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sibarit101
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Приєднався 26 вер 2015
Louis Spohr: Symphony No.1 Op.20, NDR Radiophilharmonie, Howard Griffiths (conductor)
Louis Spohr - Symphony No.1 Op. 20, in E Flat Major, NDR Radiophilharmonie Hannover, Howard Griffiths (conductor)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
Переглядів: 5 709
Відео
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Переглядів 5 тис.2 роки тому
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Qué música tan fina!!! Delicatesen!!!
Cuánta música desconocida injustamente. Gracias Sibarit por darlo a conocer y que nosotros disfrutemos!!!!
Éste ciclo de 6 sinfonías (Les Métamorphoses D'Ovide) es de la música más hermosa escrita..Qué belleza!!!! Gracias Sibarit..
Toco la viola en la orquesta sinfónica de Madrid..cada año tocamos las grandes obras de la literatura orquestal sinfónica(poemas sinfónicos de R.Strauss,sinfonías de Beethoven,Tchaikovsky,Mahler,Brückner etc...) todo este repertorio es espectacular pero lo q yo amo es esta música del período clásico tan genial..No lo toco pero lo disfruto gracias a Sibarita..Felicidades..
Plaisant et festif 🎶❤️🎶
Gracias por subir esta hermosa sinfonía..Tienes un gran gusto musical!!!Éste es el período de la música q más me gusta!!!!
Thanks again for supporting my UA-cam channel!
Beautiful violin concertos from Maddalena Laura Lombardini Sirmen for historical instruments🎻❤❤
Thanks! Glad you like this concerto!
Virtuosismo ed eleganza creativa. Orchestra ottima
Thank you!
Beautiful symphony from Vranický ⭐👏👏
Thank you!
GREAT MUSIC...THANKS
Thank you too!
Definitivamente he caído enamorado de la música de este genio!!!!.Ingeniosa,espectacular y fresca...
Thank you! It's natural to love his music because of his brilliant style.
Soberbia..Impresionante.. Gracias sibarita..
Thank you too!
Qué buen gusto tienes sibarita!!! Gracias por compartirlo..un saludo desde Madrid..
Thank you again! I'm Iulia (Yulia), from Constanța, a port city in Romania. I wish you all the best!
Dave Hurwitz, the great American music critic calls Djabadary's Piano Concerto Op. 10 "The worst piano concerto ever written." The Georgian Rhapsody really isn't that bad. Sounds to me a little bit like Rachmaninov or, perhaps, Arthur Rubenstein in his earlier piano concerto years.
Thank you again for this comment!
Dave Hurwitz, the noted American classical music critic calls this concerto the "Worst piano concerto ever written." Is it that bad? To my classically trained ears, not really but it could use a little bit of more polish ... or is that Polish as in Poland. Too late, Djabadary is long dead and, perhaps, should be?
Thank you! On this channel I mainly posted music from unjustly forgotten, lesser known or underappreciated composers. So, as a simple listener, I say again that I enjoy listening to this concerto and I am interested in the opinion of the listeners, not the critics. Over time, I have found that many listeners liked this music and I was really glad to hear that.
Qué música más fresca y deliciosa.. Gracias por subir estas joyas musicales!!!!
Thank you again for this comment!
Magnifique concerto, enjoué, élégant, un réel plaisir à écouter 🎶❤️❤️🎶
Toujours autant de plaisir à réécouter cette merveille, et ce fabuleux Rondo allegretto ❤🎶❤️🎶✨
Merci encore!
Waouh, quel splendide concerto, d'une intensité folle, quasiment en apnée, suspendue au chant du violon, à la fois passionné, triste et mélancolique. Quelle envolée lyrique ❣️🎶❤️🎶✨
Qué música!!Vaya solo de oboe del pianissimo al forte como una flor q se abre y muestra su encanto.. Gracias desde Madrid..
Thank you too for this nice comment! May you have a prosperous New Year!
Feliz año nuevo 2025 hermosa dama!!!
