I know being a UA-cam Content Creator Is hard work, Ola, and I Just personally want to Thank you for all your sick hard work, Man. Keep It up, Dude, you are doing Fantastic. I support you for sure, Man!!
Some killer tone Ola 🤘😈 but you didn't play any SLAYER !!! LOL But fucken wow I didn't know you can get a all balls out tone from a plug-in ! Fucken wow !!!! Keep it up bro.👍👍👍👍👍🤘🤘🤘🤘🤘🤘😈😈😈😈😈✌out.
Ola you should try it with a Boss Super OD in place of the Ibanez TS. Most of the metal guys who were playing 80s Marshall amps were using Boss OD + Marshall.
Love this vid. I bought a 2555 Silver Jubilee Halfstack in 1988 from a guy who had brought 5 new full stacks of them to Oahu, HI were I grew up. I always was enamored with Marshalls for the tone and badassery looks, tried a JCM800 and was close to buying one as my first half stack, but when I met the guy at a music store and we got talking, he said he would trade me a Fender Strat I had and a couple hundred for the head and a 4x12. I tried it out and it was love at first crank. They describe it's tone to be a darker and gain'er version of a JCM800 and that's exactly what it is. It's been my go to amp for all these decades and no matter what else I try, I always shrug it off and go home a crank up the Silver and in tone bliss. Just something about that tone that pleases me like nothing else. Early days, I used an original MXR distortion pedal with it which was great. A few years ago, I got a TC Electronic Nova Drive and when you mix in some of it's overdrive and dist channel together, it's amazing. Can get it to chug for sure with it. Sure it's a bitch to have to deal with tube changes and biasing, but the thing is just a beast when everything is dialed in. And talk about art when remove it out of the shell to work on it. The wiring and components were all top quality back then. Nothing on it has needed to be replaced all these years. It's still completely stock. They simply don't make them like this anymore when you look at it's guts, unless you spend thousands on high end boutique amps. The Jubilee is one of best Marshalls ever produced.
I know being a UA-cam Content Creator Is hard work, Ola, and I Just personally want to Thank you for all your sick hard work, Man. Keep It up, Dude, you are doing Fantastic. I support you for sure, Man!!
EternalMetalDevastator supporting requires you to actually buy his music, Ola is not rich and has a family to maintain, so in order for him to continue producing great content and not going back to a civilian job he needs to make money from this otherwise why bother?
Great amp. What's funny is that Marshall went all out and reissued this amp (and variants of it) after everyone in the Marshall fandom was demanding a reissue for years, and no one bought them. Local stores were liquidating brand new Jubes for under $1000 a year and a half ago.
The coolest thing about Slayer is they refuse to scoop their mids. Not necessarily that in itself is cool, but at a time when everyone was zeroing out the mids on their amps, Slayer showed how mid-focused rhythm tones could be aggressive too. I remember Kerry King showing an EQ for a rig run down, saying "There's no 'smiling' in Slayer'" (referring to the shape of the middy EQ settings resembling a frown).
@zophar Mike Clink engineered a lot of the early work on the record. He had just done Appetite for Destruction. The Jubilee Marshall was used a bit on Justice. Who knows where though. I bought the 100 watt head new in '87 and used the MP-1 so my comment is from my experience coupled with photos of Hetfield's rig back in that era.
@@AmplifyChris The jubilee can be tough to use as a channel switcher. Using a preamp in the loop would help that. I run my kemper into my jubilee and get all kinds of tones.
I have had mine since 2015. Other than the fact that Marshall shipped them with the bias wrong they are great amps. Luckily that is an easy fix because of the external bias points.
Liquor I’m sure. Although I haven’t got the cash or more importantly the place to play a cranked Marshall at a satisfying volume. I had a jcm 800 and it sounded awful until it was so loud it hurt.
@@zanmato86 Amps should always be played at a volume where they hurt for the best effect! I remember trying out my Peavey at 'real' volumes for the first time in my bassists basement. Things came off the walls on the second floor, and when actually going into the room where the amp was, you would feel sick from the sound pressure. 100w and a 4x12 does funny things to your bowels!
