really is stunning.
Another wonderful show! Thanks so much!
Cheers Jon
Another great production from the team - thanks to all. Enjoyed the 5x4 feature as that's where I started when I became serious. Look forward to Marcus and the continuation next episode.
Thanks for watching John.
As always, really interesting material and brilliant good humour. Thank you Team
Thanks for your continued support Mark.
Another great video, thanks.
Cheers Phil
What a cracking show.
I thought the new lad Ben was brilliant.
For such a young lad he presented very well and has a great future in front of him.
Cheers Tim
Hope to see Ben become a regular part of the team; I'm always blown away when I see someone so young with that confidence on camera. If I could make one point regarding Harry's micro 4/3's slot... The crop factor applies to the aperture too, so an F4 lens is actually an F8 lens. I shot Olympus for years before moving to full frame. Great cameras for weight saving due to aforementioned point, not great in low light. Also, why anyone would choose the EM1X in regard to a feature on weight saving, when the EM1 MK2 or 3 will give the same image quality at significantly less weight.
Hi Joe. Thanks for taking the time to watch and comment. We will be using Ben again, so don’t worry. Harry used the EM1X because we were making comparisons to the Canon 1DX III and the Nikon D5, so it was the closest contender. With regards to the f/4 aperture being f/8 - it depends in what context. In terms of exposure, then it is still f/4, but in terms of depth of field then yes it is the equivalent of f/8 when compared to a FF lens of the same magnification. What do you shoot now? Thanks for your continued support. All the best.
At least you had the best color ever!
This channel has maintained the freshness of its content still making it a must watch on every release. Ben's mountain photography segment was very good. Well done folks, but no, we don't want to see the results of Harry's visit to the Therapy studio, thanks....
Great job as always guys, looking forward to part 2. 💪
Thanks a lot for watching. All the best.
Another great show from the Photography Online team . Enjoyed the camera and format comparisons. Looking forward to more mountain projects from Ben. Another item required on solo photography trips into the mountains is a PLB.... I wouldn't leave home without one.
Cheers John. Thanks for watching again.
Loved this episode, and can't wait for the next instalment. Marcus, good luck with the landscape image quality shootout! And thank you for featuring my silhouette photo of my daughter Jesse with the dandelion :-)
Cheers Frank
I am an Olympus user...trust me....we get far more shots....than we may otherwise not get because of the weight....and when we print these shots they look amazing !!
Love shooting my Wista 45. Boiled eggs make great hand warmers and you can eat them afterwards.
Love this show so much and I always learn something or gain a different perspective!
Thanks for taking time to watch our show Jennifer.
A fantastic show as always, keep up the brilliant work guys.
Thanks Brian
Always terrific
Thanks for watching
Another excellent episode, I especially liked the special feature on mountain photography, unfortunately it’s not something I’ll be doing, (oh to be 21 again,) some exceptional photographs.
Great Part 1 again guys & gals. I can't wait to see the reaction from Marcus IF BY CHANCE ! the mirrorless DSLT beats the Optical Canon DSLR for image quality ..... sparks might fly. what !!. Keep up the great work. The "above the Cloud layer shots" in the mountains were superb. Cheers Glenn, Australia.
Thanks for watching and taking the time to comment Glenn. Not long to wait until the sparks fly!
Very nice, you people are maintaining excellent temperament for the show, it's really hard. Congratulations 🌷
Thanks for watching and taking the time to comment.
Did Marcus get the accessory motor drive for the 4x5? I am not intending to start a controversy; however, the 4x5 also has an optical viewfinder, and I am sure has better image quality than the digital cameras. It will require the additional time spent doing the thing we all profess to enjoy, that being taking the photo.
Hi Jim. You’ll enjoy the second part of the feature when all your questions will be answered. Thanks for watching.
Another great show. Really enjoyed it 👍
Thanks as always Raymond
Very interesting & informative...well over informative in Harry's case! Each to their own...for wildlife photography I can definitely see if an EVF has any lag it would be an issue but personally as someone who has to wear glasses for reading I've found an EVF where I can se the histogram and exposure simulation quite liberating. I hate having to keep getting my glasses out. I hope Canon will do a mirrorless version of the 5Ds without the filter. The mountain photography info was very useful and deserving of more in depth follow-ups for those of us who don't want to scale Everest but the normal UK heights e.g. crampons, contents of the first aid kit, GPS? Keep up the good work.
