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sibarit101
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Приєднався 26 вер 2015
Louis Spohr: Symphony No.1 Op.20, NDR Radiophilharmonie, Howard Griffiths (conductor)
Louis Spohr - Symphony No.1 Op. 20, in E Flat Major, NDR Radiophilharmonie Hannover, Howard Griffiths (conductor)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
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Відео
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Переглядів 4,4 тис.2 роки тому
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Переглядів 3 тис.2 роки тому
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Переглядів 5 тис.2 роки тому
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Переглядів 6 тис.2 роки тому
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When I listen to this wonderful music, I get butterflies In my stomach and cicadas are buzzing
Nice comment! Thank you!
@@sibarit101 Thankyou From A corner of sizzling Summer Tokyo 🍓🐈🎇🎑🎆🏯💮🌸🍒🍄🎎🥟🍥🎋🗡️🌊🍙🗻👺🍢🥋🥢⛩️🍱🍾🎏🐝🍜🎍🍚🐮🍣🍘🎌🇯🇵 These Emoji絵文字are things unique to Japan 🍓is Japanese strawberry, 300kinds Most famous strawberry is Tochiotome栃乙女 🐮is Japanese Beef, Wagyuu和牛肉 🍣is nigiri Sushi寿司 this is Tsunaマグロ 🍜is Raamen拉麺 🍥is a friend of Raamen拉麺 Narutoナルト 🍱is Bentou弁当
Eine fließende Melodik, de einem Tränen, ob ihre Schönheit, in die Augen treibt ! Wenn es etwas Göttliches gibt, dann hier in voller Entfaltung.
Thank you again!
Dieser zweite Satz ist nicht von dieser Welt - einfach himmlisch und wunderbar gespielt, vielen, vielen Dank für das Hochladen - solch eine Freude...
Thank you too! Glad you liked it!
Карл Дженкинс гениальный композитор. Насколько это произведение звучит по- разному,в зависимости от темпа, заданного дирижёром,от точности исполняемых штрихов у сольных струнных.... Иногда,хочется сдержанности контрабасов,а иногда сердце просит взорваться сольными скрипками....и как приятно,когда скрипачи ввигрывают вче до ноты,мельчайшие хвостики,все прослушано,все проиграно.... Душа радуется.
Thank you for this nice comment!
Maravillosa interpretación del Excepcional Violinista , ejecuta la Obra Maestra con un Magistral estilo y nivel expresivo de Excelencia , unido a su impecable y brillante técnica .
Thank you for this nice comment!
I don't know how he does it, but he really takes it to another level.
Thank you! Perhaps he, having great artistic potential, felt the music, "saw" the music and "reimagined" it.
Wonderful version of this masterpiece! Thanks for posting it!❤
Thank you too!
Hello Yulia, you're back. It’s been a log time. Nice to listen to something so beautiful as usual
Thank you my friend! I never gave up on my UA-cam channel. It's true that I haven't posted in a long time, but I've always thanked those who still listen to my music. Gratitude!
romania`te`salute.
Let this be a lesson to all those budding pianists.................You must practise your scales!!!!!!
Schubert se escribe con S de sentimiento. Lupu hace honor a ese sentimiento schubertiano en una interpretación íntima y magistral
Thank you very much!
02:10
I was listening to this the other day, and created this short story to accompany the music, as a treatement for a Sci-fi screenplay: Forge1 Forge1 "Control, this is Forge1, showing all green for liftoff." "Forge1, roger that. We show you ready on Ground to Orbit (G2O) blast shield 2. Proceed to runup pressures and alert when on top." The mighty orbiter fired up its Triton VRO trinitromethane thrusters, the clean burning fuel creating wisps of steam on the wet Florida runway, 3 times as wide as a normal airport runway. Captain Fogerty toggled a few switches, and Navigator Ellison confirmed fuel pressures and flow rates, the chiming and beeping of the control modules creating an almost casino like sonic atmosphere. Finally, a bright ping flowed from the systems, and Captain Fogerty radioed back to control "Control... systems are on top, we are ready to go. " Flight controller Simmons replied with a business-like tone from the gleaming tower off to the ships right, illuminated by the early morning sun, shining like a torch slowly coming to life..."Roger that, Forge1. Cleared for liftoff, and we'll see you on the other side. Contact Orbital control at 018.03. Winds steady at 2knots, Southwest until 10000 ft, then on IRL until roll maneuver. " With a final beep, Captain Fogerty pressed the thruster controls forward with his right hand, and all 63 VRO motors producing over 1 million pounds of thrust, catapulted the sleek orbiter forward, as the egrets and herons took flight against the low rumbling slowly giving way to an almost animalistic roar from the rockets. Forge1 barreled down the runway, 23 tons of potential slowly rotating upwards into the sterling skies, parting clouds like a great white shark parting a school of fish...Captain Fogerty relaxed in his seat as they approached the z-roll coordinates and smiled over at his co-pilot. "See, smooth as silk." The blackness of near space slowly enveloped the ascending craft, as Earth dropped away as if a beach ball, green and blue. The space station came into view, as the crew inside Forge1 prepared to start the docking procedure. "Century 10, Forge1 approaching for docking maneuvers." A bright female voice answered "Welcome home, Forge1. Prepare for docking sequence."
