This guidance reveals amazingly deep information of jazz improvisation in a very compact package and in such a way that a hobbyist like myself can understand and utilize it very well, it is not too difficult, and what is very important it is comprehensive. It feel it almost kind of sets my whole jazz improvisation onto a right track. And I enjoy deeply of the sense of the true and deep jazz playing which can be heard even on this training video. I have been searching and using blues/jazz/gospel training videos (seen probably hundreds) on the internet for several years now and this is the most distinguishable video I have found so far. This is completely amazing training, thank you very much!
nice tutorial Tony, my only complaint and I mean this respectively, is the piano comes through quite clear but it's rather hard to hear you in the video
Hey Tony, this was really great! I'm intrigued how you are able to call out the scale you have selected as you are playing. I've always wondered what is going on in the mind of the player as he solos, and this demonstrated that you are aware of the scales you are selecting against the particular chord voicing/alteration the LH is playing. I have a long way to go mentally to be able to do this, but this video sets a very achievable goal, with a very straightforward approach which seems like it will transfer to other songs once we get proficient with this tune. Many thanks for taking the time to provide these instructive videos!
Well, It's about practice at all, play a chord (any) with your left hand...and play with your right hand the resultant "chord" with the scale you would like to try. This is one of the easiest and most simple ways to begin to figure it out. Hope this helps.
great lesson tony, I've been practicing this song and thanks to this video and the other two videos you did on blue bossa, I've been able to understand what's going on thru the song, but about the Db 6/9, I've notice that you play the 5th and the 6th at the same time without playing the 7th, and actually I noticed because I was playing it wrong, well not wrong but I was playing the 3rd, 5th, 7th and 9th all along. I suppose that I should be playing chrods differently in order to make it interesting. anyway thanks for all your teaching work, I'll keep on practicing the altered scale!
hi Tony I've been watching you sometime thanks for the video question to get my fingers flexible doing various kind of types of scales right this video would help me I really do think you're a great musician thank you for sharing your gift
Thanks Emmett. I like practicing Bach because it keeps your fingers and brain moving constantly and it's great music. I also suggest practicing on a weighted keyboard. Lately I've found that by curving my 4th and 5th fingers a little bit more , I have better control and dexterity. Thanks for the video suggestion - I'll try to do one on this subject soon.
many songs we do are full of the modes and we nver new it. .. somebody new to guitar will blindly make the g7 they dont call it a dominant yet. and sing just having a great time and want ever hit the f sharp but will stay on the notes from the the c scale thats mixolydian id sya jerry lee used on his nail scrapes on great balls of fire boogies ect.. im sure he knew about the mixolydian but he he just played what he wanted.. playing in c going to f i never go bb .. im happy to stay in in lydian mode and play that b natural. i realized i was doing wthis a wexaple happy birthday lydian .. dorian every time i use a dminor to a g dominant g7 i m there.i go to to an aaminor i play notes from the aolian normally.. I think the modes are just a way to catoagorize and codify what we are doing.. they have a certain sound like rock groups use dorian a lot. it is not generally notice because things were written in keys other than c..I could bewrong about most of this but i think there is a kernal of truth here.
You can you use a different scale for each chord. Or you can use the blues scale for the first part, and d flat major scale for the B flat, a flat, d flat chords
We're doing blues, major, harmonic and melonic minor scales training and eventually for jazz improv; she's introduced other scales as well, including Dorian, but I wasn't aware of these additional scales, as well as when to apply them for improv. But hopefully it will come with practice (for me, lots and lots of practice).
key to the three main scales is the first five notes are the same same. In c c d eb f g then b aolian move natural minor with comes out of eb just has a flatted 6 and flatted 7 ab bb then th e last just make that bb a natural b or natural 7 .. this is very recognizable leading tone.. all you have to keep track of is the last two notes.. i know there is history etc.. involved but sometimes simplicity is overlooked.. you probably covered this.
altered scale in its absolutely simplest forms is root and descend down and flat ever note o dpnt know which came first was it recognized as the half step above melodic scale or this farmboy way of seeing it.. But once its memorized this way it amost full proof.
4:00
One of a few videos that genuinely taught me something.
