VS: Reverend Peyton on finger-style country blues guitar (S2:E20)
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- Опубліковано 13 чер 2019
- In this episode, The Reverend Peyton's Big Damn Band discusses the magic of country blues picking, his hero Robert “Wolfman” Belfour, and being your own bass player. Rev. plays a beautiful 1958 Gibson 335 (notice the unique placement of the jack).
These sessions help keep the music alive by helping the Songbirds Foundation raise money to buy guitars for kids…check out our website to find out more- songbirdsfoundation.org.
Thanks to our sponsors- The Riverview Foundation, Schillhahn-Huskey Foundation, GHS Strings, and Todd Sharp Amplifiers. Special thanks to John Dooley for the great video work. This episode was filmed in the Songbirds Guitar Museum Green Room.
WE HAVE SOME BIG SESSIONS COMING SOON: Suzy Bogguss Music, The War and Treaty (part 2), James McMurtry, Tinsley Ellis, Black Pistol Fire, John Paul White, Reignwolf, and more Moon River Sessions. Subscribe for more!
I've seen them several times, always a blast. But I listen to this at least once a day and it makes me smile every time.
Seen them a few times and they are genuinely good people. Support these folks any way you can. You will not be disappointed by a live show. Awesome!
This guy’s done his homework. The slide vibratos of Robert Johnson, but also those chops from John Lee Hooker, Lightnin’ Hopkins and those SRV licks..damn this guy smokes up the fretboard.
Just got a dumble casually sitting in the background, love the playing
Fabulous. Guitar face could use a little Windex! Pretty meticulous mountain man beard! Overalls. Nothing left out. And defensible music.
Who does he say is one of his heros ?
Robert Belfour. I don’t think he toured much and isn’t as well known as as some of the other Hill Country musicians but had a very unique sound. Fortunately he recorded some great albums on Fat Possum records
I already like ya, done subscribed because I like you and what you do for kids. How do you know when to stop laying down the baseline so it doesn’t sound so much like a repetitive machine. I’ve heard the great Chet Atkins and CGP, Tommy Emmanuel change dynamics with arpeggios and strums, single note riffs, vibratos and slide variations, harmonics to add to interest and intrigue. The when to cut the Bass-line repetition and how to keep the back beat going will just have to come to the feel of the song. If you have something to add, I’d sure be ready to listen. Thanks and some really captivating playing, I liked it!
#BigdamnMEGALITHIC✊🇬🇧
Go see them.............Amazing.💓🍬✌🙏
even sexier than slash ... ::;;;;;;