nono i felt the same way as a beginner. everything seems daunting when you first start. but trust me, with enough practice and patience, things like this become easy
All of y’all in the comments talking about how Waterfall doesn’t have jumps…for larger hands maybe yeah relatively legato arpeggios are possible, but for smaller hands they are quite literally chains of jumps. Waterfall is super tiring to play for me, I’m like almost out of breath whenever I finish the piece😭
Waterfall is about the contraction and expansion of the hand (even for small ones). If you think those are jumps then it's probably incorrect technique. Notice how the wrist moves up and down the keyboard smoothly when playing waterfall unlike the rest of the pieces where the wrist (along with your hand) is jumping up and down. That's my main argument as to why those are just wide arpeggios and not jumps.
@@Numberonesorabjifan i agree. i can only play a 9th max and waterfall very rarely feels like any jumping to me. u just have to use your wrist to rotate and expand/contract the hands. i have a vid of it on my channel and it doesn't even look like jumping
Well, as much as it didn’t look like jumping for me, I cannot help but feel my runs are really broken. My hands are on the smaller side, borderline able to reach a 10th, so naturally I’m disadvantaged. Despite how my flexibility is the main reason I can handle arpeggios, this piece in particular is the jumpiest arpeggio experience I have ever had. Maybe it has to do with I learned it for two months self-taught, and I’m not familiar with the technique? I don’t know.
@piano.mp3 S. 140 of the Paganini Etudes, in which case I'm referring to Etude no. 6, has much more challenging leaps, especially in Liszt's old interpretation of Variation 8 and 9 respectively before the S. 141 revision.
@@piano.mp3 yeah, no problem. I've seen people twice your age play songs you're playing, and the fact you're doing em at this age is crazy. Idk what age you are but I'm assuming teens
one HUNDRED percent Liszt Etude 6. I played the whole piece a few years ago, and each variation had a new technique that was so painful to play. this is probably one of the very few pieces that I genuinely hate and will never play again. la campanella is pretty easy and hr6 is kinda hard but with good enough octave technique is pretty easy.
@@piano.mp3 I also agree with your remark on Hungarian Rhapsody No.6’s octave technique. Ever since I’ve taught myself how to play I’ve gotten used to improvising using that octave technique to make it sound more impressive than It really is
I thought that the hardest Liszt piece would be the Beethoven 9th symphony transcription. ua-cam.com/video/I42Afr-OUso/v-deo.htmlsi=mWbs7rTkfvK2NG0n&t=3335
For piano solo : Either the 4b etude S.140 or/and the Spanish Fantasy S.253 (which is basically etude 6 1838 S.140 but harder and more complete) La campanelle is literally considered easy compared to those 2 pieces HR 6 is probably harder than the n.2, mainly because of the time of practice and reflexion needed to find the right technique to do those repeated octaves without or with very little strain. The HR 2 contains repeated notes, but hey repeated octaves (double notes) are harder than repeated single notes. Liszt's Etude 6 has another version that's harder (I'd say up to 30% harder) from the 1838 version, also called S.140 (which is NOT S.141, the one that everyone knows. I'd say HR 6 and Etude 6 are probably around the same level of difficulty but it really depends on what you struggle with. If you don't struggle with octaves then Etude 6, otherwise HR 6 gonna take TREMENDEOUS work to make it smooth
Chopin's etude no1 is definitely very difficult but jumps? It's all about arpeggios and some left-hand jumps are the last thing you will worry about IMAO
have you ever played it? every arpeggio in the right hand is its own seperate jump. i know a lot of people dont consider them jumps, but these are one of the most difficult types of jumps in my book lol
@@piano.mp3 yes I did, however I never considered them being jumps🤔 Yes you indeed have to shrink and spread your wrist every time, like in actual jumps but I feel them rather position movings or kinda wavy arpeggios than a real jump. I feel like a jump should be greater than the max distance you can reach with your fingers (10-th or 11-th) In this particular etude we have only octave "jumps" with your first finger This is very subjective though, I can definitely accept you seeing it as jumps✌️
Interesting list. "Jumps" is a broad term, and some people find certain types easier. I know I'm not the first to mention it, but I personally wouldn't consider 10-1 to have jumps, although I have a large hand. I'd call it a change in hand position - moving exactly one octave up each time. There are definitely pieces with more difficult jumps than HR6 though.
