@@EpicLightMedia it is hard to believe that you started UA-cam this year. By the end of this year, you will definitely have a million subs or close. Great content.
@@EpicLightMedia I cannot believe you completely missed the simplest lighting setup of all. Instead of having the subject facing the sun and then blocking it with the scrim. What you should have done was have the subject with her back to the sun now you instantly have her face in open shade. At the same time you now have her hairline highlighted from the sun. Now the only thing you need to add is a fill light with the reflector in front of her. it doesn't get any easier than that and the only thing you needed to carry with you is one collapsible reflector.
@@EpicLightMedia Not sure where to submit suggestions, but I have been wondering after you light these interviews, how do you edit in post? Like how do I get that High-Key look. I'm using Davinci Resolve and everything always looks moody. (Even after I copycat your setups step by step ), In other words, Post-Production tutorial please.
As someone who sells c-stands I'd like to thank you for demonstrating the correct way to throw them down on the ground.Those suckers last too long.....
this high-key the best channel with the straight to the point tutorials i found it 2 day ago and i feel like i learn so much since is not just him talking and show video he already recorded with nothing just a before and after. every filmmaker need this page
Very refreshing to see an actual talented cinematographer making videos like these. I was getting burnt out on “HOW TO MAKE YOUR FOOTAGE LOOK FIRE WITH THESE COLOR GRADING TIPS” videos.
I liked "B". Because that orange light on the right side of her face made me think of a sunset. Even though it was on the opposite side of the key light, it still gave the overall shot a warm feel to it.
Hordiy Malkovych for now... between watching the indoor lighting video and clicking to this one, they already gained ~350 subs, and they weren’t all me...
Couple things to mention: 1. Importance of time, giving one PLENTY of time to setup which isn't always the case, so it would be cool to see on of these done where you have like 20 minutes to setup. 2. Importance of a patient subject. I usually shoot with busy business people that don't have much time and never are able to sit in while I setup by myself. Presents a lot of challenges not having a subject on camera. LOVE the content guys, you've reeled me in!
Let me retract, I guess for quick setup, you'd go with A or B so I guess it comes down to the client's paying for more time. I jumped the gun there.
4 роки тому+8
"If you know what you're doing you can make any camera look good, if you don't know what you're doing you can make any camera look bad." GREATNESS. I'm definitely stealing this quote! 🤣
Tip: When tightening the grip head make sure the tightening handle is on the right. That way any weight on the end of the arm will not loosen the grip head.
Hey man, after plus 5 years og learning all i know to create my videomarketing agency from YT, i was missing video creation deep dives. And you are hitting the spot man! Amazing content, highly valuable and great format. Thank you for the amazing work, promise me you will keep it up!
Love your stuff. Witty, knowledgeable, and just a great all around teacher. Keep it up, you are by far the best all around filming tutorial guy I've seen here.
It's an EasyRig to hold up his camera for longer durations without getting tired. You don't need one of these for this shot. It just makes it easier on your body lol.
This was helpful, thank you. I am a self-taught amateur filmmaker who is currently working on how to deal with sun issues. I have no budget for anything though I've slowly acquired a couple pieces of equipment, including one of those 5 in 1 round diffuser / reflector packs. I'd love to get c-stands someday. Thank you for sharing this video.
Dude... I have to say again... never, NEVER stop making your videos on UA-cam. You're funny, it's nice too see, we'll explained as I said in other video... Excellent. I know all the things in the video and I loved watch it even knowing. And probably I'll watch it again more than one time. And about the video, in fact I loved the result of the B. I did an interview when I actually used exactly the same setup hahahaha
Thanks! This video was fun to make. We are trying to decide if we should focus on making more videos like this one or more gear review videos... I like making videos like this
5 років тому
Epic Light Media I think u should go alllll the way with videos like this. Reviews are nice. I do a lot of them, but, I was thinking in start something like these this year, I just hope I can do something so nice like you.
5 років тому+86
Wait a Minute. This must be some kind of reverse psychology. I subbed AND gave a thumb up. Magic!
