No no, keep going at it. Making those jokes helps shame us junior drummers into practicing our theory and technique so we'll hopefully end up subverting the stereotype like Camille
How nice of UA-cam to suggest this channel for me after being on the platform for 16 years. I guess it's because I just got back into drumming, Google knows what I want hehe. Enjoying watching your videos. :)
This sort of pattern actually lead me to a section of math sometimes called least common multiples. So you just go through the number line and find the numbers that every previous number could multiple into so it’d go 1,2,6,12,60,120,420,840... you came upon 60 subdivisions be 3,4 and 5 all had to be divisible into it which is where the 60 comes from In the previous list of numbers. It’s interesting because these are some of the most useful numbers on the number line. There’s 60 seconds because the developer of the clock considered it’d be most convenient because one through six can be divided in it
I'm no drummer, but I've been trying to practice clapping one rhythm and vocalizing another one - and that is so hard for me - but we're keeping at it every day. That being said, these polyrhythms are so impressive to me :)
Fascinating way to deconstruct this. It would be interesting to expand this to 3 & 4 with your feet and 5 & 7 with your hands; maybe breaking the hand strokes up in 2's and 3's (RH: 2-3-2, LH: 3-2), and so on.
I heard a guy doing this at a gig a couple of years ago. It freaked me out and I wasn't sure it was what I heard so I asked him after and he confirmed it. He said his teacher had been getting him to practice it a lot so he just through it in at the gig. Exciting to hear
Literally subscribed last night off of a random recommendation and you're already uploading again, nice! Very impressive pattern and the technique you used to learn it is very cool, going to have to steal that one. I'm not sure the "can't play faster" bit is true though and it seems unnecessarily demotivating, certainly tracking the full 60 count subdivision at higher tempos is unrealistic for a human but after learning the composite rhythm and getting sufficiently comfortable with it it should still be possible to speed it up with a reasonable amount of accuracy "by feel" in the same way that most people presumably don't track the full 12 or 20 note subdivision when playing 3-against-4 or 4-against-5 polyrhythms quickly. Getting comfortable with it is going to be much more difficult obviously, but impossible seems like an overstatement.
A 12 or 20 note subdivision is really more manageable than a 60, I think that you can actually play a 3:4 or 4: 5 polyrhythm very fast but that's because you're still capable of feeling the underlying subdivision, that would note be the case with a 3-limbs polyrhythm, but that's just my opinion. It's like you wanted to draw equally spaced points on a page without a ruler, you'll not be so far but it'll still be approximatic, and you'll tend to make it sound like something "rhythmically proper" you already know while it sounds actually arythmical at a fast tempo :) Thanks for your subscription and your comment!
@@CamilleBigeault I don't know, I can play those two kinda fast (for an amateur rock drummer, nothing impressive for sure in the speed department) and stop consciously tracking the subdivision at the higher speeds. I've never done a proper three-limb polyrhythm before so am definitely not talking from experience on that part, it does seem like a similar thing should be possible but you clearly have more first hand knowledge here. It's frustrating watching cool stuff like this since I had heart surgery earlier this month and can't drum again yet. I promise to take a stab at learning this pattern in a couple months though, if I'm wrong it'll still be a cool skill to learn and if I'm right I get to say "neener neener" in some youtube comments which is almost as rewarding as playing polyrhythms. Anyway, thanks for responding and thanks again for the video. Have a great day!
One different thing about speed is, that speed introduces automation much more. When you play the poly-r.-beat slow, you are processing it at real time in your mind. When you start to get faster, you will have to transcend into automation because otherwise it will be very draining to keep up with the mind. I am allways impressed how amazing the learning process is if you start to get it rolling just like that. Hope you are doing well. :) and by the way: sometimes it feels like it is much harder to play some r. at a very slow speed because you can hear every mistake much better. in higher speeds the sounds and miliseconds melt down and are only differentiable with the use of high speed recording. For example a 4 note stroke (with 2 double-strokes) at 64th on the practizing pad is relatively simple to play (because you only play 4 notes at all), but not with precize gaps between the single strokes. I saw that mistake when I recorded it with 240 i/sec. it was like L---R--------L---R instead of L----R----L----R.