7 is my favorite too. also i jsut realized i never edited in my recording of the beethoven sonata pathetique for number 5 lmao. so i basically skipped it oopsies
Personally I found the right hand octave jumps in the late presto area (maybe around 3/4th into the piece) to be probably the hardest jumps I’ve seen in any piece. For me, the 24th prelude I’m D minor was a close second, since the entire time the left doing large leaps lol. But Hungarian rhapsody 6 is brutal tbh
I was considering making a video like this but I couldn't find anything between easy and difficult. Only the hardest and easiest exist in my repertoire 😂 Nice video
Hey guys, future piano.mp3 here! I just wanted to say: this video is horrible. The camera quality was bad, the audio hurts my ears, the list of pieces was boring and made no sense, and worst of all, I played with so many mistakes. So I just wanted to say thank you to everyone that still supports me through this video or any other videos, I really do appreciate it! Making this youtube channel has always been my dream, and this morning we hit 600 subscribers! I will be posting much better quality content from now on! Thank you!
big up, and posting mistakes are not a problem, since not everyone does that. it reminds people that even the best pianist makes mistakes, and music isn't perfect for how good you played it, it is a wonderful thing only if people know how to appreciate it and really have the passion in both playing and listening. already some amazing playing, i know you have your own expectations on yourself, but remind yourself that you are already doing a very very good job. big up, keep learning, and congrats on 600 subs!
w long did it took to learn the HR 6? You did not cooked it throughly, there are some mistakes here and there, but pretty nevertheless? Can you estimate how many months on that piece and how many hours a day up to that level?
@@williamtaittinger4529 i learned the piece a long time ago and i used to play it pretty perfectly, and i don’t think it took me that long, maybe like 3 months to perfect it? but i only played friska not the first part
@@piano.mp3 I wanna learn Mereaux's etude Op. 60 No. 24 at least partially at some point soon.. But to learn it fully is near impossible-if not just straight up impossible.. at least without mistakes
lots of Liszt's pieces which have hard jumps are not in the list like galop in A minor, Reminiscences de huguenots, paganini etude S.140 4b, Spanish fantasy, Rhapsody Espagnol, Romancero Espagnol, Reminiscences de don juan,Mephisto Waltz, etc /or Alkan's pieces, like Le preux or minor etudes.../maybe Mereaux's piece could be there too
honestly i’m not a good person to ask. i’m not saying im the best at jumps, but i feel like jumps aren’t something i’ve ever needed to practice. they just come naturally to me. some tips i would give though are: never hold jumps, don’t do them staccato but just hit the note and get yourself ready for the next note. have your arm/elbow positioned in between the jumps, and pivot your elbow without moving your whole arm i’ll try to think about some more tips
Use our forearm to move, never ever contract your biceps while moving, and also if it's too hard because you're jumpng for too long, try not to move laterally as our forearm (and fingers) suck at that, instead try to rotate by a little bit that forearm naturally (that means your knuckles go towards the left if you're juping with L.H, and right when using R.H. Kinda hard to explain, if you want i can make a video on that, there are surely things I forgot. Also try trouping your jumps. If you see a pattern that permits it, then think theem like a group of 2, so that ther'ss multiple groups containing 1 jump rather than "jump every semiquaver" for example. Thinking of the phrasing and musicality also helps with a better sound, more clear and with more intent. < You can also try to do the jump 1 more octave apart, lower or higher, witht the same amount of time, so that when you come back to normal jumps, then it feels easy. Personally, I've tried this but I usually forget how to jump fast soon enough after. You can also play the thumb, pinky and every middle finger separately if it's jumps with chords and then combine them slowly. Takes time and energy, but usually very effective.