Hey Ola! I would have just a common ask. When you do demo of an amp or whatever phisical stuff through cab, microphones to the interface, would be cool if you “show” us always a little bit how that stuff actually sounded in the room. (Room mic). Cheers and keep up the good work you do always. \m/
Hey brother I just found your channel and have been hooked on it all day. You're an amazing m-fer. I just picked up the Outlaw WidowMaker and was wondering if you could review it sometime. I think it's a pretty sick pedal that isn't getting much attention with it being so damn cheap. It's not Behringer cheap, but I honestly think a man of your metal background will appreciate it. Cheers!
It's similar to Garys Sound. He just has a maxon tube screamer with it and his Signature pickups that bring must of it. But It's damn close to the Sound.
This tone is fantastic! A question, though - I’ve never used one of these plug-in things, and I’ve played through a cranked tube amp enough to know that something magical starts to happen when you’re on the edge of feeding back. Does a rig like this ever get to that magical place?
People might complain about the plug in, but if you want to get a better sound, just run it out to your cab and mic it back in. Use the direct in and the mic'd sound to mix a nice tone, then if you double your playing again it's a nice wall of sound.
I have the actual head an really just use it with the mids cranked up all the way, and the bass and treble at 2 o'clock and the presence at about noon. I play weird bluesy rock stuff though and use a Orange PPC 4x12 open back cab, so not the metal tones you may be looking for but I love the sound. With a Keeley Red Dirt KE808 Custom I get Appetite for destruction type tones.
I really like Vadim Taranov's Marshall Amp sims. His JCM800 with just a slight boost from an overdrive, and it's fucking awesome. Plus, it's dirt cheap.
Hey Ola? When are you going to try out the Rivera KR7 for us? I think it could be a win/win video? Also love to see another video of you signature Randall amplifier, with more in depth tweaking and twiddling, and maybe a grandpa guitar playing through it, please.
which was the best plug in of 2018? Misha"s JST toneforge, the Fortin NTS or Nameless, or this Silver Jubilee one here? I wish these tools were around when I was a wee lad many moons ago.
I got the Jubilee reissue when they came out. Everyone talked shit about them without actually playing one. Now they are discontinued and people are starting to realize how good they are just like the original amp.
Played on a real.silver jubilee and it slayed the tone was very 80s thrash. It was killer it was like my valvestate but more so to speak it covers death old metallica and well very thrash. Tone wise think ride the lightening master of puppets and symbolic if dialed right. Gc has it for 2grand
It’s interesting that you’re using an overdrive into an amp plugin. Do you find any issues doing it that way? It’s interesting when you consider overdrives were invented to push the input tube of a an amp into saturation well before digital simulation was even conceived. The signal chain being guitar->overdrive->amp input, compared to digital which is guitar->overdrive->console/interface>ad-converter->daw input->amp sim plugin, because the interface needs a completely clean signal and can’t be overdriven the way an amp can. I find a software overdrive after the interface and ad conversion but before the digital amp sounds much better than I can get a real OD to. It just never sounds good to me to try and push any simulated amp, even a modeler with an analog overdrive the same way I would an amp (I really am more of a traditional amp and cab guy in the studio anyway.) The only workaround is bringing the overdrive down to unity gain or below so it’s only changing the tone without clipping the desk pre. Did you do something similar here? I think the Horizon Precision Drive was made with this problem in mind. Many of the reviews seem to suggest it’s more suited to sims than analog amps. Not to mention that a simulated overdrive has the same convenience of changing the type and settings as the amp sim. It’s a done deal if you record overdrive on your input signal!
Holy shite Ola!! You turned this Jube into a monster! DAMN! I need to try the sims cause I cant get my Marshall's to sound this gnarly and beefy - Its gotta be the facial expressions.
Please do a slayer sounds like vid next meaning getting ether Kerry’s rig : stock jcm800 + his 10 band eq maybe a screamer or Gary’s rig : ether silver jubilee or he’s known for using the dsl series + a Maxon boost!
you're right when you say it costs less and has the same result, in any case I prefer not wanting to "cheat" my ears with something fake and try to be as original as possible, at least when I record on the record with the sounds recorded for real
Is it a first? Or is it a fist? No it's the Silver Jubilee plugin by Softube
I know being a UA-cam Content Creator Is hard work, Ola, and I Just personally want to Thank you for all your sick hard work, Man.
