This was really cool to see. Interesting to see Andy using Dimarzio Super Distortions in his guitars now for live Priest stuff along with real hot rodded JCM 800s. A bit more of an old school, classic sound. I believe a while back he was using ESP Edwards flying V's with Fishman pickups and his red ESP V also with Fishmans.
Thank you Klotz and thank you Robb for this great rig rundown. I love how Andy is bringing a Hamer guitar to the gig, kind of a tribute to Glenn and KK. Cheers from Morocco
He is, I’ve known him for about 15 years. He used to drum in a band called gods of hellfire and also war ensemble (slayer tribute who are incredible). His drum work is pretty epic. He’s top lad, really knowledgeable about a lot of stuff to boot
I've stood on that stage in front of Andy for the Soundcheck experience. I was blown away hearing Andy and that rig. Great job by the entire Priest crew. They are all great guys!
I knocked about a little bit with Rob in my youth and I do a bit of live Sound…..so I found this video hugely enjoyable. I’ll probably have to watch it many times to understand it. The main thing is that I am blown away by his professionalism and dedication to his job. Nice one Robb, livin the dream eh 😎
Andy's my former bandmate and my close friend. Forget the gear, the fame and the status - he's the most humble, funny, honest and genuine man I ever met. He deserves to be right up there. Don't tell Robb - but Andy refers to him as 'my bitch' :) :) I'd also reluctantly claim personal credit for introducing our hero to Hamer guitars. They were my weapons of choice since I bought my first one brand-new back in the 80's. I knew I'd win him over eventually. Now a fun fact for all you gearheads. I'm a professional joiner. Andy's first Gower was acquired soon after he got the JP gig, and it came in a standard JCM800 case as you'd expect. Problem was - the only touring/rack case available to Andy had been built for Peavey 5150's which were a full two and a half inches lower in height than a Marshall. So I took out the amp section, and cut down/spliced/adjusted the Marshall head cabinet to 5150 dimensions so it fitted the rack hole. It was a seamless job and you'd never have known. I then did a second one for him part-way through fitting a kitchen at his Mum & Dad's house. Beat that .......
I'm curious. The Kemper is a modeler. Why not model the JCMs into the Kemper (and a backup) and use one rig that weighs 20% as much and sounds the same in ears and house? This design introduces two different rigs that have to respond to Andy's switching, producing two sounds that aren't directly matched. I understand sending a Kemper out to a power amp and live cabs, with modeled cabs to the house. I don't understand this.
Probably because the Kemper (and any other modeller for that matter) cannot model the amp in its entirety, eg, when you model/profile an amp, you only model what it sounds like at that particular moment, so if settings need to be changed (mids/lows etc), it's not going to sound the same as the actual amp would. I'm guessing that's a compromise/tradeoff that they're not willing to make. That said, your solution would be what I'd do as well; if I only really need 3 sounds, then you might as well just use the Kemper, then a poweramp like the Matrix poweramps (or just use the Kemper Powerhead) and then straight to cabs for onstage sound and one out to the P.A. Much more effective, and reliable.
@@Nghilifa It's what most bands these days do. We were at louder than life last year and got to peek around at the racks back stage at the main two stages and it was nothing but kempers and AxeFX III's in racks. A couple bands used real amps (limp bizkit and Corey Taylor were 2 I know used real amps) but by and large, most groups just had digital stuff in racks. I honestly prefer taking real amps on stage but going through a load box/IR loader so I can still have the tone and feel of the tube amp but with the consistency of having the exact cab sound every single time and a clean DI signal to my ears, the house and an FRFR behind me on stage. I owned a kemper for over a decade and just recently grabbed one of the baby quad cortex units and like you said, they sound phenomenal and feel great as a specific moment in time and if you are extremely particular about your sound then that's a great option but the way they EQ is nothing like real amps so you lose that.
The Kemper really doesn't sound the same as a real amp. I know Andy uses them in the studio in case something goes wrong he can still finish a record. But for sure he is going to take what parts he patched in with Kemper to his grave with him. Kemper really struggles with cab modelling, sadly.
