Classical Male Voices
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- Опубліковано 4 жов 2013
- Operatic voices - Voices with proper classical technique and skills which can be heard without amplification throughout the opera house, over the orchestra and choir.
Male voice types:
The male classical singing voice can be broadly classified by their tessitura (comfortable range) as follows:
1) Tenor : Male voice with the highest tessitura. Range: A3 to C5(or higher)
2) Baritone : Middle-range voice type for men and is the most common male voice. Range: G2 to A4
3) Bass : The lowest voice type, with the lowest tessitura. Range: C2(or lower) to F4
The above 3 voice types can be further divided on the basis of their vocal weight and quality as:
a) Lyric : A warm voice with a bright, smooth and full timbre and can be heard over a big orchestra.
b) Dramatic : A powerful, rich, emotive voice that can sing over a full orchestra with ease. Usually has a lower tessitura than the Lyric voice.
c) Buffo : A voice with good acting ability, and the ability to create distinct voices for his characters. This voice specializes in smaller comic roles.
Other voices include:
- CounterTenor : A type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice. True countertenors are extremely rare and the part is usually sung by baritones using falsetto.
- Leggero Tenor : This voice is light, agile, and capable of executing difficult passages of fioritura.
- Spinto Tenor : This voice has the brightness and height of a lyric tenor, but with a heavier vocal weight and can be "pushed" to dramatic climaxes without strain
- Helden Tenor : A rich, dark, powerful and dramatic voice with a more baritonal quality.
- Mozart Tenor : A tenor voice with characterised by flawless and slender emission of sound as that of an instrument.
- Baryton-Martin : A Baritone with a lighter, almost tenor-like quality.
- KavalierBariton : A metallic voice, that can sing both lyric and dramatic phrases, a manly noble baritonal color.
- Verdi Baritone : A type of dramatic baritone who is capable of singing consistently and with ease in the highest part of the baritone range.
- Bass-baritone : A voice in the lower range for a baritone and the higher range for a bass. Sub-classified into lyric and dramatic bass-baritones.
- Basso Profundo : A very deep bass voice. The voice with the lowest tessitura. Sub-classified into lyric and dramatic Basso Profundos.
Shtokolov was a very very great Bass when the USSR had many great Basses. I actually heard him in Moscow and it was one of the great pleasures of my 104 years, Melchior was irreplaceable !
Incredible I wish you the best sir.
I'm a dramatic baritone. At first I didn't like that my voice is dark and I sound like a 40yr old man but I realised it has many pros. Dramatic voices are fuller and richer than lyric ones.
I'm very jealous of their extraordinary vocal ability.
*After hearing the last voice* And who says a Bass can't sound beautiful?
Dramapony One truth is that basses are very limited because the only notes they do perfectly are low notes and they struggle with higher notes. I don't care though because being bass must be freaking awesome to hit those really low notes :D
Numnum I can relate to it :D I'm not a bass, I'm a dramatic baritone but singing above D4 is so painful for me xD
I know right...Have a listen to Paul Robeson :-)
Nekros97 That doesn't have to mean anything. I can comfortably sing as a lyrical basso profundo and as a baritone, but i can also go up into tenor ranges if needed, although I probably wouldn't try to sing an entire role or song in it.
I can fit the last voice and nothing else xD the guy before dropped a hair too low for me and everyone else was like WAY TOO HIGH
Phillip Jaroussky - Counter Tenor.
Juan Diego Florez - Leggero Tenor
Luciano Pavarotti - Lyric Tenor
Franco Corelli - Spinto Tenor
Mario Del Monaco - Dramatic Tenor
Lauritz Melchior - Helden Tenor
Jacques Jansen - Baryton - Martin
Dietrich Fizcher - Dieskau - Lyric Baritone
Leo Nucci - Kavalier Bariton
Ettore Bastianini - Dramatic Baritone / Verdi Baritone
Bryn Terfel - Lyric Bass-Baritone
Hans Hotter - Dramatic Bass-Baritone
Samuel Ramey - Lyric Bass / Basso Cantabile
Cesare Siepi - Dramatic Bass / Verdi Bass
Giorgio Tadeo - Lyric Basso Profundo
Boris Shtokolov - Dramatic Basso Profundo
dal vivo :
Samuel Ramey - basso cantante ?!...
ahahahahahahahahahahahahah !
