tricot on Audiotree Live (Full Session)
Вставка
- Опубліковано 28 чер 2024
- Download & stream tricot on Audiotree Live -- smarturl.it/AT-tricot
tricot are a Japanese Math Rock quartet who write bubbly tunes with a restless energy propelled in forward motion. They pair ping-ponging riffs with round style vocals in a quirky, experimental framework to make for technically satisfying music you can move your feet to.
Tracklist
1. 0:00 On the boom
2. 5:00 18,19
3. 9:05 Ochansensu-Su
4. 12:41 potage
5. 18:52 Melon Soda
Recorded on June 14, 2018 in Chicago, IL.
Visit the band's website -- tricot-jp.bandcamp.com/
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![Toe - Live DVD 2010 [Math Rock] [Post Rock] [Full Set] [Live Performance] [Concert] [Complete Show]](http://i.ytimg.com/vi/XwJMW20dWck/mqdefault.jpg)
this band makes me want headbang but I don't know when
LOL
the whole time
You have to windmill the whole time
you have to headbang in 7/8, 11/8, or 13/8
that's how mathrock works
Huge props to the audio engineer!
@@chedersom Honestly it sounds better than some of tricots released recordings and the official releases are already amazing
@@peterkinnaird5174 The Ochansensu-Su version played here is the BEST version that I've seen (much better than cd!)
@@davimag2071 Right! I found out about tricot through this video and when I decided to check out the original recordings, I felt like they weren't as good as the versions here. I was so happy when I saw they released these versions in their own album.
Every Audiotree has such great production value
Especially bearing in mind this comes with yt compression and still sounds like this. Outstanding work.
Time signatures are easy when you think of everything in 1/1.
r/showerthoughts
Nah because in 18, 19 half of the bars start on half beats
makes sense
Nah 1/8 really
Thanks now I just have to count the bars
it's bands like this that remind me I need to practice guitar more
Fuuuck😭😭 I feel the same
Give up Guitar more.
It's the bass for me... that woman has some chops
I can finally tell my parents that i love Math
Maths
Onion Divorce *Maffs
yeah that'll do
Good
LOL
Drummer is a machine never off or missing notes!
Um akshually a japanese katana- i mean drummer is honed from the strongest steel on earth, he can cut through a gun barrel
@@ukasewait494 to be fair it might be their style of music, in rock drums are typically on beat, and wtv fault you may perceive it might be attributed more to the composition than to his execution, imo.
the drummer is pretty new, they haven't had a permanent drummer since their debut album. i'm not sure if this guy is even permanent.
@@coonslass3 Hes been their drummer since 2016 so hes not really new, he seems to be their permanent drummer
tbh he's probably the weakest part of the band. Functional tho.
Math rock is like the genre than even confuses the metronome
Failed horribly when I tried to figure out the time signatures of these songs. I wonder how they keep the timing
@@bruceerogan3662 If you know the time signature, you can figure out a "groove" to feel that really helps you keep time. You don't even necessarily (and sometimes shouldn't) feel the time as it's written (feel six beats per measure in 6/8, for example), but instead feel the "phrasing" and common beats/subdivisions between time signatures. With some songs (Tricot's *Ochensansu-su* especially), I had to read a transcription while I listened to figure out how to "groove" to it. Let's take the first few bars of Ochensansu-su, for example: Ignore the first measure of 4/4. The first section of the song switches between 9/8 (they play the chords on beats 1, 3, and 7) and 6/4. In other words, feel the 9/8 instead as 3/4, subdivided in threes. That way, it should feel like one measure of 3 beats, followed by one measure of 6. That sort of simplifies things and makes it easier to bob your head to or whatever. Once you have a feel for the flow of the song, it'll be easier to count the time as it's written (9/8 as 9/8 instead of 3/4). I like counting/moving to the 7/4 section following the 9/8 with 6/4 section and recommend you try working that one out. Hope this helped!
I don't think Math Rock has Tempo Change its mostly just variable Time Signatures.
@@bruceerogan3662 they know when to count to whatever they need to, and feel it the way they need to to make it make sense rhythmically. try breaking it all up
@@erebus3059 It most certainly can have tempo changes, but changing time signatures and irregular rythym in general is more so what people associate with math rock.
Can we just appreciate that they give the title card right before the song ends as well as when it starts?
Nice to find a fellow shostakovich and tricot fan
@@thinkOfMeAsAClassicalMusician nice
Song list!!
0:27 - On the boom
4:59 - 18,19
9:03 - Ochansensu-su
12:40 - Potage
17:40 - tricot interview!
