He sounds baritonal. For singtechnicans there's the question "what does he change"? He changes larynx ! More deeper with a soft pressure. The flame is burning on both ends, burning on two ends. Once acertain Maria Callas burned on two ends maybe more. Let them burn, we listen with joy and hope Spyres has found the way for long singing, only burning in passion as ever he wants.❤
Hai già vinta la causa! Cosa sento! In qual laccio io cadea? Perfidi! Io voglio... Di tal modo punirvi... A piacer mio la sentenza sarà... Ma s'ei pagasse la vecchia pretendente? Pagarla! In qual maniera! E poi v'è Antonio, che a un incognito Figaro ricusa di dare una nipote in matrimonio. Coltivando l'orgoglio di questo mentecatto... Tutto giova a un raggiro... il colpo è fatto. Vedrò mentre io sospiro, felice un servo mio! E un ben ch'invan desio, ei posseder dovrà? Vedrò per man d'amore unita a un vile oggetto chi in me destò un affetto che per me poi non ha? Ah no, lasciarti in pace, non vo' questo contento, tu non nascesti, audace, per dare a me tormento, e forse ancor per ridere di mia infelicità. Già la speranza sola delle vendette mie quest'anima consola, e giubilar mi fa.
I had to look this up... it's the Count singing of his frustration, when it ends up he will not be able to seduce Susanna, quite so easily. One of my favorite operas. very nice!
magnifique, mais où est la partition de Mozart ?? Spyres modifie complètement l’aria, et il y a même l’air d’une sorte d’arrangement car les parties d’orchestre diffèrent à la fin
Cette version est bien de Mozart, réalisée vers 1789 pour une reprise viennoise (on la trouve dans l'édition Bärenreiter, "Kritische Berichte", p. 362)
Just my opinion but the flourishes were unnecessary, and certainly there were too many. I understand artists like to put their stamp on things, but I think it diminished the crescendos and runs.
Hmmmm...I love the singing... BUT... is it OK to mess with the aria this way? Mozart is kind of sacred, so recomposing is very controversial I'd think.
This is...exactly as written? I think one of the later editions changed it (and yes, I strongly disapprove of that), but this was what premiered in Vienna
Mi piace, ha personalizzato l'aria in modo gradevole e armonioso con la partitura originale.
The baritenor par excellence.
Thank you.
Su registro de 3 octavas y tres semitonos, le permite cantar TODO. La belleza de sus armónicos , el timbre y el color de su voz lo hacen único
@@danielrodriguez9630 és lo oposto. un baritono con excelente voz en los agudos. :)
@@lobo2032 muy bien.Baritenor
Arrangiamento e/o variazioni molto azzeccate; complimenti al Signor Spyres !
He sounds baritonal. For singtechnicans there's the question "what does he change"? He changes larynx ! More deeper with a soft pressure. The flame is burning on both ends, burning on two ends. Once acertain Maria Callas burned on two ends maybe more. Let them burn, we listen with joy and hope Spyres has found the way for long singing, only burning in passion as ever he wants.❤
Bravo!! Hay que tener con que para cantar como baritono y tenor! Mis felicitacio es Bravoo!!
You sang so well and you are so handsome
opera viagra....prrrrrrrrrr
Hai già vinta la causa! Cosa sento!
In qual laccio io cadea? Perfidi! Io voglio...
Di tal modo punirvi... A piacer mio
la sentenza sarà... Ma s'ei pagasse
la vecchia pretendente?
Pagarla! In qual maniera! E poi v'è Antonio,
che a un incognito Figaro ricusa
di dare una nipote in matrimonio.
Coltivando l'orgoglio
di questo mentecatto...
Tutto giova a un raggiro... il colpo è fatto.
Vedrò mentre io sospiro,
felice un servo mio!
E un ben ch'invan desio,
ei posseder dovrà?
Vedrò per man d'amore
unita a un vile oggetto
chi in me destò un affetto
che per me poi non ha?
Ah no, lasciarti in pace,
non vo' questo contento,
tu non nascesti, audace,
per dare a me tormento,
e forse ancor per ridere
di mia infelicità.
Già la speranza sola
delle vendette mie
quest'anima consola,
e giubilar mi fa.
some of Ingvar Wixell's colours of voice...
Also lucas Meachem for a current comparison
I had to look this up... it's the Count singing of his frustration, when it ends up he will not be able to seduce Susanna, quite so easily. One of my favorite operas. very nice!
magnifique, mais où est la partition de Mozart ?? Spyres modifie complètement l’aria, et il y a même l’air d’une sorte d’arrangement car les parties d’orchestre diffèrent à la fin
Michael used the rarely performed Vienna version of this piece.
Cette version est bien de Mozart, réalisée vers 1789 pour une reprise viennoise (on la trouve dans l'édition Bärenreiter, "Kritische Berichte", p. 362)
@@astordorian en effet et D Fisher Dieskau l'a même enregistrée!
@@ladyizolde- thanks for this reference
Isn't this a baritone aria?
It is, but Michael as a baritenor sings this piece as his predecessors baritenors such as Nozzari, Garcia, Rubini did.
@@ladyizolde- ah ha! Thanks for explaining. Wow that’s impressive
It's also an alternative tenorial version I've never heard recorded before and didn't even known existed
@@raphaelhudson very funny. If seriously you could also try this aria for a change, it is centrally written so it would suit you quite well.
@@ladyizolde-Rubini wasn’t a Baritenor. The others yes but Rubini famously was a very high Tenor
nice tenor with low notes
こんなにアレンジするのはどうなんだろう？
まって、旧版ですよこれ笑知らなかった？笑
Interesting version, really different...but it just makes me think of a Tom and Jerry version with Tom singing while Jerry annoys him.. sorry 🙂
He shows his possibilities. But........
Just my opinion but the flourishes were unnecessary, and certainly there were too many. I understand artists like to put their stamp on things, but I think it diminished the crescendos and runs.
Hmmmm...I love the singing... BUT... is it OK to mess with the aria this way? Mozart is kind of sacred, so recomposing is very controversial I'd think.
Diskau is singing like this too
This is what Mozart wrote. Vienna version. It’s in the appendix of the bärenreiter
This is...exactly as written? I think one of the later editions changed it (and yes, I strongly disapprove of that), but this was what premiered in Vienna
@@josephoshea4342 why did you have to say Bärenreiter and bring back memories of that blue colored bastard
Vienna version
The Vienna Version is kinda poo poo
No wonder it is not usually performed today