This guidance reveals amazingly deep information of jazz improvisation in a very compact package and in such a way that a hobbyist like myself can understand and utilize it very well, it is not too difficult, and what is very important it is comprehensive. It feel it almost kind of sets my whole jazz improvisation onto a right track. And I enjoy deeply of the sense of the true and deep jazz playing which can be heard even on this training video.
I have been searching and using blues/jazz/gospel training videos (seen probably hundreds) on the internet for several years now and this is the most distinguishable video I have found so far.
This is completely amazing training, thank you very much!
yess now you tube has a setting that lets you speed and slow videos. and the pitch seems close of course it sounds a little robotic.
Amazing video, simple and very clear but not lacking in any of the essentials.
Excellent performance and teaching! Playing jazz is really challenging for me (I am a classical pianist)!
This is great! Thanks for covering the modal scales for this song, I have been only using C Minor scale when playing Blue Bossa.
Without Tony Winston's solo demonstration I can't get inspired.Thank you very much.
this is the most useful and straightforward tutorial!
Here is Link to PDF of Tony's 3 chorus improv at 7:28 drive.google.com/file/d/1aO8LZhJQ0jgU732KW-6TO2vRHhi6NId7/view?usp=sharing
Very helpful and timely for me personally. Thanks.
8:27 I love how he's naming all the modes like they are Power Rangers😭
Thank you very useful for getting some of your ideas to had in our style
nice tutorial Tony, my only complaint and I mean this respectively, is the piano comes through quite clear but it's rather hard to hear you in the video
Your videos are so very helpful. Thank you.
your voicings are so beautiful
Love it tony
Hey Tony, this was really great! I'm intrigued how you are able to call out the scale you have selected as you are playing. I've always wondered what is going on in the mind of the player as he solos, and this demonstrated that you are aware of the scales you are selecting against the particular chord voicing/alteration the LH is playing. I have a long way to go mentally to be able to do this, but this video sets a very achievable goal, with a very straightforward approach which seems like it will transfer to other songs once we get proficient with this tune. Many thanks for taking the time to provide these instructive videos!
Well, It's about practice at all, play a chord (any) with your left hand...and play with your right hand the resultant "chord" with the scale you would like to try. This is one of the easiest and most simple ways to begin to figure it out. Hope this helps.
Clear and crisp. Thanks for sharing.
crisp! thanks drdee
That dominant voicing still works great
You are absolutely fantastic.
great lesson tony, I've been practicing this song and thanks to this video and the other two videos you did on blue bossa, I've been able to understand what's going on thru the song, but about the Db 6/9, I've notice that you play the 5th and the 6th at the same time without playing the 7th, and actually I noticed because I was playing it wrong, well not wrong but I was playing the 3rd, 5th, 7th and 9th all along. I suppose that I should be playing chrods differently in order to make it interesting.
anyway thanks for all your teaching work, I'll keep on practicing the altered scale!
Not wrong, just different. There is always something satisfying about getting the details from the original.
Yes, you were playing a Db Major 9th instead of a Db 6/9 chord. Both work well anyway 👍🏼
You play amazingly nice! Great video :)
Impecable !!!! muy buen video !!! Gracias !!!!
Dear Tony you are so precious!!! Your explanations are so effective and useful. Greetings from Italy. Claudio
Fantastic instruction and demos! Thank you!!
Thanks tony!! So useful. Love your style of teaching.
definitely you are the best of the best
Thank you so much excellent tutorials and teaching
wonderful 💚 You are a great teacher 💚thank you 💚
this is an eye opener,
thank you sir
Wonderful lesson 👌🎹🎶
Great work!
Thank you! Very helpful tutorial!
Been playing Blue Bossa for years but this vid has shocked me with the possibilities...phenomenal
Thank You, fantastic.
tony.....very very very thank.s best and best
Amazing. Great lesson. Thank you.
hi Tony I've been watching you sometime thanks for the video question to get my fingers flexible doing various kind of types of scales right this video would help me I really do think you're a great musician thank you for sharing your gift
Thanks Emmett. I like practicing Bach because it keeps your fingers and brain moving constantly and it's great music. I also suggest practicing on a weighted keyboard. Lately I've found that by curving my 4th and 5th fingers a little bit more , I have better control and dexterity. Thanks for the video suggestion - I'll try to do one on this subject soon.
ill have to try that.. ive never done that
hello. what about czerny? hannon?