it’s not that impressive tbh. maybe if i played a later part of the piece i would’ve listed it higher, but the opening jumps are really nothing special
la campanella jumps are insanely easy and overrated, and liebestraums jumps are really hard and underrated! simple as that. and i would say grand galop technique would be around level 8, but i’ve never played it so i don’t really know
@piano.mp3 As something of an expert on Liszt technique, I'd say GGC is miles ahead of any of these pieces, both in terms of leaps and in terms of actual difficulty. IMO Liszt's hardest piece that focuses on leaps is S. 137 no. 8 "Wilde Jagd". The S. 139 version is bad enough, but S. 137 is just impossible. Honorable mentions to S. 218, S. 252, and S. 140 no. 4b (if you consider that Etude to have leaps). If you just want the piece to have leaps (and not have it be the main difficulty), then S. 253 Spanish Fantasy wins, hands down.
@@piano.mp3Agreed. Unless you’re doing that part where you have to do three octaves and the little trill on the highest octave. But yeah little red riding hood jumps are so painful on my fingers personally, Liebstraum No. 3 is very hard in technicality but also very beautiful Edit: I have no idea what I’m talking about I’m a self taught xD
Ud., pianista, debe repasar el solfeo., La métrica o pulsos de los 4 primeros compases de las Gymnopedies, nada tienen que ver con los 4 siguientes compases en que entra la mano derecha con la melodía. Solo entonces suenan correctamente los compases de 3/4 que escribió Erik Satie. No enseñe hasta que no haga las cosas BIEN.
@@ValkyRiver VALKYRIVER WHAT I LOVE YOU IM LITERALLY SUBBED ON MY NORMAL ACCOUNT YOU ARE LITERALLY ONE OF MY BIGGEST INSPIRATIONS FOR A PIANO UA-cam CHANNEL THANK YOU FOR COMMENTING!!!
NaDa tiene que ver la métrica de los 4 primeros compases con la mano izquierda😊 (4 pulsos en cada compás) con los 4 siguientes compases, (ya con la mano derecha añadida) donde suenan CORRECTAMENTE los 3 pulsos de negra que marca la partitura. ¡¡¡¡ A ver si aprendemos un poco de solfeo, amigo!!!.
NaDa tiene que ver la métrica de los 4 primeros compases con la mano izquierda😊 (4 pulsos en cada compás) con los 4 siguientes compases, (ya con la mano derecha añadida) donde suenan CORRECTAMENTE los 3 pulsos de negra que marca la partitura. ¡¡¡¡ A ver si aprendemos un poco de solfeo, amigo!!!.
Hungarian Rhapsody at Level 3 should be criminal.
overrated jumps
The level 5 is the friends we made along the way
it was supposed to be Pathetique sonata but i just realized i forgot to download it and put it into the video lmao
Ngl as a beginner just starting with piano this was very humbling
nono i felt the same way as a beginner. everything seems daunting when you first start. but trust me, with enough practice and patience, things like this become easy
No surprise that it's mostly Liszt
actually i feel like liszt jumps are overrated and a lot of other composers like chopin have jumps that no one really talks about
what a flex, this guys repertoire is so hard, lol
You know a song is hard when the jumps are the easy parts.
All of y’all in the comments talking about how Waterfall doesn’t have jumps…for larger hands maybe yeah relatively legato arpeggios are possible, but for smaller hands they are quite literally chains of jumps. Waterfall is super tiring to play for me, I’m like almost out of breath whenever I finish the piece😭
exactly! i don’t know what people are on about. and i wouldn’t even say my hands are small and i still consider them jumps
Waterfall is about the contraction and expansion of the hand (even for small ones). If you think those are jumps then it's probably incorrect technique. Notice how the wrist moves up and down the keyboard smoothly when playing waterfall unlike the rest of the pieces where the wrist (along with your hand) is jumping up and down. That's my main argument as to why those are just wide arpeggios and not jumps.
@@Numberonesorabjifan i agree. i can only play a 9th max and waterfall very rarely feels like any jumping to me. u just have to use your wrist to rotate and expand/contract the hands. i have a vid of it on my channel and it doesn't even look like jumping
good point.