I like! Interesting. Furthermore, your voice me feel quieter and you're really comprehensible (my first langage is french , hi from Belgium!) Thank you :-)
My new favourite channel. Great work. I never considered using different notes on a piano to help learn poly rhythms. Do you find this an effective way to learn grooves in different polyrhythms, as apose to playing every note of the 3,5,7 count?
At the end of the day it's kind of a fractal-like micro/macro relationship, isn't it? We play Half notes and bursts of 32nds within the same moment without needing to internalize every note within the common rate. I studied with Gary Chaffee for quite some time, and hit a similar wall when we were into his poly book. I remember my poly figures got really strong not by just shedding on the poly but actually playing in the time. So my quintuplets were stronger after really developing lots of time functioning and soloing in a variety of feels in five. My triplets got a lot stronger after shedding bembe clave with my foot and developing my feels along with it. This was a really interesting breakdown. I am digging the content. Really well done. Subbed!
That's awesome, I was trying to write out some 3Xpolyrhythms recently and started to think maybe subdividing the beats with polyrhythms was more practical than counting to a billion, but I hesitated cus I wasn't sure how practical it was. You just proved it is practical, at least as a learning method. Definitely be cool to see you apply it to other polyrhythms. I wonder if it'd be possible with something like 4:5:6, it'd be amazing not having to count to 20 each beat lol. Something I think is neat from breaking down 3:4:5 is the 3rd pulse is a moment of normalcy with an easy to count and feel offbeat 8th note. My brain appreciates whenever a polyrhythm has a moment like that lol
I think the whole point of the video is to show that 3 way polyrhythms are pretty much unusable in a musical setting because for a human to perform them they have to be played at such a slow tempo that it's basically impossible to "feel" the rhythm holistically, if you get what I mean. A 4:5:6 polyrhythm would require four beats, each subdivided into 30 parts, so it only gets worse when you increase the numbers.
Reminded me of a insane marimba solo that I played where i played quintuplets over triplet while singing 16ths for one of the beats. The intro bar was 3 over 4, 3 over 5 to 4 over 5, then switching hands and doing it backwards Also it was a twelve tone. Took me about 1,5 years of practicing polyrhythms to get fluid and fast. =D
Hmmm. I think it needed to be sped up until the whole cycle was in the span of a quarter note and that quarter note = 80 or something to really hear it as one unit.
Check out the song "3 4 5" by Horace Bray, he does a 3:4:5 polyrhythm on the guitar in a way that's musical (he's probably approximating the polyrhythm, but still really cool)
I think it works better faster, and I don't think you necessarily need to feel all the subdivisions if you think big picture- in one. I find it easier to manage sometimes to think of it as x number of notes evenly spaced in one longer beat. I'll learn it slow with the subdivision, but then let muscle memory take over at a faster tempo feeling the bars as the beat
I'm not so sure about that. To me rhythm has to be precise, and in this 3-lines polyrhythm case the result is a very particular rhythm, that if played faster could be apparented to a rhythm that we know and that has a manageable subdivision, but if we want to be correct about, is not the same at all. It's like you wanted to draw equally spaced points on a page without a ruler, you'll not be so far but it'll still be approximatic. At fast tempo you'll tend to make it sound like something "rhythmically proper" you already know while it sounds actually arythmical to our ears when played with precision :) but that's my opinion!
@@CamilleBigeault I get what your saying, and I do agree that it's important to break it down slowly, but at a fast tempo I find it relatively easy to make notes evenly spaced if you think of it one. Almost like 5/4 becomes 5/8 in a way if that makes sense. It's definitely harder on drums doing the different rhythms yourself- both can get you the same result, but once the mathematical relations are internalized I prefer not to think about it at all and feel the broader rhythm in 1 and feel the notes being totally evenly spaced out.
I like to feel the groove basically, not count it- but it's important to count it and break it down slowly to internalize what hits when. At a fast tempo I could never actually count it, but could still get the notes in each polyrhythm properly spaced.
@@graysonwilson-cacciapalle7989 i'm saying all that stuff about feeling the subdivision precisely to feel the groove, like you i don't like counting and when it's properly internalized you can play it because you feel it. But can't wait to hear your fast version then!
