I've said it before and I'll say it again: you are the film school most of us can't afford! Love these tutorials and thank you. You are really a great talker and great teacher: barely realized that half an hour had gone by.
Even if one did go to film school. This tutorials is still worth watching. Like Ted said, Gerald you are a great teacher but maybe just a tiny bit fast in your talking.
I went to film school and this is def junior/senior year level stuff. Gerald doesnt mess around! He’s the only film youtuber who doesnt cater to the same round of “content” that all the other ones do. I hope he never does
Quick tip, man. That line moving that you mentioned at 10:03 can be fixed by holding shift when setting a point. They are very sensitive, that's for sure.
I got myself a color chart and I've watched a few videos covering that topic. This is the first where I get the feeling that the presenter thoroughly understands what he's talking about and is not simply regurgitating something someone else said. Your video helped me a lot in getting a grip on the whole concept. Thank you!
Hours, days, months, years, centuries spent on tons of video here on the Tube trying to understand how to match clips. The you came and in less 20 minutes you dissipate my doubts. Thank you.
THIS is the video everyone should start with when it comes to learning color correction and grading. I've been watching videos from other "pro colorists" that like to talk about ACES and throw jargon around with totally different workflows in each video... still leaving me feeling completely lost. Finally a video that clearly explains not only how to actually use a color checker, but how to match shots with it, as well as grading LOG footage.... All without using LUTS or saying "just use the proper color transform and gamma" and only demonstrating RED footage. THANK YOU.
I literally just spent the last few days in quarantine trying to figure out how to do this. Gerald, you are a god amongst men! Seriously, thank you for all that you bring to the creative community, I love how thoroughly you cover topics, and your communication skills are on point. Keep it up my dude, you have a viewer for life.
the best thing to take away from this video . . . "embrace that experimentation" . . . ohhh man I'm going to look at some footage now, and just start messing around with it. thank you, thank you, thank you!! (even though, as I said yesterday on another video's comments, this is WAAAAYYYYY over my head. . . but I'm listening, and I'm experimenting. You are awesome.
I just got a new camera the other day after using the same one for over 9 years. Learning how to better use color grading, working with Log, and other more advanced features is very important to me right now so I love seeing this kind of simple help with learning how to correctly color grade. Very helpful. Thank you.
There are so many Horrible color videos and this is ACTUALLY helpful, not just in practice but in understanding conceptually. I might just take a nap I'm so happy.
This should be the #1 video that beginners watch when learning to color grade/color correct. This video is so well done and the explanations are very thorough, yet engaging.
A newbie with video editing and especially color for my new Mavic Air 2. I was pretty well lost (still stepping slowly through Blackmagic's excellent and voluminous documentation) until I found this! Now I know why my color mucking didn't do anything, just by watching you work. Now I need to find a DJI-cinelike LUT to start.
I'm a first grader when it comes to grading video. I definitely had to bookmark this tutorial so I can watch it many more times. Fantastic information. I'm gonna have to create a sub folder in my bookmarks in the Bookmark Bar folder for Gerald Undone.
A thumbs up wasn't enough for this. Really great. I'm a novice and this is just at my point in the learning curve. I appreciate the nice, clear explanations.
Great tutorial :D And thanks for the shoutout :) One quick tip with Resolve - if you double click the title of the parameter you want to reset, it will instantly go back to the default number, eg. double clicking on the Temperature text will reset it to 0 immediately. Very handy when you are dealing with the Hue vs Hue stuff where you nudged it off 1 when clicking a point. Cheers!
Hey Gerald Undone! Great Video. I have to match to cameras to one another in the near future, and even though I've been editing for quite some time now, color (color matching) has not been an issue for me until now, as I normally shoot with only one camera. This video is a very useful resource for anybody who wants to quickly be able to match or grade cameras. Thanks!
Finally, someone who just *does the process of color grading* in depth with great explanation of what actions affect which aspects of the grade, without simply shilling their own LUT or preset pack and wasting my time! Of course it would be Gerald who brought this information to the masses! Why did I ever have any doubt? Thanks very much for this extremely helpful video.
