Two of the things I really appreciate about your videos: 1) the content. great stuff. 2) Your puns. I find it so hard to do that on video. You inspire, sir.
Got really surprised to see just a shy 5k viewers on a top quality video like this one, I can't imagine how much time you spent on the production + editing + working in this description and etc... So kudos to you and wish your channel to skyrocket.👍
I really appreciate you always going the extra mile, the extra step to make your videos crispy clean! The Edit, the Audio, the Broll shots 🙌! I really see your passion and the love you put in! It‘s the little things! Brilliant! keep it up Tom!
it might just be me but it feels like the editing has gotten way better and being someone who has watched a lot of your videos i just love the camera work and all the new angles. very good job.
Thank you! I've really been trying to get a little better with each video. One thing that's helped is that whenever I see someone's video that I really like, to spend some time figuring out WHY I like it and try to look at what they did. A lot of great ideas have come from channels outside of the photo/video niche. There's always something cool to learn!
Thank you so much for all these videos. I found your channel a couple of weeks ago and have been watching every single video! You are helping me bring my channel to a more professional level!
The amount of time you must have put into this video with the lighting setups blows my mind🤯….you are a machine! Sometimes I talk myself out of a video idea simply because I know how much time it would take to clean up after it’s over 🤣😂 Great video as always
Thank you Mike! This was definitely a lot of work, but it's fun. I definitely get a few weird looks from the neighbors when they see me spending hours hauling out all this gear and then talking to myself for 20 minutes before bringing it back in 😁
Thanks man! That has now become a permanent part of the setup. I put the 60 watt RGB light over there though so I can play with colors if the mood strikes.
Another great video, Tom! It is very apparent that you have a lot of experience teaching/instructing/educating. Thank you for the clear visual examples of different lighting temperatures and how they react to the camera's WB settings.
Thanks Andy, this is really encouraging to hear! Maybe it's sometimes easier to try and explain things that you were once super confused by since you can remember how it felt? If so, that's great because everything confused me. 😁
It's ridiculous how far lighting technology has come. Even in 2012 when I officially started teaching digital media, halogen and tungsten lights were still the standard (and worrying about student safety around those was an absolute nightmare). I even remember an old broadcast setup where students' makeup would start melting and running during rehearsal because the lights were so hot 😁
13:24 It still amazes me how the eye (at least my eye) kept the reference from the previous frame and when you switched to normal 5100K, your skin tone looked quite cool… It took a few seconds for my eyes to re-adjust. No wonder why it can get really hard to color correct (or even grade) sometimes, especially in non-controlled environments 😅. That was a great video with really awesome explanations. ❤
Very nice that Nanlite sponsors your channel, you nailed the presentation! And all the work with bringing the light out in the garden and setting up... jeez! You're the forza to be reconed with 🙂 This was such a great reminder that I'll need to work deeper with my own lighting. Also great to see how you illustrated with live examples while you were talking colors and all technical stuff. Excuse the "scanning eye" at 16:30, but what's that little cube on your desk beside the Røde mic on the table stand? It was also great to see the camera sliding over your RCPII on a boom arm, I'm working on it..
Haha, you caught the Easter egg. Last year Nanlite sent this little light decoration thing to commemorate their 30th anniversary. It's neat, but I never knew what to do with it. I decided it'd be fun in the background here, and maybe someone from Nanlite would recognize it 😁
I absolutely love your colourful set and your camera settings; mostly I don’t like blue colours, but u know how to well saturate the background and keep a realistic skin tone, the frame is close enough to see your face and movements but not to close and it feels well done.
Hi Tom, could you kindly do a video on how you make your colours so rich and beautiful in all of your videos please? It doesn't greatly help my channel which is all shot outdoors in Africa, but I'd love to know anyway ;-)
You're too kind! I made a video that explains most of my process here: ua-cam.com/video/PbQakLZTWWE/v-deo.html It's honestly really basic and I don't do much beyond playing withe the saturation. I do have a link to download a preset/LUT I made for free: himynameistom.com/downloads
Hey Tom, couple of quick questions for you. If your key light is at 5600K, is there a certain color temperature that practical lights should be? Also, is it generally recommended to have all practical lights be the same color temp? Thanks!
The very general rule of thumb is that you usually want all of your lights to match. That being said, using mismatched temperatures can help to create some really cool moods and atmosphere, so in the end, if you like the way that it looks, that’s the way to go!