Well, as much as it didn’t look like jumping for me, I cannot help but feel my runs are really broken. My hands are on the smaller side, borderline able to reach a 10th, so naturally I’m disadvantaged. Despite how my flexibility is the main reason I can handle arpeggios, this piece in particular is the jumpiest arpeggio experience I have ever had. Maybe it has to do with I learned it for two months self-taught, and I’m not familiar with the technique? I don’t know.
it seems like he only ranked these by difficult, not the actual jumps lol
i tried to rank them best i could lol
If he ranked it by difficulty Liebesträume would NOT be level 7 lmao
@piano.mp3 S. 140 of the Paganini Etudes, in which case I'm referring to Etude no. 6, has much more challenging leaps, especially in Liszt's old interpretation of Variation 8 and 9 respectively before the S. 141 revision.
You're underrated af bro
@@varcon_one thank you, that’s such a compliment!
@@piano.mp3 yeah, no problem. I've seen people twice your age play songs you're playing, and the fact you're doing em at this age is crazy. Idk what age you are but I'm assuming teens
Level ∞:
Liszt/Paganini S.140 Etude 4b 💀
Time to practice buddy
the original is insane 💀
Okay what’s Lizst’s hardest piece in technicallity?
La Campanella - Lizst
Lizst/Panganini - Etude No. 6
Lizst a Hungarian Rhapsody No. 2 & No. 6
one HUNDRED percent Liszt Etude 6. I played the whole piece a few years ago, and each variation had a new technique that was so painful to play. this is probably one of the very few pieces that I genuinely hate and will never play again. la campanella is pretty easy and hr6 is kinda hard but with good enough octave technique is pretty easy.
@@piano.mp3 I’ve seen Synthesia covers of It and ever though I haven’t played It I can agree 😂
@@piano.mp3 I also agree with your remark on Hungarian Rhapsody No.6’s octave technique. Ever since I’ve taught myself how to play I’ve gotten used to improvising using that octave technique to make it sound more impressive than It really is
I thought that the hardest Liszt piece would be the Beethoven 9th symphony transcription.
ua-cam.com/video/I42Afr-OUso/v-deo.htmlsi=mWbs7rTkfvK2NG0n&t=3335
For piano solo : Either the 4b etude S.140 or/and the Spanish Fantasy S.253 (which is basically etude 6 1838 S.140 but harder and more complete)
La campanelle is literally considered easy compared to those 2 pieces
HR 6 is probably harder than the n.2, mainly because of the time of practice and reflexion needed to find the right technique to do those repeated octaves without or with very little strain. The HR 2 contains repeated notes, but hey repeated octaves (double notes) are harder than repeated single notes.
Liszt's Etude 6 has another version that's harder (I'd say up to 30% harder) from the 1838 version, also called S.140 (which is NOT S.141, the one that everyone knows.
I'd say HR 6 and Etude 6 are probably around the same level of difficulty but it really depends on what you struggle with. If you don't struggle with octaves then Etude 6, otherwise HR 6 gonna take TREMENDEOUS work to make it smooth
The real level 10: Alkan Le Preux (good luck brother)
Just crazy good Jordie !!!! Brilliant!
thank you!
guys, we did it. we've found rousseau
dang you caught me!
Chopin's etude no1 is definitely very difficult but jumps? It's all about arpeggios and some left-hand jumps are the last thing you will worry about IMAO
have you ever played it? every arpeggio in the right hand is its own seperate jump. i know a lot of people dont consider them jumps, but these are one of the most difficult types of jumps in my book lol
@@piano.mp3 yes I did, however I never considered them being jumps🤔 Yes you indeed have to shrink and spread your wrist every time, like in actual jumps but I feel them rather position movings or kinda wavy arpeggios than a real jump. I feel like a jump should be greater than the max distance you can reach with your fingers (10-th or 11-th)
In this particular etude we have only octave "jumps" with your first finger
This is very subjective though, I can definitely accept you seeing it as jumps✌️
i just learned level 7 but i definitely could never play level 3 4 or 6!
you got it!