WOW was that a great tutorial! THANK YOU! I moved over to Davinci recently (I have the BMPCC4K) and I do use the X-Rite panels! Your explanations are perfect! FYI 1: in case you move the main line in say hue vs hue just select that point and type 0 into the right box below. FYI 2: The "still" can be added to the power bins for other projects.
Im a fairly new fan of yours but have been watching your past videos. I don't recall seeing any software reviews/how-tos before so this is very awesome of you to make a video about this. Again, keep up the great work!
There's no real way to thank you, I believe. What you teached is priceless, and being already subscribed and having hit that like button seems so small. Thanks a lot for your fantastic videos and skills. Greetings from Switzerland
Thank you so much for the comprehensive tutorials... a lot to unpack for a lowly producer learning to shoot and grade on my own.. and yes, I watch at 75% speed!
So many fantastic tips in this video. One cool thing with saving your grade is that if you drag it from Stills into Powergrades you can access it from any project. Cheers!
Thank you for the tutorial that uses no magic but only basic tools that are available in all video editors. OK there is one magic happening. You eyeballed a lot using your experience. I tried the same steps very often and failed so hard. Now I bought Leeming Luts and enjoy the precision.
Hi, Gerald. In your Table of Contents section add "0:00 - Introduction" or something like this. Not all channels have this feature, but try it. It's a new feature on UA-cam which lets your viewers see chapters in your video.
Hi Gerald, great content, thank you. In the Hue VS Hue and other curves, if you hold the shift key when adding points to the line you wont keep bumping it off the zero mark.
As always, this has been great. I work almost exclusively with stills, but watching you run through this stuff with video is both very interesting and helpful for thinking about workflows
“I’m Gerald Undone and I put film schools out of business.” Seriously tho. Probably 95% of my workflow is based on what I learn from your videos! Keep them coming and honestly, I have no idea why you’re not at at least a million subs. It’s a shame!
I was listening to a podcast and the guest talked about how he hadn’t touched a camera until senior year in film school 😵 jesus. I hope he puts them out of business
I've recently experimented with this type of process in Vegas Pro using a Datacolor Spydercheckr, with 48 color patches. Wasn't sure where the extra colors should hit on the vectorscope. Amazing how easy it is to get different cameras to match each other.
If you don't have a chart - you can easily match the luma by putting the two clips side by side and matching the waveform - the waveform will show left and right of the 2 -up.
"Editable Splines" is a nice way to really gradually affect the curve using long handles for more gradual and incremental changes. Available in the curves window 3 button menu. Next Video: "Boom Boom Boom lemme hear you say way-oh, way-oh!!"
Thank you very much this is the best and most comprehensive matching tutorial I have watched and believe me I have watched loads ! Interesting to me that you don’t mention the colour checker comparison feature or the built in shot match option, why is that?
Gerald, you are one awesome dude. Your knowledge and drive to get to bottom of things is amazing. Channel to go to for deep knowledge and understanding of how things work behind the scenes. thanks for all your time and effort!
I'm an amateur, using just Powerdirector...good enough for what I do/need but some aspects of what I see being done make me aware of things I should be aware of to get the best out of (or at least try and improve on) what I do. Great video...as usual.
You are an insane teacher! We need to add "Professor" to your name sir. Thank you for all your help and knowledge. Definitely purchasing a t-shirt to show support!
So good! There are two other channels where I've learned about resolve color grading from and each of you uses different tools and node structures to get to the final result. I really like what you've done here since it's more about camera matching (something I currently need to do better) than creating a look. As always, keep up the good work G.
This was an AMAZINGLY helpful video. I'll watch it several times I'm sure. I'm using three different cameras and need to get them to a consistent feel. All canon's but different. Plus the way to use the Color Checker was invaluable. Going to get the video version tomorrow (have the photo)
Thanks so much for this... I am just putting together my first few videos on Photoshop and every time I try to grade footage in Premiere it comes out like a cartoon. too late for my first few videos but I'll work through this process and create a LUT in Resolve for future stuff. This is the best colour grading video I've seen and I've seen plenty. Thanks again. You rocked my world
Very cool - I use Resolve and this is very thorough and easy to follow. Thanks. Have you tried using the built-in Color Match tool, where you can line it up with your color checker? I'd imagine it would (should) get 2 different cameras to the same base-line staring point?
