Pro tips : Don't really need to do the maths in Ableton Live , just select/highlight the length of the note , and Duration of the highlighted length will show at the bottom of the screen . You are welcome Have a nice day.
Fun trick, if you bounce your arp pattern to midi, and use that midi to drive the gating, you can adjust the pattern as needed. IE you could sweep up or down in tempo with the gating, then have the last segment match drum hits or other rhythmic elements in the track by manually adjusting the midi.
Just highlight a selection to the grid in arrangement view and bottom left of the screen Live will provide a time selection: length (duration: 0.00.522). Way faster than doing math.
Wonderful! I usually use the haas effect on just one synth.. I like how you hard panned two synths and put a delay on one of them. Definitely going to try this.
Dude, thnx a lot for this tutorial! I work in Logic, but the principle is the same. I understand that there are several ways to get such a sound, but your way helps to understand the general algorithms and apply them anywhere
Your math is off by a factor of 10. 1s = 1000 ms, not 100. So 0.5217 * 100 = 50.217. The answer was correct though. I find it a lot easier to just calculate 60 000 / bpm = 1/4 note in milliseconds.
This is cool. I'm unable to replicate the movement of the envelopes and overall sound design, looking at your video the attack and other things move at 5:51
Is it possible for you to do a tutorial on the bass guitar from the 2nd drop of that Odesza song? , it’s also a sound very popular in feed me songs and nu disco
Very good tutorial on creating this! I had wanted to know how to do this!! I would have liked to see your other settings to be able to recreate this synth too!
Yoo first of all thanks a lot for the lesson that was very instructiv ! i see you've done an automation on one the wave table's filter and it seems to follow the arpegiator automation. how can i do that ?! sorry for my english, peace every one.
I’ve been looking. I’ve been trying to switch to Logic for a bit. But its very hard for me to switch because I don’t know how to do little things like this. I know there are other ways to do it but I guess it would depend on the synth being used.
do you know how to use this method but with HZ instead of milliseconds? converting the two doesn't work right. and a lot of abletons features are in HZ not MS.
Very good. Never thought of using arpeggiator to do that! Always tried LFO and found it somewhat awkward. Really clearly explained too👏🏼
Pro tips : Don't really need to do the maths in Ableton Live , just select/highlight the length of the note , and Duration of the highlighted length will show at the bottom of the screen .
You are welcome
Have a nice day.
pin this comment lol
I was wondering if hed show it but apparently not. Glad someone else knows
Fun trick, if you bounce your arp pattern to midi, and use that midi to drive the gating, you can adjust the pattern as needed. IE you could sweep up or down in tempo with the gating, then have the last segment match drum hits or other rhythmic elements in the track by manually adjusting the midi.
Excellent tutorial! Thank you.
I'VE BEEN LOOKING FOR THIS FOR SO LONG!!!!!! Thanks man 🙏
Really love this instructor!
Just highlight a selection to the grid in arrangement view and bottom left of the screen Live will provide a time selection: length (duration: 0.00.522). Way faster than doing math.
YES
5:00 eternamente agradecido, nunca supe formular esa solución hasta este momento
Wonderful! I usually use the haas effect on just one synth.. I like how you hard panned two synths and put a delay on one of them. Definitely going to try this.
Excellent tutorial ! Too bad we don't have the whole instrument you created but in a
Top !!
Dude, thnx a lot for this tutorial! I work in Logic, but the principle is the same.
I understand that there are several ways to get such a sound,
but your way helps to understand the general algorithms and apply them anywhere
Very valuable info! Thank you
Nice video. While listening to the new Odesza tune I've wondered how this was done. UA-cam must be reading my mind 😅
Your math is off by a factor of 10. 1s = 1000 ms, not 100. So 0.5217 * 100 = 50.217. The answer was correct though. I find it a lot easier to just calculate 60 000 / bpm = 1/4 note in milliseconds.
🤓
521.7 ms
haha glad someone mentioned that I was gonna say it too
His math is fine he just said 100 instead 1000
@@fathersonalcohol6490 Check out the text editor at 5:28, it's wrong there too.
Really cool
Thx
This is cool. I'm unable to replicate the movement of the envelopes and overall sound design, looking at your video the attack and other things move at 5:51
So sick!
Great stuff - valuable chap
This if fires AF, thanks homies !!
Great Content
solid tutorial (Y)
This is amazing
Great tutorial!
Ludwig Goransson perfected this on the Tenet score.
A tutorial for the tamper and sound would be really nice!
Gonna try this in fl, wish me luck lol
Is it possible for you to do a tutorial on the bass guitar from the 2nd drop of that Odesza song? , it’s also a sound very popular in feed me songs and nu disco
Very good tutorial on creating this! I had wanted to know how to do this!!
I would have liked to see your other settings to be able to recreate this synth too!
Can you share the ableton file... I am having trouble! Did you ever figure it out?
@@steam2277 I did end up creating something similar in the end yes.
I know this vid is a year old, but you wanted more tracks with a similar effect: Argy and Goom Gum - Pantheon at about 1:00,
for those who are lazy for the math part, since the automation loops, it syncs up every 2 bars so just try going by ear, it might just work
Lol exactly
Can you share the ableton file... I am having trouble!
Wow. That's a great tutorial. Definitely gonna use this process...
Yoo first of all thanks a lot for the lesson that was very instructiv ! i see you've done an automation on one the wave table's filter and it seems to follow the arpegiator automation. how can i do that ?! sorry for my english, peace every one.
I'm confused about the filter envelope automation, how did you automate it ?
You can map the parameters inside the instrument's matrix
Yeah this wasn't explained!
Flume does this a ton as well.
You're right!
You should have it in the ti...🤔
How did you get the frequency of the wavetable to oscillate too?
Or you can get flex groove max device.
This is a great video! Has anyone seen a good similar video for logic? The ARP in logic seems different
I’ve been looking. I’ve been trying to switch to Logic for a bit. But its very hard for me to switch because I don’t know how to do little things like this.
I know there are other ways to do it but I guess it would depend on the synth being used.
Cool ...now can you do it in Propellerhead Resaon ?
any way to do the same on Logic Pro?
Overthinking it a bit on the mathematic side lol but still good video
Does the mono integrity of the sound degrade when you hard pan like that? Would you hear the sound in mono?
do you know how to use this method but with HZ instead of milliseconds? converting the two doesn't work right. and a lot of abletons features are in HZ not MS.
I can't find how to show Macro Mappings - anyone know please? Thanks (great vid)
worked it out - the MAP button (Green) must be pressed on the device for it to show!
why not use your ear instead of math?
im tryin to find out how he duplicated the synth at 1:45 can anyone help me with what tool that is?
Make sure the synth is grouped (command g) and select the instrument and duplicate (command d)