Another amazingly helpful video Tom. White balance is a real challenge for me and I still haven’t nailed it. In my house I have warm lights in my lounge and much more bright lights in my hall and kitchen so filming my 2 year old running around just isn’t possible (well until I work out how to crack this) unless I have all lights similar. I then use a grey card for my A7S iii and stick with that Kelvin. This video is great and I’ll watch it a few times !! Thanks again.
It's definitely a tough thing to master. I've noticed that newer cameras are WAY more reliable when it comes to auto white balance, so use that a lot when I'm in constantly changing environments. Sony also has a "shockless WB shift," which creates a super smooth transition between temperatures when it needs to change. Other cameras might have that too. It's really handy!
@@tombuck thanks I think I have tried both those things but matching up video later there are always one or two clips that are way off using auto WB. I tried shooting RAW through the Atomos to be able to change it in post which is great but the Atomos brings in its own challenges we don’t have time to go into lol :-) thanks again !!
Thanks for the "enlightening" video! I tend to prefer the warmer tones but now I'm convinced I should try to go daylight balanced. Been using the Smallrig 120B. It's a great light, especially for the price. Thanks again
When first learning about lighting, I also preferred warmer tones. As time went on, I think I started to feel like daylight made it easier to get natural/accurate colors, and then I could add in adjustments or different lighting as needed. I actually now have two lighting setups in my office: this one for filming videos where everything is daylight balanced, and a couple of other lights set to warmer temperatures for when I'm just working or hanging out in there because it's a lot cozier. 😁
It depends on your needs. If you're working mainly in a home or office setup, then I think a 60 watt or maybe 120-ish watt light would be more than enough.
I have 3 Nanlite LumiPad 25's that I've been running for a couple years. Got a little foldable thingamabob (Amazon) to use to set my white balance on and I'm solid. Good video Tom, hopefully if anyone was in the Dark will see the Light (Ba Dum Tsss!! 🥁)after watching this vid. 😎💡
Thanks for the video! 🙏🏻 I was wondering how you did that amazing out of focus at 10:55. Is it your lens losing the focus of your face and hence fallback'ing to the background or some external help for a manual focus change? 🤔
Haha, that was just pure luck, honestly! I think I accidentally had my camera's autofocus shift sensitivity set high, so it switched to the background as soon as it lost my eye, but it really worked perfectly here!
Dude… you have enough stuff for an actual film lighting company! I’ve been doing it here in NY and it is a really low stress job and you learn a lot of stuff. If anyone invites you to do lighting, do it! It’s fun and not being the camera person equals zero stress, your job is literally making scenes look cool lol
i have on question, why kelvin adjustment for light, more lower your number like 3000, 2500 Kelvin it's more warm, but... in photo adjustment with RAW files, when you adjusting the white balance, more lower number of kelvin of white balance it's more blue?
Cool that you used the 60w for a key on the patio. I had been wondering if that could work. Do you think it would suffice as a key for a desktop setup?
@@tombuck give it a shot some time, RGB lights can't make brown - some interesting colour science behind it. If you really want to blow your mind look into why pink doesn't exist!
Hey Tom, as usual incredible education and content. I know you’ve mentioned it before, but is that a Go Pro you are using for the low wide angle that shows the entire room?
I always have trouble getting good gopro results indoors, but outdoors I try to match my normal cameras as much as possible. I usually use auto white balance though, and then adjust exposure with the shutter speed if needed (still need some ND filters). Otherwise everything is 4K 24 with 10-bit turned on and the colors set to either natural or vivid if I'm feeling fancy.
@@tombuck Oh ok, I’m probably asking too much of the go pro 360 I’m trying to use for my indoor video podcast. I have it sitting in the middle of the setting so I can catch every individuals reaction then crop the 5.2K footage post production. All your videos have been really helpful with setting up, editing, tips and tricks but it’s the one thing that I can’t seem to nail. My footage is still very grainy.
Assume video! Question, for my first key light…Amaran 100 DS, or 100 XS? I will most likely only use in my office for steaming, maybe a few item reviews and possibly once in a while use at different locations indoor, non commercial use. Thank you!
You can probably get by with either one to be honest, but there's definitely something to be said for the versatility of a bi-color light. So I think I might lean towards the XS.