Keep It up, Dude, you are doing Fantastic.
I support you for sure, Man!!
Sounds good man! And the Solar is super sweet! Almost as nice as the blue one you want to give me.....please and thanks!
Some killer tone Ola 🤘😈 but you didn't play any SLAYER !!! LOL But fucken wow I didn't know you can get a all balls out tone from a plug-in ! Fucken wow !!!! Keep it up bro.👍👍👍👍👍🤘🤘🤘🤘🤘🤘😈😈😈😈😈✌out.
Ola you should try it with a Boss Super OD in place of the Ibanez TS.
Most of the metal guys who were playing 80s Marshall amps were using Boss OD + Marshall.
Wow, that fkng killed! Didn't expect that. Love your phrasing Ola! Thx!
"It's like Angus Young on steroids." - Gary Holt
Sll softube marshalls sound the sane, mg solid state bs, adding a les paul helps, this poozy guitar in the video sux a55
Exodus tone unlocked at 8:30. Ola is a tone seeking sensei
Yesss!
Is this a song? I need to know 💀
7:15- probably one of the best, nastiest ripping tone I've ever heard!
The Haunted
The riffs around the 9:15 mark are some of the nastiest I've heard in a while.
So tight.
Excellent as always!
Listen to more feared
I'm constantly in awe of how quickly you can dial in a killer tone on these plugins. I dig the new camera angle, too.
Love this vid. I bought a 2555 Silver Jubilee Halfstack in 1988 from a guy who had brought 5 new full stacks of them to Oahu, HI were I grew up. I always was enamored with Marshalls for the tone and badassery looks, tried a JCM800 and was close to buying one as my first half stack, but when I met the guy at a music store and we got talking, he said he would trade me a Fender Strat I had and a couple hundred for the head and a 4x12. I tried it out and it was love at first crank. They describe it's tone to be a darker and gain'er version of a JCM800 and that's exactly what it is. It's been my go to amp for all these decades and no matter what else I try, I always shrug it off and go home a crank up the Silver and in tone bliss. Just something about that tone that pleases me like nothing else.
Early days, I used an original MXR distortion pedal with it which was great. A few years ago, I got a TC Electronic Nova Drive and when you mix in some of it's overdrive and dist channel together, it's amazing. Can get it to chug for sure with it.
Sure it's a bitch to have to deal with tube changes and biasing, but the thing is just a beast when everything is dialed in. And talk about art when remove it out of the shell to work on it. The wiring and components were all top quality back then. Nothing on it has needed to be replaced all these years. It's still completely stock. They simply don't make them like this anymore when you look at it's guts, unless you spend thousands on high end boutique amps. The Jubilee is one of best Marshalls ever produced.
I know being a UA-cam Content Creator Is hard work, Ola, and I Just personally want to Thank you for all your sick hard work, Man.
Keep It up, Dude, you are doing Fantastic.
I support you for sure, Man!!
EternalMetalDevastator supporting requires you to actually buy his music, Ola is not rich and has a family to maintain, so in order for him to continue producing great content and not going back to a civilian job he needs to make money from this otherwise why bother?
a friend of mine has a pair of silver jubiliees with 2 matching 4x12 full stacks. absolute insanity
It would be sick if you could capture that tone at 8:46 on a Kemper profiler and use that exact tone thru the PA
First setting is probably my favorite, sounds very warm and crunchy, with just the right amount of high end and mud, beautifully dirty.
I had a Jubilee series years ago. It was a freaking monster. I miss it dearly.
I remember hearing the 20w Jubilee re-issue a few years ago, going thru its matching 2x12 cab. it sounded quite remarkable.
At first I was doubtful of it, it sounded dull and lifeless, but with some overdrive help and a good mic IR, it sounded pretty killer
Great amp. What's funny is that Marshall went all out and reissued this amp (and variants of it) after everyone in the Marshall fandom was demanding a reissue for years, and no one bought them. Local stores were liquidating brand new Jubes for under $1000 a year and a half ago.
