@luiscar89 Actually it all depends on how one defines underate. If the definition is on the number of records sold, then he is definitely underrated, while the like of Bocille would be rated the greatest singers of all time. But in terms of recognition by music lovers and fellow musicans of the same genre, Zancanaro is most definitely not underated. For Mario Zanasi, I think he was born at the time when there were several baritones of equal musical abitiliy, but with charismatic personality that unfortunately he did not process. I would say Zanasi is under recognised, rather than underrated
Zancanaro simply the finest baritone I’ve heard over forty years. Such diction and clarity. 1985 was a magical year for me in opera, I attended this Don Carlo and Andrea Chenier a few months later. What a privilege
Isn't this guy outstanding?! Such a well rounded voice...diction, intonation, color, I can't find a weak point anywhere. So inspirational to listen to...
Just brilliant. A singer at the top of their game. I saw him in only a couple of operas live. Traviata and Attila. He was stunning. The theatre went beserk.
This man's voice is amazing! But I just can't take my eyes off the tenor - his acting is the best I've seen from all "Carlo"s. Just looking at him makes me cry, this is such a powerful scene and the both do it justice.
Giorgio Zancanaro has always been one of my favorite baritones. His leggato and "egalized" tone, have been a raw model for all my apreciation of lyrical voices in general. His superb career, took him to be partners of another great artists as Bonisolli, Martinucci, Giacomini, etc., and in my behalf, never has been second to non of them. One of the best of the best ever, Giorgio zancanaro, BRAVOOO!!!!
Apart from his glorious timbre he had the most amazing technique when going over to the passagio and what the they call the cuppola - a gorgeous hood over the top notes. If he were still singing today he would be the top baritone in the world.
I think he really has the best technique I have ever heard. Such consistent timbre with crystal clear diction, easy and free vibrato shows an excellent balance in the body's muscular tensions. 3:29 seriously that note has untouchable brilliance that I have never heard in any other great baritones.
+Scott Vanderpool I used to think Merrill owned this aria, and his still stands among the greatest, but I have to agree. Perfection is the exact right word, Zancanaro just sings this so beautifully.
Commenter probably meant "equalized," which is to say that the developed tones of the "head voice" have been brought down the entire range of the so-called chest voice, dominating it, giving it a velvety quality, making it slightly rounder, allowing Zancaro to sing softly on any pitch at will. Having the head voice dominate the entire range makes the whole voice sound of an equal/even quality throughout. It also give Zancaro access to the upper notes that lie above the limit of the chest voice.
Bastianini, это всегда только первый 1 . Но в наше время Занканаро , действительно не дооцененный ! Шикарный баритон , одна фактура, чего стоит! И дикция, и и верха, и пональный обзор- просто великолепный . Bravo !👏👏👏💯❗️🙏🙏🙏😊
I don't know about all this underrated stuff. I heard him for the first time in Puritani at SF Opera. I had never heard of him. It might have been his American debut. I knew immediately that he was special. Anyone with ears and brains also knew. Wonderful basic sound. Look up "Per me giunto" and you get many recordings by the great Hvorostovsky, sadly now gone. But Zancanaro is in fact better on this particular aria. There's not much higher praise possible.
first of all, Zancanaro has got the most gorgeous voice on the planet(really - just listen to his videos)....but can we give a shout out to the Carlo and his acting!!!
best acting on Carlo, most of other versions be like a cold blood observer standing there wasting time...he is doing it so fully fit the situation. Bravo!
In many ways, the most satisfying, to the cultured ear. His top was not as dramatic as Warren or MacNeil, but remarkably consistent, with gorgeous color. How he goes up to the ‘cupola’ is a masterclass of male vocal production.
This man is a slayer; he takes no prisoners. All the vowels resonate right were they should be with an impecable controle (support) leaving him the freedom to move his body and facial expression and interpret the role both as a singer and actor in a way that's never done. I've rarely seen such a seamless combination of technic and impecable artistry.
And yet this type of singing all too often derided as “correct” - if only just a dozen more singers out there were this “correct” - a criticism slung around only by critics who are fanboys/fan girls of singers who CAN’T SING…
Another great example of "the Italian baritone". A vanishing breed, alas. The so-called lyric baritone would appear to reign world wide and to the detriment of the great Verdi roles. The legato is amazing as is his musicality and artistry. A true artist of distinction.
