What you don't mention, but visibly demonstrate, is the peace of mind of just settling into a system that you don't doubt and can build a solid relationship with for years. I guess it's like choosing someone and getting married. So much clutter goes out the window and frees you up to be your best. That said, I'm not married, but have been with my kit for a long time.
For me, wathing this video is like hearing a chef speaking about his favourite food. Probably strange for most people, but you can smell the experience and the love for the profesion. You are not a snoob playing with luxury and expensive material, you are the kind of person who really can appreciate it.
I am a hobbyist photographer, mostly environmental protraiture and street photography. I purchased a M8 when they were released and built a small three lens collection of 50 Noctilux (V1), 28mm/2.0 and a 75/1.4. After a few years I sold the V1 Noctilux as the hit rate was too low for me on the M8. I added a 34/2.0 Gen IV ‘Bokeh King” and a 50/1.4 lux and sold the M8 and the 28/2.0 and purchased a MP-240. Decided to trade the MP-240 and the 35/2.0 for a new Leica Q (2) and I’m over the moon. Whether it’s placebo or not there is something very special about Leica photography. Thank you for sharing your current kit! Enjoy
I can't thank you enough for such a great explanation of your choices. As I shoot less and less studio work, I'm rethinking my entire SL and M kits (i.e., simplifying and reconfiguring lens choices). You drove home some important things to consider. Thanks again!
I shoot fuji’s but with leica glass: 28 summicron and the 50 summilux. I rented an M11 and was surprised how much I geeked out at the experience. Problem is that I live at 1600-12000 iso, and the M11 had this color noise compared to the fuji. Also I need the evf plus the flash shoe, so the fuji/leica lens combo works. Plus its a fast system, no lag. If I could spare the change… since I already have the glass, I’d get an m11 limited edition when they are out. One caution, though: your grandson will never use your m11 like a grandson does today with an m3 or M6 because of digital rot. Now the NEW m6…. Thats an heirloom!
I feel the same way about my Pentax Spotmatic that I purchased in 1971 which I still use. No CLA's necessary. I do like the look of Summicrons and have an M6 but I still prefer my old Pentax and the build quality of their lenses. However, the film camera that I have actually carried the most often is Olympus XA rangefinder. I still have not found a mirrorless I really like and have tried a Sony A7 and Leica M9.
100% true. The minute I held my first one, I could literally feel it attaching to my hand. Esoteric, but true. Completely sold out of my beloved Fuji X system shortly after. zero regrets.
I really enjoyed this - thank you. If Leica ever makes a Q-style camera with interchangable lenses, or an M with an EVF, I'd be very tempted. I mostly use an X2D these days, and while the body is relatively compact, the XCD lenses are still quite large. I've purchased and adapted a couple of Voigtlander VM lenses for it, and I just love their compactness and performance. But they're full-frame lenses, so they don't cover the medium-format sensor. I appreciate your attachment to this M kit. It's delightful.
Wonderful! I almost have exactly the same lens kit. Mine are 50mm Summilux ASPH, 24mm Summilux ASPH, and 90mm Macro Elmar f/4. They are absolutely fantastic pairing with my M10 Monochrom. As you said, they are very very well-built.
All great choices, fantastic line up. I haven’t used the summilux, as I may have to walk out the store with one. Lol. Enjoy what you have and purchase what you want/makes you happy. Thanks for sharing, the 28/50 is a killer combo I’m enjoy it from the Voigtlander line. Thank you again sir.
Like your POV. You can tell time with a cheap quartz watch more accurately than a good mechanical watch but better still the American Railroad pocket watches of the 1890’s-1930’s are such a pleasure to tell you the time. There’s just something about a mechanical device where the workers take pride in their product. I just prefer the Barnack Leicas and the M3’s and M2’s.
Wow such passion I love it. Your work on youtube we are all grateful to you for this. I am an old and passionate non-pro who has always been with Nikon. Your choice is sublime and as a non pro I have had to pair it back a bit. Previously you sounded quite keen on the Voig. 40mm 1.2. I love this on my Nikon Z6 because I go slip into DX mode and then get a 60 @ F1.8. Foes that seem reasonable? My other light carry kit is a Nikon 28 F2 Z + Voigtlander 75mm F1.5 which again I can use in DX. And sometimes I include a Nikon 50. Keep up the amazing work you are an inspiration.
28, 50 and 90 sounds like the dream setup. I don't have a Leica, but on my Sony I always carry a 24GM and a 90G 2.8 macro. I have a 50 1.8 but I don't like it (it's pretty bad compared to the 24GM and 90G). I recently got a analog camera (Olympus) and I love it. It came with a 21mm and 28mm lens and I've been using both a ton. I love how compact all the lenses are. I can bring two cameras (B&W & Color, or two different lenses) and some lenses and still have space in my bag. Shooting analog made me completely uninterested in modern high-speed autofocus. I've learned to manual focus on moving subjects by muscle memory. Using my high-end digital camera feels almost boring. It has been reduced to a very expensive film scanner hah
In a video ~ 7 months ago, you noted your love of the Voigtländer VM 50 mm APO-Lanthar. Apparently, the Leica Summilux-M 50 mm f/1.4 made the cut here. Can you comment on why the Summilux nudged out the APO-Lanthar?
I bought a M10M with 21SEM, 28Cron, 50Lux, 90Summarit. I had the 28 elmarit when I had the M246 and mistakenly went to 28Cron. I had also sold a Q and thought I needed an extra stop. Not yet. Bought a m10r and was tired of moving filters, so I bought the 24elmarit. My kit just grows
Awesome choices, however you need very deep pockets which I don't have so here is my compromise. MFT ~ Olympus OMD5 MK111 all weather sealed plus the 17, 25, 45 f1.2 pro lenses, again all weather sealed. Exceptional glass, has to be said. Happy Harry :)
Very nice video. 9:28 I have the same Leica equipment and enjoy it but it is a difficult job to focus with this rangefinder. I must practice more. Should I buy a Leica 1.4 X magnifier ? RS. Canada
Excellent presentation! We like the same 50mm; I was “Summiluxed” into adding the Leica M system, by a pre-owned Summilux-M 50mm ASPH, that I tried on pre-owned and demonstrator M9 and M Type 240 cameras, at Houston Camera Exchange, in Texas, in early 2018. The visual signature of this lens continues to remind me that there is no better 50mm M-mount lens, for me to photograph people. I may still be sorting-out my favorite wide-angle and short telephoto M-mount favorites.
Thank you! I am using the same set of lenses for traveling, very versatile and compact! Just recently I exchanged 2.8/28 with 2.0/28 which is similar in size and adds more options in low light / indoor conditions. Despite the 90 and 28 option most photos are taken with Summi 50. If I have to take just 1 lens I feel most comfortable with the Apo Cron 35 which bridges 28 and 50. Great that Leica offers these unique options.
I am talking about the situation when I have only 1 lens with me for certain reasons. Then you have to decide or to "compromise" whatever lens you choose. Besides, I have no issues with compromises or better to say: universal lenses that delivers such great pictures as the Apo 35 does.
21 mm 3.4, 35 mm 2, 90 mm F4 is what I travel with and also have a 50mm F1.4 APO also. Love these lens, love my M11. Love seeing people banging out there’s big canons and lens and am so happy to have such a low profile higher quality setup. Absolutely love your setup and agree about the 90 mm that’s a great lens, although I wish the lens hood had a cap and it was easy to collapse the lens with the hood on, however agree it’s an absolute gem. Go leica they’re the best.
