Einfach märchenhafte Interpretation. Eine wunderbare Pianistin. Danke, dass wir heute noch die Möglichkeit haben solche Musik zu hören! Ein wahres Gedicht
I forgot her name, now I can see her face, but her superb performance is ingrained in my brain, since I was 14. I recognized her music on the spot after I red a comment by someone I respect.
Magnifica interpretazione di questa leggendaria pianista del secolo scorso. Con una articolazione virile e scevra di intenzioni metafisiche o filosofiche che molti pianisti moderni cercano di dare a questo sublime Concerto.
Superba interpretare a acestei mari pianiste! Un talent desavarsit! Clara Haskil,un nume de rasunet mondial,in arta pianistica! Multumiri pentru postare! S. Baciu
As another commentator said, this seems to be close-miked on the piano, and rather different from the modern approach of presenting it as it would be heard in a concert hall. But what a favour it does to her performance! Every inflection and touch of this exquisite interpretation is heard. The relatively dry sound and the respectful conductor all help. The result is overwhelming because of her supreme artistry. I dropped in to sample and stayed for all of it, unable to tear myself away. Dean Dixon was an African American conductor. The empathy between him and the Jewish Haskil must have been strong. She died in such a stupid way --- falling down some steps in a railway station --- and deprived of us all of perhaps another twenty years of great playing.
What I understand is that due to financial hardship and persecution by the Nazis, Clara Haskil did not get to perform regularly until late in her life, when she was "past her prime." Perhaps that suffering is what gives her playing special sensitivity and pathos. Haskil should be remembered for her life as well as her art.
She is a poet of the piano, pleying the most poetic piano concerto of XIX cent., one of her best loved. The Dean Dixon's conducting accepts her approach, so that the whole interpretation is remarkable
Ich wußte nicht, dass Clara in der Hochschule der Künste von Berlin jemals ein Konzert gab. Vielen lieben Dank für das Füllen der Lücke meinerseits! Dean Dixon war lange Zeit der Chef-Dirigent des Radio-Sinfonie-Orchesters des Hessischen Rundfunks, Frankfurt am Main. Wonderful!
For me Haskil's best recording of this concerto. Brilliant! My favorite recordings remains Bakchaus and Gilels (if you look for a more powerful view on this concerto) and Serkin, together with this Haskil recording (if you like a more sweet and subtle approach).
What a mature , understanding approach than we most often get . The 2nd movement's fir into this music make it a different animal than all the concerti written before it . Like Mozart'sK.271 it said something new in a new way ! Haskil's playing of he last bars of middle movement are incredible . She is as frighteningly real in life as Hofmann was with piano wizardry and subtle structuring and pacing .I wonder if he ever heard her ? Men in that generation could not have been deaf to her strengths . Beethoven is brusque something completely musical but with concern for idea and concepts .A new type of formalist who advocated for the new way of living and seeing political and aesthetic truths ! Forever my hero like Boulez and Elliott Carter ! What surprises me is Clara's way works fine and is really more classical values than heated , quick hanging moods of some Romanticist . Everything she and the conductor do would work in Mozart or Hadyn and is logical . By the 5th minute I began to feel this is the only way to play this music . How is it this frail woman was technically so perfect she makes Schnabel and many more famous names sound like plebs in the difficult places . I think too here she is closely miked . More remarkable that we get such fine playing "in concert " . This woman was a marvel . I can imagine that the 2nd world was worse for her health . i must find monographs on her life- where did she live from 38 till 1945 . How did she stay so perfect !??
Faz parte de mim pois Meus Pais admiravam-na, como eu a admiro agora. De uma primorosa técnica, também violinista, de uma sensibilidade que me faz arrepiar, me emociona até às lágrimas e me alegra nas suas interpretações. Como Crente e Católico, Clara Haskil está com os seus compositores em permanente concerto com todos no Céu, no Paraíso com Deus e toda a natureza viva como dizia Francisco de Assim. Muito, mas muito Obrigado e espero encontrá-la... Que vida teve cá e que superação.