Total pun attack on this video!!! You were very PUNctual for sure! Lighting is a great and fun. Good video as always. So many rgb tubes…..very jealous still lol 😂
3:43 IDK about "Privilege" But... I burnt my left hand on a 5K par once... 😥😥 Still have the scars to remind me. I was volunteering at a local theater then, I was manually running a spot.
Any chance you could put the link for the magnets that you referred to and what stands you’re using for the Pavo tubes in the last shot where they are on the ground? Thanks in advance
That's a tough decision. I've used both and can say that they're each excellent, so you can't go wrong. If you've already got lights from one brand, then I'd probably stick with that for the sake of compatibility. Otherwise, it's a toss up.
I mostly use LED for lighting if I'd like to film something else like my reviews or some face cam shots. LEDs eat less power than the bulbs, But the only one downside of the bulbs is that it eats more power and if it gets used in a long period of time they would eventually get hot and WAY too hot. Meanwhile the LEDs are eat less, Provides the same brightness as the bulbs. And yeah, It lasts for long. And well, The LEDs are my best choice for a video lighting. 😊 I have 3 of them. A Godox, A mini Ulanzi LED and My table LED lamp. (I'm not gonna count the sunlight) But the most of the time I use my Table lamp and my mini Ulanzi LED to light things up and well that's it.
@@tombuck Oh, I forgot to count the LED fan. That one is really bright and it's bright enough to light the scene up and blind my eyes. (If I have it face to my face)
Are cheap $100 led panel square lights terrible? Cause I try using 5600k but 3000k by far looks better than all the other temperatures. Meaning it doesn’t look like a cheap light on 3000k but does on all the other temps.I have a Sony set on auto so it should automatically understand the white balance right?
Honestly modern lights are pretty darn impressive! You'll get more features/brightness/reliability/etc with more expensive ones, but a $100 panel can go a long way. More expensive lights are also more color accurate, but if you're not trying to match a dozen different fixtures or light a Hollywood set, you can probably get by just fine (especially by adjusting camera white balance and colors in editing).
@@tombuck wow turning the lights and aiming at the ceiling is life changing. My lights are finally amazing and I’ve been messing with them for a long time
I was looking to get two 300B two weeks ago and noticing the original version got discontinued - glad the 2nd gen is coming out, especially that smaller power box lol
At what point, and with what verbiage, do “warm” and “cool” flip their meanings? Red is warm and blue is cool in terms of color, but what do you EXACTLY say when you want to express that a light is “hot” in terms of high kelvin. Do you say “hot light temperature” or “hot color temperature” to describe a crisp blue light?
This is a really good question! Maybe someone else will see this and chime in, but I've always just said "warmer" and "colder," as in, "Let's make these lights a little warmer" or "We need to correct this footage to be a bit colder."
Warm light + warm cam is not the same as daylight + daylight cam. The desk looked about the same but your skin was warmer. How can that be? It's due to colour metamerism. Many combinations of wavelengths can equal the same rgb colour, and LEDs often lack a lot of red wavelengths (also called R10 value in one system), so your skin selectively gets warmer in warmer light even with the matching setting on the camera. This is also related to CRI. (Hard to explain colour science in a short comment).
@@tombuckSold it to purchase the FX3 to connect the MKH50 with. The moral of the story is if I start a business, I'll sponsor you. You poisoned me to purchase stuff I didn't know I need ._.
Two of the things I really appreciate about your videos: 1) the content. great stuff. 2) Your puns. I find it so hard to do that on video. You inspire, sir.
Thank you for the kind words 🙏
I guess you can say Tom knows how to “Buck” the system! 😆
Got really surprised to see just a shy 5k viewers on a top quality video like this one, I can't imagine how much time you spent on the production + editing + working in this description and etc... So kudos to you and wish your channel to skyrocket.👍
Thanks for the kind words Rafael!
I really appreciate you always going the extra mile, the extra step to make your videos crispy clean! The Edit, the Audio, the Broll shots 🙌! I really see your passion and the love you put in! It‘s the little things! Brilliant! keep it up Tom!
Thank you Ian! It means a lot to know that the extra time and effort is noticeable!
it might just be me but it feels like the editing has gotten way better and being someone who has watched a lot of your videos i just love the camera work and all the new angles. very good job.
Thank you! I've really been trying to get a little better with each video. One thing that's helped is that whenever I see someone's video that I really like, to spend some time figuring out WHY I like it and try to look at what they did. A lot of great ideas have come from channels outside of the photo/video niche. There's always something cool to learn!