Enjoyed hearing the “Why” behind your selections. I feel the same way about the Leica. I’m also gonna go with just two a 50mm and a 35mm. Good shooting.
Nice video, well articulated. I have scores of cameras from the tiny Fujifilm x10 to the Sweeping cinematic Linhof 617s Technorama. I don't agree that cameras and lenses are just tools. They become extensions of ourselves and an intregal part of our photographic experience. They are talismans and icons of our pursuit of the Image. My photographic companion that I have come to love is from my trio of Canon V series rangefinders (VT and VT Deluxe). It is a black body (repainted) VT with a Voightlander ltm 21mm f4 Color Skopar. I load Rollei RPX 400 rated at 800 and wander my world in peace and tranquility.🌿📷
Thanks for the video.Three excellent lenses. On a trip to Paris two years ago I carried the 35 Summilux, 75APO, and 90Macro. I have since acquired the 28 Elmerit. It will replace the 35 next time. I will carry a 50 (either APO or Summilux) and the 90Macro. BTW, I always shoot Paris with a Monochrom.
My 3 lens kit (SLR) is the 28/2.8, 50/1.4, 85/1,4 all Zeiss glass, I've been using this for 40 years. When I was young I couldn't afford Leica. Still can't afford Leica but I respect Leica quality. Regardless, I get your lens selection. You can do most anything with this lens set-up.
M11 is close to perfect for me but I really really want a built in EVF. I don't ever want to have to use live view unless it's a tilt screen and using it for shooting angles. Anything else like IBIS and etc are extras that it can or can't have. I'll take a hybrid, or even a dual system with the range finder and an EVF built-in somewhere, maybe the middle under the flash shoe, or just make 2 different cameras. God knows Leica has no problem selling different cameras with smaller changes.
I get your point and I believe even at the current price point - they would sell many more cameras and open up a whole new audience with a Hybrid. I have the EVF for the M11 and have only used it a few times. (Not my favorite way to shoot this camera) But when I need it I will def use it. At the cost of the loss of the hot shoe of course
Whatever gear, is gear. It's an instrument to get what you need. Everyone of us has different pursuits and different gear. You can judge a picture, not the gear. Excellent choices. Enjoy
That 28 is such a good lens! A friend of mine has one and gave me a print of an image he shot with it: fantastic quality! Pity my Leica's are not making me any money, so adding this lens to my kit would be a bit frivolous. Need to invest in gear that moves my business forward. Otherwise I wouldn't think twice about it!
After a decade+ being an amature photographer, I've identical conclusion as yours in terms of focal length and investment. But I'm on a budget, CV on nikon z body is my choice, and I've to wait for 28mm & 90mm-ish macro z mount.
Great informative video. I use the same focal lengts and love it. My daily lens is the 28 Lux, which i love to bits. I have the 50 cron and an old but very good 90 Elmarit. And use them on a M10 monochrom. Have the adapter so also use them on my SL2. Enjoy your kit, its a magnificent one!!
I think the 28 lux is a masterpiece - and I’m going back and forth with that and the new 35. But for events… that 28 can sit on the camera 80% of the time
Perhaps John this was mentioned previously, but I'm curious about the logistics of gear evaluation. I'm doing my best to not have *my* 10% (least-used) gear clog up a pile of space (and money) no matter how great that 10% still might be. Do you: 1) Buy and then return or sell? 2) Rent 3) Other And then perhaps re-buy, if a subsequent Lr review reveals the value?
Most everything I review I own and use long term before I present it. Other things like the Q4s I own for less time but my goal is to show gear with great value and a good starting point for someone starting out. Lenses are a bit of a problem for me (like camera bags) I love them and own all of them 😂
Nice set and almost close to mine. I'm still on the M-P240, great camera for a press photographer. The Summilux 50 is a must for me. It's simply the best of all Leica M-lenses in my POV. The Summit 2.5/90 is perfect for portraits and candid snaps. I recently bought a second hand Elmar-M 3.8/24, a tiny little beast for landscape and tight spaces. I've a Q as a back up and video camera. Keep on rolling!
Interesting to hear your perspective on these lenses, would have loved to see some samples as you talk about them, but good work. I'm hopeful and optimistic that I'll end up with a Leica camera one of these days 😂Cheers, keep up the good work.
My daughter made the same comment about sample images. And I get both of your perspectives, but let’s face it, I’ve seen photographers do amazing work with plastic lenses that I would make look like plastic lenses 😂.
Is it just me or does the Voigtlander and Zeiss lenses feel more solidly built than Leica lenses? All my Leica lenses have some play at the end of the aperture range and I feel they are too lose especially on my 35 Lux FLE. I actually use the 40mm Cron-C as my daily for the size and speed. The FLE is too big and bulky and I’m considering selling it in the future and get the new 35 Lux steel rim because as an enthusiast, I value size and weight over sharpness.
Wow what is that grip? I just bought an M11 and I love it! My R5 is getting less work these days. I’m so happy I moved my SL2S to grab the M11. I only have a 2.4 sumarit 50mm but I’m looking to grow my collection.
The Summarit line is very underrated. A friend of mine still uses an M8 professionally (it was he who converted me to the Leica M system) for live music shoots and he uses the 50 and 35 Summarits. That’s still more than enough for his needs.
@@Fleet42 I have no experience with it. I wanted light weight and small which is why I tested the 90 macro first. And I’m extremely happy with the performance and form factor. But I did try the 75 APO and was blown away by the image quality. But again, weight held me back.
50mm Summicron, 35mm Summicron and 28mm Voigtlander Ultron. Disclosure: I own a load of other lenses inc the Nocti 095 and 90mm Summicron but these are the 3 I routinely have in my bag. Body is the M10R
I'm glad to see your channel grow. You deserve it. Also for your short video. It's been a while since I've deleted a good photo for something clinical but I do remember doing so.
Hi. How are you sir ? I really wanted to buy a Leica M11 but in the end I changed my mind and went to the Leica M10-R Black Paint. Do you think I made a good choice? I don't know. I felt that the M 11 departed from the legacy and Heritage of M Rangefinder ?! I am pleased with your comment.
I was actually going to go the M10-R route myself. I love that sensor. For me the only reason I chose the M11 over the M10-R is because of the internal memory. I needed the backup because I use it 100% for paid jobs. If I didn’t mentally require backup, I too would have went with you on this. So no, I think you made a great choice.
Love the m11 as well i upgraded from film used a Kodak retina 3 for the longest time curious though been taking lots of videos lately for TikTok’s etc what would you recommend or should I just stick to the phone curious on your thoughts
This was a very honest straight forward video! Would you own this gear if you weren't making money with it as a photographer and just took photos as a hobby? Again, a great honest video, thank you!
Oh yes. Only M + Elmarit 28 + Lux 50 in my bag, and for 95% of my pictures. Sometimes the 28 is my darling. Sometimes it's the 50... I just wonder if I change my M262 (my 3rd M) for the M11 🤔 It's a real dilemma, but currently there are much more serious problems in the world I think !
If you don’t mind sharing, how much does that setup cost? I don’t think I could settle into spending that amount of money. But I would like to build a similar setup with my Fuji XH1/XT2 and Voigtlander lenses. I currently have the 35mm Nokton. And now waiting for Voigtlander to come out with an 18mm and then something longer.
