Questo è il buon canto (ossia il belcanto) personificato: naturalezza, chiarezza, spontaneità, morbidezza, omogeneità tra tutti i registri e suono purissimo ben'avanti ...Divina!
Los colores del canto que reproduce Teresa Berganza son de una armonía impresionante. Maestra y genial. Increíble como ella. Hace algunos veranos, cerca de sus 80 años, recordando a su amiga Victoria de los Ángeles, la oímos en un par de piezas en la iglesia de Puebla de Sanabria que difícil es no llevar en la memoria del corazón. Gracias por esta maravilla mozartiana que ella cumple hondamente con la genialidad que le caracterizaba.
She was not obershadowed by Montserrat Caballé, she was a soprano with a wide range of operas, Teresa Berganza was a mezzo who had a very diferent of repertoir! I live in Barcelona and I had the privilege to attend their concerts and opera performance quite often. I’m very thankful for all the joy Montserrat and Teresa 2:54 brought to my life. Always in my heart! ❤️❤️❤️❤️🌹🌹🌹🌹
That's a wonderful performance I haven't had the pleasure to hear. Speaking of messo, my current favorite is Marianne Crebassa. She has not one, but two productions with this character and if you haven't' heard them yet I recommend them. They are at different tempos too.
Teresa Berganza, maior cantora lírica de todos os tempos! A voz e a interpretação.primorosas se uniam com perfeição! O colorido , que Tereza dava a cada cena ninguém até hoje conseguiu fazer igual!❤
L'emissione perfetta,piantata, non si muove di un centrimeto, controllo totale e si diverte pure...altro che strapagare gli insegnanti fuffa, basterebbe osservare e riosservare questo video...è come un corso di canto.
Teresa Berganza, una de las grandes mezzosopranos españolas, y fallecida recientemente (1933-2022), canta una de las más bonitas arias de "Las bodas de Fígaro" que debemos al gran Mozart. Gracias Teresa, gracias Wolfgang Amadeus, hasta siempre. Pablo (Canales mozart2306, Pablo G de Sola, Pablo García de Sola).
Voi che sapete che cosa e amor, Donne, vedete, s’io l’ho nel cor, Donne, vedete, s’io l’ho nel cor. Quello ch’io provo, vi ridiro, E per me nuovo capir nol so. Sento un affetto pien di desir, Ch’ora e diletto, ch’ora e martir. Gelo e poi sento l’alma avvampar, E in un momento torno a gelar. Ricerco un bene fuori di me, Non so chi il tiene, non so cos’ e. Sospiro e gemo senza voler, Palpito e tremo senza saper, Non trovo pace notte ne di, Ma pur mi piace languir cosi. Voi, che sapete che cosa e amor Donne, vedete, s’io l’ho nel cor
Mit welcher Leichtigkeit sie diese komplexen Kolloraturen meistert. Die Feinheiten und Präzision Mozarts runden diese meisterhafte Darbietung ab. Einfach transzendent.
What incredible beautiful voice she has. I never really followed Teresa berganza all that much she was overshadowed by Montserrat Caballe. They're both equally great. Thank you for posting these beautiful gems it is much appreciated. Sincerely Arnold Borbon Amaral 💛👦🎶🌏🌎🌍
Berganza was not exactly keen on appearing on TV, her mediatic presence was limited, while Caballé has appeared on TV all over the world and has received Grammy awards and all. Yet their careers are very different, Caballé is a soprano focused on belcanto opera with all major authors (Verdi, Puccini, etc.) of the most famous operas. Aside from opera (on the scene and concerts/recitals), her career has covered some crossover with musicals or pop music, but her opera performances are her flagship. Berganza is a mezzo who focused on Mozart and Rossini on the scene (plus Bizet's Carmen later on) and a lot of recitals and concerts with Spanish zarzuela themes and various aria and lyric songs from baroque and classic period. I believe that Teresa should be acknowledged for her faithful rendition of Rossini's music meant for mezzo/alto voices, and her love and dedication to zarzuela, even when she didn't do much zarzuela on scene, just in recitals/concerts, is more noticeable than Caballe's. All in all, they complement each other, one can enjoy both singers' contributions to lyric / belcanto singing. Both are an excellent sample of the Spanish lyric talent of the 70's-80's.
i love Bartoli--and i definitely respect Berganza not to compare her to Bartoli--i totally disagree with sascha1984dd--this is by no means boring--Ms Berganza is very energetic and marvelous--she loves to sing and she's a great pioneer--if it were not for her there would be no Cecilia Bartoli. We, the fans of Bartoli love you also Ms Berganza.
