Great video, lots of good information efficiently tucked into a half hour here... also so much wisdom around 21:00: "...the willingness to work on stuff that doesn't yet feel like the music we want to play... be willing for it to not sound good yet while you're working on a certain ability...". We all need to hear this.
Great organization of material and superb no-nonsense presentation (no house plants, neon lights, pictures of guitar idols, baseball cap, no verbiage or used-car salesman jive). Many thanks, Jared!
This is so good. It's like Daniel in Karate Kid. You keep drilling these patterns until your sick of it, even if you don't feel like it's as musical as you want to be. Then, Jared says, "paint the fence" or "show me wax on wax off" and you start playing and it sounds awesome. Thanks man.
Couple extra ideas (I've actually been doing these lately for the same reason that Jared is): try with 3nps shapes; when you ascend the scales, descend the triad arpeggio - and vice versa; begin arpeggios not only on the 1, but also the 3 and 5; move through 2 to 4 3nps shapes up and down the neck connecting with a melodic line doing reps until you've gone through all 7 starting points; always think of the degrees you're on; do it with Major, Melodic Minor, Harmonic Major & Harmonic Minor; think rhythmically while you practice keeping an internal beat; play sequences feeling a beat every 3, 4 or 5 notes without altering the pattern; if you sequence up the neck through let's say 3 3nps patterns, then play each pattern coming down back to the first sequencing each with a scalar line. I just starting a routine about a week ago with this and it keeps getting tweaked every time I go through it. Hope this inspires some creativity. Cheers!
Guthrie, I've NEVER had a problem of playing scales instead of music. I have tunes running in my head at all times. HOWEVER, just watching 2 of your videos, this one, plus the "post-B'day" one where you talked about 9th chords has REALLY helped me! Also, I already know about CAGED, and triads, but...I haven't put all the pieces together yet. Still learning the fretboard, I guess! I'm still learning where to find all the notes coming out of my head, BUT I'm getting better. When I pick up my guitar, I'll have some notes in mind, and when I put my fingers on some strings/frets I'm almost always correct in getting the notes that I'm hearing in my head!
Wow! Sounds like you have an excellent internal ear. That's fantastic! Not many musicians have that level of clarity in their mind when playing music. Good for you! Thanks for sharing :) And thanks for watching
Thanks! I always get something from your lessons. I am currently studying these patterns as “Arpeggio’s” in the root, 1st and 2nd inversions, but adding an ascending and descending pattern is a great way to really burn this into your long term memory. Fantastic!
Hey, Jared. This lesson is one of those that has full meaning to me. Fret board exploration, means the MOON to me. How nice that you happen to show this lesson. I am going to spend two hours this coming weekend learning this from memory. Have grasp it first. Thank you man!!!!! Way to go!!!!!!
i'd been doing, on and off, something similar, only with 7's in the scale. now i'm going to do it, but use what you have shown. thanks for the info and giving me some ideas to play with.
Jared second night on this about an hour or so.. very cool.. the cage system I play the shape C and funny how you mention finding the fingering positions for each shape too is cool to realize .. very cool once it flows and yes although I was familiar with both the C major scale and the scale shapes for each position this is especially cool exercise knowing how you explained it..very cool indeed ty again!
Thanks Jared. This is one of the finest, ... you are blessed and skilled and thanks for being kind and giving too. This is one that I am able to do and going to step into .. for practice ... When you were doing it, I thought I'd do it in the key of C. I have been (had) been working on knowing the notes on the neck. Being C has no flats or sharps, I can use the whole name (for lack of a better term). Intervals and degrees in that context, though complicated, ... applied in C will help me big time. Then toward the end you mention the same exercises in C (chart). I sorta already know the major scale (pattern) and that's about all for now. ... As a side note, ... if I think as I learn the sounds as particular note "names", I am able to better understand what I am doing... I tried to dabbled a little with different tunings and I feel like may eyes are opening ... all in all .. I still feel like a new born kid with strings ... Thanks a million and keep doing your good work. pat
Terrific lesson and exercise start to finish this is an exciting eye opener bit of repetitious but it's important to acknowledge all these patterns triads arpeggios ascending descending so Cool to see how you demonstrated in the end how it works for improvising ..ty so much Jared
Excellent lesson Jared. Talk about a mind blowing exercise that will keep us sharp. Is there a link where I can get the sheets for the triad scale patterns?