Thank you so much for all these videos. I found your channel a couple of weeks ago and have been watching every single video! You are helping me bring my channel to a more professional level!
I’m really happy to hear that! Good luck with your channel!
Your lighting videos are the best out there- I’ve gotten more actionable advice from yours than any others - awesome
Wow, that means a lot to hear! Lighting is tricky and I often feel like I don't know what I'm doing 😁
New Nanlite Flex, Yessir. These look amazing
I think I'm set for lights for the rest of my life 😁
The amount of time you must have put into this video with the lighting setups blows my mind🤯….you are a machine! Sometimes I talk myself out of a video idea simply because I know how much time it would take to clean up after it’s over 🤣😂 Great video as always
Thank you Mike! This was definitely a lot of work, but it's fun. I definitely get a few weird looks from the neighbors when they see me spending hours hauling out all this gear and then talking to myself for 20 minutes before bringing it back in 😁
New Tom Buck video! What a great morning!
Great overview, that side angle studio setup is a really cool/unique look.
Thanks Andrew! I'm really liking it when I need to switch things up.
Your background play with the light cookies is really fun. Wish UA-camrs did that more than simply throwing up color tube lights.
Thanks man! That has now become a permanent part of the setup. I put the 60 watt RGB light over there though so I can play with colors if the mood strikes.
Another great video, Tom! It is very apparent that you have a lot of experience teaching/instructing/educating. Thank you for the clear visual examples of different lighting temperatures and how they react to the camera's WB settings.
Thanks Andy, this is really encouraging to hear! Maybe it's sometimes easier to try and explain things that you were once super confused by since you can remember how it felt? If so, that's great because everything confused me. 😁
I really like this explanation of color temperature and the examples you showed. So helpful! LED lights are so cool. Literally.
It's ridiculous how far lighting technology has come. Even in 2012 when I officially started teaching digital media, halogen and tungsten lights were still the standard (and worrying about student safety around those was an absolute nightmare).
I even remember an old broadcast setup where students' makeup would start melting and running during rehearsal because the lights were so hot 😁
@@tombuck Wow! Yep, LED lights are a vastly under appreciated tech improvement in so many levels.
Very timely. I just got a new cob light with a parabolic softbox and this makes it make more sense why I like the settings I have it set at.
So glad it helped! I'm sure the softbox makes a world of difference.
13:24 It still amazes me how the eye (at least my eye) kept the reference from the previous frame and when you switched to normal 5100K, your skin tone looked quite cool… It took a few seconds for my eyes to re-adjust.
No wonder why it can get really hard to color correct (or even grade) sometimes, especially in non-controlled environments 😅.
That was a great video with really awesome explanations. ❤
Thank you Tom for the explanation for lighting
My pleasure!
Very nice that Nanlite sponsors your channel, you nailed the presentation! And all the work with bringing the light out in the garden and setting up... jeez! You're the forza to be reconed with 🙂
This was such a great reminder that I'll need to work deeper with my own lighting. Also great to see how you illustrated with live examples while you were talking colors and all technical stuff.
Excuse the "scanning eye" at 16:30, but what's that little cube on your desk beside the Røde mic on the table stand? It was also great to see the camera sliding over your RCPII on a boom arm, I'm working on it..
Haha, you caught the Easter egg. Last year Nanlite sent this little light decoration thing to commemorate their 30th anniversary. It's neat, but I never knew what to do with it. I decided it'd be fun in the background here, and maybe someone from Nanlite would recognize it 😁
I absolutely love your colourful set and your camera settings; mostly I don’t like blue colours, but u know how to well saturate the background and keep a realistic skin tone, the frame is close enough to see your face and movements but not to close and it feels well done.
Wow José, thank you! This really means a lot to me to hear.
Great resource, thanks for covering the full spectrum of color options
Really glad it was helpful!
I definitely noticed and appreciated the fun, extra little lighting details in your space :)
Thank you Brittany! I'm definitely keeping some of them permanently now 👍
Thanks!
Hi Tom, could you kindly do a video on how you make your colours so rich and beautiful in all of your videos please?
