OMG! I also just purchased a C70 and I've owned a GH5 as my first cam which will also now be my B-Cam! Looks like I will be purchasing CineMatch as well and try and follow your content quite closely to absorb as much as I can.
@@ScottBell I'm loving the C70 so far. It's a powerful camera but still fits on my gimbal (although with counterweight) and I am able to use the canon EF lenses with the Speed boosters on each camera, so each lens has multiplied value. Something I've also done, is to get the basic EOS RF-EF adapter without magnification, and this multiplies the possible focal lengths of all lenses as well, so with one purchase of a $199 adapter, each prime lens is effectively two lenses and each kit lens has wider or more narrow options depending on which angle you're coming from. I'm taking it slow and trying to organically introduce it into my projects as I familiarize myself with it, and Cinematch will allow me to incorporate it only on the shots I deem safe for now, without any major change ups between shots. The major hold up on my end is that I'm extremely cautious to take it certain places or to get it out because it is such a large investment, and I also want to do the camera justice with the shots I choose. I apologize for such a late reply, and I admire your participation with your subscribers. Thank you kindly, Scott :D
@@joeywilcoxson8402 Nice. I just picked up an RS2 as I was having to counterweight it on the Ronin-S and it was so worth the upgrade. It balances with ease and no counterweights. The gimbal is also much lighter and smaller, which balances out the extra weight of the C70. That's a cool idea to use both types of adapters to get more range out of your lenses. And I feel ya on wanting to be careful with it. I feel that way about pretty much every new equipment investment. After it gets a few scratches I'll be less cautious haha. If I'm not using it, it's kind of a waste. Wrapping up a big project I started with the GH5 last year and then most things moving forward will be C70.
@@ScottBell I currently have the Ronin-S, and I will definitely consider the RS2 being it you make a great case for using it with the C70. I will be more comfortable with the C70 as well upon a few nicks and scratches, and also when I have developed my M.O. further with this new Camera(so less fumbling for buttons/settings). I agree, it is a waste for the equipment to be locked away and not being used as the creative tool it is hahah. I must say, I appreciate you taking the time to reply Scott, I admire your style and authenticity! Look forward to seeing your GH5 project from last year when it is all wrapped up and of course looking forward to your further creative insights and expressions with the C70 from here on out.
@@wcsdiaries Yes, the GH5 footage is vlog. If you want to use Cinematch it has to be in a log profile for it to work. After getting used to shooting with log on a few different cameras I don't think I'd go back to shooting in a standard picture profile. The flexibility to max cameras is much better with log footage.
Hey Scott that Really looks like an awesome product. Interesting to see you have gone for the C70 Good choice i think. I be keen to see how you incorporate it into your work flow in future vids. i really enjoy your BTS mtb stuff..
Thanks for watching Scott. It's definitely powerful! Still learning how the C70 will fit into my shoots but for the most part I have been loving this camera.
Does anyone know when this plug-in will be available for final cut pro I literally dropped my jaw salivating on how good this plug-in is this is a game changer 😓😓 I’m highly impressed
Hi Scott, I have purchased it and it is a very powerful tool. Downside is...mavic air, osmo action or osmo pocket is missing. Would be nice to have a larger selection. Also for my GH4 I can not choose cinelike d.
Thanks for watching, glad you are finding some value in this plugin. I don't know if all of those cameras offer a log profile so that could be way. Cinelike D will not work, needs to be V-log.
I've been playing with Resolve a bit lately but haven't seen this feature. They make CineMatch for Premiere, Resolve, and soon Final Cut Pro. The ease of it is what really blows me away.
@@JohnFultonCGL Ah yes, I have used this and the results are not acceptable. I've also tried the ACES workflow and had similar unsatisfactory results. They both get things close but not nearly as good for the fine tuning as CineMatch.
@@JohnFultonCGL Thanks for checking out CineMatch. The plugin is actually quite different from CST in Resolve - we use camera profiles to match the colors from each individual camera sensor prior to applying the target color science, so the match results are much closer than you can achieve with just the CST on its own.
Yeah, that was the best part, can't believe how well it fixed it. I always spend forever matching gh5 to mavic 2 pro footage. Keen to try it with Gopro footage too.
Thanks for the great review! If anyone has questions about CineMatch, reply here and we'll respond
Hello, does cinematch have clog3 for r5 profile? Thanks!
@@poldivina27 yes, it does
Does cinematch have support for technicolour cinestyle?
@@posiaduroja1599 not at the moment, we're planning to add support for select non-Log profiles in a future update
If you purchase the program can the same download be used to install on a workstation and a laptop?
Such a valuable plugin. Bravo to the creators and thank you fo the tutorial!
Thanks for watching, it's such a great tool!
OMG! You saved my project! HUGE THANK YOU VERY MUCH! God bless you!
Awesome, happy to help!
That is awesome! The white balance feature looks useful on its own!
It's pretty amazing. I could have dialed these clips in even further but for the sake of the video it shows how powerful this tool is.
Great clip. Thanks 🙏
Cheers, thanks for watching!
OMG! I also just purchased a C70 and I've owned a GH5 as my first cam which will also now be my B-Cam! Looks like I will be purchasing CineMatch as well and try and follow your content quite closely to absorb as much as I can.
