Michael Spyres: 'Hai già vinta la causa' (Mozart: Le Nozze di Figaro)

[@acitipo]

Su registro de 3 octavas y tres semitonos, le permite cantar TODO. La belleza de sus armónicos , el timbre y el color de su voz lo hacen único

[@lobo2032]

@@danielrodriguez9630 és lo oposto. un baritono con excelente voz en los agudos. :)

[@danielrodriguez9630]

@@lobo2032 muy bien.Baritenor

[@vitonardi3892]

Arrangiamento e/o variazioni molto azzeccate; complimenti al Signor Spyres !

[@eliseofumaroni4210]

Bravo!! Hay que tener con que para cantar como baritono y tenor! Mis felicitacio es Bravoo!!

[@gruitadarius9604]

Hai già vinta la causa! Cosa sento!
In qual laccio io cadea? Perfidi! Io voglio...
Di tal modo punirvi... A piacer mio
la sentenza sarà... Ma s'ei pagasse
la vecchia pretendente?
Pagarla! In qual maniera! E poi v'è Antonio,
che a un incognito Figaro ricusa
di dare una nipote in matrimonio.
Coltivando l'orgoglio
di questo mentecatto...
Tutto giova a un raggiro... il colpo è fatto.
Vedrò mentre io sospiro,
felice un servo mio!
E un ben ch'invan desio,
ei posseder dovrà?
Vedrò per man d'amore
unita a un vile oggetto
chi in me destò un affetto
che per me poi non ha?
Ah no, lasciarti in pace,
non vo' questo contento,
tu non nascesti, audace,
per dare a me tormento,
e forse ancor per ridere
di mia infelicità.
Già la speranza sola
delle vendette mie
quest'anima consola,
e giubilar mi fa.

[@alvinkoh8983]

You sang so well and you are so handsome

[@archiereece8321]

opera viagra....prrrrrrrrrr

[@krzysceryn1302]

some of Ingvar Wixell's colours of voice...

[@shettywap]

Also lucas Meachem for a current comparison

[@esteban_iribarne]

magnifique, mais où est la partition de Mozart ?? Spyres modifie complètement l’aria, et il y a même l’air d’une sorte d’arrangement car les parties d’orchestre diffèrent à la fin

[@ladyizolde-]

Michael used the rarely performed Vienna version of this piece.

[@astordorian]

Cette version est bien de Mozart, réalisée vers 1789 pour une reprise viennoise (on la trouve dans l'édition Bärenreiter, "Kritische Berichte", p. 362)

[@sachaguitry941]

@@astordorian en effet et D Fisher Dieskau l'a même enregistrée!

[@yelnats85]

@@ladyizolde- thanks for this reference

[@kathleenhensley5951]

I had to look this up... it's the Count singing of his frustration, when it ends up he will not be able to seduce Susanna, quite so easily. One of my favorite operas. very nice!

[@BeastBeauty12]

Isn't this a baritone aria?

[@ladyizolde-]

It is, but Michael as a baritenor sings this piece as his predecessors baritenors such as Nozzari, Garcia, Rubini did.

[@BeastBeauty12]

@@ladyizolde- ah ha! Thanks for explaining. Wow that’s impressive

[@raphaelhudson]

It's also an alternative tenorial version I've never heard recorded before and didn't even known existed

[@ladyizolde-]

@@raphaelhudson very funny. If seriously you could also try this aria for a change, it is centrally written so it would suit you quite well.

[@devirezxz]

nice tenor with low notes

[@TimEtTobi]

Interesting version, really different...but it just makes me think of a Tom and Jerry version with Tom singing while Jerry annoys him.. sorry 🙂

[@karlheinzkirchmann6469]

He shows his possibilities. But........

[@user-cc5jz8nw7m]

こんなにアレンジするのはどうなんだろう？

[@user-nv2gb3tu7r]

まって、旧版ですよこれ笑知らなかった？笑

[@topsvox]

Hmmmm...I love the singing... BUT... is it OK to mess with the aria this way? Mozart is kind of sacred, so recomposing is very controversial I'd think.

[@takehito7059]

Diskau is singing like this too

[@josephoshea4342]

This is what Mozart wrote. Vienna version. It’s in the appendix of the bärenreiter

[@andrewbloom7694]

This is...exactly as written? I think one of the later editions changed it (and yes, I strongly disapprove of that), but this was what premiered in Vienna

[@smurf902]

​@@josephoshea4342 why did you have to say Bärenreiter and bring back memories of that blue colored bastard

[@josephoshea4342]

The Vienna Version is kinda poo poo