I got myself stuck doing large polyrhythms against a clock. Every time the minute hand was at 0 was the start. Then just do polyrhythms against one of the many groupings that can divide the 60. For example playing 5 notes for every 6 seconds gives you 50/60, 8 notes every 5 seconds gives you 96/60, 7 notes every 4 seconds gives you 105/60. Eventually I realized I was playing polyrhythms at such a slow speed I could basically play at two tempos at the same time. Now I’m working on a piano composition played at 2 tempi. 🤞
Hey Camille! Could you reproduce the one from Gavin Harrison? He plays over 16th subdivision in which: 1. The hi hat plays every 4 16th so plays 4s 2. The kick drums plays every 3 16ths so plays 3s 3. The 5s are a RLRRL. The R on the ride L on snare. The first R is on the bell of the ride, RR are on the body. Every other bell notes, he accents the snare to turn it into a beat. He sounds awesome! Tu pourrais faire ça pour nous? 😊 merci!
Hey! It's funny someone else asked me the same thing some weeks ago! I made an instagram story of it, here: instagram.com/s/aGlnaGxpZ2h0OjE3OTc3OTAxOTQxOTk2MTky?story_media_id=3021935848762776979_1808575237&igshid=YmMyMTA2M2Y=
Very impressive ability, though I have to wonder of it's practicality. Surely, some esoteric music can benefit, but is there a benefit in the broader sense, to throwing easily digestible rhythms out the window?
We find a lot of 2-phrases polyrhythms in rock/metal prog stuff, and even electronic stuff that is very musical! 3-phrases polyrhythms like these are very rare and not so musical. That's why I prefer to do polymeters, that are rise from the same principle but at a more accessible scale and that result to a lot more interesting rhythms. But here I wanted to break it down so people can be aware of that common subdivision that rules every humanily-understandable music. Knowing all that stuff is not essential but really contributes to open musicality and creativity, in music or drums solos, etc...
@@CamilleBigeault I see. By all means, the ability to play outside of the normal "pop" constraints (including the more easily digested 2-phrases of electronic music and prog rock) can help an artist's creativity. Thank you for the videos and for taking time to explain to our comments! 🥁
Hey you should try this game called ClappingMusic. It challenges rhythm and it would be interesting to see you give it a go. I can’t get past the third stage.
@@noam1251 What is not that hard, playing the rhythm or programming it in a DAW? Playing the rhythm correctly is quite hard (as stated in the video). I created a metronome because I enjoy programming and it's fun to create apps I want to use in my own practice. While it is possible to program in a DAW, this is much faster/easier. It's also grown a lot over the time I've been working on it, so it does a lot more than strictly polyrhythms now.
hey' I'm working on it with ya, with just the 3 & the 4 in terms of the 3 count it will say " Jake the big fat plumber" then with the 5 brought in and still in terms of the 3 count it can then say "Jack is the big er fat er plumb er man"
Haaaa? So its like construction guy's..you have the slow man, the Average Boy and the Fast Worker..but they all finish on the Clock at Same Hours...hahaha!!
![POLYRHYTHM- Learn and MASTER 3:4 and 4:3 [MUSIC THEORY - RHYTHM- COUNTING]](/img/n.gif)
Patiently awaiting the "Camille does ASMR polyrhythms" video.
😂😂
Yes.
😂😂😂 Don't tempt me
Would watch
Ahaha I agree
I'm never making a dumb drummer joke again.
No no, keep going at it. Making those jokes helps shame us junior drummers into practicing our theory and technique so we'll hopefully end up subverting the stereotype like Camille
How nice of UA-cam to suggest this channel for me after being on the platform for 16 years. I guess it's because I just got back into drumming, Google knows what I want hehe. Enjoying watching your videos. :)
Pretty good, nicely done ! Just found your channel, I was really surprised you actually begun posting 13 years ago. keep going !
