Minor 251 Progression Piano | PianoGroove.com
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- Опубліковано 9 лип 2024
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Download a PDF containing these voicings in all 12 keys: bit.ly/minor-251-pdf
Lesson Chapters
01:00 Introduction
00:00 Building a Minor 251 Progression
02:23 The Harmonic Minor Scale Introduction
03:56 What Changes in the Harmonic Minor Scale
05:45 The 2 Chord - The Minor 7 b5 Chord
06:38 The 5 Chord - The Altered Dominant Chord
08:10 The 1 Chord - 3 Options Here
09:06 Putting the Chord Together - Minor 251 in C
12:06 251 in the Key of B Minor
14:05 251 in the Key of F Minor
15:38 How to Practise Minor 251s
Introduction
Minor harmony is much more complex than major harmony and it takes more time and patience to master. Before watching this lesson I’d recommend checking out the following 3 lessons:
3 Minor Scales
Rootless Voicings
Extended Chords
The information in these lesson will be useful when learning this new theory.
Building a Minor 251 Progression
You will encounter a problem when you try to build the 2, 5 and 1 chords out of the natural minor scale. This is because the 5 chord in the natural minor scale is minor in quality and this creates a very weak sense of resolution from the 5 chord to the 1 chord in the progression. We learnt in the lesson on the Major 251 Progression that the 5 chord must be dominant - this is where the Harmonic Minor Scale comes into play.
The Harmonic Minor Scale
The harmonic minor scale is used to create more interesting harmonies in minor keys. To construct the harmonic minor scale, we take the natural minor scale and we raise the 7th note by half a step. So in the key of C we take the Bb and we raise it to B. The harmonic minor scale has a middle-eastern quality at the top of the scale which gives it a very distinctive sound.
To build a minor 251 progression, the 5 chord comes from the harmonic minor scale of the key you are in. The 5 chord from the harmonic minor scale is always dominant in quality which creates a very strong sense of resolution to the 1 chord in the 251 progression.
RULE The 5 chord in a minor 251 progression always comes from the harmonic minor scale
What Changes in the Harmonic Minor Scale
Now that we have raised the 7th note of the scale, we now have 4 different chords in the scale. We have already talked about the 5 chord so now let’s look at the other 3.
The 1 chord was a minor 7th chord in the natural minor scale, now that the minor 7th has been raised this creates a minor-major chord. You may not have come across minor major chords but as the name suggests they are a cross between minor and major chords and contain a minor 3rd and a major 7th.
The next chord that changes is the chord built of the 3rd degree. We did have an Eb major 7th chord in the natural minor scale, but now the 5th has been raised which creates an Eb augmented chord. An augment 7th chord is the same as a major 7th but the 5th has been raised by half a step.
Finally, the last chord that changes is the chord built off the 7th degree of the scale. In the natural minor scale this was a Bb7 chord but now that the 7th note of the scale has been raised we now have a B diminished chord.
Diminished chords create a greater sense of resolution from 7 to 1 in minor keys.
The 2 Chord - The Minor 7 b5 Chord
The 2 chord in a minor 251 progression is always a minor 7 b5 chord. Minor 7 flat 5 chords are also known as half diminished chords and both terms refer to the same thing. This chord is built of the 2nd degree of the harmonic minor scale which makes it the 2 chord in a minor 251 progression.
The 5 Chord - The Altered Dominant Chord
This is where things get a little bit more complicated. The 5 chord in a minor 251 progression is always an altered dominant chord. An altered dominant chord is a dominant chord where the upper extensions of the chord have been raised or lowered by half a step.
These alterations create extra dissonance and tension on the 5 chord and create a greater sense of resolution to the 1 chord in the progression.
The 1 Chord - 3 Options Here
Finally, we have the 1 chord. You have three options here.
The first is a normal minor 7th chord - the Bb isn’t actually in the key of C harmonic minor but you can still play that chord and it will still sound good.
The second option in a minor major chord - this is the diatonic 7th chord built of the 1st degree of C harmonic minor.