18:50 - Melon Soda
Samuel Assis d
More likes so this go on top.
Thanks! Ochansensu-su is so cool!
Thanks man!!! you're my saviour!!!
Ty
Hands down one of the best Mathrock bands to date. Tricot Slaps!
Jay F that AF cover 👌🏼
Got represent for us mathrock and emo boys lol
Jay F it's cos they're asian
It thought it's because they're great musicians, but oh well.
I think tricot and chon :D
Fucking stunning!! Beautifully filmed presentation of a brilliant band. I'm 78 years old, been a musician and avid music listener my entire life. These women (and brilliant drummer) absolutely blow me away. Yes please!!!
that bassline on 'potage' is dope af
And the vocals, THE VOCALS S2
I KNOW RIGHT !?
Hirohiro is a BOSS!!!!!!!!
She's among my all time top 3 bassists (along with Cliff Burton and John Dedominici).
I've watched this so many times over the years. The whole band coming in near the end of Melon Soda gives me chills every single time.
I just discovered them a few months ago - wish I'd known of them when they were at the HOB Chicago (I'm near there) - but that was 4 years ago.
I’m just now finding this it brings tears to my eyes believe it or not. I havent heard them since before this recorded and it’s being me back
same here just came back to watch it again and i got so emotional at their grand finale. just brought back such nostalgic good feels
If you guys like Tricot you might also like Polkadot Stingray and Pulmolight for more Japanese mathrock. Pulmolight is like tricot's poppy side maximized while Polkadot Stingray ramps up the funkiness.
Thank you!!!!
Neither Polkadot Stingray nor Pulmolight are mathrock bands in the slightest, they are just typical post-2000 J-GIRLS POP ROCK bands. Disbanded but Uchu Convini would be an example of a math rock (that meets J-Pop.)
ntuples math or not they sound similar for anyone who wants more of that tricot inspired sound.
You literally said "Polkadot Stingray and Pulmolight for more Japanese mathrock," and I replied just because they will disappoint those after math rock bands from Japan.
@@ntuples Uchu Conbini are really an overlooked band! Sad thing is I found them.. only to knew that they've been disbanded just a few year ago :-(
0:28 On the boom
5:00 18,19
9:05 Ochansensu-Su
12:41 potage
18:52 Melon Soda
thank you
thank you
@@bluefrogz2618 и? это русская и?
Ochansensu is a massive vybe
Set List
Arigato😊😊😊
21:46 Everybody just go wild from this time
losing their headphones and just having fun
im becoming an instant fan
made me cry lmao
If this is the part you like, you should check the joy formidable playing whirring live
The spiritual difference between math rock and jazz
@@TeenieTinyTina Watched it, good shiet 🔥 Now i have tinnitus 👍👍
every time i see the part where they go all out and throw their headphones off at the end it brings me to tears, they're having so much fun and its the most beautiful thing ever
The bottle of water with a straw on a mic stand is genius :D
tricot lives in 2934
@@Piperdrums straws will definitely be universally banned by then lol
@@lonesomexheartbrokn
the future is now
@@lonesomexheartbrokn they'd be using a metal straw then
It’s quite the norm back in Japan. :)
Their arm waves during Ochansensu-Su is everything.
You know shit is about to go down when they lose the headphones and the drummer is holding the sticks in reverse grip.
Distinct, sharp Japanese sound with complex chords and purposeful use of dissonance and irregular time signatures in select places; uncommon in many American bands influenced by simpler punk rock structures. Really refreshing tone and overall experience coming from the US perspective.
I really like how they take math rock and give it a very distinct japanese touch. The melodies, harmonies and song structures are especially different from western mathrock.
Their style also makes it more palatable to others who aren't into most math rock.
Vergin4Life Interesting. Would your musical excellency please enlighten us as to which bar chords are being used and why they don’t “musically work together well”?
And since you don’t like tricot, what other Japanese math rock band would you suggest we listen to?
Vergin4Life watch out guys! He’s been playing for 5 years! No one has ever done that before!
Vergin4Life
This is by far the example for the Dunning-Kruger-Effect that I've ever seen. This is hilariously bad.
10:40 everybody stop working for a moment and check out these moves
They're fuckin' smooth, aren't they?
She is flying
Thats just what you do when the cables start getting tangled around your feet.
@@austinjones5036 No that's not what you do when the cables start getting tangled around your feet.
@@jonasw3945 well that’s what I do
every single member of this band is absolutely incredible. i'm a huge motifour fan, but hiromi's timing with the drumbeat during 18,19 is absolutely impeccable. this band is legendary
LoL Ochansensu-su has to be the guitarist favorite song it really gets her hyped and moving more than any of the other songs.
it's a fun song to play
おちゃんせんすうす、is anthem
かっこよ！！
日本のバンドがこのチャンネルに出るなんて！
なんだかすごく誇らしい
ro Toroke そうですよね toricot rocks!