Giorgio Tadeo - basso profondo ?!...
ahahahahahahahahahahahahah !
Boris Shtokolov - basso profondo ?!...
ahahahahahahahahahahahahah !
Jan diego Florez - tenore leggero ?!...
ahahahahahahahahahahahahah !
Leo Nucci - kavalier bariton ?!...
ahahahahahahahahahahahahah !
Bryn Terfel - Lyric Bass-Bariton ?!...
ahahahahahahahahahahahahah !
no comment
What would a G1 be considered as? Dramatic bass? Lyric basso profundo?
And Dmitri Hvorostovsky?
G1 is usually only used by octavists in russian liturgical music.
Nice collection , Most people confuse Leggero with tenore di grazia. Leggero is the make equal of a Coluratura. Its a style not a sound. The Rossini tenor is a leggero. Florez qualifies. . I feel like Ramey and Siepi were both Basso Cantante (cantabile), even though Siepi had the lowest notes of a profundo. I think of dramatic basses more in Wagner- THe wander, Fafner, Hundig types. Since the Verdi baritone is really an American creation, I wonder you didnt use an Americsn as the example. Tibbett, Warren, MacNiel, Milnes. Bastianini , a great singer to be sure, is not typical of the Verdi baritone.
I don't know any of these singers or anything about opera but oh shit does Mario Del Monaco stand out to me out of all these guys. He just oozes emotion and that voice...oh my god!!!!
It’s worth noting that he’s lip syncing in that footage. He would not look that calm singing it live.
William Meinert There is a live version of his esultate of the 1959 tokyo version. Also his 1951 version is just worth hearing his voice. Thus, del monaco in his prime did look pretty calm while singing.
이준혁 I’m not saying he didn’t look secure singing live. Just that the clip here makes it look like he’s expending no effort at all.
William Meinert Yeah. That is true. Most of the time when del monaco lip syncs, he doesn't open his mouth widely unlike when he is really singing.
I adore Mario del Monaco's voice.
This is *so* helpful, exactly what I was looking for! Great choices for examples too!
my jaw litteraly dropped when i heard the first one
same o.o
But why so?
Countertenors are known to sound angelic. The replacement of the Castrati.
Thank you for sharing this. My music-loving kids have been asking me questions about vocal ranges/categories, so I hit UA-cam hoping to find examples of each, and this was exactly the sort of thing I was looking for.
Thank you. Took me way to long to find a simple example video of vocal ranges.
It does not matter what "Fach" you are.
It only matters how beautifully you sing.
You sing best when truly being yourself.
ONeirda #1 bastianini. el mejor
ONeirda You are right.
why do i always see this "inspirational" words everywhere? lol.
Your too kind. In actuality when wanting someone to understand what thier voice type is capable of it’s perfect. Once every expected technique is controlled, then one can expand their capabilities in unexpected registers/keys etc.
no..
00:06 Countertenor
00:36 Leggero Tenor
1:02 Lyric Tenor
1:27 Spinto Tenor
1:48 Dramatic Tenor
2:14 Heldentenor
2:43 Baryton-Martin
3:01 Lyric Baritone
3:20 KavalierBariton
3:45 Dramatic Baritone / Verdi Baritone
4:15 Lyric Bass-Baritone
4:40 Dramatic Bass-Baritone
5:00 Lyric Bass / Basso Cantabile
5:30 Dramatic Bass / Verdi Bass
5:50 Lyric Basso Profundo
6:30 Dramatic Basso Profundo
I'm embarrassed I've not even heard of say 98% of those tremendous singers male or female and yet their voice resonates. wow. I'm impressed by the DNA of people's gifts. I want more... See us humans aren't all bad we actually have something to offer..
@@kuwandak Of course, DNA is a factor in these wonderful voices, along with hard training.
Outstanding compilation!
I am a Verdi Baritone classically trained in Bel Canto, but I sing musical theatre and Gospel. Over the last 23 years I have stretched my mix voice range up to an E5, my full chest voice tops out at A#4. Falsetto is up to G5 currently, and I bottom out at a D2.