Tutti una volta cantavano così ! La differenza la faceva il diverso talento ! Emissione controllata fiati sostenuti, gestualità ridotta al mininimo affinché il canto sgorgasse con naturalezza, non si agitava ne con il corpo ne con il viso.... Poi si é forse voluto troppo dai cantanti d' opera facendoli diventare innaturalmente attori con dei comportamenti gestuali che contrastano la stessa tecnica di canto lirico.... Quella tecnica che era la base e nella quale sono nate tutte le opere che amo e che tutti amano ( almeno spero).
Good singing, but it lacks something compared to the Von Stade/Ewing rendition. It's maybe only because Berganza has a more "noble" voice, which does not suit the character of a teenager boy.
yes, it lacks something! It lacks Von Stade's tremelo so wide you can drive a truck through it, and it lacks her irritating razor edge on louder phrases. Note: not one single one of these female sopranos come close to singing in "the character of a teenage boy." NONE of them. Another interesting point: when singing an aria out of context, i.e. not in an opera, but rather in a stage concert, the arias tend to lose a bit on the drama end of things. I have noticed this phenomenon in many top artists. There is something inspirational about singing TO another actor on stage in the contet of the opera as a whole. Furthermore, Cherubino as a character is a total loser. What happens to him? They ship him off to the army, never to be heard from again. He is such a wimp, that he is probably raped a bunch of times, and then sent to the front where he is blown to pieces in his first battle.
@@bejingmao Um, I think you need to rewatch the opera. For one, Cherubino never makes it to the army (he's back in acts 3 and 4...). Second, he's very clearly not meant to be a total loser. Third, he'd be a commissioned officer, not an enlisted soldier. Fourth, it's based on a play by Beaumarchais, which has a sequel (the Barber of Seville is the first, The Marriage of Figaro the second, The Guilty Mother the third), so we do in fact know what happens to Cherubino, and it's not a loser's fate.
@@Emil-d6q wow, thank you for the excellent comments, and corrections. ok, so I screwed up. I guess I dislike the character, cuz he reminds me way way way too much of me!!! however, I have a thing against wide tremelos like Von Stade uses, and her irritating tone on louder phrases.
Teresa Berganza is one of the best mezzos ever. Maria Callas loved her voice a lot too.
Uno dei più alti momenti dell'interpretazione mozartiana di tutti i tempi
Questo è il buon canto (ossia il belcanto) personificato: naturalezza, chiarezza, spontaneità, morbidezza, omogeneità tra tutti i registri e suono purissimo ben'avanti ...Divina!
R.I.P. Teresa; the Heavenly choir has yet another member.
Los colores del canto que reproduce Teresa Berganza son de una armonía impresionante.
Maestra y genial.
Increíble como ella. Hace algunos veranos, cerca de sus 80 años, recordando a su amiga Victoria de los Ángeles, la oímos en un par de piezas en la iglesia de Puebla de Sanabria que difícil es no llevar en la memoria del corazón.
Gracias por esta maravilla mozartiana que ella cumple hondamente con la genialidad que le caracterizaba.
Maravillosa!!!!!!
Fabulosa. Escuchar a la Berganaza es siempre un placer.
Love her voice❤ Very elegant expression of Mozart's style. Amazing
Sublime voice. The best rendition of this piece ever ❤
She was not obershadowed by Montserrat Caballé, she was a soprano with a wide range of operas, Teresa Berganza was a mezzo who had a very diferent of repertoir! I live in Barcelona and I had the privilege to attend their concerts and opera performance quite often. I’m very thankful for all the joy Montserrat and Teresa 2:54 brought to my life. Always in my heart! ❤️❤️❤️❤️🌹🌹🌹🌹
That's a wonderful performance I haven't had the pleasure to hear. Speaking of messo, my current favorite is Marianne Crebassa. She has not one, but two productions with this character and if you haven't' heard them yet I recommend them. They are at different tempos too.
A delightful natural performance of this beautiful Mozart song.
Teresa Berganza, maior cantora lírica de todos os tempos! A voz e a interpretação.primorosas se uniam com perfeição! O colorido , que Tereza dava a cada cena ninguém até hoje conseguiu fazer igual!❤
L'emissione perfetta,piantata, non si muove di un centrimeto, controllo totale e si diverte pure...altro che strapagare gli insegnanti fuffa, basterebbe osservare e riosservare questo video...è come un corso di canto.
