It's so good to see all these vintage animations. All those years ago these people really knew what they were doing, you could say they were well ahead of their time. It never fails to amaze me just how much we could all learn from all this fine artwork, the process and all the editing involved. Good to see you are uploading onto youtube still, you may remember me from a few years ago regarding the Bewitched titles and my bad linework, especially those hands which I very much took on board. I used to do a lot of still art right up to 35 years ago and then sadly someone decided they wanted to throw all that away. It's like everything isn't it Ray, not only do we try to strive towards our own perfections and challenges but so many other things in life are waiting to slow us down and sometimes even stop us all together. I've recently re-started doing some timelapse art again, some copies of Disney and other things, it's gradually coming back to me but not as good as I used to be. I hope you are keeping well and your happy with life at the studios, sorry to hear that you have lost some people around you, always very sad and always makes an alteration to the way you see things in life. Stay well and keep going. Kindest Regards. Geoff
Some of the cartoons studios used title service companies like Pacific Title, which Leon Schlesinger owned. So it wouldn't be surprising if stock backgrounds were used. Some title backgrounds used in Disney SILLY SYMPHONES turned up in some Columbia Color Rhapsodies.
We are in our 24th year and about to move. We lost 10 years of progress because I had to shut everything down and move from Los Angeles to Michigan to care for my parents. In addition, three of my people died, the greatest loss being my Tech man, Bruce Cordozo who died of complications from a terrible automobile accident. We had gotten into doing digital restorations, and I had spent two years restoring the Fleischer science film, EVOLUTION when Bruce died. With him went two years of work I'll never get back. TOBY THE PUP was an effort to get back into new releases after a 10 year absence in spite of individuals attempting to stop our progress. Thank you for asking.
@Ray Pointer I wish you the best of luck in your restorations. I just gained an interest with what you said about the Fleisher Film “Evolution”. I watched it and it was really interesting and intriguing. Thanks for all of your hard work in restoring these classics. I have been throughly enjoying the Toby the Pup cartoons!
@@SpongeDan Not quite. "Boop Oop A Doop" was a catch phrase that was in common use long before it was associated with Helen Kane and the Betty Boop character. It was used for the ending of the Oswald the Rabbit cartoons from this period as well. Unless a catch phrase is registered as a type of "trademark," no one has exclusivity to it. In the case of "Yabba Dabba Do," this is a trademark, exclusive to Fred Flintstone and the Hanna-Barbera properties thanks to the imagination of Allan Reed who originated it.
It’s so weird when you see these all cleaned up and look a bit more fresh. It’s almost like you’re kind of watching a parody of old cartoons.
It's so good to see all these vintage animations. All those years ago these people really knew what they were doing, you could say they were well ahead of their time. It never fails to amaze me just how much we could all learn from all this fine artwork, the process and all the editing involved. Good to see you are uploading onto youtube still, you may remember me from a few years ago regarding the Bewitched titles and my bad linework, especially those hands which I very much took on board. I used to do a lot of still art right up to 35 years ago and then sadly someone decided they wanted to throw all that away. It's like everything isn't it Ray, not only do we try to strive towards our own perfections and challenges but so many other things in life are waiting to slow us down and sometimes even stop us all together. I've recently re-started doing some timelapse art again, some copies of Disney and other things, it's gradually coming back to me but not as good as I used to be. I hope you are keeping well and your happy with life at the studios, sorry to hear that you have lost some people around you, always very sad and always makes an alteration to the way you see things in life. Stay well and keep going. Kindest Regards. Geoff
PS. I agree with the gullivers scene. What a great piece of animated work, I can see all the hours and months spent on those scenes alone.
You said it! Fine artwork!
Probably the best toby
3:20
Did Tobes give us the lenny?
The original Toby title card reminds me of Winkler Oswald title cards.
Some of the cartoons studios used title service companies like Pacific Title, which Leon Schlesinger owned. So it wouldn't be surprising if stock backgrounds were used. Some title backgrounds used in Disney SILLY SYMPHONES turned up in some Columbia Color Rhapsodies.
Art Davis!? He was a director of several Looney Tunes shorts for Warner Bros.
Art Davis got his start at The Inkwell Studio as the Assistant to Dick Huemer. He was considered the first Inbetweener.
You never uploaded in a long time glad your still up and at em. How’s everything at Inkwell Images?
We are in our 24th year and about to move. We lost 10 years of progress because I had to shut everything down and move from Los Angeles to Michigan to care for my parents. In addition, three of my people died, the greatest loss being my Tech man, Bruce Cordozo who died of complications from a terrible automobile accident. We had gotten into doing digital restorations, and I had spent two years restoring the Fleischer science film, EVOLUTION when Bruce died. With him went two years of work I'll never get back. TOBY THE PUP was an effort to get back into new releases after a 10 year absence in spite of individuals attempting to stop our progress. Thank you for asking.
@Ray Pointer
I wish you the best of luck in your restorations. I just gained an interest with what you said about the Fleisher Film “Evolution”. I watched it and it was really interesting and intriguing.
Thanks for all of your hard work in restoring these classics. I have been throughly enjoying the Toby the Pup cartoons!
@@tankthomus Thank you for your appreciation and understanding.
Toby is so cute
3:42 He took his nose off
1:30 The Fleischer Studios would get so mad when they see this..
Why would Fleischer Studios get mad? They were miles ahead of this and very happy with what they were doing.
1:31 Betty Boop @@RayPointerChannel
Noah's lark talkartoons?
They Stole Betty Boop's Boop Boop De Doop
This was produced before the phrase was associated with Betty.
@@SpongeDan Not quite. "Boop Oop A Doop" was a catch phrase that was in common use long before it was associated with Helen Kane and the Betty Boop character. It was used for the ending of the Oswald the Rabbit cartoons from this period as well. Unless a catch phrase is registered as a type of "trademark," no one has exclusivity to it. In the case of "Yabba Dabba Do," this is a trademark, exclusive to Fred Flintstone and the Hanna-Barbera properties thanks to the imagination of Allan Reed who originated it.
They plagiarize not only Mickey Mouse but Betty Boop 😭👋👍