Wow... the first and last ones gave me chills
me too
Hi. Lyric tenor here. Strong, full, bright and ringing, melodic, warm, colorful, somewhat agile and light. [Bb2] C3-B4+ [E5]. My passaggio is F#4-G4.
Strong work!!!!
1st voice...beautiful.
Also check the video "Classical female voices"
Classical Female Voices
Thank you for your hard work !
This is so angelic 👼
Génial !!!! Merci.
cette vidéo est fausse sur certaines parties...
Amazing!
Thank you for the very imformative video.
Is there a full length version of the Melchior video.
Much appreciated.
Ótima lista!
The 16 classical male singing voice from countertenor to drain basso profundo are :
1. Countertenor
2. Leggiero Tenor
3. Lyric Tenor
4. Spinto Tenor
5. Dramatic Tenor
6. Heldentenor
7. Baryton-Martin
8. Lyric Baritone
9. Cavalier Baritone
10. Dramatic Baritone
11. Lyric Bass-Baritone
12. Dramatic Bass-Baritone
13. Lyric Bass
14. Dramatic Bass
15. Lyric Basso Profundo
&
16. Dramatic Basso Profundo
That's all!!!!!!!!!!!!!!!!
Cavalier is not a real fach. Is just Dramatic and Lyric, and Verdi is just a sub-type of a Dramatic Baritone and more of a repertoire than a stable voice type. Every mature trained Baritone should sing Lyric and Dramatic repertoire.
There are also different types of countertenors
1-10 high voices
11-16 low voices
1. Lyric
2. Spinto
3. Dramatic
4. Baritone
5. Bass
That's all I got. Good luck actually dividing full repertoires into SIXTEEN categories.
@@voicualex87 Lyric and dramatic voices sing different repertoire for a reason. Just look at Hvorostovsky & Pavarotti singing the duet Invano Alvaro, form La Forza Del Destino. Hvorostrovsky is clearly forcing his voice too keep up with the dramatic demands. Compare that version to Ettore Bastianini & Corelli - Invano Alvaro 1958 live in Naples. Bastianini does not have to force himself or his voice to keep up with the dramatic demands. The history of opera is littered with lyrical singers damaging their voices by singing dramatic repertoire.
Cool....All the male ranges.
Jessica Prasetyo I was looking for a bass-baritone example coz I am a bass-baritone also. They found great examples, I agree.
the dramatic basso profundo sounds scary to me.. maybe this is why the stigma of tenor=hero and bass=villian is alive.
I'm hearing in my head the scene when Siegfried kills the Dragon. Thats a scary bass role!
belle selection
3:27 me in the shower
😅 😅
We can be best singer when shower hahahaha
De um modo geral o video é muito interessante. Mas na minha modesta opinião o Cesare Siepe é um Baixo Profundo Lirico. O Baixo Dramático seria Nicolai Ghiarov. O restante esta correto.
For me, Leo Nucci is a Dramatic/Helden Tenor
I agree
Yes or martin
Yeah Leo Nucci is a tenor for sure
I hummed some tenor examples and I feel like my voice would sing more on the dramatic/heldentenor tessitura with a range from B2 - B4 that in the future I may have a dramatic tenor and heldentenor singing career but it's too hard to tell.
@@user-cy6xl3vd3f True but the Heldentenor also would have the power to sing Wagnerian roles including Siegfried and Tristan.
It isn't about singing higher or lower. It is about the weight and size of the voice. Franco Corelli was a dramatic spinto with a big voice and he could sing better high notes then many lyric tenors, check out Corelli singing A Te O Cara an aria for a leggero tenor, the difficulty with a voice like that is the weight and flexibility not necessarily the range. Tito Schipa was a leggero tenor who couldn't sing a C5. A heldentenor or a dramatic tenor is a big, loud, heavy and powerful voice, that needs to sing over massive orchestras with brass instruments.