Thanks Steve. We will be doing more mountain features in the future. Thanks for watching.
Another great episode guys, the youngster did great, and I'm not taking about you Marcus.! 😉 look forward to seeing him up high again. Looking forward to seeing the results from the large format.
Thanks for watching and for your continued support Lee.
THANK you all so much this was wonderful and the hard work up the mountain wow fun to see and learn cheers from trev in sussex
Thanks for watching as always
Eagerly awaiting the results between old and new Canons. This was another terrific presentation!
Thanks a lot Rick. Results coming in a couple of weeks.
45mp vs 50mp. I would say the old dog will win out with more detail in decent light. Would be nice to see the r5 shot with some canon rf native glass as it might just be sharper than the Sigma, making up for the MP short fall?
Hi HKF. We throw in a cheeky 70-200mm test between the EF mk 1, EF mk II, and the RF, so your wish is kind of granted. We’ll be doing more in the coming shows.
fantastic... thank you.
You’re welcome Joe
Great show, I enjoy it, video quality is second to none, keep the good job guys
Thanks Mohamed
The sheep appeared at 16 mins 10 seconds lol
Brilliant 👏👏
Thanks Craig
Great show as always! And a nice surprise to see my photo featured on the silhouette project :-O
Glad you enjoyed the show. Thanks for getting involved.
Great show, keep up the good work. M43 a great little system.
Another cool show makes Sunday worth looking forward to. Mirrorless vs DLSR, well mirrorless of course.
Thanks for watching again Steven. It’s horses for courses when it comes to cameras, so don’t worry what Marcus says!
@@PhotographyOnline indeed
Excellent video, thank you. In mountainous areas an emergency shelter is worth a consideration.
Thanks for watching
Another great episode, well done especially to Ben, very interesting section by him, if only I could walk up mountains as easily!
Thanks Bob. We appreciate your continued support.
Another excellent edition. Hope the hair removal wasn't too painful!
Harry: Small, light mirrorless equipment is the way to go.
Marcus: Nah. You need to go even bigger!
Horses for courses Gary!
Love your videos, regards from Canada
Cheers Carlos
Wow! Surprised to see my silhouette photo in the line up 25:15.
Thanks for taking part. Hope you enjoyed the rest of the show
@@PhotographyOnline Fantastic show, I have watched all episodes.
Well done Ben, great segment. Bloody good content by all as per. Cheers ~ Peter
Cheers Peter. Thanks for watching
Great episode. Love the mountains and silhouettes. I enjoyed using my large format camera, developing film, and making prints in my darkroom many years ago. But, I prefer my digital system these days.
Thanks for your comment. There’s advantages and disadvantages to every format, but digital is obviously more convenient and practical. Glad you enjoyed the show.
I am really enjoy your content, particularly focusing on landscape photography. Maybe you could get a lads on debating their favorite landscape camera in 3 different price range? (similar to the 1,2,3 lens setup)
Hi James. Thanks for your suggestion. We do have a feature in the pipline about what gear you can get within a low, medium and upper budget, so hopefully this will be along the same lines. Thanks for watching and we hope you continue to enjoy our content.
Another great show, you left us hanging with the 5D and R5 comparison! Can't wait. Even if the R5 comes out better I don't think anything will convince Marcus to mirrorless 😂 I thought some of the silhouette images had a lot of shadow detail for the subject of silhouette? I'm just jealous for not being featured 😭
Hi Ian. We did say silhouette or semi silhouette so we wanted to show both. Sorry we didn’t get a chance to show your image. Maybe next time. We appreciate you taking part, but we just don’t have time to show more than a tiny fraction.
Extremely interesting and entertaining - as usual. My best wishes to the team. :)
Thanks very much Peter.
No idea why you don’t have 10x subscribers - at least! Thanks a lot and greeting from Munich
Cheers Di. Views are more important than subscribers so we’re doing okay.
