Blacksmith of Trenton - Cinematic Film shot on the S1H

Blacksmith of Trenton is the oldest standing forge in New Jersey. It was amazing to film this piece for Daniel and Justin. Shot on the panasonic S1H and the Zeiss CP2's, we used mostly ambient light with some bounce board to keep the gritty and natural feel of the workshop.

[@menoats]

This is amazing....I'm a A7siii owner but this video makes the S1H look very tempting.

[@CineGraphStudios]

We’ve actually switched to Sony since this video. I highly recommend Checking out the Zeiss CP lenses, they are amazing

[@dharr069]

Very nice, fellow S1H owner!

[@CineGraphStudios]

Thanks David!

[@zhanchengwu1250]

Your lighting is amazing

[@CineGraphStudios]

Thank you for the kind words!

[@phranque2781]

Beautiful film. Thank you

[@zuberowy]

Amazing short video. Greetings from Poland :)

[@andrewmartin6404]

Very well done great story telling. You got skill keep it up

[@basseledwards]

Great work!

[@daamikhaja5397]

This is so cool loved it

[@cinema-styles9186]

Excellent!

[@jamespowell3217]

Great work

[@milanjani7615]

amazing footage.

[@trackzillas84]

Awesome footage great job..

[@CineGraphStudios]

Thank you!

[@storyofsomeone]

good work!!

[@user-im8jz2yf8h]

Awesome！

[@joyoffilming9500]

Awesome!

[@JonackFilm]

This Cam is my new dream camera.

[@comblepd]

Very very good film

[@CineGraphStudios]

Thank you for the kind words!

[@ApiratKatprasat]

nice video edit

[@DavidRamos-bb9of]

🙌

[@JonackFilm]

I just ordered a new S1h

[@ClemmeBassTrombone]

holy shit dude..

[@GenesisJLopez]

Your work looks amazing.
Do you recall what you were exposing your V log at? Any other settings and information would be very helpful also.

[@YvonSmart]

Color grading is the key to this look. C4K 4.2.2 10bit A-I, V-log. Zeiss CP.3 lens, and try a least one stop over exposed if shooting in lowlight

[@jamespowell3217]

Lens ?

[@CineGraphStudios]

We used the Zeiss CP2 Primes

[@martincorti]

Excellent!!!!! Did you shot in 4k 4:2:2 with Ninja Atomos V?

[@CineGraphStudios]

Nope, this was all internal recording!

[@martincorti]

@@CineGraphStudios With Settings did you chose?

[@YvonSmart]

@@martincorti Definitely the Netflix approved settings: C4k, 4:2:2 10bit All-I (all intra), In V-log for maximum dynamic range. Then 4k 60p S35 in v-log for the slow-mo. Note: the lens has a lot to do with this outcome: ZEIS CP2 😎

[@ThomasJohn1]

This is gorgeous. What codec is used here? 6K internal?

[@CineGraphStudios]

Hey thanks, shot in 4k

[@jamespowell3217]

Settings ?

[@ShellyBHollis]

what profile did you film this in?

[@AC-gv2xf]

did you colorgrade on v log?? amazing colors

[@CineGraphStudios]

Hey yes, shot on V log and graded in premiere. Thanks for the kind words!

[@AC-gv2xf]

@@CineGraphStudios did you film 60fps?

[@CineGraphStudios]

@@AC-gv2xf Most of it was shot in 24 fps with a few shots at 60.

[@AC-gv2xf]

@@CineGraphStudios so badass! there’s so much info on this camera but no one really has tutorials on it! i’m still learning on mine! ty for the fast response!

[@user-um5kg4ky5x]

Slow-motion at 0:30 is very choppy, I imagine that was slowed in post. Other than that it's almost perfect. Good job