Bellissima carrellata di voci maschili: apprezzo molto l'inclusione del basso Giorgio Tadeo
4:54
Nabucco: Act 1, Fli Arredi Festival… Sperate O Figli
(by Verdi)
A lyric tenor has a bright, strong, full timbre voice and can be heard over a big orchestra. Does Bocelli have a strong, full timbre voice?
Examples of Lyric tenors are Pavarotti, DiStefano, etc
A spinto has a heavier voice than a lyric and can have a slightly lower tessitura. eg. Corelli, Domingo,etc.
Check the description below the video to read more about the voice types.
Have u ever thought about doing a part ii using different singers?
You've copied it all from Wikipedia
@@newhope5729 so what?
@@user-cy6xl3vd3f That means there's no depth to the knowledge.... Whatever was written there has been pasted here without taking any care about the correctness and originality
@@newhope5729 it doesn't mean he doesn't know what he is talking about. He might have gone on Wikipedia to find something to lean on when trying to make himslef clear, because maybe he was insecure about it. And what he says here is true anyway. This is how a confident and experienced person would have put it without searching on the internet, so I don't see your point.
Well I'll be fached!!
😂
Nucci is a Spinto Tenor, actually.
Yup , dramatic bass profundo
I can sing Christina Aguilera songs faulty easily and some Maroon 5 songs. What vocal type would I be considered in?
According to my tessitura and my passagios I am a Light Lyric Bass-Baritone. The thing is my tone is very light, which means people tend to think i sing/speak high, when i can easily project an F2 without a mic
yea if you can project a f2 without a mic fairly easy then you probably a bass-baritone of some sort my lowest not i can project without a mic is c#3 but i can sometimes get a b2 for my voicetype im not sure alot people sayimg im a lyrics baritone why a few think im a light lyric tenor which still suprise me
I'm not a male. However, according to my range/tessitura, I am a contralto. I can hit lower notes naturally.
Only Tenors and Sopranos are divided into Light Lyric and Full Lyric.
Mimi Brit Adele yeah now I know that :) (the original comment was posted 6 months ago)
But it does show the limits of the Fach system, which is favorable for tenors and sopranos
@@waynegray7923 if you have issues on thoise notes then you are probably indeed a light lyric tenor. A baritone can project in the 2nd octave with ease. I am a tenor (don't know what type, sometimes i sound like a leggero and sometimes like a spinto, idk why ...) and i struggle on notes belloe f3 and i can only project with ease and consistenly down to d3, bellow that i can project but have issues even with support at times, my voice sounds, shaky, cracky and throathy most of the time, i even full on crack or start to sing in fry bellow b2.
Ramey is indeed a bass-baritone. When compared to Cesare Siepie, Jerome Hines (or hell even bass-baritones like George London and Hans Hotter) his voice is much lighter but still carries weight on the bottom utmost parts of the voice (G2, F2, E2)
deadwalke - good that you took this point. The classification of tenor/baritone/bass has more to do with the range than the weight/lightness of the voice. Lyric/Dramatic determines if it's a light or darker/heavier voice. As you had mentioned Ramey has a light voice and siepi/hotter has a heavier voice and so one is a "lyric" and the other is a dramatic. Meanwhile you've also noticed that Ramey has stronger lower notes showing his range which classifies him as a bass whereas hotter is a bass-baritone with a comparatively upper range. Hope this clarifies it.
Technically, a dramatic tenor/baritone/bass sings with a low positioned larynx while a lyric has mid-high larynx position.
A bass-baritone is a term that includes both high basses and lower baritones. You can be a true bass and a bass-baritone at the same time, though bass-baritone usually means a baritone with bass-like properties.
Can I have a list of songs please....
I'm a Bass (C2-G4), I don't know whether if I'm a lyric, dramatic or a profundo? What is the difference between the three of their timbres?
Shottoru Is it still possible to tell you? Hah.
You've copied the text in your description from Wikipedia..... Also the Tessituras given in the description are a little wrong.......
I learn to sing opera i am a bass (D2-E4) but its very hard for me to sing highest notes. Everything under C4 sounds good but if i go upper....
Very Interesting video. Are you a singer or do study classical singing? :)
What do you guys think of the baryton-martin voice type? It's my fach and it's not used in today's opera much.