Hey Charles. For the time being, you can check out the sheet music on my blog here: www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows Hope that helps for now!
@@soundguitar Thanks Jared. These exercises are going to keep me busy for a long time; but will be good for me. Thanks again for sharing and thanks for a great channel!
Another perfectly timed, outstanding lesson Jared. I just discovered this last week when I was practicing scales up and down, and found out it was too robotic. Is this part of one of the courses? TY
Another exercise could be to do the same moves, but working vertically on two string sets? Seeing the scale on one string, and adding the triad on the pair. Legato
Again, I want to say this a really great lesson and thank you. After listening to the end of your video, when getting to the improving area, I wonder how these triad patterns would work in conjunction with jazz great Jimmy Bruno's Five Fingering patterns that he has, which can be used in every key. You're probably familiar with it, and I wonder if you've used those fingerings doing the triad exercises that you're showing. BTW, your tele sounds great for jazz. Are those the stock pickups ?
Thanks for your comment and questions! Yep, stock pick ups on the tele :) // Actually, I have not heard of Jimmy Bruno's fingerings. I'll look it up asap. Looking forward to learning about it! Thanks :)
@@soundguitar Great....I'm not sure if it's ok to post a link here, but if you search on You Tube for Jimmy Bruno 5 Fingerings , it will take you right there. Jimmy explains the concept of the 5 fingerings how they apply to all chords of the major scale, so I'll let him tell it. I'd love to get you input on that. Thanks for the reply and those pickups sound great for smooth jazz.
As usual a great and helpfull lesson. I frequently practice this kind of exercise but it seems important for me to sing the degrees of each pattern to make ear training. I sing numbers (1 3 5...etc) ot name of notes (do, mi, sol...etc) After working each day I realize my great improving on my knowing of fretboard. I precise that I play in tewelve keys. What do you think about this kind of work?Regards
I’m interested in a video on how to finger these patterns. My current approach isn’t very consistent from a fingering standpoint and some triads feel clumsy. For example, the ii chord of the E shape. For the ascending exercise are you rolling your pinky from the last note of the I chord to land on the first note of the ii? I tried slowing down the video to look but the graphic at the start of the exercise covered it up🥲
That's a good idea. I'll save it for a future video, or include suggested fingerings when I make a download for all these patterns. For the ascending E form, between C and D minor, you're exactly right, I'm rolling my pinky from the 5th string to the 6th string (from the G note to the D note in the key of C)
This is a tremendous benefit and happenstance. I started learning triads this week, and then came across your video and email....however, when I go to acquire the PDF, I get a "Forbidden" message. Please advise. I'm excited to learn from you.
I only became aware of Triads recently and wished I had 'studied' this better. But now tell all younger guitarists when I meet any to study this stuff as it completely changes your playing..
What are those things on your picking hand fingers? What are they for? Also, I notice the guitar is roughly at a 45° angle on your lap, but on the bottom (panel?) on screen it appears as 0°. Nice touch! You've made it easier for us to follow along ❤
Those are finger picks. If you're interested, I have a video on them → ua-cam.com/video/8VIk--237AE/v-deo.html Yup, I rotate the guitar view on purpose. I'm glad that makes it easier 😁
Hi Jared, Question: Do you recommend any specific order regarding purchasing your premium products? I have learned so much from your free content playlists, but would like to take the next step later this year. I’m currently working on Konnakol Rhythmic Solfege and it would be unrealistic to take on any addition study immediately. I prefer to deep dive one subject at a time. If there is a link to an upload/blog post where you have already covered this question, I cannot find it. All the best.
