Always great to a video from you,you pov is needed in the UA-cam space.man this was a very informative video.I hope those who need ,learned something to help them in there journey.it’s always a positive learning.great videos fresh.looking forward towards the next video
I am very new to cine lens and want to start venturing into storytelling with visuals along my journey in filming, this video was very beginner friendly and helped me discern the differences between what I was using "nifty fifty" as still lens, terminology is really new to me so this was really useful to know the differences and with your visuals to explain right away helps a lot as well. Thank you for making this video to teach us!
Whether it’s video or stills, the 50 is flavorless. Use a 35mm for your “normal”, an 85 or 105 for portraits, and a 24 or 28 for wide angle. Unless you’re doing something that really requires it, f/2 or f/2.8 is good enough. Wide open apertures used to be much more important in low light when we shot on film. It’s much less important today.
The real reason to get T stop vs f stop it’s when you change lenses you don’t want the exposure to change. Imagine you change a 50mm f1.8 with a 35 f1.8 on set: but the 50 f1.8 let pass T1.9 of light on the sensor but the 35 let pass T1.95 of light, exposure doesn’t match anymore
Would you happen to know why in almost every example shot there's a reddish hue in the bottom left hand corner, and a greenish hue in the bottom right and corner? Is this a characteristic of shooting wide open with these lenses?
I noticed that too, I think it was a combo of the cpl and diffusion filter used from polar pro. I am getting a few more micro primes Monday and I’ll provide more sample footage and my thoughts on the full set
@@FilmedbyFresh i have the same problem when combining CPL (Its inside my polar pro basecamp mattebox) + electronic ND from my fx6. Since you have fx9 I guess its the same problem. It happens esesially on wider lenses 24’mm and below
Bro this set looks incredible 💥
🙏🏾🙏🏾🙏🏾
Always great to a video from you,you pov is needed in the UA-cam space.man this was a very informative video.I hope those who need ,learned something to help them in there journey.it’s always a positive learning.great videos fresh.looking forward towards the next video
👊🏾👊🏾👊🏾 thanks bro
Sick video bro. Learned a whole lot. 🙌🏽🔥🔥
Glad it added some value 🙏🏾
Great to see you push out a video. 👍😁
👊🏾 glad to do it
Thanks for this bro.
No problem 👍
I am very new to cine lens and want to start venturing into storytelling with visuals along my journey in filming, this video was very beginner friendly and helped me discern the differences between what I was using "nifty fifty" as still lens, terminology is really new to me so this was really useful to know the differences and with your visuals to explain right away helps a lot as well. Thank you for making this video to teach us!
Thanks I am glad this video helped you out, feels good knowing that it served it's intended purpose. Good luck on your journey!
Great video fam 🔥🔥🔥🔥
🤎
Whether it’s video or stills, the 50 is flavorless. Use a 35mm for your “normal”, an 85 or 105 for portraits, and a 24 or 28 for wide angle. Unless you’re doing something that really requires it, f/2 or f/2.8 is good enough. Wide open apertures used to be much more important in low light when we shot on film. It’s much less important today.
I’m a sucker for the 50mm 1.2 tho
The real reason to get T stop vs f stop it’s when you change lenses you don’t want the exposure to change. Imagine you change a 50mm f1.8 with a 35 f1.8 on set: but the 50 f1.8 let pass T1.9 of light on the sensor but the 35 let pass T1.95 of light, exposure doesn’t match anymore
And a f1.4 “can’t” be more bright than a T2 with known lenses brand. A f1.4 is more a T1.5-1.6
Thanks for the info! 🙏🏾
Nice bro
🙏🏾
what camera did you use with the lens for the test footage?
Sony FX9
How to use vnd filter in this
Would you happen to know why in almost every example shot there's a reddish hue in the bottom left hand corner, and a greenish hue in the bottom right and corner? Is this a characteristic of shooting wide open with these lenses?
I noticed that too, I think it was a combo of the cpl and diffusion filter used from polar pro.
I am getting a few more micro primes Monday and I’ll provide more sample footage and my thoughts on the full set
@@FilmedbyFresh i have the same problem when combining CPL (Its inside my polar pro basecamp mattebox) + electronic ND from my fx6. Since you have fx9 I guess its the same problem. It happens esesially on wider lenses 24’mm and below
@@popartmediaPL yeah the built in vnd is also has polarized coatings so when you stack another cpl you’ll get color shifting
Finally got my pair of sigma cine’s 😭
lol nice which ones did you get?
@@FilmedbyFresh pair of 18-35s, building two identical URSAs up
Crazy I’ve never been invited on set…. Wooooow
@@FilmedbyFresh all the stuff I shoot involves kids or politicians lol. You tryna come through? 😂
Drop the pin bro I’m tryna see the WB tower