Yes but at the same time he actually loves himself that's why he built up a dream place where he is happy in it with his friends just like in old times.. it is similar though sometimes we all want to be in the past, we just want to escape reality just like sunny and we just create our own character something similar sunny's omori in over internet. I think the internet is so similar to the dream place sunny built for himself but it doesn't really matter what is it at the end itis just something that you use to escape reality. He just wants to escape reality and wants his sister alive again that's why he built up his dreamplace but at the end it doesn't really work you have to face the consequences at the end just like all of us so in the last sequence you have to choose literaly totally escape from reality or face with reality. By just escaping from the relaity you just postpone the consequences you have to face at the end so omori tries to tell you something like that.
Come to think of it..Glade’s gotta be one of the most unique Black Space tracks. Most tracks are more ‘creepy’ in a way, or more relaxing. There’s definitely a track or two with a mix of both, or maybe a calm track is a bit more melancholic. (Spoilers below.) But Glade’s the only one I can personally say is mostly sad. And it fits the room, too. You meet up with essentially Mari for one of the last few times you can..and all she has to say is that she loves you, as old memories pass by in the background. It’s even more sad knowing the next room, as Mewo, one of the last few connections to Mari, is stuck in the same situation as her owner.
Btw (Spoilers below) Seriously, spoilers. Turn back now if you don't wanna be spoiled lol You don't actually have to kill Mewo. If you just talk to the butler several times, you get a key and you can stab yourself and exit the room.
to me, every lost at a sleepover is simply sad. i cant even get myself to find it creepy, its just sad. and considering the context it all makes sense ost 003 is just a track of reminiscing, in both sound and lore ost145 just sounds like a heavy mental breakdown, and contents of such breakdown can be clearly seen in the room ost146 just sounds like someone trying to hold back his crying subconciously but failing to, and theres a mental state exactly like that, although it usually doesnt come after the breakdown but it still makes sense, seeing as sunny's life for the 4 years was just him having a major panic attack for so long his disassociated depressed mind that uses only short term memory forgets why he had it in the first place, then he continues on empty until he somehow remembers it again, and repeats
One of my personal favourite tracks. Back when I was too chicken to look at OMORI gameplay, but had the guts to listen, I imagined the noises in the background being produced by the phobia/teeth monster in the background of the map gnashing its teeth, or something, as it stared at OMORI, or maybe directly at the player. I still do, I picture OMORI stare at Something, a representation of Mari, his guilt and grief, as its far more monstrous form that manifests as his fears revels in his misery. It's so sad how this is what his mind led into. One mistake after another, a harsh push, a lie, a continuous silence, it all closed him off more and more, until he was left trapped with a hideous creature that only vaguely resembles his Sister (whether I'm referring to Headspace Mari or her spookier iterations is up to you), and his own demons.
I love how the original song presents noises that can be interpreted like Mari's falling in the stairs sound. The music isn't the same when you think about that.
Mari, trying to cheer Sunny up: Why be mad? Why be sad? When you could be *glade.* Aaand now I'm imagining this as soon as I get to this area of Black Space. I don't mind that, actually
![THE 8 BIT OMORI MEDLEY [VRC6]](http://i.ytimg.com/vi/gIsHl7swEgk/mqdefault.jpg)
Mari still loves Sunny. Mari forgives Sunny.
But Sunny doesn't love Sunny. Sunny can't forgive Sunny.
damn
Yes but at the same time he actually loves himself that's why he built up a dream place where he is happy in it with his friends just like in old times.. it is similar though sometimes we all want to be in the past, we just want to escape reality just like sunny and we just create our own character something similar sunny's omori in over internet. I think the internet is so similar to the dream place sunny built for himself but it doesn't really matter what is it at the end itis just something that you use to escape reality.
He just wants to escape reality and wants his sister alive again that's why he built up his dreamplace but at the end it doesn't really work you have to face the consequences at the end just like all of us so in the last sequence you have to choose literaly totally escape from reality or face with reality. By just escaping from the relaity you just postpone the consequences you have to face at the end so omori tries to tell you something like that.
Ye i do
Come to think of it..Glade’s gotta be one of the most unique Black Space tracks. Most tracks are more ‘creepy’ in a way, or more relaxing. There’s definitely a track or two with a mix of both, or maybe a calm track is a bit more melancholic.