Benjamin Steinberg, my father; Dean Dixon; and Everett Lee tried to start an integrated orchestra in America in the 1940's, but they could not do it. It was not until May 6, 1965, that The Symphony of the New World premiered at Carnegie Hall. Dean Dixon was one of the guest conductors with the symphony. What I think about is that there was so much racism in America, Dean Dixon had to go to Germany - in the 1950's - to get job with musicians that were worthy of him? Clara Haskil is a revelation.
Hello Barbara. Thank you for this piece of information. I am doing a research on a South African composer, whose work was conducted by Dean Dixon 1950. Would you by any chance have some information about this historic event?
SHALLOM IRMÃO demais essas pessoas que você gosta de fazer uma campanha para começar a prática de andar e correr atrás dos ideais de nossas índole e memórias. Ufa. Grato Jr SHALLOM
So much fluff in this beethoven concerto and no substance. It's like too much whipped cream without ice cream and so repetitive too. Back when simply running scales up and down the keyboard was considered entertaining and repetitive arpeggios in the same harmony. I've waited decades until i had heard virtually all piano concerti in the repertoire to confirm that this is the emptiest concerto ever. It's 95% fluff and 5% music, and also that Beethovenish saccade hammer V- I that i cannot stand. Now i'll make sure to note it, so that i'll never waste time listening to it again. Oh and Clara Haskil is formidable and a legendary pianist, i guess she could not refuse playing Beethoven in those days it was a forced route for all pianists.
@@vladislavstezhko1864 you obviously have reading comprehension difficulties. I faulted the piece for being fluffy and lacking substance then said for some people entertainment of hearing fast scales up and down and arpeggios is enough. In a typical youtubian mediocre fashion you distorted that and reversed my words, i never said music must be entertaining that is your own problem with understanding what you read. thanks.
@@ericastier1646 the beethoven 4th concerto is perhaps the most sublime piano concerto ever written. You are definitely off the mark in this statement.
@@gregorypike9361 The geniuses just like the fine connaisseurs are a very small minority. The masses will delect on fluff mediocre concerti like this one. Being off the statement is not agreeing with the masses.
Clara haskil -THE LEGEND. PLAYS THE DIVINE BEETHOVEN 4TH CONCERTO LIKE AN ANGEL.
Einfach märchenhafte Interpretation. Eine wunderbare Pianistin. Danke, dass wir heute noch die Möglichkeit haben solche Musik zu hören! Ein wahres Gedicht
Un bellissimo 4 Concerto di grande livello! Grande Clara.
A born pianist for sure,that delights with such passion from beginning to end.
Despite the age of this recording, the rendition is stirring and transcendent. Every time I listen to it, I like it better. Thank you!
Absolutely right 💐
Very clear, very bright, refreshing!
I forgot her name, now I can see her face, but her superb performance
is ingrained in my brain, since I was 14.
I recognized her music on the spot after I red a comment by someone I respect.
maravilla total... excelente versión... de lo que ya no se escucha: técnica, musicalidad, estilo y emoción....
Magnifica interpretazione di questa leggendaria pianista del secolo scorso. Con una articolazione virile e scevra di intenzioni metafisiche o filosofiche che molti pianisti moderni cercano di dare a questo sublime Concerto.
so beautiful , so great ! thank you so much for telling us how deep is this music .thanks you Frau Haskil
Clara is the best! Piano poet...
Unglaublich, fantastisch, auch heute, nach 30 Jahren Haskil - "Abstinenz"...in meinen Ohren auch heute absolut Weltspitze.
Danke für alle diese Sprachen, danke für die Musik, die sie verbindet!
An excellent interpretation, and thoroughly enjoyable!
