Agreed! It’s almost like watching a real life god explaining how they “bake the cake” from scratch. SUCH a good little moment this documentary captures.
but it looked like an E-Mu IV on here... IM stilll kinda confused on alllll those sampler models and how they relate. you have the 64... e 5000 6400ultra... 4x , etc... but they're all considered IV's??.. i guess maybe cuz emu I, then II then III,,, but it's like... never can find a straightforward list of every E-Mu...
@@darkjord5823 Not really. In early Drum & Bass they used SAMPLERS. The Computer just run a tracker program to trigger the samples. Today you can sample, edit the samples, re-arrange them and mix them inside the computer. That was not possible back in the days because computers had not enough storage memory. Even hardware samplers had only very limited storage. If i remember correctly an Akai S 3000 sampler wich was used quite often on early Drum & Bass records had 12 seconds sample time at the highest quality in stereo. So you had to sample a breakbeat loop, then cut this loop up into its single beats by shifting the start and end points of the samples and re-sampling it, then you had to map all these samples onto your keyboard. Today you load the loop into a so called slicer in you DAW click one button and its chopped into single beats and mapped onto your keyboard. It takes you 5 seconds but back in the day the cutting and mapping thing could last days before you could even start making beats. Also today you mix and record it directly inside the computer but in the nineties that was of course also not possible so you had to run all these single outputs of your sampler into your mixer or through other gear like FX units and compressors, limiters, EQs etc and then you had to record it either to tape or to DAT.
![Making a Detuned Bass Like Shy FX, Break [Serum, Massive, Massive X, Operator]](http://i.ytimg.com/vi/-xnZJVt_4yI/mqdefault.jpg)
![Making a Detuned Bass Like Shy FX, Break [Serum, Massive, Massive X, Operator]](/img/tr.png)
Dillinja was the epitome of Drum n Bass. Hearing his tracks through a gigantic sound system was like stepping into a war zone. So powerful!
Big snare. Big kick drum. Hard step sound. Tearing bassline. Funky & melodic samples. That’s Dillinja. One of the greatest. 🗂️🗂️🗂️🌶️🌶️🌶️🌶️🙌🏾🙌🏾🙌🏾🙌🏾
2:50 LemonD mentions several council letters for Dillinja. Pretty sure I've read that Dillinja received the first sound abatement order in the UK.
i'll never get sick of this clip
Me neither.
Agreed! It’s almost like watching a real life god explaining how they “bake the cake” from scratch. SUCH a good little moment this documentary captures.
always come back to this
Me too pal
@@chriswftdj Me three.
The Mozart of DnB.
Awe, wish this went on forever. Class stuff/Clip respected...✌️
Always wondered how he made that distorted bass. Amazing
what a pioneer
Dillinja is so underrated in the scene but the real junglists know and he is our no1 producer/genius of the scene
Remember hearing Lionheart and being blown away
Legend
chills down my back at 2:10 every time
1.22 - it's just a kick! ha ha. Pure fire. Next level producer. Big love.
the funniest part is how it sounds like everyone has marbles in their mouth when they talk lmao
All that vintage equipment this is amazing ❤🎉
The king
Pure art
Incrível nunca tinha visto isso na vida DJ de verdade e isso produz não toca só músicas dos outros essa e a diferença
Absolute legend ! Valve !
Absolute inspiration still... Ive never seen so many beers shake off the bar except when dillinja steps up
The Black Punk, he and Lemon D. Straight rebel B-line. Drum and Bass is emphasis on the groove, body and bassline. Come on kids learn
No chance, kids are fake and look at the outside not deep inside. That’s why they make tunes that only play out before being mixed for 30 seconds.
unintentionally ended up with an e64 and the same soundtracs mixer
but it looked like an E-Mu IV on here... IM stilll kinda confused on alllll those sampler models and how they relate. you have the 64... e 5000 6400ultra... 4x , etc... but they're all considered IV's??.. i guess maybe cuz emu I, then II then III,,, but it's like... never can find a straightforward list of every E-Mu...
@@ineedstuff8286 e6400
The voice coils on those Tannoys is probably totaled.
Yeh they looked cooked to me, flapping about
Nah just dust cap come off. I doubt he would produce on blown monitors cmon boys 😂
there were no dust caps. that's how 90's tannoy monitors looked.@@gr1mr3apa15
Those are dual concentric monitors. System 12 I think. Tweeter is where the dust cap usually is. 0 time delay 😏
@@insulintype1 System 1000 flipped upright, but yeah
I remember waiting for that cybotron album for a painfully long time.
dnb artists went from being mad scientist with racks of gear to computer nerds sitting in front of laptops
They where always computer nerds they just mixed it with rack gear
@@darkjord5823 fact
@@darkjord5823 Not really.
In early Drum & Bass they used SAMPLERS. The Computer just run a tracker program to trigger the samples.
Today you can sample, edit the samples, re-arrange them and mix them inside the computer. That was not possible back in the days because computers had not enough storage memory. Even hardware samplers had only very limited storage. If i remember correctly an Akai S 3000 sampler wich was used quite often on early Drum & Bass records had 12 seconds sample time at the highest quality in stereo.
So you had to sample a breakbeat loop, then cut this loop up into its single beats by shifting the start and end points of the samples and re-sampling it, then you had to map all these samples onto your keyboard.
Today you load the loop into a so called slicer in you DAW click one button and its chopped into single beats and mapped onto your keyboard. It takes you 5 seconds but back in the day the cutting and mapping thing could last days before you could even start making beats.
Also today you mix and record it directly inside the computer but in the nineties that was of course also not possible so you had to run all these single outputs of your sampler into your mixer or through other gear like FX units and compressors, limiters, EQs etc and then you had to record it either to tape or to DAT.
@@darkjord5823absolutely. photek just had a sampler, a keyboard, and computer running cubase.
@@hanshandkante5055yep, spent hours on my 3000 editing. When I got a scuzzy drive on a newer 5000 I thought I was a bad ass..
Geniuses are always hard on themselves
Incrível o cara e o Android do Drumn Bass
what's the break. Reminds me of the fill in vanta black
Thoze were the dayz. Good times run. Bad times roll.
Guys PLEASE I need to know if 0:57 made it into a finished track, that part is just cold as ice
Those speakers look pure evil! Anyone know name of them?
Goldie gurning 3:08😂
oh my god
It’s a hell of drug! 😂
Jaw swinging side to side😂
Hahahahahaha
Anyone know the tune ID for the one he's in the middle of producing? Fucking mental.
It's Wild Funk under his Trinity alias.
@@djhaynes99 Oh snap thank you brother!
Sounds better in this video than finished product imo
This is ace
making noise with my mouth lmao nutta
samples all over it
anyone have the ID @ 0:17?
nice one
Whats the name of the track hes working on?
I think a lot of those samples ended up in Chronic 13 under his Trinity alias.
Dillinja
Kids these days got it easy when producing tracks
Dill is the god of dnb
What ' s DAW he use?
Looks like the original Cubase on an Atari ST. Not a DAW though, no audio in or out, just a sequencer.
Karl’s that kind of Guy 3:08
Musical alchemy! Legend!
😱😱😱😱
don
@2:11 and here Dubstep was created 🤓
Yes dubstep came from drum and bass/jungle
@@darkjord5823 it came from UK Garage, UK Garage was influenced by Drum & Bass
Yess. The Bass came from dark Garage. Breaks from jungle but very minimal.
Oldskool is better...
Ахмат сила
Acid Track
Cheese
Legend