It’s too early to do the math but it’s above the 5 figure mark. But the funny thing is (as much as people like to say it’s a rich man’s camera) I just priced out gear for someone looking to get into “pro photography” with a canon system and it was a few hundred off. As far as the Fuji with voigtlander lense - I think it’s an amazing setup. I use them on the X-Pro 3 and love them. I would suggest the M lenses with an adapter. The Voigtlander lenses made for Fuji are a bit underwhelming.
I went with the 50 apo for my first lens and it has limitations even though the buttery rendering will keep me from selling it. Ha, that one hurt my pocket. But, after a year I am going to try the new 1.4 35mm especially for restaurant work. Hopefully it won't be too tight for groups of people in low light (that 50 sure is) Gosh, that 1.4 "artsy" look is the one people really want it seems from me. The metal and heft in the lenses are growing on me in a way I did not expect. I'm interested to see your 90mm video. I borrowed a loaner in the 90mm f2 from Leica and could not get a dang thin in focus truly haha. Great video!
I adore the 28 Elmarit on my M8. I have the 50 Summicron also and the two pair so well. I’m considering the Voigtlander 90mm 2.8 Apo as I don’t think I’d use that length as often to get the value from a Leica lens and I know you rate it very highly also.
That 90 2.8 is amazing. I really got the Leica 90 for size and a 3 Leica lens setup only. If I could only afford one Leica it would be the 28mm and then I would choose the Voigtlander 50 APO and 90 APO
@@kaskoPhoto I was considering the Voigtlander Apo but got the summicron instead for two reasons. The size and that it would be more than enough on my m8. It wasn’t much more expensive as I got it mint used for about half the new RRP
This is all news to me. For decades, Leicas were paired with either a 35mm or 50mm only. I guess with this digital and live view, the situation might have changed. I am sorry to say this, but when I compare the build quality of my older Leitz lenses with a couple of the new ones that I have, the build quality of the newer ones is inferior. The feel of the mechanics of lens is different, the newer ones are not as precise as the older 60 year old ones. I can say with 100% certainty that even Leica have made some savings somewhere. In any case just enjoy what you have.
This video really resonates. Love my M10 and 50 Summilux. Got the 28 Elmarit about a year ago and fell in love with it walking around Paris. I haven't tried the 90 Macro (have the 75 APO Summicron for portraits) but love that it's so small. I'm curious, what do you use for a bag?
Do you know I’m still searching for the perfect bag! I’ve tried so damn many and am convinced there isn’t a perfect bag for me. 😂 I honestly think I want the impossible.
@@kaskoPhoto I have the 3L Peak Designs sling bag and it's about the right size for an M body and a couple of M lenses. I just wish the strap wasn't so fiddly. I also like my Billingham Hadley Pro, but it encourages me to carry too much crap LOL.
@@healthid2nd for the Peak slings. 3L is too small for me, as I carry eyeglasses and other shit for a day walking Hong Kong. I’ve got a 6L for 1 body and 2-3 lenses, the 10L for 2 M10s and 4-5 lenses.
These poor yougens don’t think what we did in the old days is possible. 😂 I piss myself laughing half the time. What’s even funnier is that they can’t shoot a wedding without the fastest auto focus available and two strapped cameras on their bodies at all times.
That comment made me laugh. I recently got married (I’m 37) and our photographer had 2 canon R bodies and liked them as he could fire off 15 or so silent shots a second. We got probably well over a thousand digital images and some the focus was off. In saying that, we were still happy with the results for the most part but no tech is ever infallible. The biggest trend I see now is massive over or under saturation of colours and a heavy post process vignette applies. We went for someone who took more natural and candid style photos
@@paulanderson24 I know trends are and always will be a factor in weddings, but I can’t stress enough to photographers to hold their raw files. Images (when shot correctly) are stunning out of camera and there may be a time when all of the filters and manipulation will be a thing of the past… having those raw files may come in handy.
@@kaskoPhoto I always shoot DNG (and I’ll never call myself a photographer - that’s IMO disrespectful to people like yourself - I’m a mere hobbyist) as I enjoy the editing process but have as aversion to cranking certain sliders beyond a certain level. I know what I like :)
@@paulanderson24 the truth is, most of the time you and hobbyists like you are more “photographers” then most. I separate this by digital artists and photographers. Not that I look down on digital artists, but photography I believe ends at capture.
Being attached and to understand its limitation to be it’s strength.. it’s just more than a tool for me… 50 lux is a cheat code lens, i went on to 28 summaron and yeah i agree with you, or may be we have the same intention with wide angle lens not needing big aperture.. and a 35 lux
@@kaskoPhoto i used to have the fle, sold it years ago… i was offered the new one almost after my comment, close focus is amazing, versatile, get a loaner and try, think u might love it
You’re down to 3! I’m at 6, not counting the VM 15mm I bought for my CL. I’ll sell the CL when I get back to the box and don’t know if I’ll keep the 15. Same 7 focal lengths I have in Zeiss ZE primes (including 2 50s!) for my R5. Go figure. 21 SEM, 24 Elmar, 28 and 50 Summilux, 50 and 90 APO. M10M and M10R. I’m 71 and DONE. Is your studio in the Fine Arts Building?
@@kaskoPhotoSorry, I really thought you were in Chicago, especially from that familiar door! I’ve really got to pare down these lenses, but I’ve now got an interest in a 28 biogon. Close focus and uses the 46mm filters I’m invested in. Kill me 😫
Cool to hear you’re enjoying the Leica, did you end up selling your other cameras? Also would be interested if you made a video about pros and cons of doing photography professionally, and any advice for getting started. I remember you said in a previous video not to do weddings if you lack experience, but I tried second shooting and really enjoyed it. Was very stressful the first time though, can see why you advised against it.
I still have my other cameras. There are a lot of pros to this business. But it has to be treated as a serious business. It seems that the younger crowd believe that if you buy a camera “they will come”. You have to go after “they”.
I can buy almost any Leica lens (almost) and if I ever decide to sell it in a few years- at the very minimum, I’ll get what I paid for it. And in many cases, actually make money on the sale. With any other lens brand I’ll loose 30% + of the value the day after the purchase. Obviously the bodies are another case, but the gear works for me and I as a professional photographer appreciate what goes into its manufacturing and how it helps me create the images I capture with it. I am not sure what makes some photographers feel the need to tell me and others that they feel the price is to high for the gear we choose, but it must make you feel better - so for that I am happy for you.
@@kaskoPhoto... Nice. I know the manufacturing process of Leica since '72. I owned and used M3 to R6 back then. Those cameras were claimed to have gone through furnace to freezer. Nearly flawless cameras and lenses at that time. Glad you expressed your views. Enjoy your passion. Thanks.
I have heard of issues, and its preventing me from ordering the M11. 9k is a lot of money and honestly should not have issues that seem to be common. Many open boxes are available which is a return.
The first batch (as Leica has admitted to) had an issue. But the problem has been identified and fixed. So I’m hoping that this current copy will still be with me in 10 years.
@@VincenzoNoletto totally agree. I hate using screens. Hence the M! I use an m8.2 which doesn’t have live view or my m4 with film 🤣 so yea it’s rangefinder all the way. I’d say 90mm with my eyes on a rangefinder would be a real challenge! But it’d be lovely to have the range. On my latest video I could have done with it to isolate some trees!
