Could have just used HSL curves rather then keying. while working on a commercial we work on multiple shots not a single shot and these kind of keys just become a time consuming work as key won't transfer to different shots perfectly.
Hey Aram! Awesome stuff bud. -I go through your videos quite often and you've helped thousands of us! Is there one of your videos that can help with cinematic/filmic color grading from in-studio footage?I can make anything shot in natural light look filmic but the second I try to color grade STUDIO shot footage it just looks like video. I see it done In Daniel Schiffer videos ( ua-cam.com/video/JtitcwwEl-A/v-deo.html ) but I can't find what the trick is. Thanks for all the knowledge!
This guy is a much better teacher than you know who
One of the best DR color grading tutorials i have ever seen.
The last node has blown me away, thanks! 😀
Nice. The last node edit was like an epiphany. Thank you.
That animated intro was dope!
Cool explanation! Thank you
Your teaching is very unique, loved it.
This was amazing! I learned so much, more commercial tutorials please! :) Thank you.
Man I really appreciate your tips and techniques. Hopefully I can understand Resolve like this someday. Keep the good content!
Very simple and very effective techniques Thank you very much Aram
Yoooo one of the best
Incredibly useful as usual!!! Congrats!!
Those are some great tips 👌
I love your work, thanks for the insight man !!
Cheers from France
Aram thanks!
You are a genius man
Thank you
Yeah , bleach is fantastic cinematic tool like a film !
What's Up Aram always a great learning experienced
so cool!
good job, loved this look
Subscribed man cheers for the awesome tutorial
you are great
How are you checking before and after, not sure what keys to hit.
Thanks allot this was a great teaching. Good luck
Could you do a video on how to get the saw look.
Love this coloring grade. Looking forward for more contents like this in Adobe Premiere. 👍👍
Fantastic work bro
Thanks for a great tutorial Aram. I just need to ask, why wouldn't you use denoise in the qualifier? Thanks!
Great work.
Keep up the great content!
much respect sir...
04:50 - why don't just use "Add node -> Add outside" (Alt+O) ??
Good Grade, I love it!!
Love it.
Hi, AK beautiful grade ...
Thank you sir!
loved it...
This is great
thank you as usual
what hotkey did you use to jump between before and after?
Simple, insightful, and nothing short of 'dope'. Thank you
this is nice thanks
Just found your channel and sub right away, def will try it
Could have just used HSL curves rather then keying. while working on a commercial we work on multiple shots not a single shot and these kind of keys just become a time consuming work as key won't transfer to different shots perfectly.
Hi Aram, are medium levels the main difference between commercial and cinematic?
awesome!
Thanks a Lot!
спасибо бро !
awesome
👍 Thanks!
Hello sir do you know system requirements for da vinci resolve 11
I saw your 5 years old vid lol
hey aram, is there any chance that you reupload your „fake anamorphic“ tutorial?
thanks and have a great weekend
🤟
Ill make a new one
oh wow, great.
cant wait to see a new one.
i really love the old video. so usefull for a projekt we are into right now 👏
Tutorial of your intro
👍👍👍
arah share footage for traning
raw.film
WOWWWWWWWWWWWWWWW
Hey Aram! Awesome stuff bud. -I go through your videos quite often and you've helped thousands of us! Is there one of your videos that can help with cinematic/filmic color grading from in-studio footage?I can make anything shot in natural light look filmic but the second I try to color grade STUDIO shot footage it just looks like video. I see it done In Daniel Schiffer videos ( ua-cam.com/video/JtitcwwEl-A/v-deo.html ) but I can't find what the trick is. Thanks for all the knowledge!