I love the modded JCM 800s. The Kemper I could do without, but I understand having it there because it can be eq’ed to be exactly what sounds great in the IEMs - which is going to be very different than cabs. I would send a feed out of the Kemper for each of Andy’s patches that is EQed for FOH to the FOH engineer just in case the mic or cab chain goes down….up fader, down fader, bam no interruption and stress free troubleshooting of the cab signal chain. Nobody in the audience knows or gives a shit…well, except any of us moronic gear heads 😂
I"m a chiropractor. I'd be glad to adjust Andy and the rest of the band on the road! :) I've been a Priest fan since Screaming For Vengeance came out. My first concert was the Defenders tour. I play guitar, too :)
Excellent rig talk...one question.. Why not send an out from the Kemper to FOH, so there is an immediate back up and support to the mic'd cabs-while in the event of some peculiarity the show is not compromised?...Particularly at this level why would 2(or1!) more cables to a stage box be not part of a winning plan?...
Robb says at the beginning of the video they wanted cabinets on stage, Robb hears the mic'd cabinets in his in ears and Andy hears the Kemper in his in ears...so Andy's Kemper must also be going to the FOH. He also says if the cabinets/amp goes down he can't hear anything but Andy still can, another clue the Kemper must also be going out to the FOH.
@@guitartoneSA No! Not trying to be a wiseguy but at 10:25: "The cabinets are front of house. So if we lose the cabs, we lose Andy's guitar. But Andy will keep playing because he keeps hearing the Kemper signal". So the suggestion to hook up the Kemper signal to the FOH as a backup to the mic'ed cabs, might be a good safe. But hey, it's easy behind my keyboard right.
@@eddieangels4029 You may be correct. 🙂 In a previous interview a few years ago when Andy joined the nand I remember the tech saying they take a di signal from the Kemper and a mic'd cabinet to the FOH, and mixed them together.
ah, I remember several years ago, I was "the man with a van" that was running Robb and his bandmates to a few gigs with their slayer tribute band... good times!
4:47 - I really appreciate that, FOR THE ANIMALS. - Sadly, the last strap I got, also a Richter one, is a nylon one, but the ends are still real leather. - Godamit. 😆 Then just do everything of synthetic leather. - At least it's still minimal, but who knows how much death for even small patches of dead skin. - In any case, at least change are being made for the better.
Not only a Hamer, but look closely at that Strat. If it had a Kahler instead of a Floyd, it would be Glenn's black Strat. As important a nod to 'his position' as is Richie playing a Flying V. Some things about Judas Priest should be non-negotiable.
Weird that the front of house guy is forcing the cabinets/heads but the player takes a Kemper. I would expect the opposite in a live situation but who knows…I also don’t play stadiums 😆 Excellent video…thanks a lot!
The part that surprises me is that he has a say in that. But OK... Maybe Sneap understands because he's also a producer and very much into gear. Or perhaps the soundguy has just been around for longer and he just wants it the old-school way and isn't going to deal with any DI stuff that he doesn't know. - I kinda get that in terms of sound as well. Even though modelers/profilers also emulate the microphones, speakers and cabinets, there's just nothing like the real interaction of it all.
Andy ran a 5150-modeled Kemper for the whole Firepower tour, but also bare in mind that was a setup they needed prepared within the 2 week notice he was given for the world tour. So with more time to refine it after the fact he ran a 5150/Gower setup for the 50th anniversary tour.
Kemper can't switch amp heads with tip/sleeve switching, it can only do midi. It's probably the Boss GT-1000core that is switching the heads, cause it has two jacks to do that. The Boss is a great command center for midi switching.
Andy Sneap was the god in Sabbat: he's done all the solos and had none of these gadgets. People really need to go back to their roots, simplify thinks, get less gear neards, snobish.