José An yeah,he says same thing
@@kangfukick いいえ、これはジョークで、「日本のバンドを出すなよ、アメリカのバンドが悪く見えるだろ」と言っています。つまり、彼らもtoricotにぞっこんです。嬉しいですね！
I like ikkyu’s waiting for drummer at 4:55.
Owens Hsu it’s cute as hell
I like ikkyu in general 😍❤
I personally love how the drummer is just as cute as the girls
It's 2024.
I'm a jazz musician and I fucking love this band so much.
Now more than ever. Holy shit.
5:59 Her look in the camera...melted my bloody soul. AMAZING PERFORMANCE!
I'm in love
God, that key change in 18,19 never fails to give me chills. Absolutely adore this band.
Potage’s guitar riff has been stuck in my head for about a year now and I don’t want it to get out of there
I'm a beginner guitarist and I'm just imagining how hard this must have been to play and sing along with
These girls are amazing
Tricot FTW
Strumming is easier to sing to because you’re usually just strumming following through without actually doing solo stuffs . Regardless it is still hard, especially when you’re listening to different time signature .
If you do the song, doesnt Matter, you can Sing It. She did this, so she know easily how and when to sing
I've been playing for 4 years now, and this makes me still feel like a beginner lolol. Long way to go!
@@lucasdelima6147 more easily than someone trying to cover their tunes yeah. It’s still incredible that everyone can play these songs together in sync and as precise as they are. I think that’s in no small part to their drummer but still. These songs are demanding as hell and take some ingenuity to write
seeing hirohiro absolutely kill it on a bass that looks nearly the same size as her always puts a smile on my face
Finallllyyyy ive been waiting for tricot to hit audiotree for yeaarrs Kexp and tiny desk are next!
Do you have his records ?
god yessss
Wow. I'm floored by the intricacy and unpredictability of their music. Love the tension between the sweet vocal melodies and the dissonance created by the weaving guitar leads. The way the rhythm section holds it all together is as mind boggling as it is breathtaking. The bassist has incredible technique and tone and the drummer appears to be moving in two different time zones. Awesome performance!
Every drummer better appreciate that clean snare roll fill at 5:11 🔥
ほんと音よすぎる... 気持ちいいな〜
トリコがこんなすごいバンドって知らなかった、リズムギターの音作りとメロディ好きすぎる
0:28 "On the boom"
5:00 "18,19"
9:05 "おちゃんせんすぅす"
12:40 "potage"
17:39 Interview
18:57 "Melon Soda"
on the ‘boom’ （╹◡╹）
Silly me.
no problem （╹◡╹）
Beauuuuuutiful. The rhythm guitarist is playing that 16th note lick throughout the 2nd verse of on the boom. It sounds dissonant throughout the verses chord progression, but as soon as the chords surrounding it changes during the pre-chorus to a more major-y sound, it sounds like absolute sunshine. You can really hear how the sounds of that lick changes from 2:33 to 3:00. Really great and intelligent guitar part writing
Edit: that chord change, with the time sig change just hittsssssssssssssss
Yo, those bits of brilliant decisions makes me so happy, thaks for pointing it out
Why isnt anyone complimenting the engineer @audiotree? Sounds great! Love the kick and snare.
*sits on the ground and starts slapping my guitar*
Rob scallon intensifies
*slaps the guitar* this bad boy can fit so much notes in it.
@@kouham420 Holy shit this made me laugh hard. Thank you!
You should poke your guitar too and tell it "hey, do something"
*slaps ukulele*
_I don't belong_
Without a doubt one of the best math rock bands around!
EngineeringAdam You should give Jyocho a listen! ;)
They dont even know what math rock is you fucking idiot
I don’t know why, but I couldn’t stop my smile during almost 24 minutes.
This video was he first time I heard tricot some months ago and I haven't stop since. They're so good and talented! I really hope I could see them live some time soon
So much fun hosting you all!!! One of my favorite bands to have talked to on AT 🖤 come back soon
I still come back to this from time to time. I saw them on this tour in Portland and, being my favorite band, it's hard not to get worked up with the positive energy and incredible performance tricot brought and I'm glad it's been immortalized with their session here. Thanks for letting me relive this tour/show whenever I like!
A few months ago i found this video on my recommended, and tricot is now one of my favorite bands ever.
Thank you UA-cam and audiotree for introducing me to tricot and the math rock genre.
