The JHS Show has taught me the most important lesson about gear that I've learned as a guitarist: it's not about finding *THE* tone that defines your voice as a musician; it's about finding *A* tone that inspires you to create an interesting piece of music. In light of this realization, I spend a lot less money on guitars, pickups, amps, speakers, cables, overdrives (the most boring pedal category, IMO), etc., and I spend a lot more time experimenting with interesting pedals. I'm now using my time actually composing music instead of shopping for just the right break-up in my drive sound (pro tip: the perfect drive sound for all occasions simply doesn't exist). TL;DR: thanks for the fresh perspective, Josh!
If you have about 200 bucks and digital doesn't scare you off, and the brand name isn't important: the Line 6 M9 & M13 are fantastic. These models were all designed by Jorge Tripps and keep in mind, a fuzz or chorus's magic is a lot easier to model than a tube amp/speaker/mic combo. You could easily spend dummy money on 5-7 cheap Joyo/Dano/Biyang/Behringer tier pedals in excess of the M series cost, and never have stereo ins or outs, a tuner, noise gate, banks of presets, expression control, etc. Go comb the threads on these & see how many just ended up taking almost everything else off of their board. The HX Effects is a step up, but tbh I think I played the 'legacy' (M series) effects more than anything else when I demo'd it. There were cool new models like the FZ2 and OCD in there, though. My only gripe is that the ToneCore series wasn't patched over, and there is nothing (in my infallible opinion) that truly covers the ground of the RotoMachine & LiquiFlange on either. It's a poor man's Bob Bradshaw unit complete with damn near everything you could want. Do recommend, and yes - the dirt is damn good, 1s and 0s and all.
@@kampfkustomer2343 I feel I should add that the Global Noise Gate is in a signal possition that renders it practically useless. The Tuner sucks. The Looper is about 10 seconds shorter than most that are included on delay pedals. You can only use 4 effects at a time including utilities like Volume. It's true though the algorythms are mostly great. Especially the Delays. The quality of the Compressors suprised me too. It has proffessional routing options and can add 2 Expression pedals. It's very easy to use. You don't have to program it to use it like individual pedals but you can program it if you like and go very deep. Too bad Line6 wouldn't fix the noise gate issue with a firmware update. I tried.
Lol if you can push a hiwatt far enough to make it break, you have achieved the perfect break. Or use a tube screamer with a big muff, your favorite delay (t Rex is a good one) and a compressor. And bang! You have not really David Gilmour because you will never be David gilmour but close enough to fool your friends. Can’t get a hiwatt? (Who can?,really?) fender blues deluxe..or a vox
Stack overdrive, distortion and fuzz pedals. I personally rarely use only one of them at a time, even at low gain. That's what experimenting means. A single pedal can give only so much, but multiple stacked gain pedals are a whole different beast!
If nothing else, Josh HAS to win the "nicest guy in the music industry" award for above and beyond positivity, praise for everyone including his competitors and great sense of humor.
Good one thanks! Edge, the U2 guy, in a DVD called It Might Get Loud at one point he’s showing all his echo effects and plays a famous riff. Then takes all the effects away and plays the boring two notes that makes the sound. Eye opening for sure.
Totally 😂 He’s so amazing. I met him and Paul Gilbert at a Chipotle in Fort Wayne, IN (home to Sweetwater) while I was on lunch break the Monday after NAMM. They both are just genuinely nice, super cool guys.
Hey Josh, I've been searching Internet for analog/bucket brigade delay but with midi-control. Any hints od where to look for such devices? :) So far I found only Moog mf104m which is about 6k $ and used only. I'm happy JHS KiltV2 and Pulp'n'peel user! Hope you will make analog-midi delay one day :)
I have nothing but love and respect for the fact that this guy straight up plugs other pedal companies in these videos. It’s not all just a sales pitch for his JHS pedals. He spotlights other great pedals in existence, and im here for it.
The Dig, or Walrus D-1, or DD-200 will get you that sound. Dave Gilmour had moved onto digital delays for recording The Wall, but its two delays, so those pedals can do that.
Easily the song that first made me really care about delay. The funny thing about the syncopated delay thing is that it's a great teaching tool. If you can nail "Run Like Hell" and keep it in time, you can do damned near anything (rhythmically) that you want to do on a guitar.
Slowdive’s Sovlaki Space Station introduced me to Pitch Delay, the album just wouldn’t be as dreamy and probably wouldn’t be such an important part of shoegaze and ambient music without the delays used! Love every part of that album!
go see them live someday. three guitars, all through delay, and then, the FOH engineer puts delay on top those signals. the mathematics are complex, but it's possible you may meet and high-five yourself walking into (and out of) the venue.
@@TheAmazingSnarf i saw them before i really got into playing guitar and understanding effects and stuff. was way beyond me back then, i need to go again.
The bass line from Pink Floyd's "One of These Days" is probably my favorite delay part. It just immediately teleports me somewhere when I hear it. Another one is the bass line from RATM's "No Shelter"
Like your name do you know big chief the band ? There guitarist is from my home town .He moved to Seattle right before grunge hit .He actually drew the album cover for sound gardens bad motor finger.
Angels and Airwaves is unrivaled in their use of digital delay to me. I absolutely love Tom’s tone. Even in the last blink album he’s on as well as the EP. his use of delay is inspiring
There’s so much regarding effects and the blink sound, it’s kind of incredible how “plain” they sound while having so much production and gear I don’t know if he is using a chorus or a flanger on the most classic blink stuff (bridge of what’s my age again) Lots of delay as well Here’s a nugget of info you didn’t ask for His flanger for untitled era was the BF3 by boss Later MXR
Where The Streets Have No Name was the first song I noticed using delay as an actual addition to the music and not just a subtle effect, and it’s been my favorite effect ever since.
Just got a Carbon Copy (I Love Dust special edition). Love it. Reminds me back in the old 80’s of and Ibanez analog delay we had. The repeats sound like faded memories.
I gotta speak on the fact that you're a pedal designer & maker who promotes the productions of other folks in your field. that's some high integrity type shizz right there. bravo!! & thanks for the fun & informative vid!!
Gotta have a board for every amp and another board for every guitar, then one more board for every genre and mixed genre you think you might try to play...
Joke's on you guys... That white board behind him IS his pedal board, what you don't realize is they're ALL hooked up wirelessly using alien technology that actually enhances tone. Josh IS an alien
I was obsessed with Rattle and Hum, Bullet the Blue Sky had some incendiary riffs and Edge uses delay effortlessly to paint some sonic masterpieces on that song.