Wow you have an active subscriber base! Never seen so many comments for a channel with 8k subs. That's great, hope you get more
Having the 3:4 polyrhythm play between the 5's is the trick I think will let me play that well
This sort of pattern actually lead me to a section of math sometimes called least common multiples. So you just go through the number line and find the numbers that every previous number could multiple into so it’d go 1,2,6,12,60,120,420,840... you came upon 60 subdivisions be 3,4 and 5 all had to be divisible into it which is where the 60 comes from
In the previous list of numbers. It’s interesting because these are some of the most useful numbers on the number line. There’s 60 seconds because the developer of the clock considered it’d be most convenient because one through six can be divided in it
If you wanna do any polyrhythm, just multiply the numbers and you'll get the number of underlying subdivisions :)
Absolutely incredible polyrhythm! Plus, those Dave Weckl's by Vic Firth are LIFE!
Fabulous tutorial. Thank you Camille !
Fantastique! The glass marimba melodic pattern really helps to learn this.
The mad lass actually did it.
I'm no drummer, but I've been trying to practice clapping one rhythm and vocalizing another one - and that is so hard for me - but we're keeping at it every day. That being said, these polyrhythms are so impressive to me :)
Not at all what I thought a Glass Marimba Soft would sound like :D Nicely done!
Super vidéo! Je vais sauter dans un ravin et je reviens
😂😂😂 Non stp fais pas ça viens il me reste 2 bières !
You are such an inspiration!
0:22 Where are you hiding the third hand?!! *xfiles theme plays*
Fascinating way to deconstruct this. It would be interesting to expand this to 3 & 4 with your feet and 5 & 7 with your hands; maybe breaking the hand strokes up in 2's and 3's (RH: 2-3-2, LH: 3-2), and so on.
This is my new favorite channel
I'm feel still a beginner on drums, but I'll try this. Thank you for the breakdown!
I heard a guy doing this at a gig a couple of years ago. It freaked me out and I wasn't sure it was what I heard so I asked him after and he confirmed it. He said his teacher had been getting him to practice it a lot so he just through it in at the gig. Exciting to hear
Now this is some good content. Subbed!☺️
Literally subscribed last night off of a random recommendation and you're already uploading again, nice! Very impressive pattern and the technique you used to learn it is very cool, going to have to steal that one. I'm not sure the "can't play faster" bit is true though and it seems unnecessarily demotivating, certainly tracking the full 60 count subdivision at higher tempos is unrealistic for a human but after learning the composite rhythm and getting sufficiently comfortable with it it should still be possible to speed it up with a reasonable amount of accuracy "by feel" in the same way that most people presumably don't track the full 12 or 20 note subdivision when playing 3-against-4 or 4-against-5 polyrhythms quickly. Getting comfortable with it is going to be much more difficult obviously, but impossible seems like an overstatement.
A 12 or 20 note subdivision is really more manageable than a 60, I think that you can actually play a 3:4 or 4: 5 polyrhythm very fast but that's because you're still capable of feeling the underlying subdivision, that would note be the case with a 3-limbs polyrhythm, but that's just my opinion. It's like you wanted to draw equally spaced points on a page without a ruler, you'll not be so far but it'll still be approximatic, and you'll tend to make it sound like something "rhythmically proper" you already know while it sounds actually arythmical at a fast tempo :)
Thanks for your subscription and your comment!
@@CamilleBigeault I don't know, I can play those two kinda fast (for an amateur rock drummer, nothing impressive for sure in the speed department) and stop consciously tracking the subdivision at the higher speeds. I've never done a proper three-limb polyrhythm before so am definitely not talking from experience on that part, it does seem like a similar thing should be possible but you clearly have more first hand knowledge here.
It's frustrating watching cool stuff like this since I had heart surgery earlier this month and can't drum again yet. I promise to take a stab at learning this pattern in a couple months though, if I'm wrong it'll still be a cool skill to learn and if I'm right I get to say "neener neener" in some youtube comments which is almost as rewarding as playing polyrhythms.
Anyway, thanks for responding and thanks again for the video. Have a great day!