Are you joking? Not sure what it's like in the USA, but the UK are buying them just fine. (I have two myself... now...)
i grew up being able to plug into my dad's half stack 80's silver J!
Sean Carpenter Lol, my father bought me a brand new 50/25w 2553 Jubilee stack for my HS graduation present in ‘86. Been playing it ever since...
@@MrJackal43 Video of that beauty?
I grew up being able to plug into my dad. Sorry. Bad joke couldn't resist :-D
I bought my 2555 head used in 1989,the matching cab has Vintage 30's in it as well.It has a Pentode/Triode switch and a 2 tube/4 tube switch.
Plugins
I would love to play some Silverchair through this. The tone at 8:30 makes me think "Anthem for the Year 2000".
Have the 100w/50w head. Sounds great on the unclipped gain channel and hit it in the front with a clean boost
Children of Bodom - Under Grass and Clover just came out. Sounds awesome. They use Marshall too
Slayer is awesome but I've never been big fan of their guitar tones to be honest. (The one in this video sounded great though.)
metfan4l Gary though has always known great tone
I don't think they've recorded particularly great tones on their albums, compared to their live tones
The coolest thing about Slayer is they refuse to scoop their mids. Not necessarily that in itself is cool, but at a time when everyone was zeroing out the mids on their amps, Slayer showed how mid-focused rhythm tones could be aggressive too. I remember Kerry King showing an EQ for a rig run down, saying "There's no 'smiling' in Slayer'" (referring to the shape of the middy EQ settings resembling a frown).
@Captain Awesome agreed it was like satan smashing his balls into my ears :)
I always thought that slayers was the paramount for thrash metal tones. Sweet sweet jcm 800 boosted mid goodness
I was looking forward to hearing some slayer riffs :O
That amp with an ADA MP-1 through the effects loop = And Justice For All.
@zophar Mike Clink engineered a lot of the early work on the record. He had just done Appetite for Destruction. The Jubilee Marshall was used a bit on Justice. Who knows where though. I bought the 100 watt head new in '87 and used the MP-1 so my comment is from my experience coupled with photos of Hetfield's rig back in that era.
@@RobSchauland Most likely the jubilee and ada mp-1 were used together on the leads.
Ok. But why would you do that?
@@AmplifyChris The jubilee can be tough to use as a channel switcher. Using a preamp in the loop would help that. I run my kemper into my jubilee and get all kinds of tones.
I have a real 2555x. I'm happy as I am :)
Jon Sick there’s on for sale in my area for $1350 in basically new condition. Should I pick it up?
@@christiandinero8083 Good god yes! It is that good!
I have had mine since 2015. Other than the fact that Marshall shipped them with the bias wrong they are great amps. Luckily that is an easy fix because of the external bias points.
That's crazy. It sounds like a ton of old classic albums I like. Man. Plugins. Amazing.
Now I'm even more excited for my Jubilee half stack to arrive...
I have almost all the amp models for Uad, they are awesome! Keep it up Ola! :)
That's very fat tone. Cant beat a pumped up marshall for thrash.
You know it!
you know these amp sims are not bad but once you hear the REAL deals nothing can beat them haha
Liquor I’m sure. Although I haven’t got the cash or more importantly the place to play a cranked Marshall at a satisfying volume. I had a jcm 800 and it sounded awful until it was so loud it hurt.
@@zanmato86 Amps should always be played at a volume where they hurt for the best effect!
I remember trying out my Peavey at 'real' volumes for the first time in my bassists basement. Things came off the walls on the second floor, and when actually going into the room where the amp was, you would feel sick from the sound pressure. 100w and a 4x12 does funny things to your bowels!
GurktheBrutal awesome 😎
I got this with my Focusrite box and haven't used it. I'm missing out! Need to venture into metal music exploration cause this sounds awesome
Hey Ola, since the Duncan solar pickups are only in Solar guitars, I believe you said they are modeled after the SD Custom 5, is that correct?
Gary Holt’s work and tone with Exodus is where it’s at.
I have a 2553 50/25W Jubilee... in black. Very rare. Love it. I use it with a Mesa Boogie Mark V. The jubilee Marshall is just fn raw and brutal.