любимейший фильм король танцует и открыл для меня люлли в жизни и король и люлли выглядели по другому но актеры сыграли великолепно и конечно же музыка особенно меня потряс танец масок рядом с умирающим мольером когда мне очень плохо я пересматриваю этот фильм простие что пишу без знкав препинания не знаю всех тонкостей обращения с клавиатурой
Thank you! I'm glad you liked both the film and Lully's music.
Sinfonia muito especial!
É uma sinfonia espetacular!
Thank you for listening and appreciating!
Ahora estoy descubriendo estas fabulosas sinfonías de este compositor!!!maravillosa música!! Gracias!!!!
Thank you, I'm glad you like Dittersdorf Ovid symphonies! This symphony is my favorite too.
Qué hermosa sinfonía..jugando con los diferentes instrumentos musicales!!!!!
멋진곡에 멋진연주😊
Gitar ve konçerto harika..
Thank you, I'm glad you liked it!
The finale is a joy!
Il piacere di gustare le qualità virtuosistiche della viola. Il protagonista era prima viola di un compagine superstar. Il secondo movimento la solita aria operistica.
Thank you! I always listen to this concert with great pleasure.
Credo che Carl sia il miglior compositore della famiglia. Molte sue composizioni possono reggere il paragone con Mozart!Virtuosismo e melodia . Concerto molto bello. Il compositore sfrutta benissimo le potenzialità del violoncello ( strumento che personalmente adoro.
Thank you for listening and appreciating, but I think we shouldn't compare great composers to each other. In 1777, 21-year-old Wolfgang Amadeus Mozart had ventured to Mannheim with his mother to develop his career. This famous musical school had a great influence on composers of the time, including Mozart.
Il sound di Mannhein a cui Mozart deve tanto.
That's true, thank you!
Es una obra maestra inigualable es su autor orgullosamente mexicano
Thanks for listening! I agree with you, he was a very talented composer.
C'est toujours un vrai bonheur à réécouter, un fantastique violoniste 🎻🎶❤️❤️🎶
Merci! Que la magie de Noël t'apporte chaleur et sérénité!
@@sibarit101 Merci c'est gentil, plein de bonnes choses également.Bisous
19:42 ❤
I love the andante
This Ovid's Symphony is my favorite
Rameau with Frans Brüggen: It was his achievement to transfer the orchestral suites together with his dutch colleague (Wim ten Have ?).
Prezada senhora Sibarit101, e mais um ano vai chegando ao seu final; é neste momento que nos lembramos das pessoas as quais respeitamos e admiramos. As esplendorosas músicas postadas pela senhora no UA-cam, fazendo com que o mundo inteiro as possa escutar, a tornam uma pessoa notável e iluminada. Muito obrigado. Cara senhora, tenha um santo Natal e um Ano Novo repleto de alegria e realizações. Fique em paz, viva bem, tenha sempre muita saúde, ao lado de sua honorável família, e que Deus a abençoe.
Your message has touched me deeply and it is the greatest gift I have received this winter holiday season. It contains an emotional core of sensitivity and your attention honors me greatly. Thank you very much! Warmest greetings, Merry Christmas and best wishes for the coming New Year. May God always keep you safe!
Uncle verdi
Bella composizione. All’altezza di H.Haydn
Jeno Hubay wrote four absolutely outstanding violin concertos.
Innovatore. Echi vivaldiani?
A distanza di tre anni riconosco corretto quello che ho scritto. Artisti di un’epoca irripetibile. Oggi abbiamo strumentisti straordinari tecnicamente, ma…………non trasmettono “ poesia “.
Your channel is very incredible and interesting I really like it❤❤
You are so kind! Thank you!
Very good. Wonderful!
Many thanks!
Magnifico!! Virtuosismo e melodia ai massimi livelli...
Many thanks!
❤❤❤❤❤❤❤❤❤❤❤❤❤
Thanks!
My favourite symphony❤❤
Thanks for listening!
좋은 연주 .
Thank you!
3rd movement to die for....absolutely Heavenly & delightful - Mozart would have listened carefully
Thank you very much for listening and appreciation!