Shocked that they don’t double the kemper as redundancy as well as sneaps in ears. So his gowers can cut out - but it’s all good cause sneap hears himself… and yk not the fans that paid money to him lol
Those Gower Marshalls sound ridiculous - and that’s me listening on an iPad. If I could afford the proper JCM800 platform and then afford the Mods on top, I would try and get one. I have to say, there are so many awesome amp guys out there….but once I bought a Bogner, honestly and in full truth and disclosure, my amp lust all but disappeared. I don’t know Bogner from Adam, and have no need to promote any product, but given my subjective taste and the guitars I have and the tones I like, the Bogner Twin Jet is all I ever need….and a volume knob. I do not play metal….pretty much classic rock. That amp changed my whole outlook - and I use only 1 channel of the 2. Highly subjective, but to me it is the amp of all time. These Gowers are right there and if I could afford it, I would have one.
I hear you but the band - especially Rob - are huge animal lovers and there's a story behind Andy going vegan too. Check out Andy's interview with "No fuckin regrets" radio show that's an amazing tutorial on his life.
This rig is complicated. A lot of different components. Hybrid setup. My idea of a "simple" rig would be a Boss Katana head, a GA-FC, and a 4x12 cab. 😄
*All respect, I saw you guise at the RIVER FRONT AMPETHEATER in Little Rock Arkansas a few years ago. the sound was absolutely **#AWEFUL**!!!!!! there were some folks "FEMALES" from the hood that are POLICE and worked that show, I was happy for them to get the experience but I was SO PHUCKING EMBARRSED because it sounded like complete crap! ... Like picture riding around in a 1987 Buick or with the radio so loud that the speakers were DISTORTING and turn the treble all the way up and roll of the lows and subs... then smear the midrange............. THAT WAS WHAT YOU ALL SOUNDED LIKE - PHUCKING AWEFUL! My first JP concert and it sucked badly!!!!!* STOP USING PRO-TOOLS, AVID, DIGIDESIGN and all these other new wave mixing techniques.
@@Gearslayer92 I know. I saw it live 3 years ago. I wouldn’t have bothered but I bought tickets for my dad’s birthday. At least I got to see the original lineup before that
Wait til he realises he could do this entire rig in one Quad Cortex and an SD Powerstage. You could have a full rig with a backup in the space of one Marshall head and no one will be able to tell the difference.
The audience won't, but there is a difference. But if you can't hear the difference in that case, why not just use just a Kemper head... Why not just use a MacBook with some plugins, who cares at that point.
@@apersonontheinternet8034 No, I'm talking about the ISP Theta Preamp pedal, not the Theta Pro multi effects. There are enough vids on UA-cam of the theta preamp pedal, look them up. In the better demos they sound amazing. The BOSS units are toys. Some of their compact pedals are okay, though.
Cool rundown, great Marshall tone. Glad to see another pro using the GT-1000 core (Johnny Marr and I think Nita Strauss use them as well). UA-camrs seem to dismiss it, but clearly it's as capable as anything. And of course, Hamer FTW!
![Rig Rundown: Steel Panther's Satchel [2023]](http://i.ytimg.com/vi/gDcz9c3-PlA/mqdefault.jpg)
I absolutely love rig rundown videos, I learn so much from them. Thanks for posting this!
Great details, solid rundown, and the Gowers are incredible.
Really nice guitars. Thanks for showing!
Awesome video! Thanks so much for sharing this with us!
This was really cool to see. Interesting to see Andy using Dimarzio Super Distortions in his guitars now for live Priest stuff along with real hot rodded JCM 800s. A bit more of an old school, classic sound. I believe a while back he was using ESP Edwards flying V's with Fishman pickups and his red ESP V also with Fishmans.
Thank you Klotz and thank you Robb for this great rig rundown. I love how Andy is bringing a Hamer guitar to the gig, kind of a tribute to Glenn and KK. Cheers from Morocco
Now that's a rig rundown! Thank you Klotz and Robb!
It's like a fine Italian dish.....a few high quality ingredients and a good dose of simplicity. The end result is brilliant!