I can't tell you how many times I heard people hacking on the Edge in the 80s. Even today. Dude changed the way the guitar made music but people want to hack on his talent. Kills me.
the Boss DD-200 was the pedal that convinced me to shift from a multi-effects pedal to individual stompboxes. it sounds absolutely incredible and has more delay styles than I'll ever need. beast of a pedal.
The Police's "Walking On The Moon" simply doesn't exist without Andy's Echoplex. It absolutely blew my mind. See also: Almost any David Gilmour solo (thank you Binson Echorec); "Where The Streets Have No Name," has to be one of the best delay-driven riffs of all time, amirite?
It is amazing how 1 tiny detail can make all the difference in understanding something. I've been watching a lot of video's about this subject and they always point out the classic tape delay. It was uppon the point where you said that they move the machine heads to get the delay and actualy show a tape machine when my head finaly made the connection on how it al works.
I highly recommend the documentary “It Might Get Loud” as it’s an interesting look into The Edge, Jimmy Page and Jack White, and the guitars and other equipment they used over the years. The Edge is a very interesting guy, and his live rig is amazing.
Absolute must see ! If only for the opening scene ! If you don't watch it over and over ,you're on the wrong yt site.Think I'll go watch it again right now ha.
Ben Hackett That’s interesting. I had never heard about Clapton decking to participate. I absolutely love the movie. I like all three guitarists involved, but I’ve always felt like The Edge didn’t really belong in the film.
Love the fall of Troy! So under appreciated plus, that dotted 8th delay in the fcpremix intro is one of the greatest use of delay of all time. Default got me into delay as more than just a subtle effect.
The first pedal I ever bought was a digital delay, for my bass... JUST so I could play King Crimson's "Sleepless" with my high school rock band. It was a Fender DGL-1. I still have it. The intro to Sleepless (from Three of a Perfect Pair) is so iconic (for me) and is full of digital delay goodness. :)
"Silver & Gold" is originally on the 'Sun City' album by Artists Against Apartheid / Little Steven Van Zandt. On the studio track Bono sings and I believe it's Keith & Ronnie Wood on guitars. Yes, on the U2 live version, Bono says "Edge, play the blues" and Edge proceeds to demonstrate that he has never had a drop of blues in his body!! :-)
Omigosh I wore out that Sun City vinyl when it came out. Bought it for U2 but so many other great artists in it. U2 knows their limitations, that's why they got BB King for When Love Comes to Town.
I think the song “BAD” is a great U2 example of delay use. The guitar part for The Flock of Seagulls song “I Ran” is dependent on delay. Check out the bass part from King Crimson “Sleepless”. Tony Levin is the man! Modern songs. “Shut Up and Dance With Me” has a very U2 opening. Lizzo’s song “Juice” has a very Andy Summers from the Police guitar part. Jimmy Pages violin bow solo from the Song Remains the Same movie. From Monty Pythons movie The Holy Grail. There’s a lot of slap back delay in the three headed giant’s voice that wants to kill Sir Robin. Oh so many.
Great delay moment: 2nd half of the Rush “2112” intro with delay kicked onto the staccato power chords. My first delay was the Digitech Digidelay. It seems to get no love, but it’s great to me and was a endless source of fun when I was learning to play it.
I have an original pressing of Rattle and Hum which was my dads. I’ve never played it before. Now I get the feeling after this episode, I’m not going to stop playing it. Cheers Josh!
U2’s In God’s Country. You know what I’m talking about, Josh. Any Edge haters out there, just tell them to try to play that song. Sounds simple- but how he dances around with that much delay is so impressive!
Some people always say yeah I learned this or that song ,its so simple i.e. rage against the machine, zz top. I say if it's so simple you write a huge hit oh wait ya can't ,and you never will .until you realize the difference between mastery of technique over mastery of artistry. People that do get it can call them selves the EDGE ha.
I have to say my favorite delay song is Burn by the cure. The intro has these haunting feedback squeals through a delay to sound like mournful lonely bird calls.
my favorite delay sounds come from the band Battles. they use a lot of pitch delays and single slapbacks for rhythmic effects. their song “ice cream” is a prime example
Josh, can you explain more about how a reverse delay works? Is it actually cutting up the audio at certain times and playing the input in reverse, or is it using an envelope to give the notes a slow reverse-like attack? +1 to the person who asked about oil can delays. I'd also be interested in hearing about who first put delay + reverb together in a single pedal.
I own three delay pedals: Boss DD-7, Seymour Duncan Vapor Trails, and MXR Carbon Copy Bright. The Carbon Copy is run prior to OD/dirt pedals. The Vapor Trails is run in front of the DD-7, both at the end of the signal chain immediately prior to reverb and a looper. The next delay I buy will be the Dunlop-MXR EP103 EchoPlex. The JHS Lucky (Black) Cat and Panther Cub V2 on the list down the road too! "It''s always going to be good if its pink!" - Josh Scott. No truer words have ever been spoken. FACT: The weekend U2's Rattle And Hum came out,...I saw it a dozen times in the theater from Friday to Sunday.
The last IDLES : “Grounds” is, in my opinion, the greatest example for the octave delay. I find the way it is used very smart, and it just sound like a crazy synth unless you find out the truth about this crazy sound.
I've had a Boss Katana 50 combo since they first came out, thinking it'd be a great way to try out effects. Only I didn't actually start exploring them until this year. My wife did not appreciate the trippy sounds I made when I combined my nano big muff with the amp's tremolo, a delay, reverse delay, and a ton of reverb.
When you hear the song you'll know what happy sounds like… Baggy music was the crazy baggy jeans, stone roses, and these other bands were wearing at the end of the 80s. Everything was oversized, even the bucket hats.
But the rhythms and the beats per minute were really good along with the guitars and the other sounds kind of a slow trippy rock with a back beat. Cool to listen to and the kids would give it a 10 to dance too
I have that first Memory Man pedal shown. If you look closely,... it's a two prong plug in. No ground,..yet. My vintage Hiwatt was that way also. My DR 504 OD is amazing. Takes pedals magnificently. I currently run,.. 1. Boss TU-2 Tuner 2. Keeley compressor plus 3. JHS Morning Glory v4 4. JHS Angry Charlie v2 5. Empress Heavy Menace 6. Empress Para eq/ boost 7. Walrus Audio D1 v2 delay 8. Strymon Blue Sky THANKYOUJOSH.
hi, just wanted to say thanks for making this video, i'm not a musician, nor did i know what a delay pedal is, but am sleeping much better now, thanks.
Delay is my favorite effect. The first effect I ever spent real money for was a green Echoplex with all those great tubes and tape cartridges. It sounded amazing after the tape started getting worn and wobbly. It finally started getting wore out and I sold it but I miss it, I just don’t miss having a big box full of tubes to carry around and worry about getting messed up.