Interesting list. "Jumps" is a broad term, and some people find certain types easier. I know I'm not the first to mention it, but I personally wouldn't consider 10-1 to have jumps, although I have a large hand. I'd call it a change in hand position - moving exactly one octave up each time. There are definitely pieces with more difficult jumps than HR6 though.
i enjoyed this thoroughly. thank you!
thank you!
If you see Liszt no. 2 in lv 3 you know the pist gonna be hard
the jumps aren’t that hard tho
I can play everything up to level 5, I can't do 6 yet though I've tried lol. 7 is one of my absolute favorites
7 is my favorite too. also i jsut realized i never edited in my recording of the beethoven sonata pathetique for number 5 lmao. so i basically skipped it oopsies
Nice playing!
thanks!
@@Jartious WAIT I KNEW YOUR NAME WAS FAMILIAR I SUBSCRIBED TO YOU ON MY NORMAL ACCOUNT I LOVE YOU
@@piano.mp3 Thank you so much!
hello jart
@@dunkleosteus430 hey dunkin
Personally I found the right hand octave jumps in the late presto area (maybe around 3/4th into the piece) to be probably the hardest jumps I’ve seen in any piece. For me, the 24th prelude I’m D minor was a close second, since the entire time the left doing large leaps lol. But Hungarian rhapsody 6 is brutal tbh
I forgot to mention that the piece I was talking about was the first Mephisto Waltz, sorry
3:57 the fact that traum even made the left hand junps an octave lower
he’s crazy fr
rachmaninoff prelude is only at number 2....this is gonna get insane 😵😵
i based it off jumps not difficulty, those jumps in that prelude were not that impressive lol
level 4 is wild
level 4 is easy
@@piano.mp3 bruh 💀💀💀💀
what are the left hand jumps called like for hungarian rhapsody 2 and 6 or ballade no 1 coda?
i don’t think they have a specific name lol i just call them octave jumps with chords
Really surprised Stravinsky's infamous jumps from "Petrushka" aren't here, as they're kind the definition of impossible piano jumps 😅
they would be here except i could never play that
how are you doing this your hands are going to china and back
really clean la campanella
wow you must have big hands cuz for me your level 7 is way easier than la campanella jump
thank you! i didn’t really care about the mistakes, im gonna be recording it again without mistakes soon
my hand size is a tenth lol
@piano.mp3 that's hard to do cuz I already tried it and gave up
Cuz perfecting takes too much time and I'm facing exams and many things alongside
yo wtf Rachmaninoff is level 2 and Liszt is level 3. psychoooooooo
I was considering making a video like this but I couldn't find anything between easy and difficult. Only the hardest and easiest exist in my repertoire 😂
Nice video
i had to learn/relearn some of these pieces to make this list lmao
you should make a video like this though i would watch it
This is really good!
Hey guys, future piano.mp3 here! I just wanted to say: this video is horrible. The camera quality was bad, the audio hurts my ears, the list of pieces was boring and made no sense, and worst of all, I played with so many mistakes. So I just wanted to say thank you to everyone that still supports me through this video or any other videos, I really do appreciate it! Making this youtube channel has always been my dream, and this morning we hit 600 subscribers! I will be posting much better quality content from now on! Thank you!
big up, and posting mistakes are not a problem, since not everyone does that. it reminds people that even the best pianist makes mistakes, and music isn't perfect for how good you played it, it is a wonderful thing only if people know how to appreciate it and really have the passion in both playing and listening.
already some amazing playing, i know you have your own expectations on yourself, but remind yourself that you are already doing a very very good job. big up, keep learning, and congrats on 600 subs!
w long did it took to learn the HR 6? You did not cooked it throughly, there are some mistakes here and there, but pretty nevertheless? Can you estimate how many months on that piece and how many hours a day up to that level?