@@VincenzoNoletto I think I'd have to try a 90mm before putting the down the money for one. I know what to expect with a 28/35/50 on the M but a 90! I'm curious but would need to try one out first!
😂😂 it’s amazing that you said that… I was watching someone’s video a while back and the same happened to me. It’s the little things that screw with us. 😂
I only have one lens, the 35mm Summicron. But I’m thinking about adding the Voigtlander 50mm f2 APO-Lanthar sometime in the near future, I hope. It’s a lot more affordable to me than buying another Leica lens. I always wanted the 35mm Summicron though so I’m happy that I have that lens :)
I did not, I am keeping it for the times I absolutely need the 2.8. That lens is really an incredible lens that I don’t think I can give up. Same with the Voigtlander 50 APO
@@EDHBlvd for 99% of my work I do not. But if there is a situation on a rare occasion I do… then I have it and won’t need to rent. Is that satisfactory
I tell you what, as much as I love my M11, and the lenses I have. My M10-R was stolen at the beginning of the summer and I miss the color profile and so much more about that piece. Going back to your statement, at least in some regard, that there's a lot to be had in the historic significance of a piece, & in this case functional art in and of itself. and the M10-R certainly invoked more of a historic connection to the unit. As much as I love the functionality of the M11, it is truly the perfect combination of 'quick to access' functionality & in the practice of shooting in any regard it lends itself to your ability to quickly change settings in order to properly capture a shot/ moment in a given situation. That said, I miss the processes and the very thought provoking habits that the integration of my M10-R had on my shooting experience, giving me a more integrated process with my photographic tool/s. Again, I certainly preferred the color profile of the M10-R over the M11. I think I'm going to have to get a new one in black paint.. Big dreams yea? But I wouldn't trade the M11 for anything because of what I'm able to do with it wile retaining all that it does as the successor in the M series lineup.
I was Fuji too which was great. Tbh the major difference is the Leica FF lenses are generally *smaller* and consistently amazing (and expensive😪). The big thing is FF opens up a huge range of high quality options outside of Leica that doesn't really exist for Fuji (I previously hand mitakon for xe3,..meh) I haven't regretted the purchase of M11/ Leica lenses for a second though. As said, can sell at any point and get my money back (elevator pitch to wife haha)
Thanks! Interesting how priorities work. I love that I can see beyond the frame lines in Leica M. Therefore, all fat fast lenses and APO are no option. The 135mm frame lines are a mystery to me. I can't compose or focus with such a tiny image. It was funny to hear that you had nothing against Chinese production and then continue with what you don't want. That is exactly what comes out of China. Nonrecycable plastics, turning landscapes into toxic dead areas, cities obscured by smog. A new line of landscape and street photography?
Thanks Dave After 40 years of being a full time professional I really don’t have a clue. But as long as the checks keep rolling in I’ll keep up the posing. 😊
It is hard to think that people who work as visual artists produce videos of themselves waving their hands in front of a tripod-mounted camera. Why not show images?
What you don't mention, but visibly demonstrate, is the peace of mind of just settling into a system that you don't doubt and can build a solid relationship with for years. I guess it's like choosing someone and getting married. So much clutter goes out the window and frees you up to be your best. That said, I'm not married, but have been with my kit for a long time.
So you’re living in sin? 😂😂
@@kaskoPhoto 🤣
Is your kit faithful?😅
I’m on my 3rd wife. I marry lenses longer. Bodies, not so much.
For me, wathing this video is like hearing a chef speaking about his favourite food. Probably strange for most people, but you can smell the experience and the love for the profesion. You are not a snoob playing with luxury and expensive material, you are the kind of person who really can appreciate it.
I am a hobbyist photographer, mostly environmental protraiture and street photography. I purchased a M8 when they were released and built a small three lens collection of 50 Noctilux (V1), 28mm/2.0 and a 75/1.4. After a few years I sold the V1 Noctilux as the hit rate was too low for me on the M8. I added a 34/2.0 Gen IV ‘Bokeh King” and a 50/1.4 lux and sold the M8 and the 28/2.0 and purchased a MP-240. Decided to trade the MP-240 and the 35/2.0 for a new Leica Q (2) and I’m over the moon. Whether it’s placebo or not there is something very special about Leica photography. Thank you for sharing your current kit! Enjoy
I LOVE my Q2!
I can't thank you enough for such a great explanation of your choices. As I shoot less and less studio work, I'm rethinking my entire SL and M kits (i.e., simplifying and reconfiguring lens choices). You drove home some important things to consider. Thanks again!
I shoot fuji’s but with leica glass: 28 summicron and the 50 summilux.
I rented an M11 and was surprised how much I geeked out at the experience.
Problem is that I live at 1600-12000 iso, and the M11 had this color noise compared to the fuji. Also I need the evf plus the flash shoe, so the fuji/leica lens combo works. Plus its a fast system, no lag.
If I could spare the change… since I already have the glass, I’d get an m11 limited edition when they are out.
One caution, though: your grandson will never use your m11 like a grandson does today with an m3 or M6 because of digital rot.
Now the NEW m6…. Thats an heirloom!
Leica Summilux 1.4 50 , Leica Elmarit 28mm 2,8, Leica 90mm F4 Macro
Thanks, you saved me 9minutes of my life, LOL.
I feel the same way about my Pentax Spotmatic that I purchased in 1971 which I still use. No CLA's necessary. I do like the look of Summicrons and have an M6 but I still prefer my old Pentax and the build quality of their lenses. However, the film camera that I have actually carried the most often is Olympus XA rangefinder. I still have not found a mirrorless I really like and have tried a Sony A7 and Leica M9.
my three lens kit for the M is : 24 lux , 35 Cron Asph and 50 Lux. Wanted the 24 lux for a long time and finally got it.
At 67.At Last! I bought a Leica M240. Thanks for sharing your thoughts. I feel encouraged to invest on the 50 lux.
Congrats!!! I hope you love your M as much as I do.
100% true.
The minute I held my first one, I could literally feel it attaching to my hand. Esoteric, but true.
Completely sold out of my beloved Fuji X system shortly after. zero regrets.
I really enjoyed this - thank you. If Leica ever makes a Q-style camera with interchangable lenses, or an M with an EVF, I'd be very tempted. I mostly use an X2D these days, and while the body is relatively compact, the XCD lenses are still quite large. I've purchased and adapted a couple of Voigtlander VM lenses for it, and I just love their compactness and performance. But they're full-frame lenses, so they don't cover the medium-format sensor.
I appreciate your attachment to this M kit. It's delightful.
Congratulations. I have got also m11, 50 summilux and 35 summicron. And I would like to buy one portrate lens. May be one of 90mm.
Close to mine. M11, 50mm Summilux, 35mm f2 asph and 90mm f2 APO
Love your channel, we are the same generation, I’m now an educator and use your videos to help with my lessons
Thank you!! Much appreciated!
Wonderful! I almost have exactly the same lens kit. Mine are 50mm Summilux ASPH, 24mm Summilux ASPH, and 90mm Macro Elmar f/4. They are absolutely fantastic pairing with my M10 Monochrom. As you said, they are very very well-built.
I’ve got the 90 also and I love that lens. Wish it had a lens cap for the protector.