In all honesty, professional grips will actually do everything he's been doing. After working with multiple studios, he nailed everything besides some best practice procedures many gaffers take.
Another great share. I literally had a client give me instructions to setup outside for 9 short interviews at 1pm on a cloudless day....and everything had to be done within 1 hour. Did I mention the 10mph gusts? A single 42" 2-stop pop-up diffusion on a boom arm was all I had time to setup. Had to use one of the interviewees as a 'meat-bag' c-stand to keep the diffusion from flopping around like a plastic bag in a supermarket alley. Results were...less than ideal, but within the tolerances of the sensor's dynamic range.
What about positioning her behind the sun for a back light and bouncing light from the sun? That setup you have seems crazy when you’re starting out with not many hands
All of those diffusion panels and C-Stands are great! My biggest problem with all that rigging is when its windy outside, things become problematic. You need lost of helpers to keep the diffusion all in the correct place!
Great stuff, thanks for sharing. Another tip when having zero gear... flip the subject so the sun is a backlight, find a shady background to shoot into and open up. Of course a bounce for key makes a big difference and a camera with 15 stops of dynamic range... but in any case, the subject can squint less :)
Loving this video and your channel! Little declaimer : I'm a minimalist videographer! (I love my back pain). I would have used the option D - The sun behind her and a reflector at 45° in front of her
Yes!!!! Thanks would have been more efficient! I should have talked about that in the video. I think the way in the video should only be used if you need a specific background at the wrong time of day. I’ve had commercials at the last minute where the client asks for a specific sign or building to be in the background and we have to be ready for anything.
@@EpicLightMedia I'm more in the position that I have to thank you for all the useful tips and the great experience you're sharing to us! (I only started to learn photography here on UA-cam 1 year ago...it's a long way for me). I understand the necessity of all of that equipment when the job must be done for the clients ;) Thank you again! Ciao!
In my opinion is B is most great one. I really love your videos! Please keep them up and tell us more great tips like this! U kind of really funny xD Nice channel!
Yeah, diffusion is beatiful! It takes a lot of watts to light outdoors for film. I photograph and Its easy to get enough power from 500W flash for photos but thats another thing. I was thinking using the house fasade as the main light and having the diffusion against the sun casting a backlight on her. What do you think?
Man, I just found your channel by accident and half way through one video, the knowledge you were sharing was farrrr too valuable, that I felt bad for getting it free of cost. Lol. Keep up the awesome work! SUBBED.
Re: TREMORS lighting. True. Very few lights. Sometimes none. I was the 2nd 2nd AD (and stunt double) and we used a LOT of 12x12 diffusion. And that FX shot of the thing running under the ground…. one of my fave low-tech set-ups. It was a blast.
great video, i agree for UA-cam or shit that doesn't matter how it looks A works, but damn it is so easy to just hold a damn 5in1 Reflector to block the direct sunlight i would always tell people to do B or as you said, gettin paid or for clients go C all day long
great idea people shoot with limited resources also, yes thanks for making confidence in us to go for shooting with what ever is available. I really like it.
@@EpicLightMedia Interesting! Where did you get it? My friend and I went to Home Depot and Lowe's hardware and never found one like that. We ended up buying a piece of white beadboard and covering one side with silver tape used for air ducts.
I have an Iphone XR, moment lens, a Hoya NXT Plus CPL Filter and a Hoya NXT HMC-UV Filter. I am shooting a ton of video with my XR. My 2 questions are....1) Is it worth always having the UV filter on as a source of "lens protection"? Since it's a good one, I assume my video will be compromised very little. Thoughts? 2) Should I use both filters together when shooting outside in bright conditions? I assume the UV goes on first, and then the CPL. Your insight is much appreciated. -Bob
Given these choices, I’d use C and sculpt the exposure in post. However, if it was me, i,d shoot into 3/4 sun if i had that as an option, or do A with a half-stop diffuser.