Hi Mike. Thanks for your patience and thanks for the question! I don't recommend any specific order for my courses except for taking my beginner course first IF one is a beginner and/or feels they need a solid, well-rounded foundation of all guitar topics and techniques before working on more specialized interests. The beginner course is brand new and I'm currently teaching it to the first round of students but enrollment for new students is closed. It will open back up again this year after April. The rest of my courses are all focused on getting specific outcomes within specific topics. Each course starts with the idea of a promise and a milestone that the student will achieve by taking the course. Chords on Command is all about full chord-theory clarity all over the fretboard to be able to make or analyze any chord on the guitar, even crazy extended jazz chords. Nail the Changes is all about being able to improvise over any chord progression and follow the changes, mainly focused on jazz but it works for any style. Top Notch Technique includes all the technique exercises I've ever used to get certain technique results and improvement. And Chord Melody Magic is all about learning the language of chord melody and being able to play the melody and chords at the same time for any song/tune. So, other than the beginner course if needed, I recommend the course that gets you most excited about the results that it promises. Several of them are effective for multiple levels of playing, such as Nail the Changes, which has every exercise in three difficulty levels (beginner, intermediate, advanced), but some courses require more experience, such as Chord Melody magic which requires some experience and technical ability to be able to play the chords and make the arrangements. Please let me know if you have any further questions anytime. Cheers, Jared
@@soundguitar Thank you so much for taking the time to give this overview. I know exactly how I plan to navigate your paid-for courses. Expect my custom in due course.
Thanks! I'm working on preparing the sheet music and tabs as a download, but in the meantime you can check out the diagrams on the blog post version of this lesson → www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows Hope that helps!
Great ! Thanks for sharing all this. I just want to add that you do have a nice voice.....but, I can't help think that every time I hear this tune, it reminds me of that one old Bugs Bunny cartoon where Elmer Fudd sings "I'm in the Mood for Love". If you can imitate Elmer Fudd at all , try singing it with his voice. Every head on the dance floor will turn their necks and look at you. It works every time.
Same! I also associate "I'm in the Mood for Love" with the scene from the Our Gang (the Little Rascals) shorts, where Alfalfa sings it and wins a radio contest.
Its like the scale patterns are a skeletton, or a tree trunk, and triads are the branches, leeves.. I could figure if we pratice triads this way, we can pick it all, the whole structure.... But first its essencial to know by heart the scale structure.. not impossible! Am I right? cHEERS from Brasil🍻
Can you do the triad patterns off of arpeggios? Meaning are there musical uses for those patterns? Thinking of a triad pattern off of a diminished arpeggio perhaps...
Thanks for asking. Yes, you can definiltey practice arpeggios with patterns. It's just like practicing scale patterns but with a smaller collection of notes. I love practicing that stuff. It helps make arpeggios feel less one-dimensional. I'll do a video on it soon!
If you want to check out the sheet music at your own pace, you can go to the blog post version of this lesson → www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows The descending D form is also available there 😉 Hope that helps!
Great stuff.. but Why to my ears does it sound not quite right? I think the element that's missing is 'target notes'. Seems like that is still just happening intuitively but not all the time.
Thanks for the comment! Yeah, straight-up scale patterns don't really target chord tones, but I like the sound of them in little bursts, then I go back to following the changes more directly. Just a matter of preference when to throw these in. A lot of people use them during modal jam situations where every note is a "target note"
@@soundguitar I would say using triad scale patterns does not mean ignoring or not being aware of target tones, Some triads will work far better than others over a chord because they have those target tones in them. This is a problem I have and I noticed the same issue when watching you demonstrate your triad patterns.
If this information is useless to you, you should probably learn your 5 major scale patterns, then practice playing them in thirds. You should be able to follow along with this and practice it at that point.
🎸 FREE PDF: Download the most important scale diagrams for guitar → bit.ly/3hfGTUx
Great video, lots of good information efficiently tucked into a half hour here... also so much wisdom around 21:00: "...the willingness to work on stuff that doesn't yet feel like the music we want to play... be willing for it to not sound good yet while you're working on a certain ability...". We all need to hear this.
Great organization of material and superb no-nonsense presentation (no house plants, neon lights, pictures of guitar idols, baseball cap, no verbiage or used-car salesman jive). Many thanks, Jared!
Lol, dang, u don't have to do other tutors like that 😅
Haha, thanks!