Thanks for your question; "egalize" or equalized means almost the same color and "vocal caliber", from the low to top range. Maestro Zancanaro, has a vocal range very equal in all of its great extension. I heard that term in a book "Great Singers in great singing" from Jerome Hines ( the book is a recopilation of interviews regarding vocal technic with great world class singers; this term was given by tenor Nicolai Gedda). This book is a "must" for all us interested in lyrical singing. Saludos
Valerio Borgioni la prima aria la sta interpretando con una intonazione precaria ... di cantare giusto 60 anni fa ci insegnavano durante il primo anno della scuola media ... è calante .
Tengo las versiones de Andrea Chénier cantadas por Bastianini, Zancanaro y Sereni (aparte de haber oído muchas otras), y creo que la de Zancanaro con Domingo es la mejor. La potencia de la voz es impresionante, la musicalidad y la dicción soberbias...
In some ways, Giorgio Zancanaro reminds me of Riccardo Stracciari, which is high praise. Both singers were distinguished by extraordinarily beautiful voices; strong lyric baritones with remarkably even production throughout the registers; superb diction; deep feeling; & excellent musical & dramatic taste. In Robert Merrill's day he practically owned the role of Rodrigo. Giorgio Zancanaro strikes me as his natural successor. For me, Giorgio Zancanaro possesses the most physically beautiful baritone voice since Robert Merrill in his prime. And that is no small praise. SUPERB ARTIST!
I LOVE Ettore Bastianini as well as Giorgio Zancanaro! However, given that Bastianini began as a bass, I think he always remained a bass baritone. Zancanaro is more of a strong lyric baritone (like Stracciari). However, they both share superb legato, genuine feeling, beautiful diction, innate musicality, & the kind of elegance we don't encounter much these days. I love these singers & would not want to live on the difference.
That's an interesting comparison. Of course, Battistini's voice differs from Zancanaro's voice in a different way. Battistini was close to being a second tenor. His is one of those rare, recorded voices that was developed in the true bel canto tradition, before the impact of the verismo style. At least as far as recording technology reveals, Zancanaro has a richer, more rounded sound. We should acknowledge though that when we connect Battistini, Bastianini, & Zancanaro in a discussion we are talking about very distinguished company!
I was at the previous performance of this run. Luis Lima as Carlos, Bruna Baglioni as Eboli, Ileana Cotrubas as Elisabetta and Robert Lloyd as the king, with Haitink conducting.
Fantastic technique; beautiful timber with a wide range and focused brilliant top. Absolutely phenomenal singer but he is never mentioned in the top echelon of baritones. Can somebody explain to me why?
The relative lack of studio recordings and the small handful of Met dates (only seven performances in the fall of 1982) seem to be a contributing factor. Still, he was very active in Europe and sang in top productions, so I'm always shocked when opera cognoscenti say they have never even heard of him.
This is what it's supposed to be like. It's supposed to look and sound easy, even though it isn't. A great singer is supposed to make you believe that you can aspire to follow in their footsteps. It's not supposed to be some show-off spectacle verging on a train wreck. Good Lord, but there is too much bad singing out there. Thank God for the Zancanaros of this world
The most underrated Baritone in history. Tremendously beautiful singing and legato. This is golden age style singing.
ParrotCordeiro ninguno como bastianini nítida voz clara agudos tremendos notas bajas perfectas profundo gorgojeounico es fuera de serie
I agree.
@luiscar89 Actually it all depends on how one defines underate. If the definition is on the number of records sold, then he is definitely underrated, while the like of Bocille would be rated the greatest singers of all time. But in terms of recognition by music lovers and fellow musicans of the same genre, Zancanaro is most definitely not underated. For Mario Zanasi, I think he was born at the time when there were several baritones of equal musical abitiliy, but with charismatic personality that unfortunately he did not process. I would say Zanasi is under recognised, rather than underrated
@luiscar89 Zanasi can't sing as easily as Zancanaro.
@@fokwingchau893 Why bring Zanasi into the Equation. We are discussing Zancanaro.
Zancanaro simply the finest baritone I’ve heard over forty years. Such diction and clarity. 1985 was a magical year for me in opera, I attended this Don Carlo and Andrea Chenier a few months later. What a privilege
This is one of the greatest baritones of all time.
sure---but i never heard him live in vienna ----gerlinde
He sang in Vienna a lot.
@@gerlindehalsmayr6434 Gerlinde from Deutsche Oper…?
Isn't this guy outstanding?! Such a well rounded voice...diction, intonation, color, I can't find a weak point anywhere. So inspirational to listen to...
Just brilliant. A singer at the top of their game. I saw him in only a couple of operas live. Traviata and Attila. He was stunning. The theatre went beserk.