So informative you guys are never disappointed us. I don't know why this channel is still underrated. One day you'll cross the record of Peter Mckinnon 😁
What do you do in your camera settings in order to fix overexposing background? Postproduction? By the way, great channel, amazing information, I learn a lot from your videos!
i'd use modified b. move the reflector to correspond with the angle of lights on c, to get that hair looking nice. that is if we had sun in finland. but we dont. so all we have is soft light :D
EVERYONE who has ever said, "It doesn't matter what camera you shoot on," does so while holding a $30,000 rig. HAHA! Not a complaint, just having a good laugh (but really -- it is true... you don't need a RED setup). As always -- spectacular and USEFUL information in this video. Love your content!!
These are the type of tutorials I always wanted
That means a lot, thanks! If you have suggestions on other videos you’d like to see, let us know.
@@EpicLightMedia it is hard to believe that you started UA-cam this year. By the end of this year, you will definitely have a million subs or close. Great content.
@@EpicLightMedia I cannot believe you completely missed the simplest lighting setup of all. Instead of having the subject facing the sun and then blocking it with the scrim. What you should have done was have the subject with her back to the sun now you instantly have her face in open shade. At the same time you now have her hairline highlighted from the sun. Now the only thing you need to add is a fill light with the reflector in front of her. it doesn't get any easier than that and the only thing you needed to carry with you is one collapsible reflector.
yes.. me 2
@@EpicLightMedia Not sure where to submit suggestions, but I have been wondering after you light these interviews, how do you edit in post? Like how do I get that High-Key look. I'm using Davinci Resolve and everything always looks moody. (Even after I copycat your setups step by step ), In other words, Post-Production tutorial please.
As someone who sells c-stands I'd like to thank you for demonstrating the correct way to throw them down on the ground.Those suckers last too long.....
Neale that was hilarious!
I love how honest he is about his workflow
this high-key the best channel with the straight to the point tutorials i found it 2 day ago and i feel like i learn so much since is not just him talking and show video he already recorded with nothing just a before and after. every filmmaker need this page
For effort to reward ratio - B for the win.
Tottaly
Very refreshing to see an actual talented cinematographer making videos like these. I was getting burnt out on “HOW TO MAKE YOUR FOOTAGE LOOK FIRE WITH THESE COLOR GRADING TIPS” videos.
Love this haha
Just discovered your channel with great practical (and commercial) tips! Thanks for the great videos so far; looking forward to more, for sure!
Thanks! We hope to make a video a week.
I liked "B". Because that orange light on the right side of her face made me think of a sunset. Even though it was on the opposite side of the key light, it still gave the overall shot a warm feel to it.
Why is this channel so underrated?
Hordiy Malkovych for now... between watching the indoor lighting video and clicking to this one, they already gained ~350 subs, and they weren’t all me...
bro, I was just thinking that this dude is very underrated!
underrated by who? i love it so much
because you are not supposed to subscribe.
I clicked unsubscribe twice to be sure I did not have to watch any more of this awesome content.
Couple things to mention: 1. Importance of time, giving one PLENTY of time to setup which isn't always the case, so it would be cool to see on of these done where you have like 20 minutes to setup. 2. Importance of a patient subject. I usually shoot with busy business people that don't have much time and never are able to sit in while I setup by myself. Presents a lot of challenges not having a subject on camera. LOVE the content guys, you've reeled me in!
Let me retract, I guess for quick setup, you'd go with A or B so I guess it comes down to the client's paying for more time. I jumped the gun there.
"If you know what you're doing you can make any camera look good, if you don't know what you're doing you can make any camera look bad." GREATNESS. I'm definitely stealing this quote! 🤣
How does this not have more views!? Great examples and simple explanations!
Because no one is subscribed!
Tip: When tightening the grip head make sure the tightening handle is on the right. That way any weight on the end of the arm will not loosen the grip head.
B is a great way to add value to lower end productions and with a few editing tricks can bring a nice airy look.
I would prefer number B combined with the slider from C. Thank you for your really great work!
Hey man, after plus 5 years og learning all i know to create my videomarketing agency from YT, i was missing video creation deep dives. And you are hitting the spot man! Amazing content, highly valuable and great format.
