I totally agree, it's always inspiring getting a new device in, but so often we miss the real gold in front of us if we haven't tweaked things in a while
Man, all of these are incredible. Can't wait to dig into all 5 on my Timeline. Any tips or suggestions for exploring some of the chord voicings or progressions you're using? For as awesome as you've made the Timeline sound, your playing is even better. Also, nice shy cameo by the Onward. Looking forward to a more in depth video on that as you get more time with it. That pedal is next on my list.
Man this is a really thoughtful question that I don't think I have a great answer for, but I'll definitely sit on haha. Most of what I play when I'm demoing stuff tends to be the things I noodle with when I'm just sitting with a guitar. I really like to have a broad mixture of open strings and high fretted voicings, so even if I'm playing in weird keys, I like to use a capo to keep that contrast if possible. Tight intervals, minor & major 2nds in chords to add some complexity. Tight clusters of notes overall or really long bridging intervals too. But a lot of my noodling is really just based on shapes I'm interested in. I've been playing a ton of "D" shapes up and down the neck lately and that definitely bleeds over into what I do over here
@@signalpath If you ever find yourself sitting wondering about a good topic for an upcoming video, I think a walkthrough to your approach for creating such beautiful sounding chords/voicings/melodies would be awesome. Only being one year into the learning journey of ambient music, I've noticed it seems many really talented musicians play so naturally and maybe even think that other people wouldn't be interested in seeing/learning how they are making the guitar sound so incredible. I can promise you, many of us spent way too much time studying the videos trying to figure out how in the world to make something sound even remotely close to what you're able to do. 😄 I appreciate all your time and videos. Always a good day when the notification hits there's a new video.
This was great. I think a lot of Strymon’s presets are made to show off what the machines can do - and a lot that those are not very subtle. The TimeLine has been my main delay for quite a while. This has inspired me to explore even deeper. Thanks. P.S. It would be interesting to know what reverb settings you used on the BigSky.
Thanks for the note! I agree on the presets, definitely meant to show you what's possible more than what you should use day to day. If you want to check out the bigsky sounds they're here! ua-cam.com/video/TPtql0k7g_k/v-deo.html
You all should show people how to get these sound instead wanting to charge people to download you s…, people don’t have money to buy all this equipment and then you all rob people getting them to download you settings just so you can make a liveing , get a real job like everyone else, God will get you some day for doing people like this😢
buddy you're on one... I literally walk through how to make every single sound I show step by step in this video. I have no idea who you think I am, but I have never packaged or charged for presets for any of the pedals I cover on the channel. I have a day job and I do this as a fun way to explore gear and sound design Watch the video next time before you comment something this stupid.
Well you m sorry, for saying that it just seems like everybody on here is just out to make money. I didn’t hear you say they were free. Again I’m sorry
That lofi sounds awful
you're going to hate my video on the mobius.
@@signalpath Ha ha
That BigSky settings at 5:19 is awesome!! Is that a cloud or bloom engine? Lots to learn 😎😎
Wouldn’t have thought the filter machine could be so musical! Thanks for the ideas 👌🏼
Great video. I even learned a new word. 🤣
Oh no haha which word??
Loved it! Thank you! When a new pedal comes out, I always ask myself first if my Timeline can do the same. Often, I just go back to my Timeline :)
I totally agree, it's always inspiring getting a new device in, but so often we miss the real gold in front of us if we haven't tweaked things in a while
Appreciate your high quality content. Cinematic part, sound - that's beauti
Will wait for some episodes about pedal steel guitar with those pedals
Definitely need to get the pedal steel on more. It definitely takes some set up and I've been a bit lazy for the summer, but this is a good nudge haha
What fun!
Man, all of these are incredible. Can't wait to dig into all 5 on my Timeline. Any tips or suggestions for exploring some of the chord voicings or progressions you're using? For as awesome as you've made the Timeline sound, your playing is even better.
Also, nice shy cameo by the Onward. Looking forward to a more in depth video on that as you get more time with it. That pedal is next on my list.
Man this is a really thoughtful question that I don't think I have a great answer for, but I'll definitely sit on haha.
Most of what I play when I'm demoing stuff tends to be the things I noodle with when I'm just sitting with a guitar. I really like to have a broad mixture of open strings and high fretted voicings, so even if I'm playing in weird keys, I like to use a capo to keep that contrast if possible.
Tight intervals, minor & major 2nds in chords to add some complexity. Tight clusters of notes overall or really long bridging intervals too. But a lot of my noodling is really just based on shapes I'm interested in. I've been playing a ton of "D" shapes up and down the neck lately and that definitely bleeds over into what I do over here
@@signalpath If you ever find yourself sitting wondering about a good topic for an upcoming video, I think a walkthrough to your approach for creating such beautiful sounding chords/voicings/melodies would be awesome. Only being one year into the learning journey of ambient music, I've noticed it seems many really talented musicians play so naturally and maybe even think that other people wouldn't be interested in seeing/learning how they are making the guitar sound so incredible. I can promise you, many of us spent way too much time studying the videos trying to figure out how in the world to make something sound even remotely close to what you're able to do. 😄
I appreciate all your time and videos. Always a good day when the notification hits there's a new video.
Love your playing! Wish you would do a rundown of your go to techniques.
This was great. I think a lot of Strymon’s presets are made to show off what the machines can do - and a lot that those are not very subtle. The TimeLine has been my main delay for quite a while. This has inspired me to explore even deeper. Thanks.
P.S. It would be interesting to know what reverb settings you used on the BigSky.
Thanks for the note! I agree on the presets, definitely meant to show you what's possible more than what you should use day to day.
If you want to check out the bigsky sounds they're here! ua-cam.com/video/TPtql0k7g_k/v-deo.html
You all should show people how to get these sound instead wanting to charge people to download you s…, people don’t have money to buy all this equipment and then you all rob people getting them to download you settings just so you can make a liveing , get a real job like everyone else, God will get you some day for doing people like this😢
buddy you're on one...
I literally walk through how to make every single sound I show step by step in this video.
I have no idea who you think I am, but I have never packaged or charged for presets for any of the pedals I cover on the channel. I have a day job and I do this as a fun way to explore gear and sound design
Watch the video next time before you comment something this stupid.
Well you m sorry, for saying that it just seems like everybody on here is just out to make money. I didn’t hear you say they were free. Again I’m sorry
@@signalpath I got you mixed up with another guy that was just above you he was the one I though I was talking to
I’m so motivated to go back to my timeline right now ❤