@@CamilleBigeault ❤❤❤❤
One different thing about speed is, that speed introduces automation much more. When you play the poly-r.-beat slow, you are processing it at real time in your mind. When you start to get faster, you will have to transcend into automation because otherwise it will be very draining to keep up with the mind. I am allways impressed how amazing the learning process is if you start to get it rolling just like that. Hope you are doing well. :) and by the way: sometimes it feels like it is much harder to play some r. at a very slow speed because you can hear every mistake much better. in higher speeds the sounds and miliseconds melt down and are only differentiable with the use of high speed recording. For example a 4 note stroke (with 2 double-strokes) at 64th on the practizing pad is relatively simple to play (because you only play 4 notes at all), but not with precize gaps between the single strokes. I saw that mistake when I recorded it with 240 i/sec. it was like L---R--------L---R instead of L----R----L----R.
bandleader: that beat is rubbish
me: you perceive it that way simply bc you can't perceive the underlying subdivision of it
Hahahaha
Je ne suis pas batteur, mais j'ai regardé la vidéo jusqu'au bout comme si ma vie en dépendait.
Pass the goddamn butter!
Eat your God damn spinach!
cold cup of tea cold cup of tea
Put butter on the bread.
I can play 16th triplets along with 16th, with my hands. But what you did is pure black magic 😄
Drummers do have special brains.
I like! Interesting. Furthermore, your voice me feel quieter and you're really comprehensible (my first langage is french , hi from Belgium!) Thank you :-)
The click at 6:23 is the sound my anxiety makes.
😂😂 Hard
Thanks, this is inspiring to figure it out on the 🎹
My new favourite channel. Great work. I never considered using different notes on a piano to help learn poly rhythms. Do you find this an effective way to learn grooves in different polyrhythms, as apose to playing every note of the 3,5,7 count?
Yes it can help a lot! And give you ideas for compositions also haha!
@@CamilleBigeault Marvellous, Thank you. Can't wait for your next video!
Huh, so thats what Rush was singing about.
Subbed. ❤
Sounds amazing, I love that
Btw if you’ve never heard of kascade by animals as leaders it’s full of 5-4 stuff like this. Matt Garstka is a ridiculously good drummer and my fave
De la balle, bien joué !
hi, you could use a high pass filter to remove the banging from the other room. great drumming!
Grande Camille!
At the end of the day it's kind of a fractal-like micro/macro relationship, isn't it? We play Half notes and bursts of 32nds within the same moment without needing to internalize every note within the common rate. I studied with Gary Chaffee for quite some time, and hit a similar wall when we were into his poly book. I remember my poly figures got really strong not by just shedding on the poly but actually playing in the time. So my quintuplets were stronger after really developing lots of time functioning and soloing in a variety of feels in five. My triplets got a lot stronger after shedding bembe clave with my foot and developing my feels along with it.
This was a really interesting breakdown. I am digging the content. Really well done. Subbed!
Yeah you're right 👌🏻
Hi Camille! Happy Weekend! 👋❤️
Amazing! 👌👍
That's awesome, I was trying to write out some 3Xpolyrhythms recently and started to think maybe subdividing the beats with polyrhythms was more practical than counting to a billion, but I hesitated cus I wasn't sure how practical it was. You just proved it is practical, at least as a learning method. Definitely be cool to see you apply it to other polyrhythms. I wonder if it'd be possible with something like 4:5:6, it'd be amazing not having to count to 20 each beat lol.
Something I think is neat from breaking down 3:4:5 is the 3rd pulse is a moment of normalcy with an easy to count and feel offbeat 8th note. My brain appreciates whenever a polyrhythm has a moment like that lol
I think the whole point of the video is to show that 3 way polyrhythms are pretty much unusable in a musical setting because for a human to perform them they have to be played at such a slow tempo that it's basically impossible to "feel" the rhythm holistically, if you get what I mean. A 4:5:6 polyrhythm would require four beats, each subdivided into 30 parts, so it only gets worse when you increase the numbers.
Reminded me of a insane marimba solo that I played where i played quintuplets over triplet while singing 16ths for one of the beats. The intro bar was 3 over 4, 3 over 5 to 4 over 5, then switching hands and doing it backwards Also it was a twelve tone. Took me about 1,5 years of practicing polyrhythms to get fluid and fast. =D
Very cool! As educational as it was entertaining! :D
god damn that stare, gets me every time
Impressive! Do you like venetian snares? can you do a cover?
this is a great way to think about it :)
Merci Camille ,dommage qu’il n’y ai pas le solfège qui accompagne la démo .