The third option is a minor 6th chord - here we have the root, 3rd, 5th and 6th - again, the A natural isn’t in the key of C Harmonic minor but you can use this chord. - Навчання та стиль
This guy teaches instead of showing how well he can play - a rare find. Thanks a million
man please don't stop making videos
The best explanation on minor 2-5-1 I have ever seen! Thank you for sharing! It means a lot!
Thanks Helge. Check out this link for more free lessons: bit.ly/get-5-free-lessons
And you can download these voicings in all 12 keys here: bit.ly/minor-251-pdf
Cheers,
PianoGroove
This is definitely the best minor 2-5-1 explanation anywhere online. Your outstanding ability to explain why the minor 2-5-1 must be built from the the harmonic minor, answers the questions that most budding jazz pianists would need to know before setting out to practise all the harmonic minor scales purposefully. Thank you!
Great videos - really well explained. I love the way these voicings are so versatile so, for example, the dominant♭13 ♭9 shape is the same as a root position half diminished. So a Galt can be thought of as a half diminished built on a tone below the tonic (half diminished on an F for a Galt). Thanks for leaving these videos up: a really useful teaching and learning resource.
Great tutorial. Thank you for sharing
Wow! You give such thorough Explanations! This is the prettiest 2 5 1. I .ve come across in a while. Just subbed!😎
Powerfull and constructive. Thank You
Very well explained!!
with the 3rd inversion voicing, could you also resolve to the Cm(maj7)? I think only the Cm7 was displayed here.
Just adding to what many already said; really well explained subject. Thank you!
Brilliant my friend ! Your are are true Genius!!!!
Thank you so much. Clearly explained.
Great!
awesome THANK YOU
You very awesome mate thanks very much
Thanks
thank youu
❤️THANK YOU
Greetings. In the video you reference the worksheet for the (minor) ii V I with the chords in all 12 keys. It sounds as if you plan to include this in the resources section of the upcoming website, but I am wondering if I might be able to obtain this sooner (i.e. directly)? If there's a fee I'll be happy to send it. Again, so grateful for your outstanding instructional approach.
Couldn’t you also play a Dm7b5(b9)?
I play route list voicings, and if I do a 3 or 4 note open voicing the b9 will be played. Yes?
Niceeee
WOW
Keren
11:11 sounds like fairy fountain lol
3:45 Nice Kingsman chord.
So the introduction part were you playing was on Bb harmonic key .. am I right? Thanks for sharing anyway!
+TimZ timotius Hi Tim, Stella by Starlight is written in the key of Bb Major - here's the score: www.guitarcats.com/realbook-jazz-standards/stella-by-starlight . Remember that jazz is constantly modulating though so the chords come from many different keys. Thanks, PianoGroove
very good video and explanation but i dont understand 10:53 you say its Cm7 but your playing D in the chord, where did that come from, same thing at 13:33 i know its Bm7 but where did Db come from?
Yes D is the 9th which is an upper extension... watch this lesson for more information: www.pianogroove.com/jazz-piano-lessons/chord-extensions-9ths-11ths-13ths/
That is a rootless voicing for C-7, check out this lesson on Rootless Voicings: www.pianogroove.com/jazz-piano-lessons/rootless-chord-voicings/
Cheers,
PianoGroove
@@PianoGroove 10:55 You push Maj7 ( B) but on the notes B is being shown as a Bb. Is it a wrong or I didnt understand. Thanks.
can the 5 chord be a sus9 or sus13?
SR.I AM JUST WONDERING IF IT POSSIBLE TO USE THE #9 IN THIS KIND OF PROGRESSIONS,BEFOR GETTING TO FIRST GRADE.
+Juan Vargas Hi Juan, yes absolutely, I cover that here: www.pianogroove.com/altered-dominant-tritone-trick/ - Cheers, PianoGroove :-)
Hello Friend
When one becomes a member , you have access to download sheet music, scales , progressions, to print and to facilitate the study , or everything must be done only online ??
I ask because in my case the language (I speak Spanish ) I complicate the study
Thanks