Awesome! Thanks for this amazing video
Awesome Rundown, More Rock & Metal rundowns please! I subscribed
Those Gower modded Marshalls 😍
Insane, I want one
Toto in the background near the end ❤️
I thought they were sound checking keyboards... wait a minute, is that Toto? lol
Killer guys thanks for this!! Love the little metallica brother killer playing
Robb seems like the kind of guy you can chat about gear with for hours.
he has drum tech duties for Saxon too in some tours, imagine the experience and the stories he has to tell
He is, I’ve known him for about 15 years. He used to drum in a band called gods of hellfire and also war ensemble (slayer tribute who are incredible). His drum work is pretty epic. He’s top lad, really knowledgeable about a lot of stuff to boot
@@TheDrewcifer0 he is a great drummer, i was in Gods of Hellfire with him and also Ozzbest
I got to speak with him for a while in Montreal earlier on this tour and you're right, he can talk guitars for hours. Great guy
@@brianmackay8987and talking guitars for hours is a great thing….complete passion and love. The hours fly by 😅
I've stood on that stage in front of Andy for the Soundcheck experience. I was blown away hearing Andy and that rig. Great job by the entire Priest crew. They are all great guys!
Thank You! ❤
DAN GOWER is the man! 🤘🏻
Cheers Robb, great walkthrough, was hoping you'd run through it for me last time we met but ths more than makes up bud. Keep on rockin'.
Bloody hell. They've moved a bit on from the Railway pub in Curzon St I used to see them at when I was 15 years old......(don't tell anyone!)
That's some badass crunch coming out of those heads, the Grinder jam sounded awesome. Thanks for showing us.
Thanks for this! Love the modded Marshalls! 🤘
Very cool dude, and great, detailed rundown.
I knocked about a little bit with Rob in my youth and I do a bit of live Sound…..so I found this video hugely enjoyable. I’ll probably have to watch it many times to understand it. The main thing is that I am blown away by his professionalism and dedication to his job. Nice one Robb, livin the dream eh 😎
Very well done. Bravo
Best Metal Rig EVER!!!!!!!!
Nice guy this Robb. Very good job !
Modded Marshall 800 is the magic sauce.
Love the TP-6 on the second to last guitar, the vintage Gibson
Andy's my former bandmate and my close friend. Forget the gear, the fame and the status - he's the most humble, funny, honest and genuine man I ever met. He deserves to be right up there. Don't tell Robb - but Andy refers to him as 'my bitch' :) :) I'd also reluctantly claim personal credit for introducing our hero to Hamer guitars. They were my weapons of choice since I bought my first one brand-new back in the 80's. I knew I'd win him over eventually. Now a fun fact for all you gearheads. I'm a professional joiner. Andy's first Gower was acquired soon after he got the JP gig, and it came in a standard JCM800 case as you'd expect. Problem was - the only touring/rack case available to Andy had been built for Peavey 5150's which were a full two and a half inches lower in height than a Marshall. So I took out the amp section, and cut down/spliced/adjusted the Marshall head cabinet to 5150 dimensions so it fitted the rack hole. It was a seamless job and you'd never have known. I then did a second one for him part-way through fitting a kitchen at his Mum & Dad's house. Beat that .......
I'm curious. The Kemper is a modeler. Why not model the JCMs into the Kemper (and a backup) and use one rig that weighs 20% as much and sounds the same in ears and house? This design introduces two different rigs that have to respond to Andy's switching, producing two sounds that aren't directly matched. I understand sending a Kemper out to a power amp and live cabs, with modeled cabs to the house. I don't understand this.
Probably because the Kemper (and any other modeller for that matter) cannot model the amp in its entirety, eg, when you model/profile an amp, you only model what it sounds like at that particular moment, so if settings need to be changed (mids/lows etc), it's not going to sound the same as the actual amp would. I'm guessing that's a compromise/tradeoff that they're not willing to make. That said, your solution would be what I'd do as well; if I only really need 3 sounds, then you might as well just use the Kemper, then a poweramp like the Matrix poweramps (or just use the Kemper Powerhead) and then straight to cabs for onstage sound and one out to the P.A. Much more effective, and reliable.