This. Is. Amazing.
I'm excited to see this on the next Meshuggah record. lol
Tomas Haake prefers complex numbers
Omg min 5:24 it's my favorite part... IT SOUNDS SO CUTE!!!
Nice i will try to do it!
Just linked you to my drummer coz you are Amazing!! :O
Hey Camille, you dont happen to like polyrhythms by any chance?
Polywhat?
These videos are funny, keep it up.
Hmmm. I think it needed to be sped up until the whole cycle was in the span of a quarter note and that quarter note = 80 or something to really hear it as one unit.
Check out the song "3 4 5" by Horace Bray, he does a 3:4:5 polyrhythm on the guitar in a way that's musical (he's probably approximating the polyrhythm, but still really cool)
I think it works better faster, and I don't think you necessarily need to feel all the subdivisions if you think big picture- in one. I find it easier to manage sometimes to think of it as x number of notes evenly spaced in one longer beat. I'll learn it slow with the subdivision, but then let muscle memory take over at a faster tempo feeling the bars as the beat
I'm not so sure about that. To me rhythm has to be precise, and in this 3-lines polyrhythm case the result is a very particular rhythm, that if played faster could be apparented to a rhythm that we know and that has a manageable subdivision, but if we want to be correct about, is not the same at all. It's like you wanted to draw equally spaced points on a page without a ruler, you'll not be so far but it'll still be approximatic. At fast tempo you'll tend to make it sound like something "rhythmically proper" you already know while it sounds actually arythmical to our ears when played with precision :) but that's my opinion!
@@CamilleBigeault I get what your saying, and I do agree that it's important to break it down slowly, but at a fast tempo I find it relatively easy to make notes evenly spaced if you think of it one. Almost like 5/4 becomes 5/8 in a way if that makes sense. It's definitely harder on drums doing the different rhythms yourself- both can get you the same result, but once the mathematical relations are internalized I prefer not to think about it at all and feel the broader rhythm in 1 and feel the notes being totally evenly spaced out.
I like to feel the groove basically, not count it- but it's important to count it and break it down slowly to internalize what hits when. At a fast tempo I could never actually count it, but could still get the notes in each polyrhythm properly spaced.
@@graysonwilson-cacciapalle7989 i'm saying all that stuff about feeling the subdivision precisely to feel the groove, like you i don't like counting and when it's properly internalized you can play it because you feel it. But can't wait to hear your fast version then!
Sehr gut! Danke
Awesome video, are you from Belarus by any chance?
This was Such a wonderful video, and Im ashamed to only find out about you just now.
That said, challenge accepted ^_^
I now know the technical term for "pulse." Subdivisions.
Merci
@@coraciasA pedantic drummer. Bravo! 😌
Quite right 🤭
That's one tricky part for Larnell Lewis
I got myself stuck doing large polyrhythms against a clock. Every time the minute hand was at 0 was the start. Then just do polyrhythms against one of the many groupings that can divide the 60. For example playing 5 notes for every 6 seconds gives you 50/60, 8 notes every 5 seconds gives you 96/60, 7 notes every 4 seconds gives you 105/60. Eventually I realized I was playing polyrhythms at such a slow speed I could basically play at two tempos at the same time. Now I’m working on a piano composition played at 2 tempi. 🤞
Props for using the proper plural of tempo
@@heatherperleberg7816 I used both 😅😅
Very interesting videos. Just one question, why not post the notation for these rhythms you go over?
Because it's like giving the answer and searching things by yourselves is the best way to learn to my opinion :)
Hey Camille! Could you reproduce the one from Gavin Harrison? He plays over 16th subdivision in which:
1. The hi hat plays every 4 16th so plays 4s
2. The kick drums plays every 3 16ths so plays 3s
3. The 5s are a RLRRL. The R on the ride L on snare. The first R is on the bell of the ride, RR are on the body. Every other bell notes, he accents the snare to turn it into a beat.
He sounds awesome!
Tu pourrais faire ça pour nous? 😊 merci!