All great choices, fantastic line up. I haven’t used the summilux, as I may have to walk out the store with one. Lol. Enjoy what you have and purchase what you want/makes you happy. Thanks for sharing, the 28/50 is a killer combo I’m enjoy it from the Voigtlander line. Thank you again sir.
Like your POV. You can tell time with a cheap quartz watch more accurately than a good mechanical watch but better still the American Railroad pocket watches of the 1890’s-1930’s are such a pleasure to tell you the time. There’s just something about a mechanical device where the workers take pride in their product.
I just prefer the Barnack Leicas and the M3’s and M2’s.
Wow that’s such a good example. Thank you for sharing that.
Wow such passion I love it. Your work on youtube we are all grateful to you for this.
I am an old and passionate non-pro who has always been with Nikon.
Your choice is sublime and as a non pro I have had to pair it back a bit.
Previously you sounded quite keen on the Voig. 40mm 1.2. I love this on my Nikon Z6 because I go slip into DX mode and then get a 60 @ F1.8. Foes that seem reasonable?
My other light carry kit is a Nikon 28 F2 Z + Voigtlander 75mm F1.5 which again I can use in DX. And sometimes I include a Nikon 50.
Keep up the amazing work you are an inspiration.
28, 50 and 90 sounds like the dream setup. I don't have a Leica, but on my Sony I always carry a 24GM and a 90G 2.8 macro. I have a 50 1.8 but I don't like it (it's pretty bad compared to the 24GM and 90G).
I recently got a analog camera (Olympus) and I love it. It came with a 21mm and 28mm lens and I've been using both a ton. I love how compact all the lenses are. I can bring two cameras (B&W & Color, or two different lenses) and some lenses and still have space in my bag.
Shooting analog made me completely uninterested in modern high-speed autofocus. I've learned to manual focus on moving subjects by muscle memory. Using my high-end digital camera feels almost boring. It has been reduced to a very expensive film scanner hah
In a video ~ 7 months ago, you noted your love of the Voigtländer VM 50 mm APO-Lanthar. Apparently, the Leica Summilux-M 50 mm f/1.4 made the cut here. Can you comment on why the Summilux nudged out the APO-Lanthar?
I bought a M10M with 21SEM, 28Cron, 50Lux, 90Summarit. I had the 28 elmarit when I had the M246 and mistakenly went to 28Cron. I had also sold a Q and thought I needed an extra stop. Not yet. Bought a m10r and was tired of moving filters, so I bought the 24elmarit. My kit just grows
Awesome choices, however you need very deep pockets which I don't have so here is my compromise. MFT ~ Olympus OMD5 MK111 all weather sealed plus the 17, 25, 45 f1.2 pro lenses, again all weather sealed. Exceptional glass, has to be said. Happy Harry :)
Very nice video. 9:28 I have the same Leica equipment and enjoy it but it is a difficult job to focus with this rangefinder. I must practice more. Should I buy a Leica 1.4 X magnifier ?
RS. Canada
Bravo! I have a very similar setup.
M10-P
28 Elmarit ASPH v2
50 Summilux ASPH v2
90 Elmarit
and for fun... a 28 Summaron 5.6
Excellent presentation! We like the same 50mm; I was “Summiluxed” into adding the Leica M system, by a pre-owned Summilux-M 50mm ASPH, that I tried on pre-owned and demonstrator M9 and M Type 240 cameras, at Houston Camera Exchange, in Texas, in early 2018. The visual signature of this lens continues to remind me that there is no better 50mm M-mount lens, for me to photograph people.
I may still be sorting-out my favorite wide-angle and short telephoto M-mount favorites.
An excellent choice of lenses and their respective apertures. The Elmarit 28mm is top of my Leica shopping list (which may end there)
👌
Amazing lens and well worth it.
Thank you! I am using the same set of lenses for traveling, very versatile and compact! Just recently I exchanged 2.8/28 with 2.0/28 which is similar in size and adds more options in low light / indoor conditions. Despite the 90 and 28 option most photos are taken with Summi 50. If I have to take just 1 lens I feel most comfortable with the Apo Cron 35 which bridges 28 and 50. Great that Leica offers these unique options.
Bridging the gap is a nice way of saying compromise. But you can’t shoot square with a 35, nor is it wide enough.
I am talking about the situation when I have only 1 lens with me for certain reasons. Then you have to decide or to "compromise" whatever lens you choose. Besides, I have no issues with compromises or better to say: universal lenses that delivers such great pictures as the Apo 35 does.
21 mm 3.4, 35 mm 2, 90 mm F4 is what I travel with and also have a 50mm F1.4 APO also. Love these lens, love my M11. Love seeing people banging out there’s big canons and lens and am so happy to have such a low profile higher quality setup. Absolutely love your setup and agree about the 90 mm that’s a great lens, although I wish the lens hood had a cap and it was easy to collapse the lens with the hood on, however agree it’s an absolute gem. Go leica they’re the best.
Enjoyed hearing the “Why” behind your selections. I feel the same way about the Leica. I’m also gonna go with just two a 50mm and a 35mm. Good shooting.
Nice video, well articulated.
I have scores of cameras from the tiny Fujifilm x10 to the Sweeping cinematic Linhof 617s Technorama. I don't agree that cameras and lenses are just tools. They become extensions of ourselves and an intregal part of our photographic experience. They are talismans and icons of our pursuit of the Image. My photographic companion that I have come to love is from my trio of Canon V series rangefinders (VT and VT Deluxe). It is a black body (repainted) VT with a Voightlander ltm 21mm f4 Color Skopar. I load Rollei RPX 400 rated at 800 and wander my world in peace and tranquility.🌿📷
I love that Voigtlander 21! I use it more than I thought I would.
Thanks for the video.Three excellent lenses. On a trip to Paris two years ago I carried the 35 Summilux, 75APO, and 90Macro. I have since acquired the 28 Elmerit. It will replace the 35 next time. I will carry a 50 (either APO or Summilux) and the 90Macro. BTW, I always shoot Paris with a Monochrom.
My 3 lens kit (SLR) is the 28/2.8, 50/1.4, 85/1,4 all Zeiss glass, I've been using this for 40 years. When I was young I couldn't afford Leica. Still can't afford Leica but I respect Leica quality. Regardless, I get your lens selection. You can do most anything with this lens set-up.
Absolutely love your choices. The 50 Lux Asph. is my favorite lens of all times…
Similar journey to me for M11. Started on Summilux 50mm. Trying to decide a 28mm. Elmarit vs Voightlander 28mm 2.0 asph V2 for street,...hmmm🤔.
M11 is close to perfect for me but I really really want a built in EVF. I don't ever want to have to use live view unless it's a tilt screen and using it for shooting angles. Anything else like IBIS and etc are extras that it can or can't have. I'll take a hybrid, or even a dual system with the range finder and an EVF built-in somewhere, maybe the middle under the flash shoe, or just make 2 different cameras. God knows Leica has no problem selling different cameras with smaller changes.
I get your point and I believe even at the current price point - they would sell many more cameras and open up a whole new audience with a Hybrid. I have the EVF for the M11 and have only used it a few times. (Not my favorite way to shoot this camera) But when I need it I will def use it. At the cost of the loss of the hot shoe of course
Whatever gear, is gear. It's an instrument to get what you need. Everyone of us has different pursuits and different gear. You can judge a picture, not the gear. Excellent choices. Enjoy
I agree - but damn I’m attached to this gear 😂😂
That 28 is such a good lens! A friend of mine has one and gave me a print of an image he shot with it: fantastic quality! Pity my Leica's are not making me any money, so adding this lens to my kit would be a bit frivolous. Need to invest in gear that moves my business forward. Otherwise I wouldn't think twice about it!