(Spoilers below.)
But Glade’s the only one I can personally say is mostly sad. And it fits the room, too. You meet up with essentially Mari for one of the last few times you can..and all she has to say is that she loves you, as old memories pass by in the background.
It’s even more sad knowing the next room, as Mewo, one of the last few connections to Mari, is stuck in the same situation as her owner.
Btw (Spoilers below)
Seriously, spoilers.
Turn back now if you don't wanna be spoiled lol
You don't actually have to kill Mewo. If you just talk to the butler several times, you get a key and you can stab yourself and exit the room.
Yeah, Glade and Come And See are both really sad tracks that really make Black Space a whole unique experience.
@Irvi Well it does. I was just saying you could avoid it.
@@abhainnxv1554 this room forces you into a sucidal mindset, no matter how many times you go through it, and you dont even realize that
to me, every lost at a sleepover is simply sad. i cant even get myself to find it creepy, its just sad. and considering the context it all makes sense
ost 003 is just a track of reminiscing, in both sound and lore
ost145 just sounds like a heavy mental breakdown, and contents of such breakdown can be clearly seen in the room
ost146 just sounds like someone trying to hold back his crying subconciously but failing to, and theres a mental state exactly like that, although it usually doesnt come after the breakdown
but it still makes sense, seeing as sunny's life for the 4 years was just him having a major panic attack for so long his disassociated depressed mind that uses only short term memory forgets why he had it in the first place, then he continues on empty until he somehow remembers it again, and repeats
Has to be one of the BEST tracks in the game
This song and Remina are the best piano songs for horror games I've seen in a while.
They are just so heavy, while being very simple.
remina is a bit more compicated, but i totally agree, they are the best
i think there’s a reason this game has resonated so deeply with me, but i don’t want to acknowledge it. not yet. i’m not ready yet.
dont know either..
oh.
This is oddly comforting in a way...
My brain every time I have enough time alone to think about stuff: Yeah this soundtrack is good let's go with that one for the bgm
"SUNNY... *I love you* ..."
Liar.
Liar.
Liar. Liar. Liar. Liar. Liar. Liar. Liar. Liar. Liar. Liar.
This soundtrack is one of my favourites from Black space. While Distance sounds creepy and thoughtless, this one is sad and heavy. Love the both ❤
One of my personal favourite tracks. Back when I was too chicken to look at OMORI gameplay, but had the guts to listen, I imagined the noises in the background being produced by the phobia/teeth monster in the background of the map gnashing its teeth, or something, as it stared at OMORI, or maybe directly at the player. I still do, I picture OMORI stare at Something, a representation of Mari, his guilt and grief, as its far more monstrous form that manifests as his fears revels in his misery.
It's so sad how this is what his mind led into. One mistake after another, a harsh push, a lie, a continuous silence, it all closed him off more and more, until he was left trapped with a hideous creature that only vaguely resembles his Sister (whether I'm referring to Headspace Mari or her spookier iterations is up to you), and his own demons.
I love how the original song presents noises that can be interpreted like Mari's falling in the stairs sound. The music isn't the same when you think about that.
**cry**
I have lost everything..
Honestly. I would really like this to continue. I enjoy this quite a lot.
I hope your doing well.
Sorry this is a bit late.
Entrance to the black space 3. Also that sound in background is like thunder
This one black space made me cry after i heard this music and saw "something" telling Sunny that it loves him
*i love you* *liar liar liar*
this is perfect
It became 100x sadder than before... 😢
Why so depressed when you can be--
@MusicMari ooooooooooooooooooooooh......
*Is now Miserable!*
Mari, trying to cheer Sunny up:
Why be mad? Why be sad? When you could be
*glade.*
Aaand now I'm imagining this as soon as I get to this area of Black Space. I don't mind that, actually
thats amazing thank you so much
Omfg! Did anyone realise that “ame” in japanese actually means rain??! I mean… hence the soundtracks with rain in the background lol
hence this channels content, yeah no one knew but nothing to be excited about
chill@@noobfart
❤
hey~
L
ass@@Fungo07
Tits @@altalune-9