Hey! It's funny someone else asked me the same thing some weeks ago! I made an instagram story of it, here: instagram.com/s/aGlnaGxpZ2h0OjE3OTc3OTAxOTQxOTk2MTky?story_media_id=3021935848762776979_1808575237&igshid=YmMyMTA2M2Y=
@@CamilleBigeault fantastic! I ve subscribed to your Instagram at the same time. Thanks for sharing!
Being the slower filling of polys have you tried calling double time to compensate?
Correct me if im wrong, but isnt this the beat the devil drums when he brings you a cool soda pop?
Thank You
Very impressive ability, though I have to wonder of it's practicality. Surely, some esoteric music can benefit, but is there a benefit in the broader sense, to throwing easily digestible rhythms out the window?
We find a lot of 2-phrases polyrhythms in rock/metal prog stuff, and even electronic stuff that is very musical! 3-phrases polyrhythms like these are very rare and not so musical. That's why I prefer to do polymeters, that are rise from the same principle but at a more accessible scale and that result to a lot more interesting rhythms. But here I wanted to break it down so people can be aware of that common subdivision that rules every humanily-understandable music. Knowing all that stuff is not essential but really contributes to open musicality and creativity, in music or drums solos, etc...
@@CamilleBigeault I see. By all means, the ability to play outside of the normal "pop" constraints (including the more easily digested 2-phrases of electronic music and prog rock) can help an artist's creativity. Thank you for the videos and for taking time to explain to our comments! 🥁
'We want Fast! Play it Faster, please!' Hahahahaha!!!😅
so when are you doing drums for my death metal riffs?
Dude...you’re way more just a “freakin human.” You’re a goddess!!
Ah ha! Thank you for the Logic breakdown.
You're so awesome xx
Imagine a 345 rock drum fill? I wonder how it would sound
Alright, I'm in love now I guess
Lots of those in the classical music as well, listen to Rachmaninoff. Plenty of 2 against 3, then 3 against 4 or even 3 against 5.
people: 'don't say the French always look like they're after getting the ride, that's racist'
Camille:
?
Can you also juggle? I suspect you can. I suck at this stuff. I am envious.
Wow!!!!!
I can stare deep in your eyes & tell your a badass, keeep on shredding
Hey you should try this game called ClappingMusic. It challenges rhythm and it would be interesting to see you give it a go. I can’t get past the third stage.
my brain just melted 0:41
And here I've spent years developing a polyrhythmic metronome app from the ground up, when all I needed to do was create an emulation of your brain. 😅
not that hard, why bother creating a metronome?
@@noam1251 What is not that hard, playing the rhythm or programming it in a DAW?
Playing the rhythm correctly is quite hard (as stated in the video).
I created a metronome because I enjoy programming and it's fun to create apps I want to use in my own practice. While it is possible to program in a DAW, this is much faster/easier. It's also grown a lot over the time I've been working on it, so it does a lot more than strictly polyrhythms now.
@@Tekkerue emulating her brain duh
@@noam1251 ah, I see. I didn't know what you were referring to... I thought you asking a serious question. lol😅
But why? Is the point to be complicated or musical? I don’t understand where these rhythms fit into music.
cool!
Cool
You know you can customise your sub divisions too right ? Just click on the 4/4 and go to custom 👍
OMG😮
But why? Why would you do that? Why would you do any of that?
Cool video but for some reason, my smoke alarm kept going off.
genius
You would be perfect for the sequel MISERY
I learnt both polyrithme and polymeter, and I have to say the polymeter is a lot easier 😅😅
hey' I'm working on it with ya, with just the 3 & the 4 in terms of the 3 count it will say " Jake the big fat plumber" then with the 5 brought in and still in terms of the 3 count it can then say "Jack is the big er fat er plumb er man"
Haaaa? So its like construction guy's..you have the slow man, the Average Boy and the Fast Worker..but they all finish on the Clock at Same Hours...hahaha!!
"pass the bread and butter"
Allez ! je m'abonne
My mom hates drums, so I can't even imagine a woman that likes drumming. This all seems like a dream come true. Thanks for the video.
Allez, tu peux le faire, jouer à 298 c'est easy ^^