The French Movie "Joyeaux Noel" introduced me to this beautiful song. I watch it every year and I am reminded of the universal meaning of Christmas "peace", the desire of the human heart, an innocent pure child born in the manger, the humanity of people (Men) from different cultures sharing the same heart in the midst of the ugliest events of war. This is a beautiful version of the song THANK YOU
Das wäre schön, aber am Anfang dieses Wegens sollte man es so singen:Bist du bei mir, gehe ich mit Freuden, des Lebens Wanderweg mit dir entlang, in Freud' und Leid, bis uns der Himmel gibt Bescheid. Und dann kann man den Originaltext hinzufügen.
A singing for Heaven, this was the good old times. "Bist du bei mir, geh ich mit Freuden" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera Diomedes. The aria is best known as "Bist du bei mir", BWV 508, a version for voice and continuo found as No. 25 in the 1725 Notebook for Anna Magdalena Bach.
J'ai entendu cette mélodie pour la première fois dans le film JOYEUX NOËL...Ça m'a touché profondément et cette version-ci est celle qui se rapproche le plus de celle du film...Poignant et touchant au plus profond! (y)
Gottfried Stolzel is the composer! It was copied by Anna Magdalena Bach into her notebook, but the composition is an aria by Gottfried Heinrich Stölzel from his opera Diomedes premiered in 1718.
Isn't it time people stop attributing this magnificent aria to J.S. Bach? He didn't write it, he just "collected" it, like it was in use at the time (no copyright in the XVIII century... ;) )
Paolo Pizzi You must be one of those folk who likes to make out how well informed and smart you are.....a clever clogs. It does not really matter the piece is a winner and it is sung here with understanding.
Ella qué bella voz y qué bien cantado. El también aunque parece que le cuesta hacer la medida que es y no puede evitar usar recursos que no pe cuadran en el Barroco jejej. La orquestación estupenda aunque no es de mi gusto ya que se aleja de la época.
Stefan Christoffer Where in my 7 word comment did I say I was better? Read my comment again, or get someone to read it to you. I merely stated my preference for less vibrato.
Bart Brush No need to get exited, but your comment implied that the artists did not or not sufficiently control their vibratos. If you don't like the way these world renowned singers sing don't listen to them. What makes you think the world cares about your preferences unless you are Sir Roger Norrington? To assume this, the way you express them seemingly desperate and your suggestion to have your comment read to me contains a hint of arrogance. That prompted my comment.
Stefan Christoffer Stefan, I apologize for my rudeness. I found your initial reply "Are you any better?" to be out of order, as it had nothing to do with my original comment. Of course I'm not better; I'm not even a trained singer. I love this piece, the performers, and the performance, but there is too much vibrato for my taste. I did not mean to suggest that the singers are out of control. With their level of skill, presumably they can apply any degree of vibrato they choose. I should have worded my original comment: "I wish they would reduce their vibratos." This is a matter of personal taste, and we are all entitled to our own, regardless of the preferences of Norrington or Domingo.
+Bart Brush They're not children. They don't need to sound like them. You are entitled to your opinion but I would suggest that that if you don't like this sound that you listen to boy sopranos or something. This is a mature adult sound and it is gorgeous.
A very tender, engaging performance! At 2:30, however, a half-tone photo of Pope John Paul appears behind the words "Amore Infinito," or "love without end." As a Roman Catholic, I find that conjunction to be obnoxious as applied to a one-dimensional figure of spiritual alienation, not sincere leadership. This music is a small but shining gem beloved by legion peoples across generations and borders. Unlike the current Pope Francis, or Pope John XXIII from the 1960s, John Paul was a reflexively conservative, anti-socialist and anti-sexual man of limited imagination and clueless historic intelligence, two realms of human endeavor and theologic scholarship that stand as landmarks of our civil and corporal evolution, respectively. He does not deserve to be remembered as a shepard of love or inclusion so valuable today.
This is too quick and too hard... It needs more rest (Ruhe), more reconciliation and more humility in singers voice and also the instruments should be more restful... One voice with continuo and better understanding is sufficient.