Hey Ola! I would have just a common ask. When you do demo of an amp or whatever phisical stuff through cab, microphones to the interface, would be cool if you “show” us always a little bit how that stuff actually sounded in the room. (Room mic). Cheers and keep up the good work you do always. \m/
Last rig run down I saw of Slayer..... Gary was using a Marshall DSL100H (the new one) with a TS9 to boost it.
THE TONE 😱 holy fuck that chuggage is amazing
Hey brother I just found your channel and have been hooked on it all day. You're an amazing m-fer. I just picked up the Outlaw WidowMaker and was wondering if you could review it sometime. I think it's a pretty sick pedal that isn't getting much attention with it being so damn cheap. It's not Behringer cheap, but I honestly think a man of your metal background will appreciate it. Cheers!
That Solar Guitar looks Bad Ass!!!
Solar guitars look and sound badass. Still saving up for one
"Where does he get those wonderful toys?" - Jack Napier
I'm over a year and a month late to comment... Better late than never. This make me want a Silver Jubilee head and cab sooo bad. 👍
It's similar to Garys Sound. He just has a maxon tube screamer with it and his Signature pickups that bring must of it. But It's damn close to the Sound.
Bought this plug in because of you demo. Nails the Refused tone!!!
this the kind of amp that really good as layers, the top end really poppin up
6:50 wow, what a killer riff.
even a Marshall sounds like a killer machine in Olas hands...... awesome
This makes me fall in love with Marshalls again
The 33 + Jubilee tone was fucking SAVAGE.
This tone is fantastic! A question, though - I’ve never used one of these plug-in things, and I’ve played through a cranked tube amp enough to know that something magical starts to happen when you’re on the edge of feeding back. Does a rig like this ever get to that magical place?
People might complain about the plug in, but if you want to get a better sound, just run it out to your cab and mic it back in. Use the direct in and the mic'd sound to mix a nice tone, then if you double your playing again it's a nice wall of sound.
That tone sounded sick Ola!
Awesome! Sounds damn good for a plug-in, especially when you swapped pedals! 🤘🤘
Merry Christmas OLA and family.
Is this what he plays strictly with slayer? I'd like to see how to get his tone on the atrocity exhibition albums \m/ either way....well done Ola.
I have the actual head an really just use it with the mids cranked up all the way, and the bass and treble at 2 o'clock and the presence at about noon. I play weird bluesy rock stuff though and use a Orange PPC 4x12 open back cab, so not the metal tones you may be looking for but I love the sound. With a Keeley Red Dirt KE808 Custom I get Appetite for destruction type tones.
I want to hear you play some Sludge Metal / Doom Metal / Stoner Rock, etc.
I really like Vadim Taranov's Marshall Amp sims. His JCM800 with just a slight boost from an overdrive, and it's fucking awesome. Plus, it's dirt cheap.
You should do the new 20 watt silver Jubilee studio reissue head they have now with its matching cabinet!
What song is Ola playing at 9:20? Sounds tasty as hell.
To answer your question on his od's, he now uses the KHDK Ghoul Screamer, in the past it was the Maxon od808 and st9.
Not the Ghoul Screamer but his signature KHDK Paranormal wich is just the Screamer with parametric EQ to boost mids.
What I'm digging is.. In the first picture you showed of Gary Holt he's holding the guitar he had made.. painted in his own blood!!
Hey Ola? When are you going to try out the Rivera KR7 for us? I think it could be a win/win video? Also love to see another video of you signature Randall amplifier, with more in depth tweaking and twiddling, and maybe a grandpa guitar playing through it, please.
Gary Holt now uses a Marshall DSL100HR, its my dream amp right now 😍
Nope... He used the DSL first but then he switched to Jubilee. DSL is a killer amp, but the Jubilee is another level :)
Dude you have awesome pinky strength for those open power chords
I find the jubilee responds really well to the ZW44 as a boost.
Yes the sound Is pretty good
which was the best plug in of 2018? Misha"s JST toneforge, the Fortin NTS or Nameless, or this Silver Jubilee one here? I wish these tools were around when I was a wee lad many moons ago.
I didn't think the softube Jubilee was very good. I think nameless is the one to beat.