It doesn't greatly help my channel which is all shot outdoors in Africa, but I'd love to know anyway ;-)
You're too kind! I made a video that explains most of my process here: ua-cam.com/video/PbQakLZTWWE/v-deo.html
It's honestly really basic and I don't do much beyond playing withe the saturation. I do have a link to download a preset/LUT I made for free: himynameistom.com/downloads
Great video bro, Love the GoBo lighting Anime lines in the back😜 and the hyper-lapse outro 🔥
Yes! Anime! haha
It's also important to manually set the white balance of the camera with a white or gray card.
Very true and very helpful.
Nice! Thanks for sharing!
Thanks for brightening up my life!
Havent seen the video yet but i know itll be awesome!
dang that intro edit is really solid, nice job Tom.
Thank you! It was a ton of fun!
Hey Tom, couple of quick questions for you. If your key light is at 5600K, is there a certain color temperature that practical lights should be? Also, is it generally recommended to have all practical lights be the same color temp? Thanks!
The very general rule of thumb is that you usually want all of your lights to match. That being said, using mismatched temperatures can help to create some really cool moods and atmosphere, so in the end, if you like the way that it looks, that’s the way to go!
Another amazingly helpful video Tom. White balance is a real challenge for me and I still haven’t nailed it. In my house I have warm lights in my lounge and much more bright lights in my hall and kitchen so filming my 2 year old running around just isn’t possible (well until I work out how to crack this) unless I have all lights similar. I then use a grey card for my A7S iii and stick with that Kelvin. This video is great and I’ll watch it a few times !! Thanks again.
It's definitely a tough thing to master. I've noticed that newer cameras are WAY more reliable when it comes to auto white balance, so use that a lot when I'm in constantly changing environments. Sony also has a "shockless WB shift," which creates a super smooth transition between temperatures when it needs to change.
Other cameras might have that too. It's really handy!
@@tombuck thanks I think I have tried both those things but matching up video later there are always one or two clips that are way off using auto WB. I tried shooting RAW through the Atomos to be able to change it in post which is great but the Atomos brings in its own challenges we don’t have time to go into lol :-) thanks again !!
Well done. Informative and easily understood. Thank you.
Glad you enjoyed it! Always nice to know it makes sense!
This was delightful! Thanks, Tom!
Thanks for the "enlightening" video! I tend to prefer the warmer tones but now I'm convinced I should try to go daylight balanced. Been using the Smallrig 120B. It's a great light, especially for the price. Thanks again
When first learning about lighting, I also preferred warmer tones. As time went on, I think I started to feel like daylight made it easier to get natural/accurate colors, and then I could add in adjustments or different lighting as needed.
I actually now have two lighting setups in my office: this one for filming videos where everything is daylight balanced, and a couple of other lights set to warmer temperatures for when I'm just working or hanging out in there because it's a lot cozier. 😁
I love that projector attachment with those awesome designs. I may need to get one! 😂
It’s become a permanent part of the setup after this! I put the RGB light behind it now for more options.
Just found this channel. I was about to pull the trigger on aputure 300d ii and a 60d but now I'm stumped if I should invest on these
It depends on your needs. If you're working mainly in a home or office setup, then I think a 60 watt or maybe 120-ish watt light would be more than enough.
@@tombuck thank you. I am working mostly indoors.
To some degree, nice warm up!
I have 3 Nanlite LumiPad 25's that I've been running for a couple years. Got a little foldable thingamabob (Amazon) to use to set my white balance on and I'm solid. Good video Tom, hopefully if anyone was in the Dark will see the Light (Ba Dum Tsss!! 🥁)after watching this vid. 😎💡
Yeah... 6:25 smooth transition! 😅
Yeah... turn them off to be de-lighted... 😅
Thanks Nick! Glad your lights have been going strong for a few years now!
I love to nerd out with you!!!! Never stop teaching!!!!
Thank you! That’s wildly encouraging to hear.
@@tombuck 🙌🏾
This was lit! Thanks for the warmup.
Nothing like a smooth transition that calls itself out as a smooth transition...
Don't ever change.
It was the smoothest thing to do 😁
Thank you for illuminating us on this topic 💡
Glad it was enlightening!
Thanks for bringing light to the world of color temperature. You really opened our eyes to a cool topic! 😉
Ps. What is the pavo tube holder you have on your c stand? (the one that holds 4 of them)
It's one from Nanlite- they have a ton of cool accessories!