@@Nghilifa It's what most bands these days do. We were at louder than life last year and got to peek around at the racks back stage at the main two stages and it was nothing but kempers and AxeFX III's in racks. A couple bands used real amps (limp bizkit and Corey Taylor were 2 I know used real amps) but by and large, most groups just had digital stuff in racks.
I honestly prefer taking real amps on stage but going through a load box/IR loader so I can still have the tone and feel of the tube amp but with the consistency of having the exact cab sound every single time and a clean DI signal to my ears, the house and an FRFR behind me on stage.
I owned a kemper for over a decade and just recently grabbed one of the baby quad cortex units and like you said, they sound phenomenal and feel great as a specific moment in time and if you are extremely particular about your sound then that's a great option but the way they EQ is nothing like real amps so you lose that.
The Kemper really doesn't sound the same as a real amp. I know Andy uses them in the studio in case something goes wrong he can still finish a record. But for sure he is going to take what parts he patched in with Kemper to his grave with him. Kemper really struggles with cab modelling, sadly.
Listening to him talk about this stuff I feel like my dad when I try to explain the TV remote to him (again).
Finally! Andy's gear!
I love the modded JCM 800s. The Kemper I could do without, but I understand having it there because it can be eq’ed to be exactly what sounds great in the IEMs - which is going to be very different than cabs. I would send a feed out of the Kemper for each of Andy’s patches that is EQed for FOH to the FOH engineer just in case the mic or cab chain goes down….up fader, down fader, bam no interruption and stress free troubleshooting of the cab signal chain. Nobody in the audience knows or gives a shit…well, except any of us moronic gear heads 😂
I"m a chiropractor. I'd be glad to adjust Andy and the rest of the band on the road! :) I've been a Priest fan since Screaming For Vengeance came out. My first concert was the Defenders tour. I play guitar, too :)
“Rig rundown” is just a descriptive term, it’s not owned by Premier Guitar or anything haha
Wow, another "Robb"! I've been using that for my first name since 1987!!
Perfection
Dan Gower is the master!
Excellent rig talk...one question..
Why not send an out from the Kemper to FOH, so there is an immediate back up and support to the mic'd cabs-while in the event of some peculiarity the show is not compromised?...Particularly at this level why would 2(or1!) more cables to a stage box be not part of a winning plan?...
Robb says at the beginning of the video they wanted cabinets on stage, Robb hears the mic'd cabinets in his in ears and Andy hears the Kemper in his in ears...so Andy's Kemper must also be going to the FOH.
He also says if the cabinets/amp goes down he can't hear anything but Andy still can, another clue the Kemper must also be going out to the FOH.
@@guitartoneSA No! Not trying to be a wiseguy but at 10:25: "The cabinets are front of house. So if we lose the cabs, we lose Andy's guitar. But Andy will keep playing because he keeps hearing the Kemper signal".
So the suggestion to hook up the Kemper signal to the FOH as a backup to the mic'ed cabs, might be a good safe. But hey, it's easy behind my keyboard right.
@@eddieangels4029
You may be correct. 🙂
In a previous interview a few years ago when Andy joined the nand I remember the tech saying they take a di signal from the Kemper and a mic'd cabinet to the FOH, and mixed them together.
Solid setup, and great guitar tech. Just heavy metal all the way ...
ah, I remember several years ago, I was "the man with a van" that was running Robb and his bandmates to a few gigs with their slayer tribute band... good times!
Great vid! Hamer's are fantastic!!
Oh hell yeah
Nice insight
4:47 - I really appreciate that, FOR THE ANIMALS. - Sadly, the last strap I got, also a Richter one, is a nylon one, but the ends are still real leather. - Godamit. 😆 Then just do everything of synthetic leather. - At least it's still minimal, but who knows how much death for even small patches of dead skin. - In any case, at least change are being made for the better.
Thanks for this! (Not sure why I thought it was a Charvel he played on GM. Last tour maybe?)
Nice! Great tech too!