Maybe you will be able to make a short animated film with your scenario and this music. Good luck in your work!
before the fire melts the ice...
This symphony is excellent. The succession of ideas, or their variation, is widely underlined by a sensitive sense of orchestration and form together a firm architecture. . Onslow is here our French Mendelssohn.
Thank you very much!
Espectacular realmente , me encantó
Thank you very much!
Masterful sound. Ernst Eichner's symphonies were among the most popular of his time, published almost simultaneously in Paris, London and Amsterdam (30 - symphonies, 1770, 1771.). Eichner tried to create his own style by incorporating elements of Italian, French and German (Sturm und Drang). However, Eichner died early... Haydn only had several symphonies printed by Gosek in Paris in 1778/9, until then not a single one had been printed. A.Mozart was familiar with Ernst Eichner's works, he performed them in salons.
Thank you very much!
❤
Merveilleuse rencontre❤ Avec cet inconnu que je m'attacherai à davantage découvrir. Merci du sublime Partage, Chère Madame.
Merci aussi, je suis contente que vous aimiez la musique de Johann Stamitz, il était un grand compositeur.
彼は凡そ1000余りの曲を残しました、数多くの練習曲を書きましたがそれも全体を見るとたった数％です。 とは言ってもチェルニーの書いた練習曲は多く、供給が多くなされたため、1つ1つの価値が低くなってしまいました。 チェルニーはアルカンや、リスト、ショパンの様にあくまでも特別と言える演奏会用練習曲を残しませんでしたが、教育の為に優秀な練習曲を量産し続けました。 ピアニストを目指す人はチェルニーを信じてin tempoまで練習してください。 チェルニーを信じる者は救われます😊
There are two early concertos in manuscript, the 1812 concerto in D minor and the Eb concerto from 1812-14, and two published ones, Piano Concerto in F major, Op 28 and the A minor Concerto Op.214, published as Concerto no.1. He also composed 7 symphonies.
素晴らしい👏👏(＊´ ω｀＊)
Thank you, Orchestra and the many soloists and Zideneck Adam with your clarinet masterfully played "but most of all to Adalbert Gyrowetz the person most responsible for bringing this wonderful composition here to enjoy!!
Many thanks! Glad you liked it!
Very good I like
Thanks for liking!
@snowcarriagechengcheng-hun3454 8 年前 Mvt.1--00:00 Mvt.2--15:34 Mvt.3--22:18
Thanks!
¡Magnífico!
Thank you!
I listen to this in 0,75 velocity. More reasonable for the time the Concert was written.
Super good recording quality, even as a mere video posted on UA-cam... only Pepe Romero has the versatility and prestige to get this kind of invitation from what could be the greatest chamber string orchestra of modern times.
Many thanks!
Simply Magnificent!!
Many thanks!
Music full of peace and naked beauty
Thank you very much! Glad you liked it!
Magnifique concerto, très enjoué, réjouissant 🙏🎶❤️🎶
very good
Ein wunderschönes Adagio, einfach zum Träumen. "Orpheus nimm mich in deine Schwingen und trage mich von hinnen !" Das sind Sternstunden der Musik, reines Gefühl, gleiche Frequenz - Mitschwingen der Seele.
What a nice comment! Thank you!
Kantorow - Chevalier de Saint Georges 🏆🎻🥇.... Kantorow Violinista eccezionale 👏👏👏👏👏
C'est très beau, riche et élégant 🙏 Merci de nous faire connaître de telles œuvres, un plaisir et un enrichissement intellectuel 🎶❤️🎶✨
Comme d'habitude, je vous remercie, ma chère fidèle auditrice des musiques postées sur ma chaîne UA-cam!
Very original and romantic in spirit, what an original composer ! Longer resolutions in the first movement.
Thank you!
This piano concerto is so underrated, but for that matter, so is all of Godard's music. I have loved his music for many years, and never get tired of listening to it. It's to bad this and all of his music never gets played in the concert halls. To me I find him to be a top notch composer. All I can say is, this piano concert is outstanding. Very beautiful. Thank you so much for uploading this Magnificent recording for all to enjoy.
Thank you very much. I agree with you, Godard doesn't get the attention and recognition he deserves, but I can say again that this concerto will stay in my memory for a long time with its attractive and dramatic ideas. I hope it will also remain in the minds of today's audiences.
Que obra maravilhosa ❤
Thank you!
Eso parece Mozart
Beautiful ❤
Thank you! Cheers! 🙂
😊😊😊🎉
I would play this at my funeral 🎉
Je réécoute, waouh l'Adagio, j'adore ce passage 34:27 ❤💓
Waouh quelle puissance, quelle beauté, quelle passion dans sa musique ! Ça me parle..🎶❤️🎶🌹
Merci encore! Je suis d'accord avec vous, sa music brille par énergie, fougue et passion.
FANTASTIQUE 👏🎶❤️🎶🌹
Une symphonie d'une grande beauté....une interprétation pleine d'énergieé
Merci, je suis contente que vous avez apprécié cette symphonie.
Magnifique 🎶❤️🎶
Pure merveille de grâce dans ce jeu pianistique, un vrai bonheur 🎶❤️🎶✨
Soooo beautiful!
Magnifique 🎶❤️🎶
Do you know which cadenza he performed for the 3rd movement?