Thank you for the amazing work, promise me you will keep it up!
Love your stuff. Witty, knowledgeable, and just a great all around teacher.
Keep it up, you are by far the best all around filming tutorial guy I've seen here.
i love how this guy can make a very professional video but still adding some personality and jokes to it
"Anyone Can Do THIS!" - 0:18 starts talking wearing an Iron Man suit
It's an EasyRig to hold up his camera for longer durations without getting tired. You don't need one of these for this shot. It just makes it easier on your body lol.
@@BS_Media Haha I was just joking 🙃
@@mrzw alright haha! I just wanted to clarify in case you were a new to production .
@@BS_Media Haha no worries! And thanks for just being kind
A guy in an easyrig is just a tripod with an attitude.
This was helpful, thank you. I am a self-taught amateur filmmaker who is currently working on how to deal with sun issues. I have no budget for anything though I've slowly acquired a couple pieces of equipment, including one of those 5 in 1 round diffuser / reflector packs. I'd love to get c-stands someday. Thank you for sharing this video.
I love the lack of judgement and open mindedness towards all the different styles. I really am enjoying your tutorials.
I'm going through an Epic Light Media tutorial marathon. My new favorite UA-camr!
This was so great! I'd love to know what you did for your audio OUTSIDE :)
Hey! Used the Sennheiser MKH 416 straight into the Ursa.
@@EpicLightMedia oh, wow! I have that mic, too. It's my go to. Did you put it in a blimp or anything to shield it from wind?
Yes! We use a blimp when we are outside. That mic is the best!! I’m happy you have it too!
Can you do a tutorial on outdoor audio?
Dude... I have to say again... never, NEVER stop making your videos on UA-cam. You're funny, it's nice too see, we'll explained as I said in other video... Excellent.
I know all the things in the video and I loved watch it even knowing. And probably I'll watch it again more than one time.
And about the video, in fact I loved the result of the B. I did an interview when I actually used exactly the same setup hahahaha
Thanks! This video was fun to make. We are trying to decide if we should focus on making more videos like this one or more gear review videos... I like making videos like this
Epic Light Media I think u should go alllll the way with videos like this. Reviews are nice. I do a lot of them, but, I was thinking in start something like these this year, I just hope I can do something so nice like you.
Wait a Minute. This must be some kind of reverse psychology. I subbed AND gave a thumb up. Magic!
Me too lmfao
I did as well 😂
This is the type of tutorial you seen in 2000s late DVD , I Love it !
This is the channel that brings us the information we actually need!
Shout out from Brazil!
8:57 love that sound effect of disappointment 😂
I loooove me some of your videos. Love your energy, you're fun to watch... I'm becoming addicted to epic light media!
I was just smiling throughout the whole video, I'm glued to this channel. C is super amazing
I appreciate your acknowledgement that real grips wouldn't do this, but appreciate your effort.
In all honesty, professional grips will actually do everything he's been doing. After working with multiple studios, he nailed everything besides some best practice procedures many gaffers take.
Another great share. I literally had a client give me instructions to setup outside for 9 short interviews at 1pm on a cloudless day....and everything had to be done within 1 hour. Did I mention the 10mph gusts? A single 42" 2-stop pop-up diffusion on a boom arm was all I had time to setup. Had to use one of the interviewees as a 'meat-bag' c-stand to keep the diffusion from flopping around like a plastic bag in a supermarket alley. Results were...less than ideal, but within the tolerances of the sensor's dynamic range.
I like the way it looks with diffusion only. More contrasty and way more natural.
Fantastic video! Keep them coming
Loving this channel. B looks pretty damn good considering how simple the setup is. C looks the most polished and professional. A hurts my eyes haha
i just watch ur first video yesterday.. and now i started watching u... really great work
What about positioning her behind the sun for a back light and bouncing light from the sun? That setup you have seems crazy when you’re starting out with not many hands
All of those diffusion panels and C-Stands are great! My biggest problem with all that rigging is when its windy outside, things become problematic. You need lost of helpers to keep the diffusion all in the correct place!