Thanks for the video! 🙏🏻
I was wondering how you did that amazing out of focus at 10:55. Is it your lens losing the focus of your face and hence fallback'ing to the background or some external help for a manual focus change? 🤔
Haha, that was just pure luck, honestly! I think I accidentally had my camera's autofocus shift sensitivity set high, so it switched to the background as soon as it lost my eye, but it really worked perfectly here!
@@tombuck hehe, indeed puurfect timing. :3
As always Tom, top notch man!
Dude… you have enough stuff for an actual film lighting company! I’ve been doing it here in NY and it is a really low stress job and you learn a lot of stuff. If anyone invites you to do lighting, do it! It’s fun and not being the camera person equals zero stress, your job is literally making scenes look cool lol
Haha, I seriously don't think I need another light for the rest of my life. More modifiers and soft boxes though...🤔
Amazing video Tom... as usual :)
i have on question, why kelvin adjustment for light, more lower your number like 3000, 2500 Kelvin it's more warm, but... in photo adjustment with RAW files, when you adjusting the white balance, more lower number of kelvin of white balance it's more blue?
Cool that you used the 60w for a key on the patio. I had been wondering if that could work. Do you think it would suffice as a key for a desktop setup?
Absolutely! I honestly don't think most home setups need more than a 60watt for the most part.
Another awesome video! And that run through at the end deserves a chef's kiss. Just one question - any chance you can set the tubes to brown? 😜
Thanks Kane! There are some nice yellow/orange/gold settings, but I don't know about a brown 😁
@@tombuck give it a shot some time, RGB lights can't make brown - some interesting colour science behind it. If you really want to blow your mind look into why pink doesn't exist!
Great information!! 😎👍
Hey Tom, as usual incredible education and content. I know you’ve mentioned it before, but is that a Go Pro you are using for the low wide angle that shows the entire room?
Yep, I like to have it rolling a lot of the time, even if I don't end up using much of the footage.
As always Great Video review Tom
I appreciate that!
Do you have a video on your setup, I like your light setup. How did you get that light setup.
I included a little bonus tidbit at the end of this video about each lighting setup 👍
Fantastic teacher. Thank you!
Thank you Lee!
Thanks for sharing! Very informative video🙌🏽✨
Yessss....absolutely de-light-ful!!!
I’m just here for the puns. The lighting tips are bonus. Love your videos!
Came for the lights, stayed for the puns. 👍
Great video Tom. What light settings do you have your GoPro on for your normal videos?
I always have trouble getting good gopro results indoors, but outdoors I try to match my normal cameras as much as possible. I usually use auto white balance though, and then adjust exposure with the shutter speed if needed (still need some ND filters). Otherwise everything is 4K 24 with 10-bit turned on and the colors set to either natural or vivid if I'm feeling fancy.
@@tombuck Oh ok, I’m probably asking too much of the go pro 360 I’m trying to use for my indoor video podcast. I have it sitting in the middle of the setting so I can catch every individuals reaction then crop the 5.2K footage post production. All your videos have been really helpful with setting up, editing, tips and tricks but it’s the one thing that I can’t seem to nail. My footage is still very grainy.
Any tips at all?
Superb video, sir.
Thank you so much!
This video was very...
...
enlightening...
Assume video! Question, for my first key light…Amaran 100 DS, or 100 XS? I will most likely only use in my office for steaming, maybe a few item reviews and possibly once in a while use at different locations indoor, non commercial use. Thank you!
You can probably get by with either one to be honest, but there's definitely something to be said for the versatility of a bi-color light. So I think I might lean towards the XS.
@@tombuck thank you 🙏
Total pun attack on this video!!! You were very PUNctual for sure! Lighting is a great and fun. Good video as always. So many rgb tubes…..very jealous still lol 😂
You'd better RGB-lieve they're awesome!
3:43 IDK about "Privilege" But... I burnt my left hand on a 5K par once... 😥😥
Still have the scars to remind me.
I was volunteering at a local theater then, I was manually running a spot.
Ahh yes, the scars of privilege 🩹
Any chance you could put the link for the magnets that you referred to and what stands you’re using for the Pavo tubes in the last shot where they are on the ground? Thanks in advance
There’s a link to the magnets in the description, and the small stands are ordered directly from Nanlite. 👍
@@tombuck thank you. missed that in the description. Ordered the stands today.
whats the name of that camera you pulled out in the beginning?
That's the good ol' Canon XL1!