Sounds great to me‼️🔥🎸
Love these videos
I got the Jubilee reissue when they came out. Everyone talked shit about them without actually playing one. Now they are discontinued and people are starting to realize how good they are just like the original amp.
Played on a real.silver jubilee and it slayed the tone was very 80s thrash. It was killer it was like my valvestate but more so to speak it covers death old metallica and well very thrash. Tone wise think ride the lightening master of puppets and symbolic if dialed right. Gc has it for 2grand
Symbolic++
@@Babs42 ahh yes, the 8100 100V
I got mine when the Reissue came out. Best Marshall made in the last 20 years. The Reissue sounds better than the originals I have played.
This amp is definitely a sleeper metal amp. It excels in low tunings.
That tone at 08:30 kicks all the asses. Ever.
It’s interesting that you’re using an overdrive into an amp plugin. Do you find any issues doing it that way? It’s interesting when you consider overdrives were invented to push the input tube of a an amp into saturation well before digital simulation was even conceived.
The signal chain being guitar->overdrive->amp input, compared to digital which is guitar->overdrive->console/interface>ad-converter->daw input->amp sim plugin, because the interface needs a completely clean signal and can’t be overdriven the way an amp can.
I find a software overdrive after the interface and ad conversion but before the digital amp sounds much better than I can get a real OD to. It just never sounds good to me to try and push any simulated amp, even a modeler with an analog overdrive the same way I would an amp (I really am more of a traditional amp and cab guy in the studio anyway.)
The only workaround is bringing the overdrive down to unity gain or below so it’s only changing the tone without clipping the desk pre. Did you do something similar here? I think the Horizon Precision Drive was made with this problem in mind. Many of the reviews seem to suggest it’s more suited to sims than analog amps. Not to mention that a simulated overdrive has the same convenience of changing the type and settings as the amp sim. It’s a done deal if you record overdrive on your input signal!
Great tones as ever Ola
I’ve always wanted this amp.
Sent that fortin to gary! That tone can cut even the ackward silence in family meetings!
I don't care what anyone says about plugins or using certain amps for certain genres, I'll use Marshall anything for anything
I have a silver Jubilee setting on amp Sounds super Nasty. And louder than any other preset
Ola i see’s your video on learn by ear, so i tried with death - spirit crusher. I actually got the main riff perfectly
Great vid ola!
hey Ola,I think Gary has recently been endorsed by airis effect and is currently using the Savage Drive
Tuned to Z flat!!
Holy shite Ola!! You turned this Jube into a monster! DAMN! I need to try the sims cause I cant get my Marshall's to sound this gnarly and beefy - Its gotta be the facial expressions.
Where do you get those cool chairs. I see them on other bloggers Utube channels?
Hey Ola what up?
For a next video can u try the fender full moon pedal, looks great and I need advice!
Obituary sound plzZ!!
Artem Avagyan JCM 800 with a RAT distortion pedal and turn the tone all the way down on your guitar. That’s how Trevor Peres does it.
Will there be Solar guitars in Norway anytime soon?
Some beastly riffage! Good job
With a boost the Jubilee can hang with any High Gain amp.
Please do a slayer sounds like vid next meaning getting ether Kerry’s rig : stock jcm800 + his 10 band eq maybe a screamer or Gary’s rig : ether silver jubilee or he’s known for using the dsl series + a Maxon boost!
That shit sounds BEASTLY
OLA can you please do an amp sim shootout? Jst vs uad vs neural dsp vs bias etc. Cuz I been hearing alot of good ones lately and can't decide
I had the 25 Watt head it soumded nothing like that for sure....and yes, i had the same tube screamer in the front end
That sounds really good.
Ola, I’m a big fan, not a actual electric fan but, Any future baritone solar guitars? Also how do you feel about baritone guitars?
That sounded great and I love that guitar it would look good hanging next to my stealth
Ola, you're the only family I have left... feed me with your riffs!
Good old marshall!!!
he still has it
you're right when you say it costs less and has the same result, in any case I prefer not wanting to "cheat" my ears with something fake and try to be as original as possible, at least when I record on the record with the sounds recorded for real
Damn that Amp sounds sick