Superba interpretare a acestei mari pianiste! Un talent desavarsit! Clara Haskil,un nume de rasunet mondial,in arta pianistica! Multumiri pentru postare! S. Baciu
As another commentator said, this seems to be close-miked on the piano, and rather different from the modern approach of presenting it as it would be heard in a concert hall. But what a favour it does to her performance! Every inflection and touch of this exquisite interpretation is heard. The relatively dry sound and the respectful conductor all help. The result is overwhelming because of her supreme artistry. I dropped in to sample and stayed for all of it, unable to tear myself away.
Dean Dixon was an African American conductor. The empathy between him and the Jewish Haskil must have been strong. She died in such a stupid way --- falling down some steps in a railway station --- and deprived of us all of perhaps another twenty years of great playing.
Was that the station in Montreux?
Wonderful
What I understand is that due to financial hardship and persecution by the Nazis, Clara Haskil did not get to perform regularly until late in her life, when she was "past her prime." Perhaps that suffering is what gives her playing special sensitivity and pathos. Haskil should be remembered for her life as well as her art.
I agree , she also suffered from illness throughout her life
Merveilleuse interprétation. .si féminine si forte si humaine !
Un solo adjetivo: MAGISTRAL !!!
She is a poet of the piano, pleying the most poetic piano concerto of XIX cent., one of her best loved. The Dean Dixon's conducting accepts her approach, so that the whole interpretation is remarkable
Ich wußte nicht, dass Clara in der Hochschule der Künste von Berlin
jemals ein Konzert gab. Vielen lieben Dank für das Füllen der Lücke meinerseits!
Dean Dixon war lange Zeit der Chef-Dirigent des Radio-Sinfonie-Orchesters
des Hessischen Rundfunks, Frankfurt am Main.
Wonderful!
Недавно открыла для себя великую пианистку Клару Хаскил. Восхищена и её творчеством, и её судьбой!!! Свет и Мир её Душе.
HASKIL is a great pianist. Classicjoa
For me Haskil's best recording of this concerto. Brilliant! My favorite recordings remains Bakchaus and Gilels (if you look for a more powerful view on this concerto) and Serkin, together with this Haskil recording (if you like a more sweet and subtle approach).
Also Claudio Arrau's version is really magnificent.
''Bravo'', this one word only!
La perfection...Et la version , qui a 70 ans, est d'une absolue fraîcheur absolue!
I have played this concerto and it is one of my all-time favorites!
Восторг, потом отрешение. Спасбо!
What a fantastic performance! I had thought that Gieseking's was the best, but it's Kaskil's!
Dont forget Gilels
To be grateful is one thing. Comparing is another! Comparisons are odious!
-- Un bijou. --
What a mature , understanding approach than we most often get . The 2nd movement's fir into this music make it a different animal than all the concerti written before it . Like Mozart'sK.271 it said something new in a new way ! Haskil's playing of he last bars of middle movement are incredible . She is as frighteningly real in life as Hofmann was with piano wizardry and subtle structuring and pacing .I wonder if he ever heard her ? Men in that generation could not have been deaf to her strengths . Beethoven is brusque something completely musical but with concern for idea and concepts .A new type of formalist who advocated for the new way of living and seeing political and aesthetic truths ! Forever my hero like Boulez and Elliott Carter ! What surprises me is Clara's way works fine and is really more classical values than heated , quick hanging moods of some Romanticist . Everything she and the conductor do would work in Mozart or Hadyn and is logical . By the 5th minute I began to feel this is the only
way to play this music . How is it this frail woman was technically so perfect she makes Schnabel and many more famous names sound like plebs in the difficult places . I think too here she is closely miked . More remarkable that we get such fine playing
"in concert " . This woman was a marvel . I can imagine that the 2nd world was worse for
her health . i must find monographs on her life- where did she live from 38 till 1945 . How did she stay so perfect !??
I feel life again
Es ist ein Wunder!