How are you liking the C70? I still need to get more comfortable with it. Cinematch is pretty impressive though, that's for sure!
@@ScottBell I'm loving the C70 so far. It's a powerful camera but still fits on my gimbal (although with counterweight) and I am able to use the canon EF lenses with the Speed boosters on each camera, so each lens has multiplied value. Something I've also done, is to get the basic EOS RF-EF adapter without magnification, and this multiplies the possible focal lengths of all lenses as well, so with one purchase of a $199 adapter, each prime lens is effectively two lenses and each kit lens has wider or more narrow options depending on which angle you're coming from. I'm taking it slow and trying to organically introduce it into my projects as I familiarize myself with it, and Cinematch will allow me to incorporate it only on the shots I deem safe for now, without any major change ups between shots. The major hold up on my end is that I'm extremely cautious to take it certain places or to get it out because it is such a large investment, and I also want to do the camera justice with the shots I choose. I apologize for such a late reply, and I admire your participation with your subscribers. Thank you kindly, Scott :D
@@joeywilcoxson8402 Nice. I just picked up an RS2 as I was having to counterweight it on the Ronin-S and it was so worth the upgrade. It balances with ease and no counterweights. The gimbal is also much lighter and smaller, which balances out the extra weight of the C70. That's a cool idea to use both types of adapters to get more range out of your lenses. And I feel ya on wanting to be careful with it. I feel that way about pretty much every new equipment investment. After it gets a few scratches I'll be less cautious haha. If I'm not using it, it's kind of a waste. Wrapping up a big project I started with the GH5 last year and then most things moving forward will be C70.
@@ScottBell I currently have the Ronin-S, and I will definitely consider the RS2 being it you make a great case for using it with the C70. I will be more comfortable with the C70 as well upon a few nicks and scratches, and also when I have developed my M.O. further with this new Camera(so less fumbling for buttons/settings). I agree, it is a waste for the equipment to be locked away and not being used as the creative tool it is hahah. I must say, I appreciate you taking the time to reply Scott, I admire your style and authenticity! Look forward to seeing your GH5 project from last year when it is all wrapped up and of course looking forward to your further creative insights and expressions with the C70 from here on out.
@@joeywilcoxson8402 Always happy to engage, I love UA-cam for this reason. Real connection with real people!
Thanks for sharing Scott! Look like a worthwhile investment.
Thanks for watching John, definitely a great piece of software if you shoot with different camera bodies.
@@ScottBell did you use vlog for your gh5 here? I have gh5 im wondering if it's worth buying vlog to use as a b cam for c70. or is it not needed?
@@wcsdiaries Yes, the GH5 footage is vlog. If you want to use Cinematch it has to be in a log profile for it to work. After getting used to shooting with log on a few different cameras I don't think I'd go back to shooting in a standard picture profile. The flexibility to max cameras is much better with log footage.
@@ScottBell gotcha. I've been thinking about getting vlog for gh5, but I hate the idea of paying $100 for it in 2021.
@@wcsdiaries 🤷♂Cost of doing business. Cheaper than buying another camera.
Hey Scott that Really looks like an awesome product. Interesting to see you have gone for the C70
Good choice i think.
I be keen to see how you incorporate it into your work flow in future vids.
i really enjoy your BTS mtb stuff..
Thanks for watching Scott. It's definitely powerful! Still learning how the C70 will fit into my shoots but for the most part I have been loving this camera.
Does anyone know when this plug-in will be available for final cut pro I literally dropped my jaw salivating on how good this plug-in is this is a game changer 😓😓 I’m highly impressed
Hi Scott, I have purchased it and it is a very powerful tool. Downside is...mavic air, osmo action or osmo pocket is missing. Would be nice to have a larger selection. Also for my GH4 I can not choose cinelike d.
Thanks for watching, glad you are finding some value in this plugin. I don't know if all of those cameras offer a log profile so that could be way. Cinelike D will not work, needs to be V-log.
nice video! did you film in 10bit with the gh5?
Cheers, thanks for watching! Yes, 10-bit 150mbps.
I think this feature is build into resolve, super cool to see how well it works
I've been playing with Resolve a bit lately but haven't seen this feature. They make CineMatch for Premiere, Resolve, and soon Final Cut Pro. The ease of it is what really blows me away.
@@ScottBell its a color space transform, but clearly this plugin has some amazing features to match exposures perfectly, im going to try it out
@@JohnFultonCGL Ah yes, I have used this and the results are not acceptable. I've also tried the ACES workflow and had similar unsatisfactory results. They both get things close but not nearly as good for the fine tuning as CineMatch.
@@JohnFultonCGL Thanks for checking out CineMatch. The plugin is actually quite different from CST in Resolve - we use camera profiles to match the colors from each individual camera sensor prior to applying the target color science, so the match results are much closer than you can achieve with just the CST on its own.
@@cinematch113 ill have to check it out! The exposure matching features i saw later in the video look outstanding as well
Amazingly easy.
Sure is! Thanks for watching Camilla.
@@ScottBell also very impressions with the result of the drone footage ... I’m not a big fan of DJI’s codec 🙄
Yeah, that was the best part, can't believe how well it fixed it. I always spend forever matching gh5 to mavic 2 pro footage. Keen to try it with Gopro footage too.
@@ScottBell Yes. And GoPro is a bit annoying with bit rates in the export of PP