Feel so good to see them really having fun to play their music!
これ普通にすごくね、、、tricotこれからも聞き続ける！！！！！！！！！
I always come back to listen to this version of "On the Boom"
Both Audiotree versions of 18,19 and Ochansensu-su are imo the best performances of these songs you can find on UA-cam - LOVE IT!! And once again: absolutely fantastic soundmix and camera work.
this is the best representation of Tricot's talent I have found. Great performances and great set up and production. Sounds great. They are really good. thanks to Audiotree for making this happen.
5 seconds in to any of their songs and the tears want to start flowing and not stop. And they're aaaaaaaaaaaall good.
Engineer, be the father of my sons.
Forest Music NO ME FIRST.
Very true. The real hero. The sound is stunning.
@@dominicmacinnes6451 you comment does not belong here
@@KartikRoad ?
@@dominicmacinnes6451 are you joining the party
Im at a loss for words on how amazing they sound, definitely going to be playing them on loop for awhile 😍🎧🙌
Man, that vocal harmony going into the last chorus of Melon Soda is just too good
YESYESYES I saw them live after months of listening to them and watching their MVs and it was unforgettable,, they’re so crazy talented and tuned in to each other
Will never get enough of this band. So cool that they made it onto Audiotree.
The main riff in Potage never ceases to amaze me. Genius
the bassist is SO CUTE and really killing it!!!
Las canciones van así :)
0:27 - On the boom
4:59 - 18,19
9:03 - Ochansensu-su
12:40 - Potage
17:40 - tricot interview!
18:50 - Melon Soda
Much appreciated !!
I only just discovered these guys a couple of weeks ago and my god, I am so happy.
To be able to do everything here in sync is impressive! Those vocal harmonies at the same as those guitar licks is not easy.
4:22 Hirohiro's headphone just gave up holding her awesomeness
The transitions are amazing. Everything just flows into each other!!!!
this is the video that got me hip to tricot. now they're hands down my fav band. thanks audiotree and the almighty YT algorithm
best find on audiotree since I've subbed. thank you thank you thank you. I found one of my fav bands ever. (after a week or so binge of all the Tricot music I could find)
Welcome to the world of Tricot. They are crazy ggod, enjoy!
love Kida's dancing during Ochansensu-su
ナンバーガールから続く様々なバンド達が紡いできた音像がこうして海外の多くのリスナーに届くのはなんか夢でもみているような気分になるぜ😳
最高だぜトリコ！！
I'm not sure how I ended up listening to Japanese math rock but I'm very happy about it
I've never really sat down and actually listened to math rock, but I just came across this by chance and tbh... it kinda slaps. Now I'm gonna delve deeper.
this was sick. new favorite band.
The Japanese have their shit together, jesus christ this is a good band.
Edit: 7 months later and I'm still smiling like an idiot while listening to this
Throwing out Jesus christ for effect. I usually go with Jesus fucking christ. Lol. Yea, in love as well.
same
i dont know how many times i came back to this video
hell yes, they are so good live
so glad they uploaded it again
tricot deserves all the love
also audiotree really did a great job
Can't find another Live Session from Tricot, better than this one!
i love how you dont need to know a word of japanese to hear the conviction and emotion and power and beauty in her voice, and the energy and enthusiasm and joy in all of them playing. i love tricot
For anyone who wants to dig into how truly mine boggling the time signature and tempo changes in the song 18 19 at 5:00 is, here’s my attempt at explaining it below.
The song starts in 9/8 (mostly). But the way they feel the 9/8 makes it sound like it’s a measure of 4/4 with an extra eight note stuck onto the end. Basically a time signature of 4 and a half over 4.
So the first measure when the drums count off is 4 eighth notes in 4 and a half/4 starting on the and of 3.
Then the intro is 8 measures in 4 1/2 (or 9/8), except the 2nd measure is just 4/4 and the 7th measure is in 5/4. Then the woo hoo bit is all 4 1/2 (9/8) except the last measure where the drummer does the three stick hits at the end, which I think is supposed to be 12/8, but if so then the drummer might have got off by a hair, but it’s barely noticeable since he’s counting off the next measure (or he’s doing 6 beats plus a half beat at the end to reference the 4 1/2 motif, but idk).
Then during the verse it’s 4 1/2 which you can really hear since the bass player plays 4 quarter notes and then an eighth note for each measure.
The measure before the chorus is in 5/4, then the first 3 measures of the chorus are also 5/4, but the 4th measure is in 4 1/2 (9/8) again. Next 4 measures are in 5/4.