....vedi la Bartoli....ma questa e' una cantante non un saltimbanco.
Esattamente controllo e compostezza inarrivabili, innata eleganza. Buon viaggio nella luce a questa stella lucente
Absolutely
pure greatness, no words to say, just perfect, she sings effortless like breathing, she just does what she's capable of and that's just amazing
Voix magnifique , découverte dans ma jeunesse, grâce au film " Don Giovanni" . Reposez en paix, chère Teresa ..et enchantez le Ciel !
Hola te encanta esta canción
Teresa Berganza, una de las grandes mezzosopranos españolas, y fallecida recientemente (1933-2022), canta una de las más bonitas arias de "Las bodas de Fígaro" que debemos al gran Mozart. Gracias Teresa, gracias Wolfgang Amadeus, hasta siempre. Pablo (Canales mozart2306, Pablo G de Sola, Pablo García de Sola).
Flawless Berganza - as always
Rest well, Madame. You did good.
Oh just how lovely!! 💗
El Cherubino de referencia.Técnica y interpretación impecable.Maravillosa Berganza
Sublime Mozart, sublimely sung.
Finally after years of searching, I tracked this down. Heard it once in a recital a few years ago and had forgotten what it was called. :')
Maravillosa, maravillosa. Dominio total de todos los parámetros. España.
Wow! What a Voice! Che una voce!!!
BRAVISSIMO!!!!! MAGIC CRYSTAL VOICE!!!!!!!
Beautiful voice
Teresa is a Diva !!!
My favourite aria performed to such a standard! Wonderful - simply wonderful! Such a talent
Just perfection….and beauty
Best rendition none other yet to be surpassed!
Fantastica interpretazione !
Maravillosa interpretación
¡Qué dulzura, qué voz, qué técnica! Brava, Berganza. ❤❤❤
Voi che sapete che cosa e amor,
Donne, vedete, s’io l’ho nel cor,
Donne, vedete, s’io l’ho nel cor.
Quello ch’io provo, vi ridiro,
E per me nuovo capir nol so.
Sento un affetto pien di desir,
Ch’ora e diletto, ch’ora e martir.
Gelo e poi sento l’alma avvampar,
E in un momento torno a gelar.
Ricerco un bene fuori di me,
Non so chi il tiene, non so cos’ e.
Sospiro e gemo senza voler,
Palpito e tremo senza saper,
Non trovo pace notte ne di,
Ma pur mi piace languir cosi.
Voi, che sapete che cosa e amor
Donne, vedete, s’io l’ho nel cor
R.I.P. 🙏🙏🙏
The one and only ❤ pure magic ✨
Mit welcher Leichtigkeit sie diese komplexen Kolloraturen meistert. Die Feinheiten und Präzision Mozarts runden diese meisterhafte Darbietung ab. Einfach transzendent.
What incredible beautiful voice she has. I never really followed Teresa berganza all that much she was overshadowed by Montserrat Caballe. They're both equally great. Thank you for posting these beautiful gems it is much appreciated. Sincerely Arnold Borbon Amaral 💛👦🎶🌏🌎🌍
Berganza was not exactly keen on appearing on TV, her mediatic presence was limited, while Caballé has appeared on TV all over the world and has received Grammy awards and all.
Yet their careers are very different, Caballé is a soprano focused on belcanto opera with all major authors (Verdi, Puccini, etc.) of the most famous operas. Aside from opera (on the scene and concerts/recitals), her career has covered some crossover with musicals or pop music, but her opera performances are her flagship.
Berganza is a mezzo who focused on Mozart and Rossini on the scene (plus Bizet's Carmen later on) and a lot of recitals and concerts with Spanish zarzuela themes and various aria and lyric songs from baroque and classic period. I believe that Teresa should be acknowledged for her faithful rendition of Rossini's music meant for mezzo/alto voices, and her love and dedication to zarzuela, even when she didn't do much zarzuela on scene, just in recitals/concerts, is more noticeable than Caballe's.
All in all, they complement each other, one can enjoy both singers' contributions to lyric / belcanto singing. Both are an excellent sample of the Spanish lyric talent of the 70's-80's.
Que Dios la tenga consigo...descanse en paz!!
Italiano Perfetto!! BRAVA!! ...... la SUA voce è melodicamente FANTASTICA !! Ovvio , è Teresa Berganza ..... BRAVA!!
Mica tanto, ma ok
Cantará en el cielo.