After a decade+ being an amature photographer, I've identical conclusion as yours in terms of focal length and investment. But I'm on a budget, CV on nikon z body is my choice, and I've to wait for 28mm & 90mm-ish macro z mount.
Great informative video. I use the same focal lengts and love it. My daily lens is the 28 Lux, which i love to bits. I have the 50 cron and an old but very good 90 Elmarit. And use them on a M10 monochrom. Have the adapter so also use them on my SL2. Enjoy your kit, its a magnificent one!!
I think the 28 lux is a masterpiece - and I’m going back and forth with that and the new 35. But for events… that 28 can sit on the camera 80% of the time
Couldn’t agree more - I have exactly the same set…but with a 21 as well. You don’t ever feel the need for wider?
Not really. And I do have a 21 but rarely use it.
Perhaps John this was mentioned previously, but I'm curious about the logistics of gear evaluation. I'm doing my best to not have *my* 10% (least-used) gear clog up a pile of space (and money) no matter how great that 10% still might be.
Do you:
1) Buy and then return or sell?
2) Rent
3) Other
And then perhaps re-buy, if a subsequent Lr review reveals the value?
Most everything I review I own and use long term before I present it. Other things like the Q4s I own for less time but my goal is to show gear with great value and a good starting point for someone starting out. Lenses are a bit of a problem for me (like camera bags) I love them and own all of them 😂
Nice set and almost close to mine. I'm still on the M-P240, great camera for a press photographer. The Summilux 50 is a must for me. It's simply the best of all Leica M-lenses in my POV. The Summit 2.5/90 is perfect for portraits and candid snaps. I recently bought a second hand Elmar-M 3.8/24, a tiny little beast for landscape and tight spaces. I've a Q as a back up and video camera. Keep on rolling!
Interesting to hear your perspective on these lenses, would have loved to see some samples as you talk about them, but good work. I'm hopeful and optimistic that I'll end up with a Leica camera one of these days 😂Cheers, keep up the good work.
My daughter made the same comment about sample images. And I get both of your perspectives, but let’s face it, I’ve seen photographers do amazing work with plastic lenses that I would make look like plastic lenses 😂.
Is it just me or does the Voigtlander and Zeiss lenses feel more solidly built than Leica lenses? All my Leica lenses have some play at the end of the aperture range and I feel they are too lose especially on my 35 Lux FLE. I actually use the 40mm Cron-C as my daily for the size and speed. The FLE is too big and bulky and I’m considering selling it in the future and get the new 35 Lux steel rim because as an enthusiast, I value size and weight over sharpness.
i don’t subscribe to you but your video penetrated my algorithm so here’s a like and comment 🎉
Wow what is that grip? I just bought an M11 and I love it! My R5 is getting less work these days. I’m so happy I moved my SL2S to grab the M11. I only have a 2.4 sumarit 50mm but I’m looking to grow my collection.
That is the Leica Grip with the finger grip attachment. (Love that thing) And that Summarit is amazing!
Just picked up the 90 mm APO f/2 for $2900 unbelievable, any thoughts on that lens?
The Summarit line is very underrated. A friend of mine still uses an M8 professionally (it was he who converted me to the Leica M system) for live music shoots and he uses the 50 and 35 Summarits. That’s still more than enough for his needs.
@@Fleet42 I have no experience with it. I wanted light weight and small which is why I tested the 90 macro first. And I’m extremely happy with the performance and form factor. But I did try the 75 APO and was blown away by the image quality. But again, weight held me back.
Great kit! M10-p w/ 28 Elmarit, 35 Summarit and 75 Summicron in my kit. I use the 35 & 75 as my "50". Cheers!
Cool to see the elmarit in there. It’s a very handy lens. A 28mm lives on my M!
Thanks for sharing. Did you try the 90 2.4 summarit. Its also very good. Bit bigger but light weight.
I use the 2.5 version.
50mm Summicron, 35mm Summicron and 28mm Voigtlander Ultron. Disclosure: I own a load of other lenses inc the Nocti 095 and 90mm Summicron but these are the 3 I routinely have in my bag. Body is the M10R
I'm glad to see your channel grow. You deserve it. Also for your short video. It's been a while since I've deleted a good photo for something clinical but I do remember doing so.
I’m in a similar place: 28mm Elmarit but the 50mm Summicron. I have other lenses, but those are the two I reach for 90% of the time.
Hi.
How are you sir ? I really wanted to buy a Leica M11 but in the end I changed my mind and went to the Leica M10-R Black Paint. Do you think I made a good choice? I don't know. I felt that the M 11 departed from the legacy and Heritage of M Rangefinder ?! I am pleased with your comment.
I was actually going to go the M10-R route myself. I love that sensor. For me the only reason I chose the M11 over the M10-R is because of the internal memory. I needed the backup because I use it 100% for paid jobs. If I didn’t mentally require backup, I too would have went with you on this. So no, I think you made a great choice.
@@kaskoPhoto thank you sir 🙏
Love the m11 as well i upgraded from film used a Kodak retina 3 for the longest time curious though been taking lots of videos lately for TikTok’s etc what would you recommend or should I just stick to the phone curious on your thoughts
I use my iPhone. It does a great job for me. But I’m definitely not a video guy.
Good morning. I thought the 50mm Voigtlander apo lanthar had become your favorite lens?
It is with me always. Different tool for different job.
Thanks for the video. However dream cameras are great until the new model comes out. 😂 Enjoy it!
He understands the true spirit of Leica ❤
This was a very honest straight forward video! Would you own this gear if you weren't making money with it as a photographer and just took photos as a hobby? Again, a great honest video, thank you!
The 28/50/90mm lens selection is a good one.
I prefer the 21mm f/1.4, 35mm f/1.4, 90mm f/2 combo for my Leica M6 and M10.
I have the Voigtlander 21 f/4 would like to try the Leica
Oh yes. Only M + Elmarit 28 + Lux 50 in my bag, and for 95% of my pictures.
Sometimes the 28 is my darling. Sometimes it's the 50...
I just wonder if I change my M262 (my 3rd M) for the M11 🤔 It's a real dilemma, but currently there are much more serious problems in the world I think !
That is a good point. Take your time to upgrade, give Leica some time to straighten everything out with the M1.
If you don’t mind sharing, how much does that setup cost? I don’t think I could settle into spending that amount of money. But I would like to build a similar setup with my Fuji XH1/XT2 and Voigtlander lenses. I currently have the 35mm Nokton. And now waiting for Voigtlander to come out with an 18mm and then something longer.
It’s too early to do the math but it’s above the 5 figure mark. But the funny thing is (as much as people like to say it’s a rich man’s camera) I just priced out gear for someone looking to get into “pro photography” with a canon system and it was a few hundred off. As far as the Fuji with voigtlander lense - I think it’s an amazing setup. I use them on the X-Pro 3 and love them. I would suggest the M lenses with an adapter. The Voigtlander lenses made for Fuji are a bit underwhelming.