I have the Canyon and it’s my favorite delay pedal for sure. The Echo setting for a really short delay with the feedback at about 2-3 o’clock is so amazing.
The Appleseed Cast has a great double album called Low Level Owl which is just steeped in delay. There's this one song, Convict, which is made up almost entirely out of piano with long delay on it. It's awesome.
I recently got the TC Electronic Nova Delay and it does everything. So glad I bought it. Also, it gives you a big red digital display of how many milliseconds you are set to which is weird and handy and kind of cool too.
Where/when did oil can delays come into play? I’ve owned the OBNE Black Fountain and the Catalinbread Adineko, but never really hear much about this delay type. Great show per usual, thanks for the time & effort you guys put into these each week. Hope you’re all well, Aaron
Yep. There are definately more than 6 delay types and "multi-delay" is not one of them. It's just a device containing several of the types. Not a type in and of itself.
Hey. just wanna say i just got a JHS Little Black Amp Box to play my DSL1 in the apartment (yeah even at 0.1W is too loud at night) and WOW i can finaly listen to the tubes scream at night time volumes! Awesome product! Now i want a delay pedal, so here i am (:
We got to record at Sun Studios, where part of Rattle and Hum was recorded. Our drummer even got to use the original kit that Larry Mullin Jr used. I got to use an original 50's Fender Tweed Combo. It was awesome.
Have you tried the DOD Rubberneck? It seems super underated...am I missing something? I love it. I haven't tried the effects loop but it has one built in..
Great video. Delay is my favourite effect, I have or had lots delay pedals like the Boss DD3, DD7, ONBE Black Fountain, Digitech Obscura, Catalinbread Adineko, Hungry Robot El Castillo and many others. I can do many things with delays. Delay is life !! And this is not a famous song at all (even the band is pretty obscure I guess) but, "Is This Bliss" by Haven (check out their album, Between the Senses, one of the most beautiful album I ever listened to) was the song that made me fall in love with delay. The effect on this track is subtle, magical and overwhelmed me when I heard for the first time. It's not as big or epix as in U2 or Pink Floyd but the sound is... like a dream. I could also mentioned U2, The Cure or Radiohead for their brilliant use of delay. Delay is life...
At Least That's What You Said, by Wilco - When the guitar first kicks in. That's some delay that you wanna hear. Also the slide solo break on I Should Have Known It by Tom Petty is perfect! Thanks Josh
Hard to not think of Pink Floyd and David Gilmour when speaking of delay in rock music. “Run Like Hell” is a classic along with U2’s “Where the Streets Have No Name”. I also like the way Mike Rutherford uses delay both in Genesis and in Mike and the Mechanics (“Follow You, Follow Me” and “The Living Years” for example). Marillion’s Steve Rothery uses it very tastefully too. I’m a sucker for delay and use it in my music too. I can’t help it. :)
John Martyn used it extensively on his acoustic which influenced Gilmour a lot (they were mates). Check out 'I'd rather be the devil' and 'Outside In' - a masterclass in the use of delay ua-cam.com/video/jRmOImCJJ84/v-deo.html
Oh! I forgot about Andy Summers! How could I? Amazing delay work to fill in space in the power trio setting of The Police. And while we are at power trios: Alex Lifeson doing similarly (in a more understated way) in Rush.
The track that switched me on to Delay was "Scared To Dance" by the Skids. No Idea what he (Stuart Adamson) was using. The Edge was listening though . . .
Literally was just listening to ‘God Part 2’ off Rattle and Hum for the first time in ages - then watched this episode 😀. It almost sounds like Larry has some slap back on the kit but it’s prob just his awesome playing 😉 🥁
Josh you are the best! I doubt there's another person out there on UA-cam that has the depth of knowledge that you possess! I absolutely learn something new every time I watch one of your videos and I can't get enough of them! Actually my pedalboard is full of pedals that you recommended some inexpensive some ridiculously expensive but all really cool and really useful! So thanks Josh and keep them coming man!
The 1981 song "I'm in Love with a German Filmstar", by the "Passions", entire song was built around the delay sound, very dark analogue BBD. I saw them play live and the guitarist was using a Carlsbro "Mantis" analogue unit: I still have mine to this day, the "Rotofaze" modulation in the "Mantis" is unique, an effect in itself.
I also recommend Vini Reilly's guitar and delay work on the 1980 album "The Return of the Durrutti Column", apart from being a sublime album, it made guitarists of the time think about the textural and spatial use of delay and echo. The "Edge" from "U2" made me listen to the rhythmic element of delay, but Reilly made me think about textural effects, atmospheric dynamics and phrasing within song structures. Vini Reilly is greatly underappreciated in my opinion.
My favorite use of Delay, it’s either in stereo or one side wet, one side dry, it’s “Then Comes Dudley” by The Jesus Lizard at the 0:40 mark, headphones required
Videos like these are great. I really love how you break out the multiple categories of delay and why each one is unique. It really helps cut through a noisy market for those of us who are trying to get a handle on what's out there and what it does.
Love Rattle and Hum. I was 18 when that came out. I was so excited when the Boss DD5 came out. I picked one up snd immediately aet it to reverse and worked on Jimi Hendrix "Are you experienced? " which I am assuming is what Josh meant. Great video guys. Thank you for doing these videos.
Now we’re talking! Big time delay enthusiast here. I actually *just* picked up a Nemesis last week and have barely scratched the surface. I’ve had some great delay units over the years I loved the hell out of the DL4, I(I used two). I’ve had three memory man units (can’t bring myself to sell my last one) the flashback, canyon, an Arion (when they first came out, in a plastic enclosure), the carbon copy (cool for dub but not my favorite overall), and probably a few I’m forgetting. I was influenced by Hendrix, U2, and Lanois (in particular). I like using the DMM with a touch of the vibrato to expand the guitars width, but I really love using delay in a creative way, as an instrument of its own. (My dub release Black Moon Dub Rendezvous illustrates how I use it creatively, for reference). For me, it’s an instrument of modulation and is makes the guitar malleable like sculpting in clay. The great thing about delay is how huge the amount of variety there is out there. But the most important thing about playing with delay for me is - play the pedal and listen. Adjust the delay to work with the music you’re playing. I hear a lot of guitarists play a blazing lead and click on the delay at a random setting and expect it to track with them. Delay is something you need to react to, adjust and modify. It becomes another player in the room. Delay becomes an ally if you take the time to sort out how it can work for your music. Also, I turn my delay off a lot too. Too much of anything is too much. There is a balance to be found between cool and dizzying. I think you should have played the memory man though, for the BB delay type - it is in my opinion much better than the carbon copy and is inimitable. I realize the carbon copy is very popular and it does sound cool, but the memory man is magic! (Just wish it wasn’t so huge and ran on less than 24 volts). I think the canyon gets very close, and it adds a tap tempo. Otherwise another great vid and on point. That’s my 2 cents.