I guess this is going to be a Zancanaro night for me. This is the fifth video that I've watched; I cannot get enough of his superb singing.
I know the feeling. I never heard of this guy before Saturday, and now I can't stop listening. Like floating down a river.
me too!!!
Grande maestro Zancanaro presenza e voce condita con eleganza...
que sonido mas limpio y afinado,una maravilla...gran presencia...un grande de la historia del canto
Voce nobile, frassegio elegante con technica perfetta, cosi si canta!!!
This man's voice is amazing! But I just can't take my eyes off the tenor - his acting is the best I've seen from all "Carlo"s. Just looking at him makes me cry, this is such a powerful scene and the both do it justice.
He is Luis Lima.
Puro velluto, linea di canto sublime, intonazione superba, dizione cristallina. Grande! E mai abbastanza applaudito. The most underrated Bariton...
Gioachino82
''intonazione superba''...
parlando dell'intonazione ...
durante tutta la prima aria è purtroppo calante .
I'm deeply touched by this man's singing. Beautiful tone and ease of delivery. A wonderful artist!
Lśni pełnym blaskiem. Piękny głos ❤DZIĘKUJĘ bardzo
grandissimo fraseggiatore l'unico vero erede di Bastianini non a livelli suoi ma bravissimo bellisima presenza scenica
Tecnica ineccepibile,presenza scenica,splendido legato e accento nobile.Giorgio Zancanaro uno dei più grandi baritoni.BRAVISSIMO!
Zancanaro è un interprete sommo! Non ha nulla da invidiare ai gradi Maestri!
Grandissimo! Immenso ..sia come cantante che come attore ...il mio preferito anche come Ezio e Gerard...e non solo 😍😍
This gets better every time I watch it.
Giorgio Zancanaro has always been one of my favorite baritones. His leggato and "egalized" tone, have been a raw model for all my apreciation of lyrical voices in general. His superb career, took him to be partners of another great artists as Bonisolli, Martinucci, Giacomini, etc., and in my behalf, never has been second to non of them. One of the best of the best ever, Giorgio zancanaro, BRAVOOO!!!!
Lo ascolto, lo riascolto, lo guardo, lo riguardo…mi piace sempre di più! Lo adoro!
He is phenomenal - this is the best I've ever heard this music!
Best version ever!!
Shen Liu
per i sordi .
durante la prima aria Zancanaro e' calante da morire !
intonazione precaria, dilettantesca .
Боже, какой баритон, какое чистейшее пение, дикция! браво!!!!!
best Rodorigo！！greatest baritone Giorgio bravissimo！！
Apart from his glorious timbre he had the most amazing technique when going over to the passagio and what the they call the cuppola - a gorgeous hood over the top notes. If he were still singing today he would be the top baritone in the world.
No one can touch this god! Vocal
Gold. I heard him many times at Covent Garden and those in the know adored him. ❤️
I think he really has the best technique I have ever heard. Such consistent timbre with crystal clear diction, easy and free vibrato shows an excellent balance in the body's muscular tensions. 3:29 seriously that note has untouchable brilliance that I have never heard in any other great baritones.
Well put and I agree Mr Zancanaro belongs with the Gods of baritones
100 % the best technique !
Yes. The only thing is that in the theater, his voice sounded more lyric and not so imposing. However always with class and wonderful technique.
@@pepeelsordo yes very beautiful..but I assume not as large as Merrill, Capuccilli, McNeil...etc
Indeed 3:29 That F natural is sheer perfection...it has everything.
Masterful and exciting, elegant and beautiful voice, masterful interpretation, of my favorites with Cappuccilli and Bastianini.
Oh my God. I have never heard a more perfect version of this. Not even De Luca.
+Scott Vanderpool I used to think Merrill owned this aria, and his still stands among the greatest, but I have to agree. Perfection is the exact right word, Zancanaro just sings this so beautifully.
Wat een geweldige bariton was Zancanaro. zwaar ondergewaardeerd!
Commenter probably meant "equalized," which is to say that the developed tones of the "head voice" have been brought down the entire range of the so-called chest voice, dominating it, giving it a velvety quality, making it slightly rounder, allowing Zancaro to sing softly on any pitch at will. Having the head voice dominate the entire range makes the whole voice sound of an equal/even quality throughout. It also give Zancaro access to the upper notes that lie above the limit of the chest voice.
Absolutely Magnificent !!!
