Louis Spohr: Violin Concerto No. 8 in A minor, Op. 47, Pierre Amoyal (violin)

Louis Spohr - Violin Concerto No.8 in A minor Op.47, Pierre Amoyal, Armin Jordan & Lausanne Chamber Orchestra
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig, was a German composer and violinist. He was also a significant conductor, being one of the first to use a baton. Highly regarded during his lifetime (throughout his life Spohr was famous for being as generous and warm a person as he was profound a musician) his output fell into obscurity following his death.
Spohr composed more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers: ten symphonies, ten operas, four clarinet concerti, four oratorios and various works for small ensemble, chamber music (36 string quartets,duos, trios, quintets and sextets, an octet and a nonet….) and art songs.
Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, including works left unpublished at his death. Some of them are formally unconventional, such as the one-movement Concerto No. 8, which is in the style of an operatic aria (Spohr departs radically from standard concerto format by putting the soloist into the role of a singer in a dramatic scene).

[@Amourtendresse]

Quelle merveille ce concerto ❣️Un vrai bonheur d'avoir le sentiment que le violon ne joue que pour soi 🎧 Et c'est plein de joie, un régal ! 🎶💓🎶✨✨

[@anthonyjohnfinch6870]

Very well crafted and melodic. Spohr is underrated and Pierre Amoyal’s superb playing does it credit.

[@sibarit101]

Thanks, I totally agree with you!

[@user-ru8vy1uz7c]

Bravo brilliance music concerto

[@canman5060]

Thanks for Sphor's invention of the shoulder rest which makes playing a lot more comfortable.

[@NathanielRobinson]

*chinrest

[@wq6737]

Wunderschön, ein Born voll Melodik und Temperament

[@sibarit101]

Thank you for listening and appreciating his music.

[@mariajesus225]

Sublime!!, gracias por compartir

[@sibarit101]

Thank you! Your comment is welcome.

[@HenkVeenstra666]

Best version on youtube. Keep up the good work!

[@sibarit101]

Thanks, I'm glad

[@geigenatelierbrusch469]

Have You listened to Hilary Hahn?

[@jfthiesen2947]

There are much more to listen to ❗️🎻❗️🥰 ❗️🎻❗️

[@emmameads8798]

5:11 is when violine solo page 6 starts

[@kniazigor2276]

Heureusement que les interprètes sont très bons car il faut bien reconnaître que le concerto de Spohr n'est pas un chef d'oeuvre...Merci à Sibarit101 pour la mise en ligne de ce disque.

[@sibarit101]

Merci à vous!

[@repepillo]

Faux Emmanuel : voici la raison de la soi-disant simplicité orchestrale : "Concerto pour violon n° 8 en la mineur "In Form einer Gesangszene" ou "In modo di scena cantate", op. 47 (avril-mai 1816, pub. 1820) - (un seul mouvement. On y distingue tout de même : Allegro molto - Adagio - Allegro moderato) L'ouvrage a été écrit en prévision d'une tournée en Italie. La partie de violon est conçue en pensant aux prouesses des prima donna. Il voulut une partie d'accompagnement des plus simples parce que les orchestres italiens de l'époque avait une réputation exécrable. Le concerto fut un triomphe à Milan et Venise, puis en 1820 à Leipzig"

[@jfthiesen2947]

YT ver - misst die PAUSE und B A L L E R T seine WERBUNG nun einfach rein 😎❗️

[@jfthiesen2947]

DAS ist IT - Schei SS ❗️😎❗️

[@jfthiesen2947]

DAS ist IT - Schei SS ❗️😎❗️

[@jfthiesen2947]

❗️👍❗️

[@jfthiesen2947]

👍

[@jfthiesen2947]

Ich vermisse auch die Pause 🍾🥂❗️😎❗️🤣❗️😎❗️ 🥰

[@deboraansone6650]

11:35 189

[@kamalprasad1635]

Beautiful….. full of pathos & poignancy…..

[@deboraansone6650]

0:56 28

[@jfthiesen2947]

Modern recording, a good SOLIST but a bad sounding Orchestra ! sorry ! more accompanying as an Ariia in the Opera and not shouting in a Football-Arena ! ❗️😎❗️

[@evanpyne4426]

the orchestra needs to tune jesus

[@jfthiesen2947]

❗️👍❗️😎❗️👍❗️