Nice. I used to have an E2 Explorer. Sadly it got stolen. That Hamer Standard was sick too.
Now that’s a Proper Rig!!!!!
I'd think there's a reason he uses this rig. He is Andy Sneap you know.
Not only a Hamer, but look closely at that Strat. If it had a Kahler instead of a Floyd, it would be Glenn's black Strat. As important a nod to 'his position' as is Richie playing a Flying V. Some things about Judas Priest should be non-negotiable.
cooooool!
Weird that the front of house guy is forcing the cabinets/heads but the player takes a Kemper. I would expect the opposite in a live situation but who knows…I also don’t play stadiums 😆
Excellent video…thanks a lot!
My thoughts entirely yeh weird eh?!
The part that surprises me is that he has a say in that. But OK... Maybe Sneap understands because he's also a producer and very much into gear. Or perhaps the soundguy has just been around for longer and he just wants it the old-school way and isn't going to deal with any DI stuff that he doesn't know. - I kinda get that in terms of sound as well. Even though modelers/profilers also emulate the microphones, speakers and cabinets, there's just nothing like the real interaction of it all.
Andy ran a 5150-modeled Kemper for the whole Firepower tour, but also bare in mind that was a setup they needed prepared within the 2 week notice he was given for the world tour. So with more time to refine it after the fact he ran a 5150/Gower setup for the 50th anniversary tour.
Quite impressive
Kemper can't switch amp heads with tip/sleeve switching, it can only do midi. It's probably the Boss GT-1000core that is switching the heads, cause it has two jacks to do that. The Boss is a great command center for midi switching.
Yes! Can we give DiMarzio some love finally?
That amp sounds insane
Metally Metal 🤘🤘
he got rally nice leg tattoos
Very cool. I expected to see only see a kemper
We want to see the Fernandes Rhoads's from the Sabbat era!
Does anyone know what speakers Andy is running in his cabs?
What about string gage, tuning?
Celestion Vintage 30 speakers.
10-52 string gauge, D’Addario NYXL.
Tuning is half a step down all across the board.
Dude wearing a Stooges t-shirt in 2024. The world is not done for yet....
Andy Sneap was the god in Sabbat: he's done all the solos and had none of these gadgets.
People really need to go back to their roots, simplify thinks, get less gear neards, snobish.
Shocked that they don’t double the kemper as redundancy as well as sneaps in ears. So his gowers can cut out - but it’s all good cause sneap hears himself… and yk not the fans that paid money to him lol
Wish Rob represented JP. Andy is a no go
Petrucci? Well that would be the dream yes lol. Why is Andy a no go?
We would all do the same thing when we had a Gibson Explorer in our hands...play Orion by Metallica, accept it 15:05
Being apart of the road crew is a very difficult job. Scientifically proven. LOLOLO
Those Gower Marshalls sound ridiculous - and that’s me listening on an iPad. If I could afford the proper JCM800 platform and then afford the Mods on top, I would try and get one. I have to say, there are so many awesome amp guys out there….but once I bought a Bogner, honestly and in full truth and disclosure, my amp lust all but disappeared. I don’t know Bogner from Adam, and have no need to promote any product, but given my subjective taste and the guitars I have and the tones I like, the Bogner Twin Jet is all I ever need….and a volume knob. I do not play metal….pretty much classic rock. That amp changed my whole outlook - and I use only 1 channel of the 2. Highly subjective, but to me it is the amp of all time. These Gowers are right there and if I could afford it, I would have one.
What exactly is “Vegan” leather?
A synthetic leather
"simple" hahahahh
That's a ton of ins and outs!
But very cool!
A vegan in Judas Priest? Welcome to 2024.
Good for him. I just think it's funny a band known for leather has a vegan
I hear you but the band - especially Rob - are huge animal lovers and there's a story behind Andy going vegan too. Check out Andy's interview with "No fuckin regrets" radio show that's an amazing tutorial on his life.
@@ahk70 oh I don't care. I happy for Andy if he is happy. Just have me a chuckle.