Great stuff, thanks for sharing. Another tip when having zero gear... flip the subject so the sun is a backlight, find a shady background to shoot into and open up. Of course a bounce for key makes a big difference and a camera with 15 stops of dynamic range... but in any case, the subject can squint less :)
Love the hair light on B
Amazing way of teaching, simply I love ❤your videos, very details, practical approach, excellent💯👍
Loving this video and your channel!
Little declaimer : I'm a minimalist videographer! (I love my back pain).
I would have used the option D
- The sun behind her and a reflector at 45° in front of her
Yes!!!! Thanks would have been more efficient! I should have talked about that in the video. I think the way in the video should only be used if you need a specific background at the wrong time of day. I’ve had commercials at the last minute where the client asks for a specific sign or building to be in the background and we have to be ready for anything.
@@EpicLightMedia I'm more in the position that I have to thank you for all the useful tips and the great experience you're sharing to us! (I only started to learn photography here on UA-cam 1 year ago...it's a long way for me).
I understand the necessity of all of that equipment when the job must be done for the clients ;) Thank you again!
Ciao!
I do the same for commercials , diffuse , bounce, and a joker for backlight. Is a efective way
In my opinion is B is most great one. I really love your videos! Please keep them up and tell us more great tips like this! U kind of really funny xD Nice channel!
very neat to see how this look was set up.
Epic C-Stand throwing, a key component of any cinematic lighting course.
Looks nice, but how would you set it up if the model was going to move around?
Great video, man! I think I liked B the most; it had the most visual interest without the harsh lighting of A.
Also, now I want to watch Tremors.
Yeah, diffusion is beatiful! It takes a lot of watts to light outdoors for film. I photograph and Its easy to get enough power from 500W flash for photos but thats another thing. I was thinking using the house fasade as the main light and having the diffusion against the sun casting a backlight on her. What do you think?
Yeah that would have worked as well for sure
@@EpicLightMedia : )
Brilliant teaching and examples! Thank you. Being able to see practical examples like this is so helpful! Well done!
Man, I just found your channel by accident and half way through one video, the knowledge you were sharing was farrrr too valuable, that I felt bad for getting it free of cost. Lol.
Keep up the awesome work! SUBBED.
Hi Thomas, Is there any chance that you can share the items you bought from Home Depot to make the silver & white reflector?
This channel is phenomenal, and we only accidentally stumbled across it, thank you UA-cam!!!!
Fantastic knowledge
A new follower from Pakistan here ... best of luck
Lots of love and regards
Can you show us how you color grade the beginning of this video? Please it’s so beautiful and want to know how you achieved it
you sir are the first youtubber to ask for negative comments
Wow! I’m surprised. I seemed so obvious to me. Why does everyone need to be liked....
So helpful! I like A as well, let the sun have its moment to shine!
This channel is outstanding. I love your format and personality. Subscribed. Just outstanding. Thank you for taking the time to make these videos.
So kind!!! Thanks so much!!
My new favorite channel! Amazing content
Re: TREMORS lighting. True. Very few lights. Sometimes none. I was the 2nd 2nd AD (and stunt double) and we used a LOT of 12x12 diffusion. And that FX shot of the thing running under the ground…. one of my fave low-tech set-ups.
It was a blast.
So amazing you worked on that movie!!! If you would be interested I would love to do a video interview about your experience working on the movie
Your video feels real and is fun to watch! All great and useful tips. Thank you!
best tutorial channel on youtube by a land slide
Please do a video on audio. Glad I stumbled across this channel. Very informative and hilarious
I like to watching about light and lighting. Don't stop it!
This is Gold! Thank you for putting down all the time and energy.
Excellent tutorial and on camera performance energy. Subbed.
Thanks!!!!
Oh man! Ive been learning a lot in this channel! Many thanks.
B is the winner for me...simple and effective
Great video. I'd flag off that bounce on B as it's causing a flare in the lens reducing contrast and clarity.