@@brigittebrodhun255 es geht um die Interpretation, die hier extrem uninformiert u daher kitschig ausfällt. Eine richtig gute gibt es u.a. von Klaus Mertens und Ton Koopman.
I've listened to this abselutely unrivalled performance countless times and it still moves me to tears. Magic.
Das ist für mich die aller schönste Aufnahme! ❤❤❤
The French Movie "Joyeaux Noel" introduced me to this beautiful song. I watch it every year and I am reminded of the universal meaning of Christmas "peace", the desire of the human heart, an innocent pure child born in the manger, the humanity of people (Men) from different cultures sharing the same heart in the midst of the ugliest events of war. This is a beautiful version of the song THANK YOU
Me too! I just watched it in class and I had to come here this song is just so beautiful and so is the movie.
im sorry but its joyeux noël ^^
Merry Christmas!
One of Bach's most beautiful melodies. Great duet and thanks for the subtitles.
The composer was Gottfried Heinrich Stölzel
Ein wunderbare musikalische Leistung, meine Frau und ich wünschen uns dieses Lied an unserem letzten Weg. Danke!
Das wäre schön, aber am Anfang dieses Wegens sollte man es so singen:Bist du bei mir, gehe ich mit Freuden, des Lebens Wanderweg mit dir entlang, in Freud' und Leid, bis uns der Himmel gibt Bescheid.
Und dann kann man den Originaltext hinzufügen.
Ich auch.
@@christianethiel6706 Auch ich und suche nach dem CD???
Beautiful and touching.
Simply beautiful!
Thanks for posting with the original words and the translation.
Tröstende, guttuende Klänge und wunderbare Stimmen. Herzlichen Dank!
Ohhhhhhh is very clean and I can feel the expression🙏🏻🙏🏻😊😇😇😇😇😇💐💐💐💐💐💐💐💐💐🎶🎵🎼
A singing for Heaven, this was the good old times. "Bist du bei mir, geh ich mit Freuden" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera Diomedes. The aria is best known as "Bist du bei mir", BWV 508, a version for voice and continuo found as No. 25 in the 1725 Notebook for Anna Magdalena Bach.
She is singing without accent… beautiful!!
Once in a while one comes across an exquisitely performed piece of music. This is such a piece.
Their voices blend so well.
Sublime and beautiful
Una voz espectacular la de la cantante soprano Sissel Kyrkjebo, ademas ella es muy linda y deleita su música...felicitaciones!!
Fantastic piece.
J'ai entendu cette mélodie pour la première fois dans le film JOYEUX NOËL...Ça m'a touché profondément et cette version-ci est celle qui se rapproche le plus de celle du film...Poignant et touchant au plus profond! (y)
Cada vez que escucho esta pieza me siento emocionada por la música y, sobre todo, por el texto. Es maravilloso.
Beautiful blend.
Fantastic !!
Divine and wonderful.
Maravillosa pareja. Una versión hipnótica.
thank you for showing both languages
Sublime !!
Beautiful!
Come along
Wonderful
Sublime , oracion cantada en la epoca navideña .
Thank you very much for this posting! Absolutely amazing performance! Just love it!
This has to be my favorite rendition of this song
John Daniel To each his own, but you may enjoy Dame Janet Baker.
I can really enjoy the singing and the dynamics
the almost Wagnerian deceptive cadence towards the end was a nice touch!
Gottfried Stolzel is the composer!
It was copied by Anna Magdalena Bach into her notebook, but the composition is an aria by Gottfried Heinrich Stölzel from his opera Diomedes premiered in 1718.
Exactly so!
Sweet!
Beautiful. Where can I buy this duet score?
Très beau et touchant.
Ok, it's not written by Bach. But imagine how good a piece has to be for the great of greats to collect it, arrange it and publish it!!
this was a song your mother loved
The German pronunciation is flawless.
Ja, Woll!
I agree ☝️👍🙏🏻
Perfekt kommentar 🙏🏻😀
❤❤❤❤
Das letzte Lied am Grab unserer lieben Mausi.....viel zu früh bist Du uns vorausgegangen....aber wir kommen ja bald nach.....
Beautiful.
