Hi! Awesome video! When practicing it in all 12 keys, how do know how to play it? Like do you visualize in scales, arpeggios or?? I would love an insight to your understanding and view of that! Thanks, regards from Denmark
Thanks! Yes, I visualize arpeggio- and chord shapes and try to connect everything (arpeggio, chord, scale, lick) when I transpose a phrase I look out for the nearest chord/arpeggio on the fretboard and try to play it there. I'm not the everything-in-every-position-and-every-fingering guy, so I watch out for useful/easy ways.
@@andisagmeister Neither am I an "everything-in-every-position-and-every-fingering guy". How many different arpeggios would you recommend learning to play more or less freely on the fretboard? Thanks!
@@luxibro I already thought about making a video on this topic. I think you need at least two positions (starting from E and A string) for maj7, 7 and m7. Walk from there... add the m7b5 arpeggio, add maj6 and m6 arpeggios, add the dim arpeggio. I like to play in three main positions (along the triad inversions), that covers a lot.
This is great!! 👍 Thank you 🙏
OMG. This is gold.
Thanks! Glad you like it!
Hi! Awesome video! When practicing it in all 12 keys, how do know how to play it? Like do you visualize in scales, arpeggios or?? I would love an insight to your understanding and view of that! Thanks, regards from Denmark
Thanks!
Yes, I visualize arpeggio- and chord shapes and try to connect everything (arpeggio, chord, scale, lick) when I transpose a phrase I look out for the nearest chord/arpeggio on the fretboard and try to play it there. I'm not the everything-in-every-position-and-every-fingering guy, so I watch out for useful/easy ways.
@@andisagmeister Neither am I an "everything-in-every-position-and-every-fingering guy". How many different arpeggios would you recommend learning to play more or less freely on the fretboard? Thanks!
@@luxibro I already thought about making a video on this topic. I think you need at least two positions (starting from E and A string) for maj7, 7 and m7. Walk from there... add the m7b5 arpeggio, add maj6 and m6 arpeggios, add the dim arpeggio. I like to play in three main positions (along the triad inversions), that covers a lot.