Mountboard is usually 1400 microns (1.4mm) thick, which should be sufficient to ensure that the raised areas do not touch the glass. If you're still concerned, then add a layer and double mount.
Thanks! great job. How ever, so you can actually sign on the mount and not the print itself? I was thinking that maybe both parts should be signed so if the mount has changed in the future … ?
The final tape is positioned on the outside of the mounted package, not anywhere near the artwork and therefore don't need to be acid free. All materials surrounding the artwork should be acid free. Hope that helps
@@rhiannonhatcher8362 removability and invisibility; perhaps there are thin tapes that can be fully removed too (without the risk of damage to the print).
a true pro. I love it. thanks for sharing
Mountboard is usually 1400 microns (1.4mm) thick, which should be sufficient to ensure that the raised areas do not touch the glass. If you're still concerned, then add a layer and double mount.
Thanks so much for this clear demonstration. It saved me making a hash of it.
Very informative, thanks! At 3:11 how do you prevent the window mount sticking to the exposed tape?
The paper used for the image that is being mounted is Canson Infinity Edition Etching, a 310gsm archival 100% cotton rag
Thank you guys for posting this. God loves you all and God Bless you all❤️
Great video and so easy to understand, thank you so much.
What a brilliant video. Many Thanks .
Sir Michael Caine on mat boarding.
Came here to say this
Thank you for a clear explanation
Thanks! great job. How ever, so you can actually sign on the mount and not the print itself? I was thinking that maybe both parts should be signed so if the mount has changed in the future … ?
Perfect and so helpful! Thanks!
Great, easy-to-follow video. Where do you get your mounts and backing boards from? I am having real issues finding a decent supplier. Thanks
Thank you so much! Some of the tapes destroying my paper (aquarelle), so I need exactly - hinging tape? It's safe, right?
That's great. Can I ask where you get your Cello bags from? Anything that needs to be borne in mind with them? Thanks.
very cool, but why the final tape don't need to be acid free tape?
Art does not touch the artwork.
I swear he sounds just like Michael Caine! Please tell me this is Michael Caine mounting prints lol. Great video! Thanks for the tips.
Right? I was literally thinking this.. glad I'm not crazy!
@@BarneybyBarney That's Hilarious
Excellent
a good source for cello bags is UK Industrial Tapes
Great info thank you so much!
Which paper is required for mounting?
The final tape is positioned on the outside of the mounted package, not anywhere near the artwork and therefore don't need to be acid free. All materials surrounding the artwork should be acid free. Hope that helps
Hi, is this suitable for lithographs? The type of prints that have slight elevated areas on the print itself
Thank you!
If anyone knows what kind of paper is that, looking for canon pro-200 printer. Thanks
why! but where can i buy the frame?
Correctly,s a bit of a strong word here, there are other - possibly better ways.
And a glass paper weight right on the fine art surface?
Which paper is this?
❤😍
Tape on the back of the print? That's not reversible. Better to use mounting strips, stabile glue dots etc.
I was just going to ask why not glue dots vs tape on the back
@@rhiannonhatcher8362 removability and invisibility; perhaps there are thin tapes that can be fully removed too (without the risk of damage to the print).
First
Worthless advice
Pointless comment!
I want to print a picture by you.....special requirement....please tell me how can I contact you.