I have an Akai Head Rush V2 and love every function. My favorite feature is that there are four outputs, besides the main out, which can be hooked up to four amps (haven't done that yet). I think the really cool part of this feature is that it can also can be used to separate the tape delay heads by placing a 1/4 inch jack into any one of the said outs to separate the tapes even further (not sure if I am saying this correctly). This creates some big distances in the delays initially that end up crashing into each other with the subsequent repeats. It would be cool to hear what an expert like you thinks about this pedal as it's a mainstay on my board. I mainly play the bass guitar if that makes any difference at all. Love the knowledge and diversity of sounds I hear with "Record Time". Thanks for everything.
That Danelectro reverse delay is one of the best I've ever heard. Rattle and Hum is one of my favorite records of all time (not popular, I know), and yes, that solo on Silver and Gold is huge and one of the record's best moments.
Saw rattle & hum 11 times in the theaters when it 1st came out. The 1st time was the night it came out, and it was cranked. Was like being at an actual concert (yes I’ve seen them multiple times live) You can tell I’m a U2 fan, and therefore as a guitar player, a big delay fan. Nemesis is on my board. Fun pedal.
I was at the Sun Devil Stadium show in AZ for some of the filming of Rattle &Hum. They did two shows there and filmed both, tickets were $5.00 and B.B. KING opened the show. It was amazing I’ll never forget it.
It was 1985 when I first heard the term 'digital delay' I had no idea what it was until it was applied on my vocal at a gig. It was life changing!! It felt like I could sing anything!! Shortly afterwards I bought my first delay pedal... the Boss DSD-2 Digital Delay/Sampler. Just thinking about all this makes me want to nostalgia-buy one of those old ADA rackmount Digital Delays which were popular back then lol
The JHS Show has taught me the most important lesson about gear that I've learned as a guitarist: it's not about finding *THE* tone that defines your voice as a musician; it's about finding *A* tone that inspires you to create an interesting piece of music. In light of this realization, I spend a lot less money on guitars, pickups, amps, speakers, cables, overdrives (the most boring pedal category, IMO), etc., and I spend a lot more time experimenting with interesting pedals. I'm now using my time actually composing music instead of shopping for just the right break-up in my drive sound (pro tip: the perfect drive sound for all occasions simply doesn't exist). TL;DR: thanks for the fresh perspective, Josh!
If you have about 200 bucks and digital doesn't scare you off, and the brand name isn't important: the Line 6 M9 & M13 are fantastic. These models were all designed by Jorge Tripps and keep in mind, a fuzz or chorus's magic is a lot easier to model than a tube amp/speaker/mic combo.
You could easily spend dummy money on 5-7 cheap Joyo/Dano/Biyang/Behringer tier pedals in excess of the M series cost, and never have stereo ins or outs, a tuner, noise gate, banks of presets, expression control, etc.
Go comb the threads on these & see how many just ended up taking almost everything else off of their board.
The HX Effects is a step up, but tbh I think I played the 'legacy' (M series) effects more than anything else when I demo'd it. There were cool new models like the FZ2 and OCD in there, though.
My only gripe is that the ToneCore series wasn't patched over, and there is nothing (in my infallible opinion) that truly covers the ground of the RotoMachine & LiquiFlange on either.
It's a poor man's Bob Bradshaw unit complete with damn near everything you could want. Do recommend, and yes - the dirt is damn good, 1s and 0s and all.
@@kampfkustomer2343 I feel I should add that the Global Noise Gate is in a signal possition that renders it practically useless. The Tuner sucks. The Looper is about 10 seconds shorter than most that are included on delay pedals. You can only use 4 effects at a time including utilities like Volume.
It's true though the algorythms are mostly great. Especially the Delays. The quality of the Compressors suprised me too. It has proffessional routing options and can add 2 Expression pedals. It's very easy to use. You don't have to program it to use it like individual pedals but you can program it if you like and go very deep.
Too bad Line6 wouldn't fix the noise gate issue with a firmware update. I tried.
Lol if you can push a hiwatt far enough to make it break, you have achieved the perfect break. Or use a tube screamer with a big muff, your favorite delay (t Rex is a good one) and a compressor. And bang! You have not really David Gilmour because you will never be David gilmour but close enough to fool your friends. Can’t get a hiwatt? (Who can?,really?) fender blues deluxe..or a vox
Stack overdrive, distortion and fuzz pedals. I personally rarely use only one of them at a time, even at low gain. That's what experimenting means. A single pedal can give only so much, but multiple stacked gain pedals are a whole different beast!
YES YES YES!!! It is also about learning how to use the equiptment you already have also!!
If nothing else, Josh HAS to win the "nicest guy in the music industry" award for above and beyond positivity, praise for everyone including his competitors and great sense of humor.
I have no money but I find myself saving for a JHS pedal
My mom HAS been hinting at wanting a new delay...
Underrated comment right here 😂
A wild Tyler has appeared.
Reading these types of comments before starting the video is a wild experience
Pretty sure she likes reverse delay the best though; )
She says her initial repetition has degraded quickly...
Good one thanks!
Edge, the U2 guy, in a DVD called It Might Get Loud at one point he’s showing all his echo effects and plays a famous riff. Then takes all the effects away and plays the boring two notes that makes the sound. Eye opening for sure.
I like how Josh makes wild sales pitches like “your blood pressure will go down and you’ll be a happier person” for fun
I'm a believer! Always happier with a guitar in my hands 😂
Totally 😂 He’s so amazing. I met him and Paul Gilbert at a Chipotle in Fort Wayne, IN (home to Sweetwater) while I was on lunch break the Monday after NAMM. They both are just genuinely nice, super cool guys.
Hey Josh, I've been searching Internet for analog/bucket brigade delay but with midi-control. Any hints od where to look for such devices? :) So far I found only Moog mf104m which is about 6k $ and used only. I'm happy JHS KiltV2 and Pulp'n'peel user! Hope you will make analog-midi delay one day :)
And he works with people that fund conversion camps
Especially when it's a pitch mainly for his competitors' products! 😁
Love this series. No snobbery, all class.
I completely agree!!
I have nothing but love and respect for the fact that this guy straight up plugs other pedal companies in these videos. It’s not all just a sales pitch for his JHS pedals. He spotlights other great pedals in existence, and im here for it.