I went with the 50 apo for my first lens and it has limitations even though the buttery rendering will keep me from selling it. Ha, that one hurt my pocket. But, after a year I am going to try the new 1.4 35mm especially for restaurant work. Hopefully it won't be too tight for groups of people in low light (that 50 sure is) Gosh, that 1.4 "artsy" look is the one people really want it seems from me. The metal and heft in the lenses are growing on me in a way I did not expect. I'm interested to see your 90mm video. I borrowed a loaner in the 90mm f2 from Leica and could not get a dang thin in focus truly haha. Great video!
Thank you. It’s coming soon.
Really Good Honest review... just have a q. - What is your honest opinion compering your M11 and Hasselbled X2D ! Thank you
The X1D II (not the X2D) is amazing and has a depth to the images - but I prefer the M11 for the other 95% of my work.
@@kaskoPhoto Thank you, truly appreciate the answer...still torn between both of them!
Thank you for inspiration, I have the same feeling about affordable tools. Sorry for a silly question, what lens would you take to a zoo?
Well on a mainstream mirrorless I would use a 70-200. With a Leica I would use the Voigtlander 90mm
Thank you
Thanks for your video. I have seen your website and facebook. Do you only use the Leica M for your portraits and for events? Thanks
At this time yes, it’s my camera of choice for everything
I adore the 28 Elmarit on my M8.
I have the 50 Summicron also and the two pair so well. I’m considering the Voigtlander 90mm 2.8 Apo as I don’t think I’d use that length as often to get the value from a Leica lens and I know you rate it very highly also.
That 90 2.8 is amazing. I really got the Leica 90 for size and a 3 Leica lens setup only. If I could only afford one Leica it would be the 28mm and then I would choose the Voigtlander 50 APO and 90 APO
@@kaskoPhoto I was considering the Voigtlander Apo but got the summicron instead for two reasons. The size and that it would be more than enough on my m8. It wasn’t much more expensive as I got it mint used for about half the new RRP
Love your channel. So which 28mm f2.8 did you choose? the ASPH or one of the earlier models?
It’s the latest 28 Elmarit
This is all news to me. For decades, Leicas were paired with either a 35mm or 50mm only. I guess with this digital and live view, the situation might have changed. I am sorry to say this, but when I compare the build quality of my older Leitz lenses with a couple of the new ones that I have, the build quality of the newer ones is inferior. The feel of the mechanics of lens is different, the newer ones are not as precise as the older 60 year old ones. I can say with 100% certainty that even Leica have made some savings somewhere. In any case just enjoy what you have.
Great info Although It's hard for me to fidget between lenses I'm more of two body set up
I get that completely. On rare occasions I will use two bodies but at my age, one camera and a couple lenses is more my speed.
What's your current stand? X-Pro3 has gone past and now you're into M system?
I use the M for 99% of my professional work but still love my X-Pro
This video really resonates. Love my M10 and 50 Summilux. Got the 28 Elmarit about a year ago and fell in love with it walking around Paris. I haven't tried the 90 Macro (have the 75 APO Summicron for portraits) but love that it's so small. I'm curious, what do you use for a bag?
Do you know I’m still searching for the perfect bag! I’ve tried so damn many and am convinced there isn’t a perfect bag for me. 😂 I honestly think I want the impossible.
@@kaskoPhoto The struggle is real. 🤣
@@healthid it’s not like I want much.. small, lightweight and doesn’t slide off my shoulder. Hold all my gear but magically not feel the weight. 😂😂
@@kaskoPhoto I have the 3L Peak Designs sling bag and it's about the right size for an M body and a couple of M lenses. I just wish the strap wasn't so fiddly. I also like my Billingham Hadley Pro, but it encourages me to carry too much crap LOL.
@@healthid2nd for the Peak slings. 3L is too small for me, as I carry eyeglasses and other shit for a day walking Hong Kong. I’ve got a 6L for 1 body and 2-3 lenses, the 10L for 2 M10s and 4-5 lenses.
No AF and shooting sports? “Are you talkin’ to me?” 😂 Yup, I’m attached to my old gear & films etc. I like your message! Thx! Subscribed!
These poor yougens don’t think what we did in the old days is possible. 😂 I piss myself laughing half the time. What’s even funnier is that they can’t shoot a wedding without the fastest auto focus available and two strapped cameras on their bodies at all times.
That comment made me laugh. I recently got married (I’m 37) and our photographer had 2 canon R bodies and liked them as he could fire off 15 or so silent shots a second. We got probably well over a thousand digital images and some the focus was off.
In saying that, we were still happy with the results for the most part but no tech is ever infallible.
The biggest trend I see now is massive over or under saturation of colours and a heavy post process vignette applies. We went for someone who took more natural and candid style photos
@@paulanderson24 I know trends are and always will be a factor in weddings, but I can’t stress enough to photographers to hold their raw files. Images (when shot correctly) are stunning out of camera and there may be a time when all of the filters and manipulation will be a thing of the past… having those raw files may come in handy.
@@kaskoPhoto I always shoot DNG (and I’ll never call myself a photographer - that’s IMO disrespectful to people like yourself - I’m a mere hobbyist) as I enjoy the editing process but have as aversion to cranking certain sliders beyond a certain level. I know what I like :)
@@paulanderson24 the truth is, most of the time you and hobbyists like you are more “photographers” then most. I separate this by digital artists and photographers. Not that I look down on digital artists, but photography I believe ends at capture.
Being attached and to understand its limitation to be it’s strength.. it’s just more than a tool for me… 50 lux is a cheat code lens, i went on to 28 summaron and yeah i agree with you, or may be we have the same intention with wide angle lens not needing big aperture.. and a 35 lux
But the new 35 is so damn appealing. Really trying to look the other way on that.
@@kaskoPhoto i used to have the fle, sold it years ago… i was offered the new one almost after my comment, close focus is amazing, versatile, get a loaner and try, think u might love it
@@riswanc well that didn’t help! I think you missed the “trying to look the other way” 😂😂
@@kaskoPhoto i was trying too but… 😂😂😂
For a person who wants to get into Leica, M10-R or M11-P?
M11P hands down. First, it has internal memory for backup. Second, that 60mp sensor is incredibly good and provides versatility
Did you get rid of your Fuji gear? I am thinking about getting their new 35mm 1.4 lm based on your review
If it’s the 33 1.4 then it’s a 100% yes. Love that lens.
@@kaskoPhoto i meant to say *23mm 1.4 LM
@@KnuckleDragger42069 didn’t have as much time with that one but it’s just as good. Those new lenses are really special.
I also had a 24mm elmarit, but just traded to a 24mm elmar. Im not sure i made a good decision. Using M10m and M10r
I’ve never tried a Leica 24. Sometimes wish I had a 24 with group shots but the 28 is covering me most of the time.
You’re down to 3! I’m at 6, not counting the VM 15mm I bought for my CL. I’ll sell the CL when I get back to the box and don’t know if I’ll keep the 15. Same 7 focal lengths I have in Zeiss ZE primes (including 2 50s!) for my R5. Go figure.
21 SEM, 24 Elmar, 28 and 50 Summilux, 50 and 90 APO. M10M and M10R. I’m 71 and DONE.
Is your studio in the Fine Arts Building?
@@magiccarpetrider4594 I’m in the 900 Building
@@kaskoPhotoSorry, I really thought you were in Chicago, especially from that familiar door!
I’ve really got to pare down these lenses, but I’ve now got an interest in a 28 biogon. Close focus and uses the 46mm filters I’m invested in. Kill me 😫
What happened to the voightlander?