This is so good. It's like Daniel in Karate Kid. You keep drilling these patterns until your sick of it, even if you don't feel like it's as musical as you want to be. Then, Jared says, "paint the fence" or "show me wax on wax off" and you start playing and it sounds awesome. Thanks man.
I know what I'm going to be working on for the months to come. Thanks for this lesson Hared.
Couple extra ideas (I've actually been doing these lately for the same reason that Jared is):
try with 3nps shapes; when you ascend the scales, descend the triad arpeggio - and vice versa; begin arpeggios not only on the 1, but also the 3 and 5; move through 2 to 4 3nps shapes up and down the neck connecting with a melodic line doing reps until you've gone through all 7 starting points; always think of the degrees you're on; do it with Major, Melodic Minor, Harmonic Major & Harmonic Minor; think rhythmically while you practice keeping an internal beat; play sequences feeling a beat every 3, 4 or 5 notes without altering the pattern; if you sequence up the neck through let's say 3 3nps patterns, then play each pattern coming down back to the first sequencing each with a scalar line.
I just starting a routine about a week ago with this and it keeps getting tweaked every time I go through it. Hope this inspires some creativity. Cheers!
Cheers, thanks for the ideas!! :)
PS Yes, what you say about your approach after c.10:50 is also something I greatly appreciate about your lessons.
Thanks for the feedback! I'm glad you appreciate that aspect :) I'll keep doing it! :)
Guthrie, I've NEVER had a problem of playing scales instead of music. I have tunes running in my head at all times.
HOWEVER, just watching 2 of your videos, this one, plus the "post-B'day" one where you talked about 9th chords has REALLY helped me!
Also, I already know about CAGED, and triads, but...I haven't put all the pieces together yet.
Still learning the fretboard, I guess!
I'm still learning where to find all the notes coming out of my head, BUT I'm getting better.
When I pick up my guitar, I'll have some notes in mind, and when I put my fingers on some strings/frets I'm almost always correct in getting the notes that I'm hearing in my head!
Wow! Sounds like you have an excellent internal ear. That's fantastic! Not many musicians have that level of clarity in their mind when playing music. Good for you! Thanks for sharing :) And thanks for watching
Thanks! I always get something from your lessons. I am currently studying these patterns as “Arpeggio’s” in the root, 1st and 2nd inversions, but adding an ascending and descending pattern is a great way to really burn this into your long term memory. Fantastic!
Sweet! Thanks for the comment.
Happy practicing :)
Hey, Jared. This lesson is one of those that has full meaning to me. Fret board exploration, means the MOON to me. How nice that you happen to show this lesson. I am going to spend two hours this coming weekend learning this from memory. Have grasp it first. Thank you man!!!!! Way to go!!!!!!
Thanks so much for the enthusiastic comment! 🙏
I hope you enjoy the practice 😊
Just listening to your practice was so relaxing.
Thanks! Glad you liked it 😇
i'd been doing, on and off, something similar, only with 7's in the scale. now i'm going to do it, but use what you have shown. thanks for the info and giving me some ideas to play with.
Thank you for your very informative tutorial.
The time and effort you share with us is appreciated greatly!
Sure thing! I'm glad you found it helpful :)
BRILLIANT Lesson!!!
Thanks!! :)
So incredibly useful and clear! Thanks!
Thanks Jared, another superb lesson. Love your approach.
Thanks, Mitchell! I appreciate that 🙏
Jared second night on this about an hour or so.. very cool.. the cage system I play the shape C and funny how you mention finding the fingering positions for each shape too is cool to realize .. very cool once it flows and yes although I was familiar with both the C major scale and the scale shapes for each position this is especially cool exercise knowing how you explained it..very cool indeed ty again!