My favorite delay effected song has to be "Run Like Hell" from The Wall. Low hanging fruit, I know, but c'mon.
hell yeah! I wonder how many times permutations of the intro have been played by people messing with delay
b0000kify Guilty as charged...
The Dig, or Walrus D-1, or DD-200 will get you that sound. Dave Gilmour had moved onto digital delays for recording The Wall, but its two delays, so those pedals can do that.
It’s iconic for a reason! Sure as hell is fun to play
Easily the song that first made me really care about delay. The funny thing about the syncopated delay thing is that it's a great teaching tool. If you can nail "Run Like Hell" and keep it in time, you can do damned near anything (rhythmically) that you want to do on a guitar.
Slowdive’s Sovlaki Space Station introduced me to Pitch Delay, the album just wouldn’t be as dreamy and probably wouldn’t be such an important part of shoegaze and ambient music without the delays used! Love every part of that album!
Came here to say this. This song is the reason I’ll never sell my PS-2.
Great record!
My favourite Slowdive album
go see them live someday. three guitars, all through delay, and then, the FOH engineer puts delay on top those signals. the mathematics are complex, but it's possible you may meet and high-five yourself walking into (and out of) the venue.
@@TheAmazingSnarf i saw them before i really got into playing guitar and understanding effects and stuff. was way beyond me back then, i need to go again.
My mom would be amazed with any of these delays, thank you!
I love how you show other people's pedals
The bass line from Pink Floyd's "One of These Days" is probably my favorite delay part. It just immediately teleports me somewhere when I hear it. Another one is the bass line from RATM's "No Shelter"
Like your name do you know big chief the band ? There guitarist is from my home town .He moved to Seattle right before grunge hit .He actually drew the album cover for sound gardens bad motor finger.
ooooh, two great examples!!
Angels and Airwaves is unrivaled in their use of digital delay to me. I absolutely love Tom’s tone. Even in the last blink album he’s on as well as the EP. his use of delay is inspiring
I agree. “The Adventure” is up there with classic U2 tracks as a great example of digital delay.
True! Valkyrie Missile is one of the best uses of delay I’ve heard in a rock song. Edge would be proud.
There’s so much regarding effects and the blink sound, it’s kind of incredible how “plain” they sound while having so much production and gear
I don’t know if he is using a chorus or a flanger on the most classic blink stuff (bridge of what’s my age again)
Lots of delay as well
Here’s a nugget of info you didn’t ask for
His flanger for untitled era was the BF3 by boss
Later MXR
Where The Streets Have No Name was the first song I noticed using delay as an actual addition to the music and not just a subtle effect, and it’s been my favorite effect ever since.
i’ve just decided i’m everyone in this comment section’s mom. please send me any delay pedals you wish at your earliest convenience, thanks,
Okay mom, but I need my allowance from you and pop first
Maaaaaaaaa
I'm HUNGRY
to everyone: yes
You're ALIVE?!
I'm a big fan of the JHS Milkman! I play Americana, Roots Rock, Punk and Psychobilly. It has the right amount of slap, and the boost is really handy.
U2 song that cranks delay from the get-go is Wire on Unforgettable Fire.
Just got a Carbon Copy (I Love Dust special edition). Love it.
Reminds me back in the old 80’s of and Ibanez analog delay we had.
The repeats sound like faded memories.
"Rattle and Hum" is probably the reasons why U2 is mi favorite band and... Probably the reason why i started playing guitar as well!
Me too. It took a long time to get that sound, though. Back in the late 80s pedals were a little too expensive for kids.
❤️
Hey Rob. I love your channel. Its awesome to see u in the comment section of the JHS Show.
That was quick
@@orryfishburne5326 What they said!
Daddy
*Rain intensifies*
"Of Dust and Nations" by Thrice.
Beautiful cascading delay riffs.
I gotta speak on the fact that you're a pedal designer & maker who promotes the productions of other folks in your field. that's some high integrity type shizz right there. bravo!! & thanks for the fun & informative vid!!
Josh:“It’s great. I had it on my board forever“. How BIG was this board? 😁
Gotta have a board for every amp and another board for every guitar, then one more board for every genre and mixed genre you think you might try to play...
Johnathon G don’t forget your backup board for your backup board!!
and then a "creative" board that doesn't fit any of those other setups
How big is that wall behind him.
Joke's on you guys... That white board behind him IS his pedal board, what you don't realize is they're ALL hooked up wirelessly using alien technology that actually enhances tone. Josh IS an alien
I was obsessed with Rattle and Hum, Bullet the Blue Sky had some incendiary riffs and Edge uses delay effortlessly to paint some sonic masterpieces on that song.
Radiohead's Ed O'Brien Karma Police outro. "For a minute there, I lost myself".
Yess that's what brought me to learn about delays
Kind of awesome how this channel showcases pedals from all brands, makes me want to buy JHS even more for some reason.
I can't tell you how many times I heard people hacking on the Edge in the 80s. Even today. Dude changed the way the guitar made music but people want to hack on his talent. Kills me.
He’s a true innovator.
He is wealthier than anyone needs to be as well. Good for him.
the Boss DD-200 was the pedal that convinced me to shift from a multi-effects pedal to individual stompboxes. it sounds absolutely incredible and has more delay styles than I'll ever need. beast of a pedal.
My flashback 2 died. I replaced it with the DD200, and its insane how much better that sounds
The Police's "Walking On The Moon" simply doesn't exist without Andy's Echoplex. It absolutely blew my mind. See also: Almost any David Gilmour solo (thank you Binson Echorec); "Where The Streets Have No Name," has to be one of the best delay-driven riffs of all time, amirite?
Streets absolutely is the best delay driven riff
The Edge owes his entire style to the delay pedal. ;-)
Gilmour stopped using the Echorec in the late 70s. It is magical tho.
have you seen what they went through to record streets ?Unbelievable that the world ever got to hear that masterpiece!
....love amirite on toast...yeah, it's an acquired taste....
It is amazing how 1 tiny detail can make all the difference in understanding something. I've been watching a lot of video's about this subject and they always point out the classic tape delay. It was uppon the point where you said that they move the machine heads to get the delay and actualy show a tape machine when my head finaly made the connection on how it al works.
I highly recommend the documentary “It Might Get Loud” as it’s an interesting look into The Edge, Jimmy Page and Jack White, and the guitars and other equipment they used over the years. The Edge is a very interesting guy, and his live rig is amazing.
I second this. Great doco
Worth the entire 1 hour 38 minutes.
I second this
Absolute must see ! If only for the opening scene ! If you don't watch it over and over ,you're on the wrong yt site.Think I'll go watch it again right now ha.
Ben Hackett
That’s interesting. I had never heard about Clapton decking to participate. I absolutely love the movie. I like all three guitarists involved, but I’ve always felt like The Edge didn’t really belong in the film.