Bastianini, это всегда только первый 1 . Но в наше время Занканаро , действительно не дооцененный ! Шикарный баритон , одна фактура, чего стоит! И дикция, и и верха, и пональный обзор- просто великолепный . Bravo !👏👏👏💯❗️🙏🙏🙏😊
I don't know about all this underrated stuff. I heard him for the first time in Puritani at SF Opera. I had never heard of him. It might have been his American debut. I knew immediately that he was special. Anyone with ears and brains also knew. Wonderful basic sound.
Look up "Per me giunto" and you get many recordings by the great Hvorostovsky, sadly now gone. But Zancanaro is in fact better on this particular aria. There's not much higher praise possible.
This is incredibly beautiful!
che voce meravigliosa che rende ancor più sublime questo brano!
uncomparable baritono.flawless belcanto.
Le plus grand, inégalable.
Le timbre est sublime
first of all, Zancanaro has
got the most gorgeous voice on the planet(really - just listen to his videos)....but can we give a shout out to the Carlo and his acting!!!
Luis Lima is such a good Carlo, so young, vulnerable and passionate.
best acting on Carlo, most of other versions be like a cold blood observer standing there wasting time...he is doing it so fully fit the situation. Bravo!
Luis Lima really acted superb here (and sang well)!!! And Zancanaros voice/singing : heaven sent !!! 💓
@@mikaelb7735 GORGEOUS tenor, what a performance!
Grand baritone. Most beautiful voice, BRAVO!
Whoever comes second is far behind. The best baritone ever born
No, no... Bastianinni e il primo, e doppo Zancanaro.
In many ways, the most satisfying, to the cultured ear. His top was not as dramatic as Warren or MacNeil, but remarkably consistent, with gorgeous color. How he goes up to the ‘cupola’ is a masterclass of male vocal production.
@@sw5114 He is superiour to both Warren and MacNeil.
Breathtaking interpretation!😪🙏🙏😱
Natural talent!
Thank you...a Thousand times thank you for this video
Sublime
one of the best Baritones of our time, listen to his Gerard in Andrea Chenier!!!
Que gran voz, inmensa entre los dioses, aun estas vivo giorgio, ya estas en el olimpo para mi. gracias!
Un grandissimo signore della scena ed un cantante eccelso !!!
What dignity!
bravissima, la sua voce farmi piangere,,grande zancanaro!!!!!
A truly great baritone. A worthy successor to Bastianini and in many respects even greater.
Magnificent, fabulous!
Thank you very much for posting it!
Bravissimo Giorgio! 🥰❤👏
This man is a GOD
Didn’t know him! He is just Spectacular. Awesome! Astonishing
Arte sublime!
Grande!!fantastic beautiful!
Love his voice
Прекрасная сцена. Слушаю каждый день.
Es un grande Zancanaro, de los 3 mejores de su época
What a magnificent voice.10 people need their ears syringing.
Aaaah. Que hermoso. Mil gracias AfroPoli, mil gracias.
Ascoltare Zancanaro mi fa bene al core
This man is a slayer; he takes no prisoners. All the vowels resonate right were they should be with an impecable controle (support) leaving him the freedom to move his body and facial expression and interpret the role both as a singer and actor in a way that's never done. I've rarely seen such a seamless combination of technic and impecable artistry.
And yet this type of singing all too often derided as “correct” - if only just a dozen more singers out there were this “correct” - a criticism slung around only by critics who are fanboys/fan girls of singers who CAN’T SING…
A great baritone at any age and time.
What a wonderful Baritone - simply splendid.
Another great example of "the Italian baritone". A vanishing breed, alas. The so-called lyric baritone would appear to reign world wide and to the detriment of the great Verdi roles. The legato is amazing as is his musicality and artistry. A true artist of distinction.
I was lucky to hear him at the Coven Garden in 1991, singing Ezio, from Attila. I keep a great memory of his magnificent perfomance.
One of the great and to me dear. I really like a tension in his voice.
Incredible baritone that never got the accolades he deserved..
Heavenly!!! 💓
Thanks for your question; "egalize" or equalized means almost the same color and "vocal caliber", from the low to top range. Maestro Zancanaro, has a vocal range very equal in all of its great extension. I heard that term in a book "Great Singers in great singing" from Jerome Hines ( the book is a recopilation of interviews regarding vocal technic with great world class singers; this term was given by tenor Nicolai Gedda). This book is a "must" for all us interested in lyrical singing. Saludos
que voz tan impresionante
eine tolle Stimme! somit ein wunderbarer Posa!
In questo brano fu veramente bravo. Un grand baryton verdien.
Immenso!
Beau document !!!
Merci Ami :-)
Очень приятный мягкий баритон, Дзанканаро для меня в Дон Карлосе лучший.