Back to the verse in 4 1/2 again. First 3 measures are in that, then the 4th measure is whack but I think it’s in 11/8, then the next measure is back in 4 1/2, then the one after that is in 11/8, then the next one is 5/4, and then the last one in this section is in 7/4.
They switch to a slower 9/8 for the mellow section, except every other measure they do this weird thing that I’m not even sure how to write as a time signature, but it’s referencing the 4 1/2 feeling from earlier by adding a half beat to the end of the measure. So the section alternates between a measure of 9/8 and a measure of like 9 and a half/8. Then the last bit of this section is either a measure of 5/4 in the same tempo followed by a slower measure of 4/4, or that bit I’m hearing as 4/4 is actually syncopated with the same tempo but I have no idea how to count it.
Either way, it leads back to the 4 1/2 (or 9/8) verse again. They do 3 measures of 4 1/2 then one measure of 5/4, then 4 more measures of 4 1/2. It switches to 2 measures of 7/8 in a different tempo, followed by 2 measures of 4 1/2 in the original tempo, followed by 2 measures of 7/8 in the other tempo, then 1 measure of 4 1/2, then it switches to 5/4 for 5 measures in that epic lead up to the final chorus.
They do the 8 measure chorus. It’s all in 5/4 except for the 4th measure, which is in 4 1/2, and the 8th measure, which is also in 4 1/2.
The outro where she’s going “18!19!” goes insane. 1 measure of 9/8, one of 11/8, one of 9/8 and then one of 11/8. Then the whoa oh oh part stays in 11/8 for 3 measures and the measure after that is 13/8.
Then it settles into a 6/8 groove for a bit before ending in 5/4.
I cannot begin to fathom how someone even conceives of writing a song like this.
I've been waiting for this since TTNG
Beautiful performance!
No band should have this much talent. Not possible.
Holy crap where has this been my entire life
Yes, this is great. They were awesome with TTNG and Chon and they are awesome here.
Keep up the good work!
Javier Duarte such and amazing concert im so glad i was able to see them with ttng
the billing on that tour was literally backwards!
I was at the tour stop in nyc. So incredible
Javier Duarte do you know what the last song they played was where they went balls to the wall? i showed up a lil late and was hitting my cartridge so right when it hit they ended their set with that fucking crazy experience and i’ve been trying to find the song
No love for Polyphia? Lol
Why are Japanese musicians so incredibly good? So many greats have come from Japan. From the boredoms, to té. It must be something in the water over there.
Andrew Kozlowski what are your favorite Japanese bands?
Check out the Fin. Period included and kidori kidori
cause they have a lot of jazz and soul influences
Andrew Kozlowski practice, dedication and a culture of clean perfectionism, plus the obvious aesthetic & sonic influence
Andrew Kozlowski , I believe after the war, japanese goverment made music exams mandatory (correct me if im wrong, but its something along those lines), so I believe its safe to say that the majority of people in Japan own some sort of musical instrument at their homes. Of course we cant ignore the fact that the americans also influenced Japan in the 1950s when they introduced jazz,rnb to them.
Breaking stereotypes with women playing math rock, while also reinforcing stereotypes of Asians liking math.
Lmao
Beyond stereotypes, I just hear talented people, mostly women. Sounds much better than a lot of music around the world, not because of the genere they are playing, but musically speaking.
fiera, no te las vas a coger, jaja salu2
I once read a book about russian immigrants and in the chapter on the stereotype of them being good in math the writer wrote "well you see math is awesome and we love it"
@@FatManLaughing русские не любят математику, лол
dude this literally brought me to tears.
;(
i come back to this video every few months, they fucking shred
Great as always! Their energy is infectious! Thanks tricot and audiotree! \m/
This is the best piece of music from Tricot that I've found on UA-cam so far.
I had waited all this time just to say that just today but 2 years ago this great moment happened, I love this band. June 14, 2020
4:59 "18, 19" what a masterpiece
This absolutely rules. Definitely checking out more from them.
I just nerded out for her Beatles Revolver guitar strap.
Same
Amazing how they mix jazz and other style in unique j-rock. Good for ears and soul
outstanding performance!
僕はアラフィフのおっさんですが、つい最近Tricotを知って動画見まくっています。
こんなすごいバンドが10年前から存在していたなんて、もっと早くに気づいておけばよかった。
プログレ、フュージョン好きにはたまらない。ルックスも良いしファンの年齢層も幅広いんじゃないかな。
I'm grateful for being introduced to their music by actual live music and not music videos, it's amazing
Obsessed with their new LP. Been on repeat for 4 days.
Aye this is awesome. Proves musical groove transcends the language barrier.