Bands like Minus The Bear and The Fall of Troy are what got me loving delay in the early 2000s
Love the fall of Troy! So under appreciated plus, that dotted 8th delay in the fcpremix intro is one of the greatest use of delay of all time. Default got me into delay as more than just a subtle effect.
The first pedal I ever bought was a digital delay, for my bass... JUST so I could play King Crimson's "Sleepless" with my high school rock band. It was a Fender DGL-1. I still have it. The intro to Sleepless (from Three of a Perfect Pair) is so iconic (for me) and is full of digital delay goodness. :)
Thanks. My mom really appreciated your input.
"Silver & Gold" is originally on the 'Sun City' album by Artists Against Apartheid / Little Steven Van Zandt. On the studio track Bono sings and I believe it's Keith & Ronnie Wood on guitars. Yes, on the U2 live version, Bono says "Edge, play the blues" and Edge proceeds to demonstrate that he has never had a drop of blues in his body!! :-)
The green blues, but not quite "Blue In Green." Yer blues are Yer Blues.
Omigosh I wore out that Sun City vinyl when it came out. Bought it for U2 but so many other great artists in it. U2 knows their limitations, that's why they got BB King for When Love Comes to Town.
@@lamech006 'Sun City' is packed with gems. Peter Wolf from the J. Geils Band rapping with Run DMC, etc, etc. Little Steven went extra hard.
This morning I am grateful that you decided to make a youtube channel so I can absorb all of your free education.
I think the song “BAD” is a great U2 example of delay use.
The guitar part for The Flock of Seagulls song “I Ran” is dependent on delay.
Check out the bass part from King Crimson “Sleepless”. Tony Levin is the man!
Modern songs. “Shut Up and Dance With Me” has a very U2 opening.
Lizzo’s song “Juice” has a very Andy Summers from the Police guitar part.
Jimmy Pages violin bow solo from the Song Remains the Same movie.
From Monty Pythons movie The Holy Grail. There’s a lot of slap back delay in the three headed giant’s voice that wants to kill Sir Robin.
Oh so many.
That whole first album from A Flock of Seagulls is full of fantastic delay sounds. Paul Reynolds was incredible.
Every shoegaze song ever
Heartbreak Warfare - Mayer
"YOU'RE A KNIGHT OF THE ROUND TABLE-ABLE-able-able..."
@@tylermarshall6180 I really like "Space Age Love Song"
Sweet Disposition - The Temper Trap
Omg I remember thinking as a kid, wow that guy is playing very fast 😂
David Gilmour is the delay master. I love how he uses delay, especially on his solos.
subtle and extraordinary. how lucky we are to have the mastercraft of Gilmour in our lifetimes.
Yeah he sure is. I love his delay since 1995. Roger Water has similar skills.
I have, since a few months, the BOSS DD8, it has numerous possible sounds and different assortment of delays. I love it.
Great delay moment: 2nd half of the Rush “2112” intro with delay kicked onto the staccato power chords. My first delay was the Digitech Digidelay. It seems to get no love, but it’s great to me and was a endless source of fun when I was learning to play it.
I have an original pressing of Rattle and Hum which was my dads. I’ve never played it before. Now I get the feeling after this episode, I’m not going to stop playing it. Cheers Josh!
U2’s In God’s Country. You know what I’m talking about, Josh. Any Edge haters out there, just tell them to try to play that song. Sounds simple- but how he dances around with that much delay is so impressive!
Some people always say yeah I learned this or that song ,its so simple i.e. rage against the machine, zz top. I say if it's so simple you write a huge hit oh wait ya can't ,and you never will .until you realize the difference between mastery of technique over mastery of artistry. People that do get it can call them selves the EDGE ha.
I have to say my favorite delay song is Burn by the cure. The intro has these haunting feedback squeals through a delay to sound like mournful lonely bird calls.
my favorite delay sounds come from the band Battles. they use a lot of pitch delays and single slapbacks for rhythmic effects. their song “ice cream” is a prime example
Finally, someone else who appreciates Silver and Gold as an amazing piece of art!!!
Josh, can you explain more about how a reverse delay works? Is it actually cutting up the audio at certain times and playing the input in reverse, or is it using an envelope to give the notes a slow reverse-like attack?
+1 to the person who asked about oil can delays.
I'd also be interested in hearing about who first put delay + reverb together in a single pedal.
Some delay-heavy favorites: "Aurora" Foo Fighters, "Bad" U2, "Run Like Hell" Pink Floyd
'Song that wouldn't have worked without the effect on the guitar': No Quarter - Led Zeppelin. That's a pretty decent good example
I’m a doctor and play guitar and yes you’re right!! It lowered my blood pressure
Favorite recent solo using reverse delay - "What's the Frequency Kenneth?" by R.E.M.
that's 26 years ago bro. Not that recent.
Awesome track, awesome album - 🐻 Monster!
Pretty sure that was just reversing the tape.
dang I always thought that was just harmonic tremolo .
I own three delay pedals: Boss DD-7, Seymour Duncan Vapor Trails, and MXR Carbon Copy Bright. The Carbon Copy is run prior to OD/dirt pedals. The Vapor Trails is run in front of the DD-7, both at the end of the signal chain immediately prior to reverb and a looper.
The next delay I buy will be the Dunlop-MXR EP103 EchoPlex. The JHS Lucky (Black) Cat and Panther Cub V2 on the list down the road too!
"It''s always going to be good if its pink!" - Josh Scott. No truer words have ever been spoken.
FACT: The weekend U2's Rattle And Hum came out,...I saw it a dozen times in the theater from Friday to Sunday.
The last IDLES : “Grounds” is, in my opinion, the greatest example for the octave delay. I find the way it is used very smart, and it just sound like a crazy synth unless you find out the truth about this crazy sound.
I've had a Boss Katana 50 combo since they first came out, thinking it'd be a great way to try out effects. Only I didn't actually start exploring them until this year. My wife did not appreciate the trippy sounds I made when I combined my nano big muff with the amp's tremolo, a delay, reverse delay, and a ton of reverb.
“Groovy Train” by The Farm. The happiest use of delay ever, in perhaps the grooviest example of baggy music.
Ok, now I'm wondering two things. What constitutes a happy use of delay, and what is baggy music. I would like to subscribe to your newsletter.
When you hear the song you'll know what happy sounds like…
Baggy music was the crazy baggy jeans, stone roses, and these other bands were wearing at the end of the 80s. Everything was oversized, even the bucket hats.