The Best !
DAVVERO SUPERLATIVO ZANCANARO!!!
Valerio Borgioni
la prima aria la sta interpretando con una intonazione precaria ...
di cantare giusto 60 anni fa ci insegnavano durante il primo anno della scuola media ...
è calante .
Best baritone ever.
davvero ?!
poveri Titta Ruffo,Danise,Stracciari,Warren,Tibbett,Bastianini e compagnia ...!
ahahahahahahahahahahahah !
По этой записи я открыла для себя Дзанканаро, это исполнение мне нравится больше, чем исполнение моего любимца Тито Гобби
Besser geht es kaum noch. Ich habe schon sehr viel gehört. Aber das ist eine der besten Aufnahme. Danke.
To call this is off-night-performance is complaining on an exceptionally high level, isnt't it.
That's some amazing singing!
Tengo las versiones de Andrea Chénier cantadas por Bastianini, Zancanaro y Sereni (aparte de haber oído muchas otras), y creo que la de Zancanaro con Domingo es la mejor. La potencia de la voz es impresionante, la musicalidad y la dicción soberbias...
Undoubtedly one of the great Verdian baritones, with the right singing, without the verista remmants so common nowadays.
Zancanaro qui e' davvero bravo ... certo poteva osare di piu' sui fiati ... legando di piu', ma si tratta sempre di un'ottima prova musicale!
In some ways, Giorgio Zancanaro reminds me of Riccardo Stracciari, which is high praise. Both singers were distinguished by extraordinarily beautiful voices; strong lyric baritones with remarkably even production throughout the registers; superb diction; deep feeling; & excellent musical & dramatic taste. In Robert Merrill's day he practically owned the role of Rodrigo. Giorgio Zancanaro strikes me as his natural successor. For me, Giorgio Zancanaro possesses the most physically beautiful baritone voice since Robert Merrill in his prime. And that is no small praise. SUPERB ARTIST!
You're not the first I've heard bring up Stracciari and Zancanaro. I would also suggest Battistini as having a similar voice type.
I LOVE Ettore Bastianini as well as Giorgio Zancanaro! However, given that Bastianini began as a bass, I think he always remained a bass baritone. Zancanaro is more of a strong lyric baritone (like Stracciari). However, they both share superb legato, genuine feeling, beautiful diction, innate musicality, & the kind of elegance we don't encounter much these days. I love these singers & would not want to live on the difference.
Actually I meant Mattia Battistini (though I like Bastianini too!)
That's an interesting comparison. Of course, Battistini's voice differs from Zancanaro's voice in a different way. Battistini was close to being a second tenor. His is one of those rare, recorded voices that was developed in the true bel canto tradition, before the impact of the verismo style. At least as far as recording technology reveals, Zancanaro has a richer, more rounded sound. We should acknowledge though that when we connect Battistini, Bastianini, & Zancanaro in a discussion we are talking about very distinguished company!
Unbelievable!..
I was at the previous performance of this run. Luis Lima as Carlos, Bruna Baglioni as Eboli, Ileana Cotrubas as Elisabetta and Robert Lloyd as the king, with Haitink conducting.
Maybe his greatest recording?
Nick Cowie Certainly this particular production of Don Carlo is one of the best things he ever did. So glad it's on video.
Fantastic technique; beautiful timber with a wide range and focused brilliant top. Absolutely phenomenal singer but he is never mentioned in the top echelon of baritones. Can somebody explain to me why?
The relative lack of studio recordings and the small handful of Met dates (only seven performances in the fall of 1982) seem to be a contributing factor. Still, he was very active in Europe and sang in top productions, so I'm always shocked when opera cognoscenti say they have never even heard of him.
@@Eedg769 It is shocking. First tones I heard him sing in ‘Ballo’ in 1983, I knew I was hearing the finest baritone of the era.
After listening to this guy, it's amazing to me that Sherrill Milnes even had a career.
This is what it's supposed to be like. It's supposed to look and sound easy, even though it isn't. A great singer is supposed to make you believe that you can aspire to follow in their footsteps. It's not supposed to be some show-off spectacle verging on a train wreck. Good Lord, but there is too much bad singing out there. Thank God for the Zancanaros of this world
просто неподражаем!!!! голос-бархатный!
GRANDE CANTANTE NELL 'ARIA PIU BELLA DI BARITONO VERDIANO BRAVISSIMO MAESTRO.
I hope to sing this aria somewhat like this one day
best Rodrigo!!!!
Giorgio Zancanaro un grade baritono ma delle più belle voci ma poco nominato merita molto di più