Bro! I have been looking for a solid, fail-safe way to color match my Sony A7III and Pocket 4K. Most people are just going by eye. I don't really see the "by eye" method as sustainable. Your HSL method is spot on. I downloaded Leeming Lut on your recommendation from another video. The Leeming Luts plus this HSL method works with amazing results. Just wanted to say thanks!
This is fantastic content - thank you. I've just bought a Blackmagic Studio cam and am trying to create a LUT to match to my GH5 for livestreaming via Atem, This fills in a lot of the blanks for me. Thanks again.
Exactly what I was thinking about the other day.. Thanks for the great work and afford for those in depth explanations/tutorials.. I love your technical videos so much👍🏼 Looking forward for more of your quality content! Wish you all the best 💪🏼
Fantastic!!! Just got my colour checker so now I know what to do with it. Thanks for posting, I very much appreciate the time you put into making this video.
Great video Gerald! I also love to us the qualifier (w/log wheels) to correct skin tones when every thing else in the image looks good(neutral). But I definitely want to get a color checker in the future.
thanks so much! This tutorial has so much valuable info I'd have never known where to get from! Having said that, my screen can't show much of your Canon and Sony skin tone difference in the clip.... time to upgrade my monitor too hah
This tutorial was very useful when doing things manually but I would also like the same in depth demonstration on the auto match color chart feature within davinci resolve as no one else seems to know all the fine details that you do and I always find you teach me the most.
This is amazing! I still don't understand how to do it but the amount of information in this video is mind blowing. I think I just need Gerald to do my color grading for me :(
So good again I can not say enough about this really great video Gerald! I just finished watching now going to color cell phone to cinema camera footage.
Right when I needed something comprehensive like that. I recently shot with two camera of which one had an ND vilter attached. So first thing is/was to match ne colors to compensate for the filters green tint.
Gerald - firstly - love the technical videos - You are upping everybodies game on the technical end of all this, big time. - But in this one not sure if you are teaching this workflow so people using Premiere can follow along, but in Resolve a lot of what you are doing, is normally done with a reference wipe, or a side by side split screen. The advantage being, that you can place the shots side by side and the waveform shows them side by side - so matching luma values is dead simple. As far as saturation is concerned - if you have the chart in each shot you can actually put one chart over the other and swipe the reference halfway between any part of it - the reference and the input zoom and pan etc. is in the sizing work area. I only point this out because a lot of times - shot matching is matching shots of all kinds - from all kinds of cameras that directors or DPs have a look from lighting etc, where matching them - is hard to find any boxes on the vectorscope, but with a decent display it is easy to see the same swatch on two different grades and match the luma and the saturation quite easily. But if I had to use a software without all the great tools in Resolve - your method would be the way to do it. But in Resolve if doing this - I would grade one hero shot and then shot match to it using the reference wipes first - then side by side selections to tweak. Just another perspective. And another tip - was watching your live thing today - The vectorscope trace - you can zoom in on it, by holding down the alt/option key and using the middle mouse. This works on any of the scopes. It is a lot faster than turning on the 2x zoom. Even on the waveform you can zoom into a certain point and see the trace better. Thanks for your hard work on these videos.
Hey, Jim. Yeah, I only really started doing the split screen thing lately, but I often forget it exists. Question about the alt+zoom thing on the scopes. Is there a quick button to recenter the waveform's position after you move it around? Or do you have to go in and select reset in the panel settings?
@@geraldundone You move around the scopes just the same way you move it on the clip monitor. When you zoom back out it goes back to where you started. Holding down the middle button grabs the scope and drags it around. Way quicker, once you get used to it.
I've said it before and I'll say it again: you are the film school most of us can't afford! Love these tutorials and thank you. You are really a great talker and great teacher: barely realized that half an hour had gone by.
Ted MV Holy Shizzle! I had to look at the length of the video when you said that, that’s crazy!!!
Even if one did go to film school. This tutorials is still worth watching. Like Ted said, Gerald you are a great teacher but maybe just a tiny bit fast in your talking.