@@williamtaittinger4529 i learned the piece a long time ago and i used to play it pretty perfectly, and i don’t think it took me that long, maybe like 3 months to perfect it? but i only played friska not the first part
unsurprising to see that Chopin's Ballade 1 made it in for #9 lol
hehe.. those jumps are difficult, but wait until u see Alkan's and Mereaux's pieces
@@Tabbyii thanks! i’ve seen the pieces ur talking about but there’s no way im playing them lmao
@@piano.mp3 I wanna learn Mereaux's etude Op. 60 No. 24 at least partially at some point soon.. But to learn it fully is near impossible-if not just straight up impossible.. at least without mistakes
🌽🏀
@@someonesomeone9271 corn basketball? NO WAY
So Liszt is the main culprit?
pretty much
lots of Liszt's pieces which have hard jumps are not in the list like galop in A minor, Reminiscences de huguenots, paganini etude S.140 4b, Spanish fantasy, Rhapsody Espagnol, Romancero Espagnol, Reminiscences de don juan,Mephisto Waltz, etc /or Alkan's pieces, like Le preux or minor etudes.../maybe Mereaux's piece could be there too
Mereaux Etude 24 jumps are prob some of the hardest!
Do you have any tips as to how to play jumps for longer period? I usually get tired really fast with jumps.
honestly i’m not a good person to ask. i’m not saying im the best at jumps, but i feel like jumps aren’t something i’ve ever needed to practice. they just come naturally to me. some tips i would give though are:
never hold jumps, don’t do them staccato but just hit the note and get yourself ready for the next note.
have your arm/elbow positioned in between the jumps, and pivot your elbow without moving your whole arm
i’ll try to think about some more tips
Use our forearm to move, never ever contract your biceps while moving, and also if it's too hard because you're jumpng for too long, try not to move laterally as our forearm (and fingers) suck at that, instead try to rotate by a little bit that forearm naturally (that means your knuckles go towards the left if you're juping with L.H, and right when using R.H. Kinda hard to explain, if you want i can make a video on that, there are surely things I forgot.
Also try trouping your jumps. If you see a pattern that permits it, then think theem like a group of 2, so that ther'ss multiple groups containing 1 jump rather than "jump every semiquaver" for example. Thinking of the phrasing and musicality also helps with a better sound, more clear and with more intent. <
You can also try to do the jump 1 more octave apart, lower or higher, witht the same amount of time, so that when you come back to normal jumps, then it feels easy. Personally, I've tried this but I usually forget how to jump fast soon enough after.
You can also play the thumb, pinky and every middle finger separately if it's jumps with chords and then combine them slowly. Takes time and energy, but usually very effective.
absolutely stunning performance! in in awe of your skills every time
Insane playing damn hope you get the views and attention you deserve!!!
thank you ❤
how about" LITTLE RED RIDING HOOD "
No way is La Campanella just Level 4
it’s not that impressive tbh. maybe if i played a later part of the piece i would’ve listed it higher, but the opening jumps are really nothing special
Where would Grand Galop Chromatique be in this ?
Edit : wait a second how are la Campanella's jumps easier than Liebesträume's ???
la campanella jumps are insanely easy and overrated, and liebestraums jumps are really hard and underrated! simple as that. and i would say grand galop technique would be around level 8, but i’ve never played it so i don’t really know
@piano.mp3 As something of an expert on Liszt technique, I'd say GGC is miles ahead of any of these pieces, both in terms of leaps and in terms of actual difficulty.
IMO Liszt's hardest piece that focuses on leaps is S. 137 no. 8 "Wilde Jagd". The S. 139 version is bad enough, but S. 137 is just impossible. Honorable mentions to S. 218, S. 252, and S. 140 no. 4b (if you consider that Etude to have leaps). If you just want the piece to have leaps (and not have it be the main difficulty), then S. 253 Spanish Fantasy wins, hands down.
lvl 20: bravura etude
Level 19 yankle doodle variation
uh waterfall has no jumps at all
nah have u ever played it? the whole right hand is just constant jumping
@piano.mp3 I have played it and it's called broken chords or arpeggios not jumps
@@randomcubing7106 yes, very large broken chords that require big jumps between all the fingers.
i only made it to level 4...
that’s really good!