Hay un error jarousky no es contratenor, es sopranista. Que cante repertorio de contratenor no lo hace contratenor. Por el contrario David Daniels es fiel contratenor.
i love spinto tenor voice
I think I cross between a lyric bass baritone and a dramatic basso profundo.
There are a couple more ambiguous ones, the haute-contre for example, or ultra-high tenor.
This makes me curious about a few Finnish opera singers. Martti Talvela was an operatic bass with a very powerful voice, though I'm not sure which subtype he fell under. A lyric or dramatic basso profundo, maybe? Then there's bass-baritone Hannu Forsberg and tenor Tom Nyman whose subtypes I'm not sure of.
In case anyone wants to take a crack at figuring them out, here's Talvela: ua-cam.com/video/lM531FqMvqE/v-deo.html; Forsberg: ua-cam.com/video/7My2UNiZBwU/v-deo.html; and Nyman: ua-cam.com/video/YdMeEhnA-8Y/v-deo.html
I have a c3 to g4 range and my lows sound fake and weak, but my highs are way too thin, can somebody help me? I'm 21 btw.
What is the name of that aria that Mario del Monaco sang?
Esultate! from Verdi's Otello.
It's fascinating to me how basses seem to have the slowest vibratos.
Especially on the lower range.
Sound is a wave, so it makes sense.
@@williammountfield8508 Your explanation doesn't explain anything
@@AT-zr9tv frequency times wavelength is a constant, higher notes have a higher frequency therefore low notes have a longer wavelength, which makes a slower vibrato easier on the voice.
@@williammountfield8508 I still don't understand your explanation.
Vibrato is independent of pitch. Its frequency is between 5Hz and 7Hz. Vibrato occurs when air pressure above and below the vocal folds balance out. But again, it's independent of pitch.
What’s Bastianini singing? I’d like to hear the original recording.
EDIT: Finally found it.
ua-cam.com/video/p2Vo50JZep8/v-deo.html
Please which song is juan Diego Flores singing? This is a beautiful compilation.
Pour mon ame
@@vitormrmr thank you
Different sources distinguish different classifications. If voice strong enough it is not complete lyric tenor. Lyric voice is mild mellow smooth. If voice has a height and enough strong and brightness it's a spinto tenor. There is two tipes of spinto: Lyric spinto (lower weight, less strength and brightness) and Dramatic spinto (higher weight like a lyric, but more power and brightness) I convinced that there is no vivid bound between. Some voices can be defined as both.
Franco Corelli fits in second example( spinto dramático)
Question how the hell do I acquire high range I am limited to D2-C#4
Same bro!!!
With head voice. Search a professional teacher. If you can't afford one, look at youtube videos.
Bass baritone maybe
Well you're probably a bass baritone like me. I always wanted and tried to sing like a tenor. But it's not gonna work and that's ok. Your range doesn't need to be as big as fredie mercury's. I mean Sinatra and Elvis didn't have an amazing range but they still are a legend today.
Just be yourself man
When someone classifies male voices at least should state how he does that.
+Luis Montecinos - Please check the description
List went off track when hans hotter was called a dramatic bass-baritone and siepi a dramatic bass
This is a little silly. There is a well defined male operatic fach that is not even mentioned - Basso Buffo. The video maker has included a category Heldentenor which is essentially a dramatic tenor just singing in German. Leo Nucci made his career singing Verdi baritone parts but here is called a Clavier Baritone. Usually that term is reserved for parts like the Count in Le Nozze which stop at around F Sharp. Verdi baritones sing a little higher.
The fundamental frequency of human voices is a function of the length of the vocal cords and these vary continuously. They do not come in discrete fixed ranges. I'm a bass but I can manage some baritone parts (damn few) and have performed some. Many natural baritones can sing tenor (e.g. Domingo, Bergonzi, Ordonez) Most guys like to move up if they can because the high parts pay better.
buffo tenor too
@@adamirfan6986
Right. The most famous buffo tenor part isn't in opera but operetta - Eisenstein in Fledermaus. Sometimes it's done by operatic baritones and other times by tenors. It has a lot of acting requirements so the casting is only determined by vocal range. There is another real tenor part (Alfred) in Fledermaus so I think baritones are usually preferred to keep balance. Of course there is also a conventional baritone part too. Could be wrong about that.