Still have it. It’s a keeper. But my everyday carry kit is small and manageable.
Cool to hear you’re enjoying the Leica, did you end up selling your other cameras? Also would be interested if you made a video about pros and cons of doing photography professionally, and any advice for getting started. I remember you said in a previous video not to do weddings if you lack experience, but I tried second shooting and really enjoyed it. Was very stressful the first time though, can see why you advised against it.
I still have my other cameras. There are a lot of pros to this business. But it has to be treated as a serious business. It seems that the younger crowd believe that if you buy a camera “they will come”. You have to go after “they”.
It's not about the lens and selection or preference one may have. It's really interesting to see how a buyer justify the higher price.
I can buy almost any Leica lens (almost) and if I ever decide to sell it in a few years- at the very minimum, I’ll get what I paid for it. And in many cases, actually make money on the sale. With any other lens brand I’ll loose 30% + of the value the day after the purchase. Obviously the bodies are another case, but the gear works for me and I as a professional photographer appreciate what goes into its manufacturing and how it helps me create the images I capture with it. I am not sure what makes some photographers feel the need to tell me and others that they feel the price is to high for the gear we choose, but it must make you feel better - so for that I am happy for you.
@@kaskoPhoto...
Nice.
I know the manufacturing process of Leica since '72.
I owned and used M3 to R6 back then. Those cameras were claimed to have gone through furnace to freezer.
Nearly flawless cameras and lenses at that time.
Glad you expressed your views. Enjoy your passion. Thanks.
@@kaskoPhoto .... By the way, I never said what to buy or what not to.
I have heard of issues, and its preventing me from ordering the M11. 9k is a lot of money and honestly should not have issues that seem to be common. Many open boxes are available which is a return.
The first batch (as Leica has admitted to) had an issue. But the problem has been identified and fixed. So I’m hoping that this current copy will still be with me in 10 years.
How did you find focusing a 90mm on the M11? I’m scared to buy one because of the small framelines
I was thinking the same but I’m guessing the live view is useful for this. ?
@@colinosullivan sure, but the shooting experience is totally different
@@VincenzoNoletto totally agree. I hate using screens. Hence the M! I use an m8.2 which doesn’t have live view or my m4 with film 🤣 so yea it’s rangefinder all the way. I’d say 90mm with my eyes on a rangefinder would be a real challenge! But it’d be lovely to have the range. On my latest video I could have done with it to isolate some trees!
@@colinosullivan that’s the point :) I want to use it on the optical viewfinder, how do you work with it? How do you find confidence? Thanks :)
@@VincenzoNoletto I think I'd have to try a 90mm before putting the down the money for one. I know what to expect with a 28/35/50 on the M but a 90! I'm curious but would need to try one out first!
I got the Leica 75 1.25 Noct its killer !
Nice review got some great tips for my M11; but the mark on the wall was freaking me out…….😮
😂😂 it’s amazing that you said that… I was watching someone’s video a while back and the same happened to me. It’s the little things that screw with us. 😂
@@kaskoPhoto 😹indeed would not usually notice but it is placed in the eye of the golden spiral……🐚
@@kenmonahan9924 well of course it is… I’m an artist! Where else would I place a distracting feature. 😂
I only have one lens, the 35mm Summicron. But I’m thinking about adding the Voigtlander 50mm f2 APO-Lanthar sometime in the near future, I hope. It’s a lot more affordable to me than buying another Leica lens. I always wanted the 35mm Summicron though so I’m happy that I have that lens :)
You will absolutely love the 50 APO! If you like perfection.
How abt yr Voigtlander 90/2.8 apo? Sell for Leica 90?
I did not, I am keeping it for the times I absolutely need the 2.8. That lens is really an incredible lens that I don’t think I can give up. Same with the Voigtlander 50 APO
@@kaskoPhoto in the video you said you “don’t need more than f/4, but your comment about the Voigtlander confirms thats not the case. Which is it?
@@EDHBlvd for 99% of my work I do not. But if there is a situation on a rare occasion I do… then I have it and won’t need to rent. Is that satisfactory
@@kaskoPhoto haha ok
I’m on a very similar path
I tell you what, as much as I love my M11, and the lenses I have. My M10-R was stolen at the beginning of the summer and I miss the color profile and so much more about that piece. Going back to your statement, at least in some regard, that there's a lot to be had in the historic significance of a piece, & in this case functional art in and of itself. and the M10-R certainly invoked more of a historic connection to the unit. As much as I love the functionality of the M11, it is truly the perfect combination of 'quick to access' functionality & in the practice of shooting in any regard it lends itself to your ability to quickly change settings in order to properly capture a shot/ moment in a given situation. That said, I miss the processes and the very thought provoking habits that the integration of my M10-R had on my shooting experience, giving me a more integrated process with my photographic tool/s. Again, I certainly preferred the color profile of the M10-R over the M11. I think I'm going to have to get a new one in black paint.. Big dreams yea? But I wouldn't trade the M11 for anything because of what I'm able to do with it wile retaining all that it does as the successor in the M series lineup.
Great video 👌 I’m a Fuji user and those leica lenses must blow away Fuji lenses in terms of image quality 💪🏻
Well those new Fuji lenses are pretty damn spectacular. The 33 1.4 is so amazing.
I was Fuji too which was great. Tbh the major difference is the Leica FF lenses are generally *smaller* and consistently amazing (and expensive😪). The big thing is FF opens up a huge range of high quality options outside of Leica that doesn't really exist for Fuji (I previously hand mitakon for xe3,..meh) I haven't regretted the purchase of M11/ Leica lenses for a second though. As said, can sell at any point and get my money back (elevator pitch to wife haha)
@@kaskoPhoto I have both Lux 1.4/50 using it on SL2-S and 1.4/33 on X-T4 both are top lenses, no difference in image quality really.
Love Leica have 2 but they don’t make the images better, they make the ‘wanting’ to shoot return and that’s half the battle…
Very true. For me it just makes work my hobby again
Thanks! Interesting how priorities work. I love that I can see beyond the frame lines in Leica M. Therefore, all fat fast lenses and APO are no option. The 135mm frame lines are a mystery to me. I can't compose or focus with such a tiny image. It was funny to hear that you had nothing against Chinese production and then continue with what you don't want. That is exactly what comes out of China. Nonrecycable plastics, turning landscapes into toxic dead areas, cities obscured by smog. A new line of landscape and street photography?
For that money i buy Hasselblad X2D every day of the week.
No doubt
what a voice !
What a sensible kit review .
hand built like the Rolls Royce's?
If I ever have the chance to see how a RR is made I’ll let you know
I don't think you have a clue , If one of your primary is a 90mm you need a different system especially for the m mount
Thanks Dave After 40 years of being a full time professional I really don’t have a clue. But as long as the checks keep rolling in I’ll keep up the posing. 😊
Relax Buddy
Skip to 4:15 to hear about his 'Final lens selections'.
Damn that hurts… I’m not that boring am I?
Sorry, I'm just not very patient with digressions when I click on a topic. @@kaskoPhoto
It is hard to think that people who work as visual artists produce videos of themselves waving their hands in front of a tripod-mounted camera. Why not show images?
Thank you for your insightful input.
There is no such “Final” lens selection. I felt I can live with 35 and 50 lux 13 years ago now I own like 9-10 lenses in variation 😂
So you caught me in a lie! 😂😂 And yes, you are right 100%