He knows how to simplify complicated things, and get to the point
I went to film school and this is def junior/senior year level stuff. Gerald doesnt mess around! He’s the only film youtuber who doesnt cater to the same round of “content” that all the other ones do. I hope he never does
Quick tip, man. That line moving that you mentioned at 10:03 can be fixed by holding shift when setting a point. They are very sensitive, that's for sure.
Haha. I tried ALT then CTRL and then gave up. Bah! Thanks. That's a great tip. Cheers!
@@geraldundone haha any time!
Came to say this : )
@@PostColorGear I was just about to type that in when I saw this.
@@JimRobinson-colors hey Jim, how are ya? Beat ya to the punch haha
I got myself a color chart and I've watched a few videos covering that topic. This is the first where I get the feeling that the presenter thoroughly understands what he's talking about and is not simply regurgitating something someone else said. Your video helped me a lot in getting a grip on the whole concept. Thank you!
This is what I love about Gerald, he really knows his shit and is maybe the smartest UA-camr I've watched.
Hours, days, months, years, centuries spent on tons of video here on the Tube trying to understand how to match clips. The you came and in less 20 minutes you dissipate my doubts. Thank you.
THIS is the video everyone should start with when it comes to learning color correction and grading. I've been watching videos from other "pro colorists" that like to talk about ACES and throw jargon around with totally different workflows in each video... still leaving me feeling completely lost. Finally a video that clearly explains not only how to actually use a color checker, but how to match shots with it, as well as grading LOG footage.... All without using LUTS or saying "just use the proper color transform and gamma" and only demonstrating RED footage. THANK YOU.
I literally just spent the last few days in quarantine trying to figure out how to do this. Gerald, you are a god amongst men! Seriously, thank you for all that you bring to the creative community, I love how thoroughly you cover topics, and your communication skills are on point. Keep it up my dude, you have a viewer for life.
🤓🙏💜
I swear, when I become a millionaire, I will personally find you and give you a bag of money and a big hug. You are the very BEST, I don't care!!!
Well, you can start by giving him $5/month ... LOL
Alex Lesko 😂
a bag of ARRI Alexas, and lenses
the best thing to take away from this video . . . "embrace that experimentation" . . . ohhh man I'm going to look at some footage now, and just start messing around with it. thank you, thank you, thank you!! (even though, as I said yesterday on another video's comments, this is WAAAAYYYYY over my head. . . but I'm listening, and I'm experimenting. You are awesome.
I just got a new camera the other day after using the same one for over 9 years. Learning how to better use color grading, working with Log, and other more advanced features is very important to me right now so I love seeing this kind of simple help with learning how to correctly color grade. Very helpful. Thank you.
I don't know if someone already told you, but on any curve, if you shift-click you'll create a point without changing its value, I hope this helps!
There are so many Horrible color videos and this is ACTUALLY helpful, not just in practice but in understanding conceptually. I might just take a nap I'm so happy.
This should be the #1 video that beginners watch when learning to color grade/color correct.
This video is so well done and the explanations are very thorough, yet engaging.
A newbie with video editing and especially color for my new Mavic Air 2. I was pretty well lost (still stepping slowly through Blackmagic's excellent and voluminous documentation) until I found this! Now I know why my color mucking didn't do anything, just by watching you work. Now I need to find a DJI-cinelike LUT to start.
Gerald is so pro that at 7:50 he did it speedy in real time.
As a color correction and grading novice working in Resolve, I really got a lot out of this tutorial. Thanks so much!
It's so rare to find ultra-nerds at my level, but Gerald is one. I keep watching videos back to back and I think I may be falling in love
THIS IS THE VIDEO I"VE BEEN WAITING FOR!!!! Thanks soooo much for making this one - I've been looking for for months and nobody has done this (well).
I'm a first grader when it comes to grading video. I definitely had to bookmark this tutorial so I can watch it many more times. Fantastic information. I'm gonna have to create a sub folder in my bookmarks in the Bookmark Bar folder for Gerald Undone.
I've seen so many colour correction tutorials, and this is so many levels above the rest it's ridiculous. Thank you.
I gained so much knowledge after 26 mins. Thanks!