@@PhotographyOnline well - one can see that YOU are real professionals. Glad to have found you.
Great quality as usual
Glad you think so!
@@PhotographyOnline where can you purchase the camera bag.
Which bag?
@@PhotographyOnline the waterproof blue backpack
'Young BEN' is very Lucky -- when I was 21 i was in Germany in the British Army ( RAMC) and didn't get Mum's Cooking until 1958 on demob !
Ben doesn’t know how easy he has it huh?!
Hello Team, I am fortunate ( I Do Believe ) to have purchased a Canon R5 Mirrorless camera and RF lenses. Having owned the 5D3 before. However, this upgrade has been a bit of a difficulty to me, can you explain to me how you got the 2-second timer for this has been an elusive thing to me???
Hi Allan. This is Marcus and I don't have the R5 to hand, but I do have the R6 in front of me which is pretty much the same in terms of operation. There are a couple of ways you can activate the 2 second timer. The first is via the Quick menu - just press the Q button to the right of the screen or the Q icon in the top right and you will see all the options appear. The shooting mode will be the second option down the left side of the sceen. The other way to custom assign one of the programable buttons to become the shooting mode. This is my prefered method. For example, I have programmed my star button (top right of the back of the camera) to activate the shooting mode. That way I can always select this very quickly with just one button press - no need to faff around in menus. I hope this helps.
I'm amazed that Marcus is touting the 5dsr against modern high resolution cameras. The sensors in the Nikon z7 and Sony a7riv blow the 5dsr away (I know, I owned both). The 5dsr has very limited dynamic range.
It is. But in Landscape photography exposure bracketing is used, so no extreme DR is often useful
Wait until you see the results Huw.
So what takes the place of the now defunct 5DSR in the lineup, surely we don't have to pay £4000.for the R5.
Wait and see Colin.!
I, for one, would like to hear more about the optical viewfinder on the 5DSR :-D
All you need to know Gary is that it’s optical!
The Nikon Z711 and Sony a7R1111 also have no low pass filter.
We’ll be doing tests with both in future shows to see how they perform.
I love how he mentions the OVF of the 5dsr 3 or 4 times but doesn't use it when he takes the picture.
Hi Kilo. Thanks for your comment. In order to make the comparison as fair as possible we needed to manually focus both cameras. Obviously that is not practical looking through the viewfinder (either optical or electronic), so the obvious thing to do is to use the Live View screen. Many thanks for watching.
Ye all DSLR shooters remark on the OVF and never even look through it and choose to use live view. I wonder my, might it be that they want to see the exposure ?
@@peterlynn6922 I use mine all the time. But I must admit, I want to hook up an ipad for this exact reason. Doesn't Sony have a magnifying (ZOOM IN) EVF? If I had deeper pockets I would get an R5 or Sony A1 & anbassortment of oem lens also.
@@thomastuorto9929 Yes Sony manual focus zooms in through the EVF, so accurate focusing (and focus peaking) looking through something that isn't subject to the glare of the sun, making it hard to see the rear panel. OVF has more negative aspects than positive. I gave away my last OVF camera in 2014 and haven't looked back
@@soils1111 I gave away my last OVF camera in 2014 and haven't looked back= That was nice of you.
Harry's take on the Olympus was enjoyable, looking at Om solutions (Olympus) future plans for their next generation thier mirrorless cameras will tackle the low ligh't noise issue, Will be good if you compare DSLR to mirrorless in a few years time,
We’ll be doing lots more comparison tests with various cameras in the future Allan. Thanks for your suggestion. All the best.
Very very good
Cheers Peter
Can you please inform me which issue it was tht introduced the photography on line team please..?
That’s the very first one. Just go to our page and scroll down to the oldest video.
Hey dude what's ur camera gear?
Which one are you referring to?
Is high ISO in sensor smaller than full-frame really bad ?
Yes generally speaking high ISO settings output more noise on smaller sensors due to the pixels being packed closer together and therefore receiving less light.
@@PhotographyOnline I like your explanation. I am using Nikon D7100 because I cannot afford to buy full-frame DSLR. Somebody told me it is better to use low ISO setting and increase the exposure in post production such as Photoshop to avoid the digital noise.
