G#7 is also a secondary dominant here, leading to the C#m7. Tritone substitutions are also fun to play with. You can always substitute a secondary dominant with a flat II7#11. For example, the E7 can be replaced with a Bb7#11. This is something you hear a lot in jazz.
Guthrie is the man.
G#7 is also a secondary dominant here, leading to the C#m7. Tritone substitutions are also fun to play with. You can always substitute a secondary dominant with a flat II7#11. For example, the E7 can be replaced with a Bb7#11. This is something you hear a lot in jazz.
Nice. Just curious: what exactly kind of Tele do you have there?
Partscaster with Wilkinson neck pick up and ashtray bridge from Guitarfetish.com / just wood and wire :)
Why do you ask?
@@goguitargo Just curious. It sounds great, and I thought perhaps it was a Fender players series in polar white.