Thanks Jared. This is one of the finest, ... you are blessed and skilled and thanks for being kind and giving too. This is one that I am able to do and going to step into .. for practice ... When you were doing it, I thought I'd do it in the key of C. I have been (had) been working on knowing the notes on the neck. Being C has no flats or sharps, I can use the whole name (for lack of a better term). Intervals and degrees in that context, though complicated, ... applied in C will help me big time. Then toward the end you mention the same exercises in C (chart). I sorta already know the major scale (pattern) and that's about all for now. ... As a side note, ... if I think as I learn the sounds as particular note "names", I am able to better understand what I am doing... I tried to dabbled a little with different tunings and I feel like may eyes are opening ... all in all .. I still feel like a new born kid with strings ... Thanks a million and keep doing your good work. pat
Thanks for sharing, David! and for watching along. Cheers! :) -Jared
Terrific lesson and exercise start to finish this is an exciting eye opener bit of repetitious but it's important to acknowledge all these patterns triads arpeggios ascending descending so Cool to see how you demonstrated in the end how it works for improvising ..ty so much Jared
I'm happy you liked it 🙂
Thanks for the comment 🙏
Amazing lesson Jared. Thank you so much!
No problem. I'm happy you liked it!
Very nice!!! Thank you so much for your time in posting videos that help us. It is very appreciated!!!!❤
Great! I'm happy you liked it 😊
Exactly what I needed. Thanks!
Nice! Happy to help.
Really good lesson Jared!
Thanks Mason!
This is a good brain strain exercise. Jared dropping 🔥 lessons. Good day 😎🤘🌄
Haha yeah, it's definitely a mind bender. Thanks for the encouragement! 🙏🙏🙏
Thank you for the practice ideas! I’ve been looking for something like this to practice with 3rds.
Sure! I'm glad this was the right thing for you 🙂
Cool thanks. Very useful information Jared
Sure thing. Happy to help! 😊
Great channel!
Thank you!
I like the application in real music with this beautiful tune!
Good, I'm glad you liked having the application section!
Super lesson man! Thanks a lot!
Thank you! Happy you liked it!
This is a good one! Thanks!!!!
Thank you! 😁
Great as usual , waiting for left hand fingering because it is tricky .
Thanks
Thanks! I'll plan on recommending my fretting hnd fingering choices in the future.
Thanks Jared, this is invaluable!
No problem. I'm really happy it's helpful for you!
Excellent lesson Jared. Talk about a mind blowing exercise that will keep us sharp. Is there a link where I can get the sheets for the triad scale patterns?
Haha, thanks! I'm working on getting the sheet music ready as a download. Stay tuned!
Hey Charles. For the time being, you can check out the sheet music on my blog here: www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows
Hope that helps for now!
@@soundguitar Thanks Jared. These exercises are going to keep me busy for a long time; but will be good for me. Thanks again for sharing and thanks for a great channel!
@@soundguitar Thanks Jared; I've got my work cut out for me. I appreciate your responsiveness!
Great CAGED triads I can add to my guitar practice.
Another perfectly timed, outstanding lesson Jared. I just discovered this last week when I was practicing scales up and down, and found out it was too robotic. Is this part of one of the courses? TY
Thanks, Andre! Great to hear from you. I'll be adding this, and other scale pattern exercises to the Nail the Changes course this year. Stay tuned. :)
@@soundguitar Amazing, thank you so much Jared!
Thank you
You're welcome!
Great video thanks! Can you tell me what key you were improvising in and were you changing key when the chords change?
Another exercise could be to do the same moves, but working vertically on two string sets? Seeing the scale on one string, and adding the triad on the pair.
Legato
Yeah totally! That would be great practice :)
Again, I want to say this a really great lesson and thank you. After listening to the end of your video, when getting to the improving area, I wonder how these triad patterns would work in conjunction with jazz great Jimmy Bruno's Five Fingering patterns that he has, which can be used in every key. You're probably familiar with it, and I wonder if you've used those fingerings doing the triad exercises that you're showing. BTW, your tele sounds great for jazz. Are those the stock pickups ?
Thanks for your comment and questions! Yep, stock pick ups on the tele :) // Actually, I have not heard of Jimmy Bruno's fingerings. I'll look it up asap. Looking forward to learning about it! Thanks :)
@@soundguitar Great....I'm not sure if it's ok to post a link here, but if you search on You Tube for Jimmy Bruno 5 Fingerings , it will take you right there. Jimmy explains the concept of the 5 fingerings how they apply to all chords of the major scale, so I'll let him tell it. I'd love to get you input on that. Thanks for the reply and those pickups sound great for smooth jazz.