I did enjoy this part months part 1 as I use a Lumix and Olympus MFT equipment due to weight. But was disappointed that both Olympus and Panasonic now offer high-resolution shooting modes in their top-of-the-line cameras. I feel this could be tested at the same time as the Canon cameras. In 'Handheld' High Res Shot mode, the E-M1 Mark III and E-M1X capture 16 images in quick succession, and combine them to create a 50MP file. The cameras' powerful inbuilt stabilization system is employed to reduce the risk of shake.
Hi David. Don’t worry, we’ll be doing many more tests in the future so we will try to include a test with a pixel shift camera at some point. Thanks for watching.
@@PhotographyOnline it's pretty windy up on Skye, HiRes can't fully compensate for that yet. For product photography it is unbelievable, near 12 stops of DR rivalling some medium format (from Photons to Photos - noncomparible with DXO measuring)
Fashion show at 965 metres - impressive :)
Never say we don’t look after the viewer!
Process MFT files in DXO-Photolab Elite using DeepPrime noise reduction and you gain 1-2 stops in ISO.
Have shot 4x5 for awhile now and I can honestly say the guy at the camera shop left out several very important items about just loading the film. Pretty poor segment for those that have never used LF before. I understand that there are limitations in time and such for your program but hopefully you will cover this in better detail in the future.
Hi Sophie. Thanks for taking the time to comment. The interview with the salesman in the shop lasted for 27 minutes, but we needed to edit this down to around 7 minutes, so obviously we had to cut lots of info out. Thus wasn’t meant to be a large format guide but to simply give people an understanding of what is involved. In part 2 we show a little more, but even this doesn’t have time to become a guide. We will be covering more features on LF over the coming months though, so we’ll try to address a variety of areas between all of them. Thanks for watching.
@@PhotographyOnline I do understand the limitations but maybe you could provide some links to those videos that do.
We will when we’ve done them.
Great, i still have a Sinar F1 4x5" camera. But who devellops those sheets these days. Certently nobody in Belgium. B&W i can do myself even color with my jobo drum. Are there still chemicals for it?
I know that there are several C41 print chemicals out there for the home hobbyist and maybe some E6 chemistry too.
Hi Erik. It’s easy to develop your own 4x5” film, regardless whether it’s E6, C41 or B&W. It’s easy to get the chemicals - just look up Tetenal E6 or C41. We’ll be showing how to develop them in a future show.
@@PhotographyOnline thanks for the info, i am a professional myself but the lab i am client with don't do developping anymore. My negative processor only goes until 120 or 220 rolfilm. And that's a AGFA FP1-72. A 22 year old neg. Processor. But i can still use my jobo cpp-2 in my own darkroom. Regards from Belgium. Keep up the good work!
Great episode but that fashion show was just .... odd? : )
It wasn’t a fashion show, it was an educational piece about clothing. Sorry that you didn’t get it. Hopefully the rest was okay for you. Thanks for watching.
@@PhotographyOnline I got it just kidding I put that smiley face thing at the end.
Nice video, Like 162 and Bye from Italy :)
Cheers Peri. Ciao ciao!
and Ben for got his whistle
Whilst you seem to mention the Sony range none of your photographers ever seem to shoot with any. Is there any reason for this? Given the performance of the A7Riv or A1 they may be surprised.
Hi Rick. Yes there is a reason we haven’t featured any Sony cameras - Sony are not interested in loaning us any gear. We are working on it though, but when a company doesn’t want to promote their gear, it’s easier to go with other brands who do want to promote their gear. Hope that makes sense.
@@PhotographyOnline I shot on canon for more than 15 years then moved over to Sony for the last 7 years, mainly into landscapes and commercial, it’s a brilliant system, having said that I perfectly understand your point of view, I’m watching from south Spain and I must say this is one of the most inspiring, interesting and entertaining photography channels out there, if a brand like Sony can’t acknowledge that then it’s there loss. Besides it’s not about gear but what you do with it. Thanks for all the hard work and effort you put into every episode!
More of young Ben please; heights give me the heebie jeebies!