Descanse en Paz 🙏
Happy 82nd Birthday, TERESA BERGANZA !
Simplemente sublime. Simplemente Mozart
Hola te encanta esta canción
Gorgeous!
well said! I love this song, just as you said, Il say it again, Thanks and Thanks for the brilliant music
una voz unica me encanta
Extraordinaria interpretación.
Excellente mezzo. R,I,P,
Моцарт гений! Тереза редкий талант!
Angelical Berganza!!!!😘😘😘😘
A very nice rendition!
Perfecta Berganza. La mejor
Superb characterization here
Merveilleuse !
Qué belleza!
Потрясающе!
Just Beautiful~!!!!
La Mezzo del siglo.!!!!
Amo a esta mujer :)
Magnifica como siempre
Que perfecta en todo...!!!!
I miss her
Happy BirthdayTeresa Berganza
best rendition!
R.I.P Teresa😞
Berganza is the ideal Cherubino and the conductor is the great Eugen Jochum!
The best! Simply.
i love Bartoli--and i definitely respect Berganza not to compare her to Bartoli--i totally disagree with sascha1984dd--this is by no means boring--Ms Berganza is very energetic and marvelous--she loves to sing and she's a great pioneer--if it were not for her there would be no Cecilia Bartoli. We, the fans of Bartoli love you also Ms Berganza.
willthebest1 So true. And there was a Berganza w no Bartoli. Sublime singer here.
@BrentAudi Better late than never, thanks Brent for watching!
The best version I've heard on UA-cam ;-)
Si! Brava!
Perfection
R.I.P.
the best performance that i have ever heard:)
oh! that's a rare talent!
Che bellezza
wonderful~
La más grande Mezzo
favolosa
Hasta luego, Teresa
Fa apparire tutto facile..
❤❤❤ ❤❤❤ ❤❤❤ ❤❤
❤
0:18
👌
this is great. teresa was so young and pretty back then, not saying she is not now but i prefer her carmen
Tutti una volta cantavano così ! La differenza la faceva il diverso talento ! Emissione controllata fiati sostenuti, gestualità ridotta al mininimo affinché il canto sgorgasse con naturalezza, non si agitava ne con il corpo ne con il viso.... Poi si é forse voluto troppo dai cantanti d' opera facendoli diventare innaturalmente attori con dei comportamenti gestuali che contrastano la stessa tecnica di canto lirico.... Quella tecnica che era la base e nella quale sono nate tutte le opere che amo e che tutti amano ( almeno spero).
Cherubino solo Teresa Berganza. ❤️
B R A V O ! ! !
Is it Jochum conduct?
I can die now.
Good singing, but it lacks something compared to the Von Stade/Ewing rendition. It's maybe only because Berganza has a more "noble" voice, which does not suit the character of a teenager boy.
yes, it lacks something! It lacks Von Stade's tremelo so wide you can drive a truck through it, and it lacks her irritating razor edge on louder phrases. Note: not one single one of these female sopranos come close to singing in "the character of a teenage boy." NONE of them. Another interesting point: when singing an aria out of context, i.e. not in an opera, but rather in a stage concert, the arias tend to lose a bit on the drama end of things. I have noticed this phenomenon in many top artists. There is something inspirational about singing TO another actor on stage in the contet of the opera as a whole. Furthermore, Cherubino as a character is a total loser. What happens to him? They ship him off to the army, never to be heard from again. He is such a wimp, that he is probably raped a bunch of times, and then sent to the front where he is blown to pieces in his first battle.
@@bejingmao Um, I think you need to rewatch the opera. For one, Cherubino never makes it to the army (he's back in acts 3 and 4...). Second, he's very clearly not meant to be a total loser. Third, he'd be a commissioned officer, not an enlisted soldier. Fourth, it's based on a play by Beaumarchais, which has a sequel (the Barber of Seville is the first, The Marriage of Figaro the second, The Guilty Mother the third), so we do in fact know what happens to Cherubino, and it's not a loser's fate.
@@Emil-d6q wow, thank you for the excellent comments, and corrections. ok, so I screwed up. I guess I dislike the character, cuz he reminds me way way way too much of me!!! however, I have a thing against wide tremelos like Von Stade uses, and her irritating tone on louder phrases.
brutal
Sarebbe impossibile fare meglio....
sehr schöne Stimme. Vom Unterrichten hat sie leider wenig Ahnung.
Wonderful,almost as good as Lucia Popp.....