Absolutely right. I love your comments in opera videos haha
You have good insights but Domingo and Bergonzi are in no way baritones, I must admit I don't know Ordonez.
Pavarotti is Tenor Lírico-Leggero
What is the name of the song that Hans Hotter is singing?
Jayzus... does a countertenor sing in falsetto or his normal chest voice?!
Charlie Barber i have the same question
Head voice mostly. Or a developed falsetto. Same basic core function
Mainly a light head voice/falsetto.
Most adult men can’t reach the full countertenor range in chest voice alone, let alone sustain it for a whole performance.
In choir the teacher told me I was a high tenor, I didn't saw that here.
Also my voice is kinda feminine but I can only hit an A4 without strain but in falsetto I hit B5 and E2 is my lowest.
I'm new so Idk much about types of voices.
Then. You're a leggero
prefer noto
There isn’t near enough information here to come to that conclusion.
Hard to say. Where do you feel the most resonant?
I know the young man who is special. ... He have lyric basso profondo voice strings made. Only a few people...
...have voice strings as big as he have. He try his ability and possibility in Parish Choir in my lokal Parish in my town.
Idk why but I really like kavalierbariton style
where did you study?
can someone help me with my voice classification? I was already classified as a Heldentenor as well as a Leggero Baritone (wich is like the Baritone-Martyn). My range is F#2-D5... but I know that tessitura is so much more importante than vocal range, so I think my tessitura is Ab2-Ab4 (in other words is G#2-G#4). My voice is kinda dark and powerful till Ab3, where my passagio happens, and is still powerfull above that but I oscilate between warm and mettalic there. My head voice starts at F4 (th second passagio at E4). Above A4 I became unconfortable.
hey i feel your pain but to classifiing voice type is not easy thing i fall under believe lyric baritone possibly baryton-martin to see if you a helden tenor or a baryton-martin you have to take opera into effect your lowest note you able to project on stage without the aid of a mic is usually you lowest not for the fach say if you can sing a g2 strong enough you be a dramatic baritone for me the lowest note i can sing all the time with out a microphones on stage starting with c4 down is b2 even down a#2 but i lose power after c3 but able to project a b2 i give you my range too see if that help you my range if note mistaken with fry and falsetto/headvoice would be (f2) a#2 to g#4 (d5) f2 would be fry and my highest belted note i can sing before flipping would be a g#4 my comfortable head voice would be d5 that powerful my highest headvoice note would be a f5 sometime g5 but it powerful and loud my passaggio is at c4 and f4 if not mistaken i can hear my voice cracked at this notes but please understand range doesnt classified voicetypes but timble to i can sing a c5 comfortable but my timbre is that of a lyric baritone /baryton-martin not a tenor if you listen to my videos and if you think your voice sound like mind then your prombly a baryton-martin or a helden tenor but to me to say anything i have to hear a recording of you to judge sorry this is long lol
+Bernardo Goncalves hey if your second passaggio is at e4 and thats wear you feel your voice breaks then i believe yourll be a lyric baritone my friend helden tenors and the leggrio baritone ( light baritone) are at c4 and f4 for both first and second passaggio i dont think your a baryton-martin or. helden tenor you a baritone possible high baritone not a baryton-martin or a helden tenor but i can be worng but a helden tenor should be able to sing a b4 on stage with power and presents and a baryton-martin should sing the sane note with a more of a falsetto sound but should be able to sing a b4 to on stage you have a trouble with a4 and you said your highest falsetto is a d5 minds a little higher i can sing a d5 and feel up a church and can go up to a g5 with the same amount of power if your d5 is weak or airy and you cant project loud on stage then your makes me think your a baritone mostly a lyric one