🙌🙌🙏🙏👏👏Bravo hermano gracias
well done, thank you Tony
Saludos del Pianista Javier Donado desde Colombia
You can use a comoressor so your voice hears at the same level
Great lessons!!! I wish you can algo talk about wich finges do you use in each scale
I'd liked the a dimished scale, + I try to combine and end it with the Amelodic minor scale...resolving to Dbmaj Ab-guide tone,
3:27 V chord scale
I need to practice my rootless voicings more.
extremely helpful. appreciate it!
Please do Summer Samba!
Great video thanks!
Thanks dude!
All your lessons are outstanding. Many of them I can't hear what your saying.
Todo thank you they tutorial was amazing
Esteban Espitia Sanchez thanks, more videos coming.
One question: How do I know which modes to use for each chords? for the first three chords why are we modes from Eb major and not any other key?
Why can't other videos be so straight forward! kudos!
Grüsse von Reinhard. Thank You...Great lesson
Amazing
Very Nice !!
Thank You
Thanks for showing this tutorial, can you please tell me what Tripod you used to get an overhead shot the the Piano Keys.
i use two tripods tied together
Tony Winston what way does that work surely there is an easier way to record overhead
nice. ill try that
Hay tuyệt vời! Cảm ơn bác rất nhiều!
Very interesting !!
many songs we do are full of the modes and we nver new it. .. somebody new to guitar will blindly make the g7 they dont call it a dominant yet. and sing just having a great time and want ever hit the f sharp but will stay on the notes from the the c scale thats mixolydian id sya jerry lee used on his nail scrapes on great balls of fire boogies ect.. im sure he knew about the mixolydian but he he just played what he wanted.. playing in c going to f i never go bb .. im happy to stay in in lydian mode and play that b natural. i realized i was doing wthis a wexaple happy birthday lydian .. dorian every time i use a dminor to a g dominant g7 i m there.i go to to an aaminor i play notes from the aolian normally.. I think the modes are just a way to catoagorize and codify what we are doing.. they have a certain sound like rock groups use dorian a lot. it is not generally notice because things were written in keys other than c..I could bewrong about most of this but i think there is a kernal of truth here.
Hello! What a model of metronome ?
Muito obrigada!!!!!
Thanks!
Do you use a different scale for each chord?
You can you use a different scale for each chord. Or you can use the blues scale for the first part, and d flat major scale for the B flat, a flat, d flat chords
Oh my. Need to ask Ms. C about these scales.
Vincent Jacobs let me know what she says.
We're doing blues, major, harmonic and melonic minor scales training and eventually for jazz improv; she's introduced other scales as well, including Dorian, but I wasn't aware of these additional scales, as well as when to apply them for improv. But hopefully it will come with practice (for me, lots and lots of practice).
key to the three main scales is the first five notes are the same same. In c c d eb f g then b aolian move natural minor with comes out of eb just has a flatted 6 and flatted 7 ab bb then th e last just make that bb a natural b or natural 7 .. this is very recognizable leading tone.. all you have to keep track of is the last two notes.. i know there is history etc.. involved but sometimes simplicity is overlooked.. you probably covered this.
typical and identical sound in jazz !!!!
Thanks
altered scale in its absolutely simplest forms is root and descend down and flat ever note o dpnt know which came first was it recognized as the half step above melodic scale or this farmboy way of seeing it.. But once its memorized this way it amost full proof.
Good !!
you have to improve the capitation of your voice, that in the audio you could not understand anything, it is very low !!!🇧🇷 Parabéns pelo vídeo!!
✨✨✨✨
Can't hear a word you're saying
turn it up!! I'll gt around to doing this one again
@@TonyWinston you can use a compressor in the master to level up your voice
the volume of your vocals is very faint, fix it! -- just kidding
Can't hear a word you're saying. Pity!
I know, bad mix. Crank it up!
Dude we can't hear you! Get a vocal mic.
Saludos del Pianista Javier Donado desde Colombia
Really useful! Thanks a lot.