Hey Tom. Might wanna fix the link for the magnets. It looks a little something like(this haha
Ahh yes, that's a typo. My bad 😬
@@tombuck And then there's me realizing I completely didn't type "fix the" in my comment smh
what is that Canon camera at the beginning of the video? never seen that
It's the XL1! An oldie but a goodie. I've got a whole video about it: ua-cam.com/video/wUJeAPzW1uA/v-deo.html
thanks!@@tombuck
I’m shocked you didn’t cover the fun fact that the temperature scale derives from the color of a flame at different temperatures. 👍
I just can't debate which lights to buy Forza 300B II or Aputure 300x
That's a tough decision. I've used both and can say that they're each excellent, so you can't go wrong. If you've already got lights from one brand, then I'd probably stick with that for the sake of compatibility. Otherwise, it's a toss up.
I mostly use LED for lighting if I'd like to film something else like my reviews or some face cam shots.
LEDs eat less power than the bulbs, But the only one downside of the bulbs is that it eats more power and if it gets used in a long period of time they would eventually get hot and WAY too hot.
Meanwhile the LEDs are eat less, Provides the same brightness as the bulbs. And yeah, It lasts for long.
And well, The LEDs are my best choice for a video lighting. 😊
I have 3 of them.
A Godox, A mini Ulanzi LED and My table LED lamp. (I'm not gonna count the sunlight)
But the most of the time I use my Table lamp and my mini Ulanzi LED to light things up and well that's it.
LED lights really are amazing, considering how far they've come in a pretty short period of time.
@@tombuck Oh, I forgot to count the LED fan.
That one is really bright and it's bright enough to light the scene up and blind my eyes. (If I have it face to my face)
Are cheap $100 led panel square lights terrible? Cause I try using 5600k but 3000k by far looks better than all the other temperatures. Meaning it doesn’t look like a cheap light on 3000k but does on all the other temps.I have a Sony set on auto so it should automatically understand the white balance right?
Honestly modern lights are pretty darn impressive! You'll get more features/brightness/reliability/etc with more expensive ones, but a $100 panel can go a long way.
More expensive lights are also more color accurate, but if you're not trying to match a dozen different fixtures or light a Hollywood set, you can probably get by just fine (especially by adjusting camera white balance and colors in editing).
@@tombuck Okay thanks Tom
@@tombuck wow turning the lights and aiming at the ceiling is life changing. My lights are finally amazing and I’ve been messing with them for a long time
My Tom is using 300B II already! yoooooooooooooo
I was looking to get two 300B two weeks ago and noticing the original version got discontinued - glad the 2nd gen is coming out, especially that smaller power box lol
At what point, and with what verbiage, do “warm” and “cool” flip their meanings? Red is warm and blue is cool in terms of color, but what do you EXACTLY say when you want to express that a light is “hot” in terms of high kelvin. Do you say “hot light temperature” or “hot color temperature” to describe a crisp blue light?
This is a really good question! Maybe someone else will see this and chime in, but I've always just said "warmer" and "colder," as in, "Let's make these lights a little warmer" or "We need to correct this footage to be a bit colder."
LE’ Delighted 😂😂
Warm light + warm cam is not the same as daylight + daylight cam. The desk looked about the same but your skin was warmer. How can that be? It's due to colour metamerism. Many combinations of wavelengths can equal the same rgb colour, and LEDs often lack a lot of red wavelengths (also called R10 value in one system), so your skin selectively gets warmer in warmer light even with the matching setting on the camera. This is also related to CRI. (Hard to explain colour science in a short comment).
Tom lights up my life haha
💡☀️
Rivals the surface of the sun 😂
Rivals 👀
I come here for the puns. The education is a side benefit 😉
I love to hear it.
OH!!! I thought this was a video by Sean Paul!
Pun game on point. 😄
Imagine getting sponsored by Nanlite... I just sold my wife's kidney to purchase the MKH50.
I’m sure you must still have a perfectly good arm and/or leg lying around?
@@tombuckSold it to purchase the FX3 to connect the MKH50 with. The moral of the story is if I start a business, I'll sponsor you. You poisoned me to purchase stuff I didn't know I need ._.
Tom Buck is Ted Lasso reincarnated as a UA-camr....prove me wrong.
You might as well call me Alyssa Milano because I'm Charmed.
My guy knows a lot about lights.
How’s lifee?-amigo.thanks-excellent job! 🖖