A thumbs up wasn't enough for this. Really great. I'm a novice and this is just at my point in the learning curve. I appreciate the nice, clear explanations.
Love it everytime he says “Let’s get undone” 👍😊
Omg!
Great tutorial :D And thanks for the shoutout :) One quick tip with Resolve - if you double click the title of the parameter you want to reset, it will instantly go back to the default number, eg. double clicking on the Temperature text will reset it to 0 immediately. Very handy when you are dealing with the Hue vs Hue stuff where you nudged it off 1 when clicking a point. Cheers!
Thanks, Paul! Cheers!
Love that you teach and use Resolve. Just makes me want to see more and more videos from you like this. We really appreciate the hard work.
Ευχαριστούμε!
Hey Gerald Undone! Great Video. I have to match to cameras to one another in the near future, and even though I've been editing for quite some time now, color (color matching) has not been an issue for me until now, as I normally shoot with only one camera. This video is a very useful resource for anybody who wants to quickly be able to match or grade cameras. Thanks!
Gerald, you have hands down the best technical channel on video there is. Great job and thank you!
Finally, someone who just *does the process of color grading* in depth with great explanation of what actions affect which aspects of the grade, without simply shilling their own LUT or preset pack and wasting my time! Of course it would be Gerald who brought this information to the masses! Why did I ever have any doubt? Thanks very much for this extremely helpful video.
Without a doubt…you’re the best at this stuff. Thank you
WOW was that a great tutorial! THANK YOU! I moved over to Davinci recently (I have the BMPCC4K) and I do use the X-Rite panels! Your explanations are perfect! FYI 1: in case you move the main line in say hue vs hue just select that point and type 0 into the right box below. FYI 2: The "still" can be added to the power bins for other projects.
Best video ever. Was struggling with this very issue. WB, color correction were my weakness. Pretty good at getting the “look” I want.
You are an excellent teacher for someone like me who is learning color grading! Thanks a lot!
Hi Gerald, Thank you for the tutorial. I am wondering why you don't you the auto color correction function in resolve?
I've never found it to produce results I'm happy with. Cheers!
This video has given me so much more confidence using Davinci resolve. Thank you!
Im a fairly new fan of yours but have been watching your past videos. I don't recall seeing any software reviews/how-tos before so this is very awesome of you to make a video about this. Again, keep up the great work!
There's no real way to thank you, I believe. What you teached is priceless, and being already subscribed and having hit that like button seems so small. Thanks a lot for your fantastic videos and skills. Greetings from Switzerland
Thank you so much for the comprehensive tutorials... a lot to unpack for a lowly producer learning to shoot and grade on my own.. and yes, I watch at 75% speed!
So many fantastic tips in this video. One cool thing with saving your grade is that if you drag it from Stills into Powergrades you can access it from any project. Cheers!
This is a confusing topic for a lot of people. This is an excellent tutorial and very well presented. Thanks.
Thanks Gerald. Answered so many of my colour correction issues in one video.
Thank you for the tutorial that uses no magic but only basic tools that are available in all video editors. OK there is one magic happening. You eyeballed a lot using your experience. I tried the same steps very often and failed so hard. Now I bought Leeming Luts and enjoy the precision.
Hi, Gerald. In your Table of Contents section add "0:00 - Introduction" or something like this. Not all channels have this feature, but try it. It's a new feature on UA-cam which lets your viewers see chapters in your video.
Hi Gerald, great content, thank you. In the Hue VS Hue and other curves, if you hold the shift key when adding points to the line you wont keep bumping it off the zero mark.
As always, this has been great. I work almost exclusively with stills, but watching you run through this stuff with video is both very interesting and helpful for thinking about workflows
“I’m Gerald Undone and I put film schools out of business.”
Seriously tho. Probably 95% of my workflow is based on what I learn from your videos! Keep them coming and honestly, I have no idea why you’re not at at least a million subs. It’s a shame!
I was listening to a podcast and the guest talked about how he hadn’t touched a camera until senior year in film school 😵 jesus. I hope he puts them out of business
This is the most helpful grading video I have watched on UA-cam. Thank you Gerald.
