The analysis, was really accessible and easy to take in. Really appreciate that. Rare to explain things without over explaining or just not making sense. You communicate as well as you express yourself on the kit. Well done, man.
This is a wild feat. I don't think most people coming across this realise the level of intellect, difficulty and musicality this operates on. Great job, Jacob.
Forgot the stick mistake drop and recovery like Mike haha loved it great job I wish I could transcribe or copy or play but just love drums and drummers like cops kills me to try to like them but i love the good ones songs music the human spirit love it all take the crookests with the straights like the movie fences all this gibberish makes sense to a drummer the four legged monster as max would say Tony would say what those where angels!
Bravo dude! So much cool vocabulary in there, and I appreciate the clear and simple analysis. Sounds like you've really absorbed a lot of it. Well done.
Two questions: 1. how did you transcribe it? Just by listening and slowing down the speed? And then how did you bring it to paper? With a program? 2. where can I find the pdf? Want to learn that solo too! Amazing!
Thank you! In general, I transcribe by listening to it a lot. I generally input it directly into Sibelius (not really writing by hand these days), and I do it all at full speed unless I'm trying to hear something specific (like, how many notes are in this roll, or something). As far as practicing it, I'm pretty loose about it! I try to let myself get sidetracked and explore phrases as they come up. If I end up working on it for weeks, that's cool! Send me an email at jacobwutzke@yahoo.ca and I'll get you the transcription.
Good question. I also hear the tune in 3 overall, but a lot of what Marcus plays here only really makes sense to my ears in 4. For example, all of the quintuplet stuff would be really hard to feel if you were thinking in 3/4 -- five notes over the bar? It's also a little more useful to me conceptualizing of this in 4/4. I can apply it more easily to other contexts!
The most understandable Marcus lesson i have ever watched. Thank you..
The analysis, was really accessible and easy to take in. Really appreciate that. Rare to explain things without over explaining or just not making sense. You communicate as well as you express yourself on the kit. Well done, man.
Thank you! My goal isn't to confuse anybody. Everybody deserves to understand the drums!
This is a wild feat. I don't think most people coming across this realise the level of intellect, difficulty and musicality this operates on. Great job, Jacob.
Thank you! It was a feat, certainly! Glad I dug into it.
Roy Haynes ‘reloaded’ !
Thxs Jacob for your work, presentation and dedication to this noble of the « Art of Jazz Drumming » 👌🏻😊
That's great. Thank you Jacob!
Fantastic
Outstanding!
Holy shit!!! This is perhaps the most impressive drum transcription I´ve seen! Hats off!
Thank you! I appreciate that. It’s an incredible solo for sure.
Well explained! Really inspiring analysis.
You're not only a great player, but also a great teacher man ! I really appreciate your video and the analysis you share
Thank you! I love to teach. Sharing information is what it’s all about, whether on the bandstand or in the classroom.
congrats brother! that was a beautiful work
Incredible
Thanks Jared. Miss seeing you around man - get in touch!
Forgot the stick mistake drop and recovery like Mike haha loved it great job I wish I could transcribe or copy or play but just love drums and drummers like cops kills me to try to like them but i love the good ones songs music the human spirit love it all take the crookests with the straights like the movie fences all this gibberish makes sense to a drummer the four legged monster as max would say Tony would say what those where angels!
Thank you! It's never too late to learn how to play if you love the drums. Four legged monster!
amazing transcription and playing 😮
Thank you!
Respect
thanks this is awesome
Thanks for listening!
This is amazing!! Definitely not easy to transcribe, play and understand Marcus Gilmore. You nailed it
Thank you! I completely agree. I listened and appreciated Marcus' playing for years before I even tried learning any of it. Complex stuff.
Awesome!
Thank you!
Great job man.
incredible Jacob!!
Woooooooooooooow yehaaaaaaaaa
Just wow
Just thank you! :)
Wow man! So great.
Thank you Rich!!
Wow!! This is so dope! Thanks for posting :)
Thanks for watching!
thank you ！ you are good！
Thank you!
Bravo dude! So much cool vocabulary in there, and I appreciate the clear and simple analysis. Sounds like you've really absorbed a lot of it. Well done.
Thank you! I love the solo and I've been using elements of it all the time lately.
Dope !
Thank you!
Next level analysis there, awesome to hear your thoughts. Those tuplets look challenging. Your touch is so nice as always!
Thanks Sam! The whole solo is tricky but really fun to play.
Outstanding job Jacob!!! 👏👏👏👏👏
I would like to recive the transcrpition if you will. Saludos from Buenos Aires!!
Saludos! No problem, send me an email at jacobwutzke@yahoo.ca
Wow! Amazing job dude!
Thank you!
This is amazing! Great job!
Thanks for watching!
Heavy stuff... thanks so much for demystifying some Marcus-isms! Your playing sounds great, loved the solo and the analysis - really insightful.
Thanks for checking it out! I’m glad you got something out of it.
nice explaining
Thank you!
wooo really nice man
Thank you!
Absolutely incredible undertaking... superb.
How can I get the transcription?
Thank you! Send me an email at jacobwutzke@yahoo.ca
@@JacobWutzke email sent
Super great ! Would it be possible for you to send the transcription?
You bet! Send me an email at jacobwutzke@yahoo.ca
Wooooo!
Thanks for listening!
nice job!!!
could you send me the pdf? 🙏
Email me at jacobwutzke@yahoo.ca
Two questions:
1. how did you transcribe it? Just by listening and slowing down the speed? And then how did you bring it to paper? With a program?
2. where can I find the pdf? Want to learn that solo too!
Amazing!
Thank you! In general, I transcribe by listening to it a lot. I generally input it directly into Sibelius (not really writing by hand these days), and I do it all at full speed unless I'm trying to hear something specific (like, how many notes are in this roll, or something). As far as practicing it, I'm pretty loose about it! I try to let myself get sidetracked and explore phrases as they come up. If I end up working on it for weeks, that's cool!
Send me an email at jacobwutzke@yahoo.ca and I'll get you the transcription.
@@JacobWutzke you got an email! Thanks a lot!
Awesome. What made you decide to write it out in 4? I've always felt this tune in 3 (or 6).
Good question. I also hear the tune in 3 overall, but a lot of what Marcus plays here only really makes sense to my ears in 4. For example, all of the quintuplet stuff would be really hard to feel if you were thinking in 3/4 -- five notes over the bar? It's also a little more useful to me conceptualizing of this in 4/4. I can apply it more easily to other contexts!
this is so heavy bro
Thanks Mateo 🙏
Yaassssss g
Thanks Paulo!
ayy
Thanks Pablo!