I'm not a vegan but I respect Andy for going into details on his lifestyle.
Gower modded 800... 😎👍🏼
This rig is complicated. A lot of different components. Hybrid setup.
My idea of a "simple" rig would be a Boss Katana head, a GA-FC, and a 4x12 cab. 😄
The Dan Gower modded JCM 800 and a Marshall 412 would make me happy on it's own!
@@Gearslayer92 You would still need effects.
Africa playing at a Priest show.
I thought you put the Freaka_ in Affrica... Sponge Head
Cool. Marty Sender You Tube
Nice Shit ❤
Prefiero los amplis, soy de la vieja escuela, se nota la gordura extra y el empuje que tienen los amplis en comparación con los emuladores 😉🤟🤟🤟
Just add paul quinn to that rig 😆
Who😂
*All respect, I saw you guise at the RIVER FRONT AMPETHEATER in Little Rock Arkansas a few years ago. the sound was absolutely **#AWEFUL**!!!!!! there were some folks "FEMALES" from the hood that are POLICE and worked that show, I was happy for them to get the experience but I was SO PHUCKING EMBARRSED because it sounded like complete crap! ... Like picture riding around in a 1987 Buick or with the radio so loud that the speakers were DISTORTING and turn the treble all the way up and roll of the lows and subs... then smear the midrange............. THAT WAS WHAT YOU ALL SOUNDED LIKE - PHUCKING AWEFUL! My first JP concert and it sucked badly!!!!!*
STOP USING PRO-TOOLS, AVID, DIGIDESIGN and all these other new wave mixing techniques.
Andy Sneap from rob Hanford and friends, not Judas Priest. No kk, no glen, no priest and yes, I love Richie but still
@@Gearslayer92 I know. I saw it live 3 years ago. I wouldn’t have bothered but I bought tickets for my dad’s birthday. At least I got to see the original lineup before that
I've partied with Priest at Rocker's in Phoenix. We all hung out there.
Ian likes to play pool.
Only KK & Tipton were Judas Priest…. Everything else is karaoke
Nah, Richie is legit. But Sneap... that dude is a producer.
Hell bent for vegan leather ?
Wait til he realises he could do this entire rig in one Quad Cortex and an SD Powerstage. You could have a full rig with a backup in the space of one Marshall head and no one will be able to tell the difference.
The audience won't, but there is a difference. But if you can't hear the difference in that case, why not just use just a Kemper head... Why not just use a MacBook with some plugins, who cares at that point.
"Wait til he realises he could do this entire rig in one Quad Cortex and an SD Powerstage".
He could do that, true. But it would be very, very boring.
Bugger that, mate....an ISP Theta preamp with a Freyette two fifty two power amp. That's the kit.
@@joesmith8398 that ISP monstrosity looks like a multifx unit from the 80s 🤮
Be better off with a Boss Me50
@@apersonontheinternet8034 No, I'm talking about the ISP Theta Preamp pedal, not the Theta Pro multi effects. There are enough vids on UA-cam of the theta preamp pedal, look them up. In the better demos they sound amazing. The BOSS units are toys. Some of their compact pedals are okay, though.
finding out Andy is Vegan is automatic loss of cool points.
Exactly the opposite, I like him more now. Having empathy and applying it in your everyday life is always a plus.
If you only knew the backstory. Pretty relatable. 🤘
Finding out you only now found out Andy's vegan automaticly tells me you're not much of a fan to begin with 🤷♀️
Agreed. The vegan propaganda movement is embarrassing especially for men who fall for it
For you yea... Backwards person.
New guitarist ever other month, Running out of egos to fill the slot 🤮
Wth is Vegan Leather? Arent all cows vegans?
4:16 - You have to knock it or they won't hear.
SPACE X LAUNCH PAD APPR0VED!!
Cool rundown, great Marshall tone. Glad to see another pro using the GT-1000 core (Johnny Marr and I think Nita Strauss use them as well). UA-camrs seem to dismiss it, but clearly it's as capable as anything.
And of course, Hamer FTW!