I've recently experimented with this type of process in Vegas Pro using a Datacolor Spydercheckr, with 48 color patches. Wasn't sure where the extra colors should hit on the vectorscope. Amazing how easy it is to get different cameras to match each other.
Good God man! This is one of the best Davinci Resolve tutorials I've seen.
Since you were kind enough to put this video together I am going to give Resolve another try. 👍👍👍
OMG I learned so much...I hope I can engrain this in my mind because it will save countless hours.
Thanks Gerald
FINALLY!!!! This was the most helpful color tutorial video I have watch in the last two years!!!!! THANK YOU!!!!
If you don't have a chart - you can easily match the luma by putting the two clips side by side and matching the waveform - the waveform will show left and right of the 2 -up.
Good tip!
1 of the best tutorial of DaVinci i ever seen!!!!!🙌
This just helped me out so much. My footage looks SO much better than before. Thanks Gerald! :)
"Editable Splines" is a nice way to really gradually affect the curve using long handles for more gradual and incremental changes. Available in the curves window 3 button menu.
Next Video: "Boom Boom Boom lemme hear you say way-oh, way-oh!!"
Yes! Great tip. Much smoother result. Cheers!
Thank you very much this is the best and most comprehensive matching tutorial I have watched and believe me I have watched loads !
Interesting to me that you don’t mention the colour checker comparison feature or the built in shot match option, why is that?
Gerald, you are one awesome dude. Your knowledge and drive to get to bottom of things is amazing. Channel to go to for deep knowledge and understanding of how things work behind the scenes. thanks for all your time and effort!
Color correction is probably my main issue I should work more on... Thanks for the tips!
This is amazing Gerald. I continue to learn so much from your content. Thank you!
watch this video several times, i think the best video about how to grade logs
Extraordinary! Best explanation on YT, thank you Gerald!
Amazing video! You take a complex concept and make it simple to understand and execute!
I'm an amateur, using just Powerdirector...good enough for what I do/need but some aspects of what I see being done make me aware of things I should be aware of to get the best out of (or at least try and improve on) what I do. Great video...as usual.
Phenomenal amount of usable info here. Thank you!!!!!
You are an insane teacher! We need to add "Professor" to your name sir. Thank you for all your help and knowledge. Definitely purchasing a t-shirt to show support!
This is just outstanding. It is Gerald at his super best. Thankful for this! 💛😎
So good! There are two other channels where I've learned about resolve color grading from and each of you uses different tools and node structures to get to the final result. I really like what you've done here since it's more about camera matching (something I currently need to do better) than creating a look. As always, keep up the good work G.
This is EXACTLY what I've been looking for. You're a life saver Gerald. Thank you
Such a great video. Always helpful! 😉😉
This was an AMAZINGLY helpful video. I'll watch it several times I'm sure. I'm using three different cameras and need to get them to a consistent feel. All canon's but different. Plus the way to use the Color Checker was invaluable. Going to get the video version tomorrow (have the photo)
Thanks so much for this...
I am just putting together my first few videos on Photoshop and every time I try to grade footage in Premiere it comes out like a cartoon.
too late for my first few videos but I'll work through this process and create a LUT in Resolve for future stuff.
This is the best colour grading video I've seen and I've seen plenty.
Thanks again.
You rocked my world
your work is becoming an encyclopedia of technique. Really, it is essential. Keep up the good work :)
Very cool - I use Resolve and this is very thorough and easy to follow. Thanks.
Have you tried using the built-in Color Match tool, where you can line it up with your color checker? I'd imagine it would (should) get 2 different cameras to the same base-line staring point?
Bro! I have been looking for a solid, fail-safe way to color match my Sony A7III and Pocket 4K. Most people are just going by eye. I don't really see the "by eye" method as sustainable. Your HSL method is spot on. I downloaded Leeming Lut on your recommendation from another video. The Leeming Luts plus this HSL method works with amazing results. Just wanted to say thanks!
Normally I can set my speed to 1.5 and follow along but this was so rich in info I kept it at normal speed. Great video!
Incredible info, thank you so much
This is fantastic content - thank you. I've just bought a Blackmagic Studio cam and am trying to create a LUT to match to my GH5 for livestreaming via Atem, This fills in a lot of the blanks for me. Thanks again.
