No one has been able to reproduce in singing and acting ALL the fluctuations of feelings in this aria in singing and acting as perfectly as Fischer- Dieskau. A masterpiece of dramatic psychology.
Dietrich Fischer Dieskau ist einer der besten Sänger aller Zeiten!! Perfekt für Schubert wie für Mozart!!Ein Universalgenie!! Stark in Ausdruck, Qualität und Darstellung!!
There is only ONE Dietrich Fischer-Dieskau, and he is a miracle of perfection, and this audience truly knows what it is getting! His complete knowledge of the Italian language, and his profound analysis of the Count's persona can hardly be equaled. Mozart probably never heard is to good!
😂the division in the comments is hilarious. Some praise this performance, others almost reprimand Dieskau for singing it. Fact of the matter is, Dieskau was a legend
The first, the only time, I have actually relished this aria, which usually sounds less than harmonious. This was a perfect performance, vocally, psychologically and theatrically.
Fantástico. Ópera, lieder, cantatas... Enorme repertorio... Voz bella e importante, técnica, musicalidad, articulación, expresividad, escena... Creo que su pecado fue Verdi.
Il ne craint pas de forcer (son jeu et sa voix) et il a raison, ses formidables moyens, son intelligence scénique le lui permettent. Chez un autre ces sautes de coq seraient ridicules, pas chez lui car il EST vraiment le comte, à jamais.
Interesting to compare this live performance in 1963 with the masterclass DFD gave Matthias Rettner and Eric Schneider on the same aria in the early 80s: see ua-cam.com/video/sVAdB3nVinI/v-deo.html Endearingly, in the masterclass he enjoys himself immensely bringing out the humour of the aria. He may also have found it a refreshing change to focus on opera rather than on lieder.
It's very marginal I'd say, I don't think there's much in it. Could even be affected by the chance in orchestral texture there too! It's funny though, those little things, because he could definitely manage them at a quicker tempo!
No one has been able to reproduce in singing and acting ALL the fluctuations of feelings in this aria in singing and acting as perfectly as Fischer- Dieskau. A masterpiece of dramatic psychology.
I disagree, strongly
I'm sure you were put off by that incredible mustache ;)
@pierpaolo pasolini as Figaro, yes 😉
Well the best way of singing this aria for me is Pietro Spagnoli
Agree, but I think Rodney Gilfry also gives a masterful performance.
Dietrich Fischer Dieskau ist einer der besten Sänger aller Zeiten!! Perfekt für Schubert wie für Mozart!!Ein Universalgenie!! Stark in Ausdruck, Qualität und Darstellung!!
He really captures the essence of being a Spanish count...amazing. I love the blocking and the range of emotions so much. Perfect.
i guess it's kinda off topic but do anyone know a good site to watch newly released movies online ?
@Ashton Malakai I would suggest flixzone. Just google for it =)
Non credo che questo baritono abbia bisogno di nuovi aggettivi per delinearne la Grandezza !! 👍
DFD is the GOAT. His acting is just phenomenal, and his singing devilishly perfect
There is only ONE Dietrich Fischer-Dieskau, and he is a miracle of perfection, and this audience truly knows what it is getting! His complete knowledge of the Italian language, and his profound analysis of the Count's persona can hardly be equaled. Mozart probably never heard is to good!
REALLY ?
Nope, not even close
One of the greatest operatic baritones who ever lived.
And not only operatic, but also lieder. He was also a true gentleman off stage.
He set the standard for this aria.
😂the division in the comments is hilarious. Some praise this performance, others almost reprimand Dieskau for singing it.
Fact of the matter is, Dieskau was a legend
OK. This is the BEST Hai Già Vinta La Causa EVER.
YES!!!
NO
Wächter
Tito Gobbi (Covent Garden 1963)
Not cause his Italian is bad.
Braaavoo braaavoo maestro ist eine Grossartige Leistung
The first, the only time, I have actually relished this aria, which usually sounds less than harmonious. This was a perfect performance, vocally, psychologically and theatrically.
Very good, very good , indeed!
Fantastic artistry
Bravissimo
Fantástico. Ópera, lieder, cantatas... Enorme repertorio... Voz bella e importante, técnica, musicalidad, articulación, expresividad, escena... Creo que su pecado fue Verdi.
Pura maravilla
Yes sir!!!!
Великое воплощение графа Альмавивы..Большой тонкий актёр, великий Дитрих!
Ему здесь и 40лет еще нет--такой по роли "солидный"!
Eccellente performance!
Fisher is the best Mozart singer Ive heard.
Il ne craint pas de forcer (son jeu et sa voix) et il a raison, ses formidables moyens, son intelligence scénique le lui permettent. Chez un autre ces sautes de coq seraient ridicules, pas chez lui car il EST vraiment le comte, à jamais.
Bravo👏
Большое спасибо!
The ultimate Almaviva
Braaaava er war grossartig
Interesting to compare this live performance in 1963 with the masterclass DFD gave Matthias Rettner and Eric Schneider on the same aria in the early 80s: see ua-cam.com/video/sVAdB3nVinI/v-deo.html Endearingly, in the masterclass he enjoys himself immensely bringing out the humour of the aria. He may also have found it a refreshing change to focus on opera rather than on lieder.
Braaaava
Unreproduceable=unrepeatable!
Good voice. But didn't he slow down at 4:31 so that the triplets at 4:35 are easier to sing?
It's very marginal I'd say, I don't think there's much in it. Could even be affected by the chance in orchestral texture there too! It's funny though, those little things, because he could definitely manage them at a quicker tempo!
@@MrPatropolis55 no, he always struggled, bro. show me one where he didn't
Yes, he cheated
01:47
... mhiii fhAAAAAAAA! :D
Oh, he sings that high F# so incredibly good :D
@@maximilianbjorklund6544 No, he really doesn't
Fischer-Dieskau`s is my fav Figaro. epic
He is probably a undeveloped Tenor
TENOR...
Baritone.
@@bharp4390 Baritone with poor technique