If I had found your channel sooner I would never have taken up the classical Guitar.
I'm classical guitarist as well. I'll be doing more classical guitar lesson videos in the future. Stay tuned! :)
As usual a great and helpfull lesson. I frequently practice this kind of exercise but it seems important for me to sing the degrees of each pattern to make ear training. I sing numbers (1 3 5...etc) ot name of notes (do, mi, sol...etc) After working each day I realize my great improving on my knowing of fretboard. I precise that I play in tewelve keys. What do you think about this kind of work?Regards
That sounds like a great thing to practice! Singing while you play can help your ear training and fretboard knowledge.
I’m interested in a video on how to finger these patterns. My current approach isn’t very consistent from a fingering standpoint and some triads feel clumsy. For example, the ii chord of the E shape. For the ascending exercise are you rolling your pinky from the last note of the I chord to land on the first note of the ii? I tried slowing down the video to look but the graphic at the start of the exercise covered it up🥲
That's a good idea. I'll save it for a future video, or include suggested fingerings when I make a download for all these patterns. For the ascending E form, between C and D minor, you're exactly right, I'm rolling my pinky from the 5th string to the 6th string (from the G note to the D note in the key of C)
Update: I'm filming a lesson video on the principles behind the fingering choices in a few days and it will come out in a few weeks :)
@@soundguitar You’re the best. Thanks, Jared!
I remember practicing that but just horizontally. Let's do it vertical, nice thank you.
Right on! And I need to work on it horizontally now 🤪
This is a tremendous benefit and happenstance. I started learning triads this week, and then came across your video and email....however, when I go to acquire the PDF, I get a "Forbidden" message. Please advise. I'm excited to learn from you.
I only became aware of Triads recently and wished I had 'studied' this better. But now tell all younger guitarists when I meet any to study this stuff as it completely changes your playing..
Cool that it has helped your playing! Thanks for the comment.
What are those things on your picking hand fingers? What are they for? Also, I notice the guitar is roughly at a 45° angle on your lap, but on the bottom (panel?) on screen it appears as 0°. Nice touch! You've made it easier for us to follow along ❤
Those are finger picks. If you're interested, I have a video on them → ua-cam.com/video/8VIk--237AE/v-deo.html
Yup, I rotate the guitar view on purpose. I'm glad that makes it easier 😁
@@soundguitar Watching now... thank you!
Hi Jared,
Question: Do you recommend any specific order regarding purchasing your premium products? I have learned so much from your free content playlists, but would like to take the next step later this year. I’m currently working on Konnakol Rhythmic Solfege and it would be unrealistic to take on any addition study immediately. I prefer to deep dive one subject at a time. If there is a link to an upload/blog post where you have already covered this question, I cannot find it. All the best.
Hi Mike, thanks for the comment. I'll get back to you with a thorough response soon!
@@soundguitar Thanks.
Hi Mike. Thanks for your patience and thanks for the question! I don't recommend any specific order for my courses except for taking my beginner course first IF one is a beginner and/or feels they need a solid, well-rounded foundation of all guitar topics and techniques before working on more specialized interests. The beginner course is brand new and I'm currently teaching it to the first round of students but enrollment for new students is closed. It will open back up again this year after April. The rest of my courses are all focused on getting specific outcomes within specific topics. Each course starts with the idea of a promise and a milestone that the student will achieve by taking the course. Chords on Command is all about full chord-theory clarity all over the fretboard to be able to make or analyze any chord on the guitar, even crazy extended jazz chords. Nail the Changes is all about being able to improvise over any chord progression and follow the changes, mainly focused on jazz but it works for any style. Top Notch Technique includes all the technique exercises I've ever used to get certain technique results and improvement. And Chord Melody Magic is all about learning the language of chord melody and being able to play the melody and chords at the same time for any song/tune. So, other than the beginner course if needed, I recommend the course that gets you most excited about the results that it promises. Several of them are effective for multiple levels of playing, such as Nail the Changes, which has every exercise in three difficulty levels (beginner, intermediate, advanced), but some courses require more experience, such as Chord Melody magic which requires some experience and technical ability to be able to play the chords and make the arrangements. Please let me know if you have any further questions anytime. Cheers, Jared
@@soundguitar Thank you so much for taking the time to give this overview. I know exactly how I plan to navigate your paid-for courses. Expect my custom in due course.