The composer was Gottfried Heinrich Stölzel
I'm singing this in choir I'm in 7th grade
Cliqueymcpilot666meme wow that's great
good😍😚😮👍
Merveilleux morceau
Isn't it time people stop attributing this magnificent aria to J.S. Bach? He didn't write it, he just "collected" it, like it was in use at the time (no copyright in the XVIII century... ;) )
Paolo Pizzi You must be one of those folk who likes to make out how well informed and smart you are.....a clever clogs. It does not really matter the piece is a winner and it is sung here with understanding.
The language of butterflys
Ella qué bella voz y qué bien cantado. El también aunque parece que le cuesta hacer la medida que es y no puede evitar usar recursos que no pe cuadran en el Barroco jejej. La orquestación estupenda aunque no es de mi gusto ya que se aleja de la época.
Ok
Originally by Gottfried Heinrich Stölzel from his opera, Diomedes, the aria "Bist du Bei Mir" appeared in J. S. Bach's Notebook for Anna Magdalena.
They are both trying to sing this more quickly than the orchestra tempo in places...
If only the could control their vibratos.......
Are you any better???
Stefan Christoffer
Where in my 7 word comment did I say I was better? Read my comment again, or get someone to read it to you. I merely stated my preference for less vibrato.
Bart Brush No need to get exited, but your comment implied that the artists did not or not sufficiently control their vibratos. If you don't like the way these world renowned singers sing don't listen to them. What makes you think the world cares about your preferences unless you are Sir Roger Norrington? To assume this, the way you express them seemingly desperate and your suggestion to have your comment read to me contains a hint of arrogance. That prompted my comment.
Stefan Christoffer
Stefan, I apologize for my rudeness. I found your initial reply "Are you any better?" to be out of order, as it had nothing to do with my original comment. Of course I'm not better; I'm not even a trained singer. I love this piece, the performers, and the performance, but there is too much vibrato for my taste. I did not mean to suggest that the singers are out of control. With their level of skill, presumably they can apply any degree of vibrato they choose. I should have worded my original comment: "I wish they would reduce their vibratos." This is a matter of personal taste, and we are all entitled to our own, regardless of the preferences of Norrington or Domingo.
+Bart Brush They're not children. They don't need to sound like them. You are entitled to your opinion but I would suggest that that if you don't like this sound that you listen to boy sopranos or something. This is a mature adult sound and it is gorgeous.
ONE of the best, sorry, and even though I like Sissel, it is not her ;-)
Aria van Gottfried Heinrich Stölzel and not by Bach...
A very tender, engaging performance!
At 2:30, however, a half-tone photo of Pope John Paul appears behind the words "Amore Infinito," or "love without end." As a Roman Catholic, I find that conjunction to be obnoxious as applied to a one-dimensional figure of spiritual alienation, not sincere leadership. This music is a small but shining gem beloved by legion peoples across generations and borders. Unlike the current Pope Francis, or Pope John XXIII from the 1960s, John Paul was a reflexively conservative, anti-socialist and anti-sexual man of limited imagination and clueless historic intelligence, two realms of human endeavor and theologic scholarship that stand as landmarks of our civil and corporal evolution, respectively. He does not deserve to be remembered as a shepard of love or inclusion so valuable today.
and this is NOT a sacred song... memento mori was a normal baroque thought...
This is too quick and too hard... It needs more rest (Ruhe), more reconciliation and more humility in singers voice and also the instruments should be more restful... One voice with continuo and better understanding is sufficient.
l000kin I have a problem with the hard, unsympathetic tone of Domingo. Sissel is sweet and gentle.
I don't have problem
Schlimmer Kitsch...
Ist Wohlklang Kitsch? Dann ist alles bis zu den schrecklichen Werken nach dem 2. WK
Kitsch. Klärt mich bitte auf,
@@brigittebrodhun255 es geht um die Interpretation, die hier extrem uninformiert u daher kitschig ausfällt. Eine richtig gute gibt es u.a. von Klaus Mertens und Ton Koopman.
Wenn man von Barock versteht, was die Ästhetik kitsch zu sein heißt?
diese Version ist sicherlich nicht barock.... das ist ne moderne Bearbeitung@@berlinerpilz5663
gay