Cheers Mac
21 yo....me...next LOL
Just look at the full frame 600MM len,s, scaffolding + cost, M43, cheaper, less weight/size, far superior, greater depth of field, low light? Use a tripod, mind the IBIS makes that redundant sometimes, unless you print to exibition size, no discernable diff.
Hi Steve. A MFT is certainly not “superior” to a full frame or as good in low light. Sure that MFT has certain advantages but those are definitely not two of them. Thanks for watching. We hope you enjoyed the feature.
@@PhotographyOnline Only on weight size +cost, yes in low light that,s the disadvantage, but 5 stop IBIS, then use a tripod if neccesary. A Canon say 300mm + len,s say £2k +, great, Oly eqiv 150mm, many Pro lenses 1/4 the weight + cost. With a modicom of post, superb result,s, unless you print to exhibition size.
D850 is way better than a 5Dsr despite the extra few mp, best DSLR ever made .. nice vid though :)
not just my opinion, google best DSLR ever made, google never lies. :)
The proof will be in the pudding.
@@PhotographyOnline i like pudding :)
and if that pudding has the cannon AA filter on its sony sensor then no thanks.
OVF wins every time for me.
It’s each to their own Colin, but you and I clearly know the best system! (Marcus)
for the DSLR vs mirrorless, maybe Harry could test for robustness, the clunk Marcus likes could be a weak point :)
Or it could help to protect the sensor! There’s one way to find out.... where’s Harry?!
@14:06 he incorrectly states that a crop sensor gives you more reach from your lens. That is 100% wrong. The crop sensor yields a smaller image, not an increase in focal length. What he said adds confusion to a subject that most people don't fully understand. fStoppers.com has some excellent articles explaining the differences between sensor sizes and how sensor size affects what you see and what you get.
Hi Brian. What Harry says is actually true. As you correctly say, a crop sensor records a smaller image, but this means the lens has an increased perceived reach, as you will only need a 300mm to achieve the same shot as a 600mm on a full frame. We did a whole feature about sensor sizes in last month’s show, so you may be interested in this. Thanks for watching and for taking the time to comment.
@@PhotographyOnline It is not an increase in magnification. That is what confuses most people. The crop sensor with a 300mm has the same magnification as a 300mm on a Full Frame. What people fail to realize and discuss is the change of composition and compression of the image.
Once again, we did a whole feature on this topic so please go and watch it.
@@PhotographyOnline There have been a lot of online reviews and explanations of the effects that sensor size has on an image. Unfortunately, not all of them have been accurate or correct.
There’s always lots of incorrect information on the Internet, but you’ll hopefully find that our feature all about crop sizes is correct. We also did a feature which busted the myth that focal length influences compression - something you mentioned, so maybe check that out too. All the best.
Get a gfx100s in his hands and see how he feels about mirrorless after that.
We’ve done that already Richie, but we might do it again sometime soon.
Honestly, having shot digital, in all formats, in the last twenty odd years, I find it stale and boring. I lean more towards film, MF and LF in particular at the moment. The expense alone is a detrenet to producing mundane or so so images. Good show none the less. Thanks.
Don't forget the OPTICAL viewfinder. 🙄
Did Marcus mention it?’
What is that, an OPTICAL viewfinder ? No-one ever explains...
:)
@@frankdecock2735 Marcus has expressed his disdain for EVFs (ELECTRONIC View Finder) on mirrorless cameras in past videos. The optical view finder shows the reflection of the actual image through the eye piece or on the ground glass of the large film cameras. I just thought it was funny that he kept repeating it. Cheers!
@@tjsinva I speak Sarcasm fluently... and have seen all episodes of this show.
But thanks, at least you explain what an OPTICAL viewfinder actually is :)
@@frankdecock2735 Ha! My mistake.🎱 I always enjoy these shows. Hopefully, I'll get back to Scotland someday. 🍻
Once again check the facts before you send out misinformation !! Neither the Sony A7R IV nor the Nikon Z7 II has a low pass filter !!
We never said they did
I have just watched and there was no mention of the LPF as you suggest - another pumped up silly billy keyboarded warrior.