In my mind, Midori represents that pinnacle at the top level of violinists, which is so wide today. ....a position previously occupied by Heifetz. All around in terms of technique, tone, interpretation, innovation, and musicianship, she is the master violinist today. Lucky indeed are the students at USC who get a chance to learn from her. This recording of a live performance is astounding. and she gets applause after the first movement! I cant say enough. Bravo....Ne Plus Ultra playing.
Une musique riche, de grande invention, d'abondance mélodique, et de profondeur émotionnelle, Merci ! Such rich music, of great invention, melodic abundance, and emotional depth. Thank you deeply!
Heifetz a enregistré le second concerto PAS le premier....à notre connaissance le meilleurs enregistrement de ce concerto est celui de I Perlman avec les Carmen variations de sarasate un enregistrement historique ....
it's a live performance. i noticed it the first time i heard this; i just assumed it was a micro memory slip with an incredible instantaneous recovery.
oh, please. all right, open your score to the section marked "finale" (essentially the coda of the last movement, where the fast triplets start). second measure, last two beats. violin score is A-C#-A, G#-C#-A. Midori played G#-C#-A, A-C#-A. she has a studio recording of the work, with the saint louis symphony. does anyone have that? can you check that passage? i will bet a nickle she plays it correctly on that recording.
wow, i just found that recording on youtube, she plays it the same way as this radio performance. i can't explain it; i've heard a thousand other violinists play it. *nobody* else plays those notes reversed like she does. either her score has a misprint, or she learned it wrong the first time and never referred to the score since. what the hell, it's still great fiddling.
Such a beautifull concerto!! Modori can easily be compared to Heifetz. Wonder his reaction if he could listen to her playing.........Slatkin and his Orquestra are awesome too!!!
Michael will deliver a wonderful performance as does Gill Shaham. Not too sure if Perlman did it. In my young day, it was deemed pretty impossible to play. Just show how violin technique has come on. Haeji Kim plays this first mvt to near perfection at 15 and her Bruch No 2 3rd mvt at 14 is spell binding.
I am sort of curious about your comment. I've played the piece for decades. Except for a note or two she plays the exact finale as written. Perlman, Rabin, and every artist mentioned here all play what she is playing. It's certainly not in 6 sharps as F# major would be. What am I missing?
@@lehrmandavid10I am not sure, but I think he meant that the end of the first movement is usually an F sharp major chord, whereas Midori’s first movement ends in F sharp minor.
Well it depends why you are struggling or what you mean by struggling. There are a variety of reasons: you can't hear intonation well, you don't pratice enough, you have small hands, you have a learning disability and so on. Skill is a mixture of talent and practice.
In my mind, Midori represents that pinnacle at the top level of violinists, which is so wide today. ....a position previously occupied by Heifetz. All around in terms of technique, tone, interpretation, innovation, and musicianship, she is the master violinist today. Lucky indeed are the students at USC who get a chance to learn from her. This recording of a live performance is astounding. and she gets applause after the first movement! I cant say enough. Bravo....Ne Plus Ultra playing.
Now she's at Curtis:) where she BELONGS
Une musique riche, de grande invention, d'abondance mélodique, et de profondeur émotionnelle, Merci ! Such rich music, of great invention, melodic abundance, and emotional depth. Thank you deeply!
Wow! This is one of the best recordings I have heard! Thanks for posting:)
Simply an amazing performance by a 17 year old... with such a conviction and such deeply felt emotions.
tyo1973 what was the most amazing actually is the real maestro wieniawski himself，played and composed this piece when he was only 17！
fantastic!! wow and she was so young... Born Artist. And maestro Slatkin Accompanies marvelously ! Bravo to all . Thank you for this upload !
Thanks for posting!
She is the best❤
that's just freaking awesome. you can't play this piece better than that. maybe Heifetz, if only he had recorded it.
Dan Cornelius listen to Lukas David. In my opinion his performance is the best.
Rabin over everybody for this piece
Heifetz a enregistré le second concerto PAS le premier....à notre connaissance le meilleurs enregistrement de ce concerto est celui de I Perlman avec les Carmen variations de sarasate un enregistrement historique ....
THE Best recording!
The best its I Perlman of course...
@@TheClovis40 no
A wonderful violinist. I know she once occupied the Heifetz chair, which tells you how good she is. 😊.
What is happening at 26:44? Is that a different version? It sounds beautiful! T_T
it's a live performance. i noticed it the first time i heard this; i just assumed it was a micro memory slip with an incredible instantaneous recovery.
What exactly are you referring to? I have music and it's the same as this performance
oh, please. all right, open your score to the section marked "finale" (essentially the coda of the last movement, where the fast triplets start). second measure, last two beats. violin score is A-C#-A, G#-C#-A. Midori played G#-C#-A, A-C#-A. she has a studio recording of the work, with the saint louis symphony. does anyone have that? can you check that passage? i will bet a nickle she plays it correctly on that recording.
wow, i just found that recording on youtube, she plays it the same way as this radio performance. i can't explain it; i've heard a thousand other violinists play it. *nobody* else plays those notes reversed like she does. either her score has a misprint, or she learned it wrong the first time and never referred to the score since. what the hell, it's still great fiddling.
Very impressive. But Dayoon You's recording oof this concerto is the best.
Sorry. Not the recording. A live performance during the Wieniawski competition.
Such a beautifull concerto!! Modori can easily be compared to Heifetz. Wonder his reaction if he could listen to her playing.........Slatkin and his Orquestra are awesome too!!!
I can't understand why Heifetz never recorded this concerto, it was made for him.
Michael will deliver a wonderful performance as does Gill Shaham. Not too sure if Perlman did it. In my young day, it was deemed pretty impossible to play. Just show how violin technique has come on. Haeji Kim plays this first mvt to near perfection at 15 and her Bruch No 2 3rd mvt at 14 is spell binding.
Native Soil of Poland
Piękne!
3:02
03:03
why the 1st part finish in f-sharp MINOR? perlman and others end this part in f-sharp MAJOR...
I am sort of curious about your comment. I've played the piece for decades. Except for a note or two she plays the exact finale as written. Perlman, Rabin, and every artist mentioned here all play what she is playing. It's certainly not in 6 sharps as F# major would be. What am I missing?
@ idk :(
@@lehrmandavid10I am not sure, but I think he meant that the end of the first movement is usually an F sharp major chord, whereas Midori’s first movement ends in F sharp minor.
welp i kind of feel sad, they play complicated music, while i struggle to play canon in d
ArtisticWolf25 just keep practicing and who knows, you could play this just as well as Midori!
Yeah right
Well it depends why you are struggling or what you mean by struggling. There are a variety of reasons: you can't hear intonation well, you don't pratice enough, you have small hands, you have a learning disability and so on. Skill is a mixture of talent and practice.