Thank you!! This stuff was a little bit more intuitive with Vocaloid so I was having a hard time figuring out fries (outside of that 5-specific vocal fry overlay we had actual glottal stop phonemes and stuff), and you explained this all pretty well! I didn't even know pau existed!
Toward the end you demonstrated a manual to automatic function. Where might we find that. One of the incredible features of your amazing videos has been taking us step-by-step through the functions & menus as you execute tasks. Please continue to do so. I feel the software is very signature, and may take a number of us quite a while to lock into the menu locations. Thank you for any consideration which you give my humble request.
Thanks for the info. The documentation is kinda lacking where I didn't know you could even put br for inhaling until I saw it in their Amazing Grace video where it trolls you into thinking a real woman is singing it at first. Lmao
If anyone has managed to get a powerful rock voice out of this. Would you let me know how you did it please? All I've managed to get is soft generic vocals.
AFAIK NineZero is the only rock oriented voice library. I suppose you've tried the "power" voices with some vocal production techniques doubling, saturation etc.?
How are you creating your vocals now with ARA2? Are you creating audio melodies in Cubase and then editing them as ARA2 to Synthesizer V? OR are you using some other method... like starting fresh with Synth V stand alone? I'm largely trying to figure out how you get background music timing if not in DAW?
Hmm... Did you know that you can import an audio track into synth v standalone? That's a great way to edit your vocals against your music outside of the DAW.
Personally I'm only using the standalone version... I've had issues with the ARA2, so I do a mixdown of the backing track music and real vocal separately and then import them into the standalone. Do not forget to set the same tempo!
Yes! I've had that issue... if there's a small gap from the previous word (if the SIL flag is present), click SIL to extend the previous word to touch "close". A big gap or no gap you should get "close". Medium and small gaps give you something else!
Thank you so much for all your videos. Synth V users absolutely need a teacher like you. Love it.
Thanks for sharing all of those features, they do really help with my productions. Always looking forward to your next videos.
My favorite new channel making a post feels like holiday!
Thank you!! This stuff was a little bit more intuitive with Vocaloid so I was having a hard time figuring out fries (outside of that 5-specific vocal fry overlay we had actual glottal stop phonemes and stuff), and you explained this all pretty well! I didn't even know pau existed!
Love these tutorials - thanks so much!
Muchas gracias por su magnífico tutorial. Un fuerte abrazo.
thank you for the clear and very interesting tutorials !
Toward the end you demonstrated a manual to automatic function. Where might we find that.
One of the incredible features of your amazing videos has been taking us step-by-step through the functions & menus as you execute tasks. Please continue to do so. I feel the software is very signature, and may take a number of us quite a while to lock into the menu locations.
Thank you for any consideration which you give my humble request.
So helpful as usual, saved for future re-watch, thanks! I think Britney pronounces it more like “ bay-beh”
Thanks mate !!
Thanks for the info. The documentation is kinda lacking where I didn't know you could even put br for inhaling until I saw it in their Amazing Grace video where it trolls you into thinking a real woman is singing it at first. Lmao
If anyone has managed to get a powerful rock voice out of this. Would you let me know how you did it please? All I've managed to get is soft generic vocals.
AFAIK NineZero is the only rock oriented voice library. I suppose you've tried the "power" voices with some vocal production techniques doubling, saturation etc.?
How are you creating your vocals now with ARA2? Are you creating audio melodies in Cubase and then editing them as ARA2 to Synthesizer V? OR are you using some other method... like starting fresh with Synth V stand alone?
I'm largely trying to figure out how you get background music timing if not in DAW?
Hmm... Did you know that you can import an audio track into synth v standalone? That's a great way to edit your vocals against your music outside of the DAW.
Personally I'm only using the standalone version... I've had issues with the ARA2, so I do a mixdown of the backing track music and real vocal separately and then import them into the standalone. Do not forget to set the same tempo!
Love the tutorials mate, any idea how i can make the word "Close" not sound like "Dose"...
Yes! I've had that issue... if there's a small gap from the previous word (if the SIL flag is present), click SIL to extend the previous word to touch "close". A big gap or no gap you should get "close". Medium and small gaps give you something else!
@@mixphantom0101 Thanks heaps mate, i'll give it a shot cheers
The apostrophe in front of “oh”; if you used two apostrophes would you get a “double fry”?
Gianni❤
I assume so... you can definitely create a CL block before an "oh" or "I" and make it longer
do you know how to make the "R" sound like french r and "P"? please
Not sure... easiest is to record in French and then use Audio to MIDI feature - it tries to reproduce the pronunciation automatically.
Where did you get these phonemes?
I noticed they were being added by Synth V when using Audio to MIDI