Bruh! This was the most helpful grading video I’ve ever seen! Thank you so much for sharing all of this voodoo-science knowledge 😍🤤🙌🏻🙌🏻🙌🏻
Exactly what I was thinking about the other day.. Thanks for the great work and afford for those in depth explanations/tutorials.. I love your technical videos so much👍🏼
Looking forward for more of your quality content!
Wish you all the best 💪🏼
Absolutely brilliant Gerald! I'm thoroughly enjoying these insightful videos.
Fantastic!!! Just got my colour checker so now I know what to do with it. Thanks for posting, I very much appreciate the time you put into making this video.
Great video Gerald! I also love to us the qualifier (w/log wheels) to correct skin tones when every thing else in the image looks good(neutral). But I definitely want to get a color checker in the future.
thanks so much! This tutorial has so much valuable info I'd have never known where to get from! Having said that, my screen can't show much of your Canon and Sony skin tone difference in the clip.... time to upgrade my monitor too hah
This tutorial was very useful when doing things manually but I would also like the same in depth demonstration on the auto match color chart feature within davinci resolve as no one else seems to know all the fine details that you do and I always find you teach me the most.
Your visual explainations are amazing. Best channel!
Unreal From Undone! Thank you too much for all this valuable information, you are an incredible teacher!
This is amazing! I still don't understand how to do it but the amount of information in this video is mind blowing. I think I just need Gerald to do my color grading for me :(
Best tutorial! Thanks Gerald!
Great overview for matching cameras!
Extremely helpful. Subscribed instantly.
YES!! Little filmmaker Ronald is in a Gerald Undone Video! Thank you for choosing my comment for the intro!
this is one of your best videos. super useful
So good again I can not say enough about this really great video Gerald! I just finished watching now going to color cell phone to cinema camera footage.
This was (or is) a fantastic color grading tutorial. You gave me a better understanding of the vectorscopes than I've had before. Thanks a million.
Brilliant explanation 🤗🤗🤗
Right when I needed something comprehensive like that. I recently shot with two camera of which one had an ND vilter attached. So first thing is/was to match ne colors to compensate for the filters green tint.
very useful. Especially being slightly colourblind
Thank you ... I have rekindeled something I love doing so this was great and I enjoyed the way you delivered this.
Gerald - firstly - love the technical videos - You are upping everybodies game on the technical end of all this, big time. - But in this one not sure if you are teaching this workflow so people using Premiere can follow along, but in Resolve a lot of what you are doing, is normally done with a reference wipe, or a side by side split screen. The advantage being, that you can place the shots side by side and the waveform shows them side by side - so matching luma values is dead simple. As far as saturation is concerned - if you have the chart in each shot you can actually put one chart over the other and swipe the reference halfway between any part of it - the reference and the input zoom and pan etc. is in the sizing work area. I only point this out because a lot of times - shot matching is matching shots of all kinds - from all kinds of cameras that directors or DPs have a look from lighting etc, where matching them - is hard to find any boxes on the vectorscope, but with a decent display it is easy to see the same swatch on two different grades and match the luma and the saturation quite easily.
But if I had to use a software without all the great tools in Resolve - your method would be the way to do it. But in Resolve if doing this - I would grade one hero shot and then shot match to it using the reference wipes first - then side by side selections to tweak. Just another perspective.
And another tip - was watching your live thing today - The vectorscope trace - you can zoom in on it, by holding down the alt/option key and using the middle mouse. This works on any of the scopes. It is a lot faster than turning on the 2x zoom. Even on the waveform you can zoom into a certain point and see the trace better. Thanks for your hard work on these videos.
Hey, Jim. Yeah, I only really started doing the split screen thing lately, but I often forget it exists.
Question about the alt+zoom thing on the scopes. Is there a quick button to recenter the waveform's position after you move it around? Or do you have to go in and select reset in the panel settings?
@@geraldundone You move around the scopes just the same way you move it on the clip monitor. When you zoom back out it goes back to where you started. Holding down the middle button grabs the scope and drags it around. Way quicker, once you get used to it.
Fantastic tutorial as always!