Pretty sure there are object masking and magic masks in the color tab which is way faster and gives much better results than rotobrush. And also, there is depth map which is available in Fusion and color page to create a matte based on the distance of subjects from the camera. But good video regardless.
I absolutely love the videos I've seen from you so far! I hope (and expect) that your channel will blow up and get a ton of subs. I've always wanted to get proficient with VFX but I'm a scatterbrain with little patience haha. What's the video production dream that you're after?
Why no coverage of magic masking or depth map masking? These are powerful tools that, in my view, are better than the tools available in After Effects.
Very good point! Coming from AE, The Rotobrush tool was like my third hand. I'm slowly getting acquainted with depth masks. Correct me if I am wrong, but depth masks are only for 3d work. and the while the magic mask tool is great! It can be a bit hit or miss sometimes (then again I guess AEs Rotobrush can also be like that).
@@ErrorUnknownStudios The depth map function uses AI to calculate an approximate depth map for the scene, but you can then use that to mask ranges of depths to isolate subjects. Masks can be combined so you can refine the area of the image you're looking at against both depth and luminosity, for instance, to allow some really quite powerful selections. The magic mask can be hit and miss in areas of lower contrast or lower quality footage (e.g. high noise), but in general I find it works well for well isolated subjects. As with any automatic tool the harder the task you give it the poorer it will perform, much the same as Rotobrush. Familiarity with the various settings can help, as can learning how to apply colour grades that increase the contrast between subject and background before running the magic mask, then disabling those nodes once you have masked the object. I do love your presentational style though and humour. Keep up the good work!
man. this is too stressful. idk what im doing. every single click something goes wrong and i need another tutorial. i feel so useless. it's making me angry. ugh AAAAAAAAAAAAAAAAARGH
Pretty sure there are object masking and magic masks in the color tab which is way faster and gives much better results than rotobrush. And also, there is depth map which is available in Fusion and color page to create a matte based on the distance of subjects from the camera. But good video regardless.
Great point! Will check out.
wow for a neat tip video you went way further than expected, great job!
Perfect tutorial!
I absolutely love the videos I've seen from you so far! I hope (and expect) that your channel will blow up and get a ton of subs. I've always wanted to get proficient with VFX but I'm a scatterbrain with little patience haha. What's the video production dream that you're after?
great series plz make more!!!
For sure will do! Great reacts channel btw.
This video was informative and funny!!
I've never used AE or DaVinci and this is the first video I clicked onto. Probably in over my head but stayed for the humour. haha nice!
bro needs to come back, these are perfect
Facts. What is happening with the 3k followers on the guy?
Why no coverage of magic masking or depth map masking? These are powerful tools that, in my view, are better than the tools available in After Effects.
Very good point! Coming from AE, The Rotobrush tool was like my third hand. I'm slowly getting acquainted with depth masks. Correct me if I am wrong, but depth masks are only for 3d work. and the while the magic mask tool is great! It can be a bit hit or miss sometimes (then again I guess AEs Rotobrush can also be like that).
@@ErrorUnknownStudios The depth map function uses AI to calculate an approximate depth map for the scene, but you can then use that to mask ranges of depths to isolate subjects. Masks can be combined so you can refine the area of the image you're looking at against both depth and luminosity, for instance, to allow some really quite powerful selections.
The magic mask can be hit and miss in areas of lower contrast or lower quality footage (e.g. high noise), but in general I find it works well for well isolated subjects. As with any automatic tool the harder the task you give it the poorer it will perform, much the same as Rotobrush. Familiarity with the various settings can help, as can learning how to apply colour grades that increase the contrast between subject and background before running the magic mask, then disabling those nodes once you have masked the object.
I do love your presentational style though and humour. Keep up the good work!
Tell me one thing, how much time did you take to edit, add and deliver the project
r u saying fusions take too long?
@@emileravenet no, i actually liked the editing of the video, it felt quite humorous,
@@sagmediacompany Glad you enjoyed the humour. Usually takes me anywhere from a couple days to a week to get one of these videos up!
Where are you bro?
Great question. ;)
Speed test ?
man. this is too stressful. idk what im doing. every single click something goes wrong and i need another tutorial. i feel so useless. it's making me angry. ugh AAAAAAAAAAAAAAAAARGH
Magic Mask: ?
magic mask
BattoManno! 😂😂😂😂
This title is misleading. Barely any time devoted to rotoscoping. Though, admittedly some useful info.
davinci sucks . I can't do anything I want. premier pro is faster when it comes to editing