+Bernardo Goncalves hey if your second passaggio is at e4 and thats wear you feel your voice breaks then i believe yourll be a lyric baritone my friend helden tenors and the leggrio baritone ( light baritone) are at c4 and f4 for both first and second passaggio i dont think your a baryton-martin or. helden tenor you a baritone possible high baritone not a baryton-martin or a helden tenor but i can be worng but a helden tenor should be able to sing a b4 on stage with power and presents and a baryton-martin should sing the sane note with a more of a falsetto sound but should be able to sing a b4 to on stage you have a trouble with a4 and you said your highest falsetto is a d5 minds a little higher i can sing a d5 and feel up a church and can go up to a g5 with the same amount of power if your d5 is weak or airy and you cant project loud on stage then your makes me think your a baritone mostly a lyric one
wayne Gray I was wrong actually my passagio is at C4 and the second passagio I have no idea but thanks. My D5 is strong head voice above that I have a airy falsetto
Bernardo Goncalves Nice same as mine my first break is to believe to be at c4 but if you like you can compare your voice two mine and if it sounds similar then i say you a baryton-martin or a helden tenor i have a video of me doing some scales if youll like to check it out ! Maybe itll help you figure out you voicetypes but if were going by passaggio (break) then youll be a baryton-martin or a helden tenor depends on the timber a helden tenor is a tenor voice that has a baritonal quality but it ring like a true tenor and a baryton-martin is a voice that has more of a lyric baritone type of timbre but has more of a falsetto tenorish type sound and cannot pitch as high as a helden tenor that is able to sing a high c on stage but listen to my recording on you tube and tell me what you think
Can anyone tell me the name of the one Bryn Terfel is singing?
Non piu andrai by Mozart le nozze di figaro
Jaroussky is really a baritone.
Countertenors use falsetto so real chest range classification doesn't apply
Nah, a tenor.
@@MultiKamil97 "He has said that his natural singing voice is in the baritone range." I just googled it.
@@gerardsatamian But his timbre is more tenor-ish. He has a very soft, bright speaking voice.
Jaroussky is really falsettisti.!!!
.
Which opera bastianini sang in this video?
Il Trovatore
I know for sure that I am a bass-baritone, my voice teacher said that. But I need to get my full voice development and a good technique to find out which one exactly.
Bass-baritone is a voice type, it's the wagner bass.
Elia Russo I mean like am I dramatic, lyric bass-baritone. I need years of building the technique at school before finding out.
How old are you? And for how many years hove you taken singing lessons?
I am Jaroussky's fan #1 what an awesome guy
whats the music called in 1:49
odi yusdianto hermawan Otello "Esultate".
What is the name of the aria sung by Bryn Terfel?
Non piu andrai , Mozart
Thank you very much, Alejandra.
what is the range of a verdi baritone?
According to the most sorces: G2-G4. Very strict opera requires from dramatic/verdi baritone F2, G#4 or both.
Sorry it was a mistake i have now real sources and french books who gave the real range, the pieces of score (extract from operas) and more (story of the opera : the begin to today (all operas) and the big singers really known for their work i got real books for the train and the best version to sing. I can determinate the difference between the same vocal range with a good way to sing with power and dont try hard with our voice to appears more bass tessiture and the opposant. I know this video is to remake because she's wrong because of the bad singers who make the way to the mistake of the video and i have all books to prouve that.
My range is D#2-F4(E5). What is my type? I guess Dramatic Bass but after watching this video it's hard to tell.
Edward E baritone
Đăng HUY Trần Thank you, I can sing down to C2 comfortably now; I agree that I am a baritone.
Baritone can sing well and sing higher ( G4 A4 or Bb4) if you study hard. ( fighting)Can you tell me the name of the songs of Leggero Tenor, lyric bass baritone?
Đăng HUY Trần Yes, I can sing up to G#4 now also. I don't know the songs they were singing.
Đăng HUY Trần I found the links
I'm probably a Baryton-martin XD
Corelli, Bastianini, Siepi... e gli altri ...
But there are soprano, mezzosoprano and alto Countertenors! Plus they can also be lyric, dramatic or Heroic ones! Jaroussky is one of the highest!
>>>>MALE
Dr.Rhy†hm you misapprehend her, I’m afraid
Dr.Rhy†hm what he’s trying to say is that there subcategories for Countertenors!!!
Samuel Ramey is more dramatic bass-baritone than anything.