Great Lesson, Can anyone tell me how to print the Triad scale Pattern Diagrams for this lesson?
Thanks! I'm working on preparing the sheet music and tabs as a download, but in the meantime you can check out the diagrams on the blog post version of this lesson → www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows
Hope that helps!
Tough job, but the exercise s are useful
Great ! Thanks for sharing all this. I just want to add that you do have a nice voice.....but, I can't help think that every time I hear this tune, it reminds me of that one old Bugs Bunny cartoon where Elmer Fudd sings "I'm in the Mood for Love". If you can imitate Elmer Fudd at all , try singing it with his voice. Every head on the dance floor will turn their necks and look at you. It works every time.
Same! I also associate "I'm in the Mood for Love" with the scene from the Our Gang (the Little Rascals) shorts, where Alfalfa sings it and wins a radio contest.
@@derrickmickle5491 hahaha.......that's right ! I forgot about that . Poor, poor Alfalfa.
Haha, thanks 😂
Its like the scale patterns are a skeletton, or a tree trunk, and triads are the branches, leeves.. I could figure if we pratice triads this way, we can pick it all, the whole structure....
But first its essencial to know by heart the scale structure.. not impossible!
Am I right?
cHEERS from Brasil🍻
Yes, it's important to know the scale first. We need to be able to identify what chords within the scale to arpeggiate. Thanks for the comment! 👋
Can you do the triad patterns off of arpeggios? Meaning are there musical uses for those patterns? Thinking of a triad pattern off of a diminished arpeggio perhaps...
Thanks for asking. Yes, you can definiltey practice arpeggios with patterns. It's just like practicing scale patterns but with a smaller collection of notes. I love practicing that stuff. It helps make arpeggios feel less one-dimensional. I'll do a video on it soon!
Hello Jared. It seems that you forget D form descending. Oups!
Yep! Skipped it totally by accident... I meant to do all of them 😬 whoops
I say that because there's no PDF and i was obliged to copy each note on GuitarPro. So it was easier for me with the notes!😄@@soundguitar
@@gedinchristian603 Ah wow! Star student :) ⭐
If you want to check out the sheet music at your own pace, you can go to the blog post version of this lesson → www.soundguitarlessons.com/blog/triad-scale-patterns-basic-stuff-everyone-knows
The descending D form is also available there 😉
Hope that helps!
That helps a lot! Thank you so much!@@soundguitar
So much work! Not sure if I have enough life left to do this.
Yeah, it takes a lot of practice! There's no need to learn it perfectly. In my opinion, enjoying the process matters the more than anything else.
this should be a regular warmup for any serious guitar player 🥵
but let's face the truth! who's doing this 🥴
Great stuff.. but Why to my ears does it sound not quite right? I think the element that's missing is 'target notes'. Seems like that is still just happening intuitively but not all the time.
Thanks for the comment! Yeah, straight-up scale patterns don't really target chord tones, but I like the sound of them in little bursts, then I go back to following the changes more directly. Just a matter of preference when to throw these in. A lot of people use them during modal jam situations where every note is a "target note"
@@soundguitar I would say using triad scale patterns does not mean ignoring or not being aware of target tones, Some triads will work far better than others over a chord because they have those target tones in them. This is a problem I have and I noticed the same issue when watching you demonstrate your triad patterns.
What the hell do you have in your fingers in the right hand
"Alaska Picks" cf. ua-cam.com/video/8VIk--237AE/v-deo.htmlfeature=shared
Without the guitar pro file for this, this is pretty much useless
If this information is useless to you, you should probably learn your 5 major scale patterns, then practice playing them in thirds. You should be able to follow along with this and practice it at that point.
This is a you problem. Fix it.
It's not that it is useless to me but without the guitar po file it just makes everything more complicated@@t3tratube
6:52