Exactly! Totally should have done that
great video, i agree for UA-cam or shit that doesn't matter how it looks A works, but damn it is so easy to just hold a damn 5in1 Reflector to block the direct sunlight i would always tell people to do B or as you said, gettin paid or for clients go C all day long
great idea people shoot with limited resources also, yes thanks for making confidence in us to go for shooting with what ever is available. I really like it.
Dang... What LUT's do you use? The colors look incredible!
Helpful video, thanks! Can I ask what you used to cover the silver side of the bead board?
Thanks! It just came like that. White on one side silver on the other
@@EpicLightMedia Interesting! Where did you get it? My friend and I went to Home Depot and Lowe's hardware and never found one like that. We ended up buying a piece of white beadboard and covering one side with silver tape used for air ducts.
This is a great new channel! Keep it up. (I know not super new, but in terms of the amount of videos!). Can't wait to see more from this channel!
Please make a video on the motorised dolly slider
the matter with b shot is that flare entered unto the lens but it looks great also, but you doing amazing videos dude, thanks for the tuto
I have an Iphone XR, moment lens, a Hoya NXT Plus CPL Filter and a Hoya NXT HMC-UV Filter. I am shooting a ton of video with my XR. My 2 questions are....1) Is it worth always having the UV filter on as a source of "lens protection"? Since it's a good one, I assume my video will be compromised very little. Thoughts? 2) Should I use both filters together when shooting outside in bright conditions? I assume the UV goes on first, and then the CPL. Your insight is much appreciated. -Bob
Hey! Yeah I think the UV filter is fine if it’s very clean and the lens underneath is clean. I don’t have experience with phone filters though.
Does C have different settings? general contrast seems higher and seems is the saturation
B. My choice
Instant sub! Your channel should come along with any camera purchase
I love the simplicity
I like c but I would add the hair highlights from b but on the other side to keep the lighting semi natural looking
I have one camera, one tiny ring light, and make very few videos. But I am TRANSFIXED by your tutorials 😂💜
So kind!!!!! Haha!!! Lighting is fun!!!!
The best discovery ever! Dude, I love your content & style! Make more videos like this please!
Fantastic video! Random question, but can you please share the link to the background audio track at 5:12?
And streaming via youtube at 144p on a 5k monitor. What's it all for?
Minimalist question. How would you improve lighting without extra equipment (but the camera and lens)?
Try to always shoot at golden hour. If you can’t, shoot facing the sun with the sun behind your subject.
Learning so much watching all of these videos!
Amazing videos guys, love it! Its so interactive and teaches so much about filming. Thanks a lot
The reflector that he is holding at 1:45 is what color? White? Great video!!!
Given these choices, I’d use C and sculpt the exposure in post. However, if it was me, i,d shoot into 3/4 sun if i had that as an option, or do A with a half-stop diffuser.
So informative you guys are never disappointed us. I don't know why this channel is still underrated. One day you'll cross the record of Peter Mckinnon 😁
What do you do in your camera settings in order to fix overexposing background? Postproduction? By the way, great channel, amazing information, I learn a lot from your videos!
sounds like you have learnt nothing so far. You dont know how to fix overexposing background?
Such a great tution for us... thanks a lot sir... Love from India...
C certainly looks the most polished but I favor B. Thanks again for a great and (as usual) hilarious video.
i'd use modified b. move the reflector to correspond with the angle of lights on c, to get that hair looking nice. that is if we had sun in finland. but we dont. so all we have is soft light :D
Hahaha! I’m jealous! The Arizona sun is relentless
EVERYONE who has ever said, "It doesn't matter what camera you shoot on," does so while holding a $30,000 rig. HAHA! Not a complaint, just having a good laugh (but really -- it is true... you don't need a RED setup). As always -- spectacular and USEFUL information in this video. Love your content!!
It’s true. Just like every minimalist used to be a hedge fund manager. Haha.
You are a Great teacher, I am learning a lot on your channel. Thanks
Great material. Really glad I stumbled on your page.