😍😍
I think I'm a lyric bass-baritone. It be cool if someone could confirm that for me 👀
Nucci is a tenor
Can someone tell what is the opera on 0:57? with Pavarotti?
la donna e mobile
Rigoletto!
Why do the basses and baritones sound almost the same to me? On the other hand, the difference between the sound of a tenor and the sound of a baritone is obvious.
+Ihdc1 I think they sound the same to a lot of people, because both voice types have a very similar dark/mature tonal quality to them. Tenors, at least from what I've heard, generally have at least some light youthfulness to their voices to make them sound brighter. But I think it's easy to tell the difference between baritone and bass from the video; notice how the basses have virtually no lightness or upper extension, while the baritones at least have a middle ground of low and high.
Somehow I think countertenor should be classified.
+relike868p Third first guy in this vid was a countertenor
Oh yes... I actually meant sub-classified... I think there could be facher like lyric countertenor or baritonal countenor...
And so that teachers train them according to the subtimbres
That shit is right!
I'm a dramatic tenor, right on point!
i have to agree with marco you wouldnt be a dramatic tenor especially that age i dramatic tenor voice wont settle until the singer 30 if lucky if you do have a timbre. and or range of a dramatic tenor you might be a baryton-martin they usally share the same passagigo and a baryton-martin can be train to become a helden tenor but do to your age i highly doubt your a dramatic tenor
wayne Gray yeah! I agree, I don't have the dark quality yet
But I have a very tenor quality like Kurt Cobain and Bon Jovi
But I'm training to someday achieve this darker quality like Layne Staley had
Maybe some day :)
Sorry for the rock references and not the academy references
It makes sense that I'm a baryton Martin cause I'm French, maybe
Thanks for replying :)
Marco Solis my passagio is F4 , I'm not that high dude
But I agree that I'm not dramatic yet
no worry im a rocker to and those guys are great and yea your right layne stanley is a dramatic tenor increadible voice for kurt he never gave a crap. about his singing but i assume hes a baritenor. for me people say im a lyric-dramatic baritone. can. i ask whats your lowest note with out fry
if thats your second passagio and your first one is at c4 then i would say you deff a baryton-martin (baritenor) they can be seen as a dark lyric tenor voice with strong baritonic quaility. but there usually. cant pitch that high they share the same timblr as a henden tenor. but like i said they cant pitch as high a a henden unless they get years of training. they can also be seen in the baritone fach as light lyric baritone. they usually cant sing any lower then a c3 and they can devolpe a great falsetto. so if you are a barytone-martin you can train your voice to become a baritone or tenor. if you decide to study baritone your become a high baritone and if you studing tenor you most likey train to become a heldentenor bit thats going to take years because that fach take years to devople that range and stamina
I'm verdi bass or lyric basso profundo I guess
Where is Kraus? tenor lirico legero
What voice had Giacomini?
Dramatic Tenor.
I seem to fall into the spinto tenor or dramatic tenor section.
Its the same for many of us buddy
@@michaelashby1067 Spinto and Dramatic tenors are far, far more rare then Lyric tenors. It is not about the range, it is about the vocal timbre and weight of the voice. Spinto and Dramatic Tenors have big and powerful voices with a lot of weight on the voice. Most people who think they fall into this category are really Lyric Baritones. Lyrical voices are far more common.
Guess I am a Dramatic Baritone
Hearing all these voices, I am NOT sure which category I fit in as a singer. Well, I guess that I'm NOTHING considering I sing non-classical/operatic material. In classical, you are called by the voice type (Countertenor, Tenor, Baritone and/or Bass) and in non-classical, you are called by the style (Pop, R&B, Rock, Country, Jazz, Blues etc...) To make it fair, I sing on a hybrid between Tenor and Countertenor. I sing classically in Countertenor and non-classically in high Tenor. I am NOT sure what I actually am but definitely NOT Bass or Baritone!!!!!!!
What's up with the exclamation marks? Lmao
Me clasificaria como Bajo Profundo Lírico. I think i'm a Lyric Basso Profundo
Dramatic Tenor and Heldentenor are the same.
Yooo imma check out Juan Diego Flores
Same
as a counter tenor, it would be better to insert Alfred Deller