But the rhythms and the beats per minute were really good along with the guitars and the other sounds kind of a slow trippy rock with a back beat. Cool to listen to and the kids would give it a 10 to dance too
I have that first Memory Man pedal shown. If you look closely,... it's a
two prong plug in. No ground,..yet.
My vintage Hiwatt was that way also.
My DR 504 OD is amazing.
Takes pedals magnificently.
I currently run,..
1. Boss TU-2 Tuner
2. Keeley compressor plus
3. JHS Morning Glory v4
4. JHS Angry Charlie v2
5. Empress Heavy Menace
6. Empress Para eq/ boost
7. Walrus Audio D1 v2 delay
8. Strymon Blue Sky
THANKYOUJOSH.
The Postponer delay is awesome; you just watch more delay pedal videos and can’t ever choose your first one 😁
hi, just wanted to say thanks for making this video, i'm not a musician, nor did i know what a delay pedal is, but am sleeping much better now, thanks.
The MASTER of delay is Steve Hillage - check out 'Aftaglid' on his amazing album, Fish Rising... Nearly all of his work utilises delay in some way!
Ummmmm .... Yeah ⬆️🎸
I LOVE Rattle and Hum. It was an essential when I started building my vinyl collection
“Masamune” by Periphery has killer dotted 8th delay. Great example of it used in metal 👌
Delay is my favorite effect. The first effect I ever spent real money for was a green Echoplex with all those great tubes and tape cartridges. It sounded amazing after the tape started getting worn and wobbly. It finally started getting wore out and I sold it but I miss it, I just don’t miss having a big box full of tubes to carry around and worry about getting messed up.
It would be cool to make a video with pedals from not the usual countries. Like anything that's not from the US, UK, Japan or China
Yeah, like delay pedals from Madagascar, Lichtenstien, or Argentina.
CDAWG 22 Don’t forget Albania, Belize and Mauritius.
@@MrSpeed-lt8gr Yeah, anywhere but China.
I have the Canyon and it’s my favorite delay pedal for sure. The Echo setting for a really short delay with the feedback at about 2-3 o’clock is so amazing.
The Appleseed Cast has a great double album called Low Level Owl which is just steeped in delay. There's this one song, Convict, which is made up almost entirely out of piano with long delay on it. It's awesome.
Appleseed 🍏❤️💪🏼
I recently got the TC Electronic Nova Delay and it does everything. So glad I bought it. Also, it gives you a big red digital display of how many milliseconds you are set to which is weird and handy and kind of cool too.
Where/when did oil can delays come into play? I’ve owned the OBNE Black Fountain and the Catalinbread Adineko, but never really hear much about this delay type. Great show per usual, thanks for the time & effort you guys put into these each week.
Hope you’re all well,
Aaron
Yep. There are definately more than 6 delay types and "multi-delay" is not one of them. It's just a device containing several of the types. Not a type in and of itself.
Hey. just wanna say i just got a JHS Little Black Amp Box to play my DSL1 in the apartment (yeah even at 0.1W is too loud at night) and WOW i can finaly listen to the tubes scream at night time volumes! Awesome product!
Now i want a delay pedal, so here i am (:
Silver And Gold live version is an all time classic
YES
We got to record at Sun Studios, where part of Rattle and Hum was recorded. Our drummer even got to use the original kit that Larry Mullin Jr used. I got to use an original 50's Fender Tweed Combo. It was awesome.
Sun Studio is definitely a magical place.
Have you tried the DOD Rubberneck? It seems super underated...am I missing something? I love it. I haven't tried the effects loop but it has one built in..
As far as I know it's basically a tweaked out memory man. Love mine
I have one and it's my favorite delay
do it! just an eq in the loop brings so much fun. or chorus.. or phaser :) Its a totally different thing than just stacking the effects.
The EHX Memory Boy Deluxe has a FX loop, too. Also a great one.
I have 2, I love them.
Great video. Delay is my favourite effect, I have or had lots delay pedals like the Boss DD3, DD7, ONBE Black Fountain, Digitech Obscura, Catalinbread Adineko, Hungry Robot El Castillo and many others. I can do many things with delays. Delay is life !!
And this is not a famous song at all (even the band is pretty obscure I guess) but, "Is This Bliss" by Haven (check out their album, Between the Senses, one of the most beautiful album I ever listened to) was the song that made me fall in love with delay. The effect on this track is subtle, magical and overwhelmed me when I heard for the first time. It's not as big or epix as in U2 or Pink Floyd but the sound is... like a dream. I could also mentioned U2, The Cure or Radiohead for their brilliant use of delay. Delay is life...
Dead Kennedy’s Holiday In Cambodia wouldn’t work very well without delay. East Bay Ray is a very underrated guitarist.
You cant use these in Cambodia. Theres no more Pot's.....MWAHAHAAAAAAAAAAAAAAAAAAAA
You got that right
At Least That's What You Said, by Wilco - When the guitar first kicks in. That's some delay that you wanna hear. Also the slide solo break on I Should Have Known It by Tom Petty is perfect! Thanks Josh
yessss tweedy knows whatsup
Hard to not think of Pink Floyd and David Gilmour when speaking of delay in rock music. “Run Like Hell” is a classic along with U2’s “Where the Streets Have No Name”. I also like the way Mike Rutherford uses delay both in Genesis and in Mike and the Mechanics (“Follow You, Follow Me” and “The Living Years” for example). Marillion’s Steve Rothery uses it very tastefully too. I’m a sucker for delay and use it in my music too. I can’t help it. :)
John Martyn used it extensively on his acoustic which influenced Gilmour a lot (they were mates). Check out 'I'd rather be the devil' and 'Outside In' - a masterclass in the use of delay ua-cam.com/video/jRmOImCJJ84/v-deo.html
Haydn Mowbray I wasn’t hip to John Martyn. Thank you for the recommendation!
Oh! I forgot about Andy Summers! How could I? Amazing delay work to fill in space in the power trio setting of The Police.
And while we are at power trios: Alex Lifeson doing similarly (in a more understated way) in Rush.
@@GustavoLovato It's like you're thumbing through my record collection ;-)
I've seen a tape echo being used by a guy playing a Salmon pink Strat at a local dance way way back in the 1960s it sounded GREAT
The track that switched me on to Delay was "Scared To Dance" by the Skids. No Idea what he (Stuart Adamson) was using. The Edge was listening though . . .
Great reference! Stuart, my fave guitar player!
Edge was also listening to John Martyn. check out Big Muff or Johnny Too Bad
PT2399 deserved a shout out, as well as the Morley oil can delay. Only the coolest pedal ever.