It ain’t by song difficulty only jump difficulty even tho I disagree with half the list
I'm lost. How did op.10 no.1 make a list of jumps?
because every right hand movement is a jump. it may not look like a typical jump, but it is definitely a jump.
Not sure I agree with this list lol
give me your list and i’ll make it
@@piano.mp3 that one passage in mephisto, or the yankee doodle arrangement thing
no strakosh's yankee doodle :(
hell no i am not playing that
What is Op. 10 No. 1 doing in there?
it’s a list of jumps, and that etude is very jumpy
@@piano.mp3Nuh uh
Can you count waterfall etude arpeggios as jumps??
yes because you jump from each arpeggio to the next really fast
@@piano.mp3 fair enough
Not really
im hoping to be this cool one day!
lmao thanks!
Why is there so little Liszt here?
Because none of his pieces really have any notable jumps.
he was more into chromatic scales.
Bro wdym "so little" there are 5 liszt pieces out of 10
@@neoncat6820 it’s sarcasm
@@piano.mp3 ah dang
Level 11: Little red riding hood
little red riding hood's jumps aint anywhere close to la campanella lil bro
@@lolwhat36 la campanella jumps are nothing lil bro wdym
@@piano.mp3Agreed. Unless you’re doing that part where you have to do three octaves and the little trill on the highest octave. But yeah little red riding hood jumps are so painful on my fingers personally, Liebstraum No. 3 is very hard in technicality but also very beautiful
Edit: I have no idea what I’m talking about I’m a self taught xD
Ud., pianista, debe repasar el solfeo., La métrica o pulsos de los 4 primeros compases de las Gymnopedies, nada tienen que ver con los 4 siguientes compases en que entra la mano derecha con la melodía. Solo entonces suenan correctamente los compases de 3/4 que escribió Erik Satie. No enseñe hasta que no haga las cosas BIEN.
@@piano.mp3 lil bro u put liebestraum at level 7 and say la campanella is nothing
La campanella 10
la campanella 4
Level 10 has to be Liszt's Mephisto Waltz!
i was going to play that for lvl 10 but i didn’t feel like relearning it, so i just played hr6 lol
I knew i was cooked once i saw la Campanella on level 5 or 4✨️
nah those jumps are so overrated
how did HR2 get level 3 😢😢
because it’s easy!
@@piano.mp3 showoff :(
Hey do a little finger dance 🕺
@@ValkyRiver VALKYRIVER WHAT I LOVE YOU IM LITERALLY SUBBED ON MY NORMAL ACCOUNT YOU ARE LITERALLY ONE OF MY BIGGEST INSPIRATIONS FOR A PIANO UA-cam CHANNEL THANK YOU FOR COMMENTING!!!
The weird thing is these are all the songs i used to like (still do not that much)
Liszt's Mazeppa should be at level 10 bro
i ain’t learning that
@@piano.mp3 lol
And level 11 should be Yankee Doodle Variations
I'm surprised i can do level 4, La Campanella (not full) but not level 2 and 3 😐😐😐🙂. I honestly don't think that's right.
it’s probably the jumps later in the piece since the first part is comparatively easier
NaDa tiene que ver la métrica de los 4 primeros compases con la mano izquierda😊 (4 pulsos en cada compás) con los 4 siguientes compases, (ya con la mano derecha añadida) donde suenan CORRECTAMENTE los 3 pulsos de negra que marca la partitura. ¡¡¡¡ A ver si aprendemos un poco de solfeo, amigo!!!.
Liszt galop in a minor would be the hardest jumps of all time probably whole piece is around jumping
I can do level 10
cool!
good job dude
Where are the Stride or rag jumps?😁
next video
I was gonna say XD
NaDa tiene que ver la métrica de los 4 primeros compases con la mano izquierda😊 (4 pulsos en cada compás) con los 4 siguientes compases, (ya con la mano derecha añadida) donde suenan CORRECTAMENTE los 3 pulsos de negra que marca la partitura. ¡¡¡¡ A ver si aprendemos un poco de solfeo, amigo!!!.
are you talking about gymnopedie?