Faz parte de mim pois Meus Pais admiravam-na, como eu a admiro agora. De uma primorosa técnica, também violinista, de uma sensibilidade que me faz arrepiar, me emociona até às lágrimas e me alegra nas suas interpretações. Como Crente e Católico, Clara Haskil está com os seus compositores em permanente concerto com todos no Céu, no Paraíso com Deus e toda a natureza viva como dizia Francisco de Assim. Muito, mas muito Obrigado e espero encontrá-la... Que vida teve cá e que superação.
Semplicemente perfetta.
Bella! Una donna sensibile!
This is beautiful, love the personality, so different from Eugen d'Albert's piano roll but equally interesting.
Benjamin Steinberg, my father; Dean Dixon; and Everett Lee tried to start an integrated orchestra in America in the 1940's, but they could not do it. It was not until May 6, 1965, that The Symphony of the New World premiered at Carnegie Hall. Dean Dixon was one of the guest conductors with the symphony. What I think about is that there was so much racism in America, Dean Dixon had to go to Germany - in the 1950's - to get job with musicians that were worthy of him? Clara Haskil is a revelation.
Hello Barbara. Thank you for this piece of information. I am doing a research on a South African composer, whose work was conducted by Dean Dixon 1950. Would you by any chance have some information about this historic event?
Barbara, hello - do you have any info on how Dean Dixon got connected with Subud in the 1960s ?
He disfrutado de Arrau jugando esta obra maestra y también Backhaus. Pero me parece que Haskil también es un maestro.
This is way cool !
Reminds me of Martha Argerich? So fresh and fluid. Uma verdadeira "poesia", como nota outro comentário.
Het grote werk ! En hoe gebracht ... !
another one like her is friedrich gulda, my dear lord what a beauty
Wilhelm Kempff Emil Gilels Vladimir Ashkenazy had More colorful beautiful piano sound for Beethoven no 4 than Haskil and Gulda!!
これは必聴。ハスキルの素晴らしい遺産。
SHALLOM IRMÃO demais essas pessoas que você gosta de fazer uma campanha para começar a prática de andar e correr atrás dos ideais de nossas índole e memórias. Ufa. Grato Jr SHALLOM
Vejo minha mãezinha numa clínica com Alzheimer. Que Deus a ILUMINE. SHALLOM sempre......
ウォルフガングヴァンベートーヴェン ピアノ協奏曲第4番
有名交響楽団演奏 有名指揮者
クララ・ハスキル 大 賛 辞
Dude that is not bethowen you’re lying show us the real picture
thats the pianist
So much fluff in this beethoven concerto and no substance. It's like too much whipped cream without ice cream and so repetitive too. Back when simply running scales up and down the keyboard was considered entertaining and repetitive arpeggios in the same harmony. I've waited decades until i had heard virtually all piano concerti in the repertoire to confirm that this is the emptiest concerto ever. It's 95% fluff and 5% music, and also that Beethovenish saccade hammer V- I that i cannot stand. Now i'll make sure to note it, so that i'll never waste time listening to it again. Oh and Clara Haskil is formidable and a legendary pianist, i guess she could not refuse playing Beethoven in those days it was a forced route for all pianists.
But does the music have to be entertaining? What matters is beauty. Sentimentality is surely secondary.
@@vladislavstezhko1864 you obviously have reading comprehension difficulties. I faulted the piece for being fluffy and lacking substance then said for some people entertainment of hearing fast scales up and down and arpeggios is enough. In a typical youtubian mediocre fashion you distorted that and reversed my words, i never said music must be entertaining that is your own problem with understanding what you read. thanks.
@@ericastier1646 the beethoven 4th concerto is perhaps the most sublime piano concerto ever written. You are definitely off the mark in this statement.
@@gregorypike9361 The geniuses just like the fine connaisseurs are a very small minority. The masses will delect on fluff mediocre concerti like this one. Being off the statement is not agreeing with the masses.
frumos