Literally was just listening to ‘God Part 2’ off Rattle and Hum for the first time in ages - then watched this episode 😀. It almost sounds like Larry has some slap back on the kit but it’s prob just his awesome playing 😉 🥁
Josh you are the best! I doubt there's another person out there on UA-cam that has the depth of knowledge that you possess! I absolutely learn something new every time I watch one of your videos and I can't get enough of them! Actually my pedalboard is full of pedals that you recommended some inexpensive some ridiculously expensive but all really cool and really useful! So thanks Josh and keep them coming man!
Brian Setzer has the BEST slapback sound ever! - prove me wrong.
Cliff Gallup
Scotty Moore.
The 1981 song "I'm in Love with a German Filmstar", by the "Passions", entire song was built around the delay sound, very dark analogue BBD. I saw them play live and the guitarist was using a Carlsbro "Mantis" analogue unit: I still have mine to this day, the "Rotofaze" modulation in the "Mantis" is unique, an effect in itself.
Yep, this would be my pick for the song that would be nothing without delay.
I also recommend Vini Reilly's guitar and delay work on the 1980 album "The Return of the Durrutti Column", apart from being a sublime album, it made guitarists of the time think about the textural and spatial use of delay and echo. The "Edge" from "U2" made me listen to the rhythmic element of delay, but Reilly made me think about textural effects, atmospheric dynamics and phrasing within song structures. Vini Reilly is greatly underappreciated in my opinion.
My favorite use of Delay, it’s either in stereo or one side wet, one side dry, it’s “Then Comes Dudley” by The Jesus Lizard at the 0:40 mark, headphones required
My Howard Davis modded vintage DMM will forever remain my favorite delay pedal.
0:02 What do my mom need a delay pedal for
Playing pink Floyd
Videos like these are great. I really love how you break out the multiple categories of delay and why each one is unique. It really helps cut through a noisy market for those of us who are trying to get a handle on what's out there and what it does.
Great digital delay example: The Adventure - Angels & Airwaves
Love Rattle and Hum. I was 18 when that came out.
I was so excited when the Boss DD5 came out. I picked one up snd immediately aet it to reverse and worked on Jimi Hendrix "Are you experienced? " which I am assuming is what Josh meant.
Great video guys. Thank you for doing these videos.
Hey what about the RE-20? Is it not good? King Krule’s weird use of delay has convinced me to buy my own.
Now we’re talking! Big time delay enthusiast here. I actually *just* picked up a Nemesis last week and have barely scratched the surface.
I’ve had some great delay units over the years I loved the hell out of the DL4, I(I used two). I’ve had three memory man units (can’t bring myself to sell my last one) the flashback, canyon, an Arion (when they first came out, in a plastic enclosure), the carbon copy (cool for dub but not my favorite overall), and probably a few I’m forgetting. I was influenced by Hendrix, U2, and Lanois (in particular). I like using the DMM with a touch of the vibrato to expand the guitars width, but I really love using delay in a creative way, as an instrument of its own. (My dub release Black Moon Dub Rendezvous illustrates how I use it creatively, for reference). For me, it’s an instrument of modulation and is makes the guitar malleable like sculpting in clay. The great thing about delay is how huge the amount of variety there is out there. But the most important thing about playing with delay for me is - play the pedal and listen. Adjust the delay to work with the music you’re playing. I hear a lot of guitarists play a blazing lead and click on the delay at a random setting and expect it to track with them. Delay is something you need to react to, adjust and modify. It becomes another player in the room. Delay becomes an ally if you take the time to sort out how it can work for your music. Also, I turn my delay off a lot too. Too much of anything is too much. There is a balance to be found between cool and dizzying.
I think you should have played the memory man though, for the BB delay type - it is in my opinion much better than the carbon copy and is inimitable. I realize the carbon copy is very popular and it does sound cool, but the memory man is magic! (Just wish it wasn’t so huge and ran on less than 24 volts). I think the canyon gets very close, and it adds a tap tempo. Otherwise another great vid and on point. That’s my 2 cents.
Josh: “I’m going to play one of the best tape delay pedals ever made, the El Capistan by Strymon”.....*Strymon Volante has entered the chat.
They not quite the same :)
@@joeyskar timeline is so much more versatile.
Volante is a tape echo .. which is different to a delay... I think ..
@@shankrl1 nah. Tape delay is delay.
“The Bomber” on James Gang’s “Rides Again” album was pretty cool for 1970.
nice one!! love that british funk rock!!
Not "Red House" -- "Are You Experienced" maybe?
Yes, I think he misspoke.
Are you Experienced or 1983, but def not Red House!
Castles made of Sand.
@@BuddyBlues It's what makes learning the intro so hard.
I know Castles Made of Sand had a reversed solo. That's the one I thought he was gonna mention
I have an Akai Head Rush V2 and love every function. My favorite feature is that there are four outputs, besides the main out, which can be hooked up to four amps (haven't done that yet). I think the really cool part of this feature is that it can also can be used to separate the tape delay heads by placing a 1/4 inch jack into any one of the said outs to separate the tapes even further (not sure if I am saying this correctly). This creates some big distances in the delays initially that end up crashing into each other with the subsequent repeats. It would be cool to hear what an expert like you thinks about this pedal as it's a mainstay on my board. I mainly play the bass guitar if that makes any difference at all.
Love the knowledge and diversity of sounds I hear with "Record Time". Thanks for everything.
I just bought a DD-3 entirely to make the King Gizzard delay sound
I just bought a cheap Amazon delay lol. The trick is to put it before distortion
That Danelectro reverse delay is one of the best I've ever heard. Rattle and Hum is one of my favorite records of all time (not popular, I know), and yes, that solo on Silver and Gold is huge and one of the record's best moments.
I need the proper delay pedal for my mum
Joey Skar why would you want to hear her repeat it?
Is she getting tired of repeating over ans over and over and over...
Saw rattle & hum 11 times in the theaters when it 1st came out. The 1st time was the night it came out, and it was cranked. Was like being at an actual concert (yes I’ve seen them multiple times live) You can tell I’m a U2 fan, and therefore as a guitar player, a big delay fan. Nemesis is on my board. Fun pedal.
I was at the Sun Devil Stadium show in AZ for some of the filming of Rattle &Hum. They did two shows there and filmed both, tickets were $5.00 and B.B. KING opened the show. It was amazing I’ll never forget it.
He said "bucket brigade" 100 times, no one noticed that? He has a long delay innerself :v
It was 1985 when I first heard the term 'digital delay' I had no idea what it was until it was applied on my vocal at a gig. It was life changing!! It felt like I could sing anything!! Shortly afterwards I bought my first delay pedal... the Boss DSD-2 Digital Delay/Sampler. Just thinking about all this makes me want to nostalgia-buy one of those old ADA rackmount Digital Delays which were popular back then lol