7 mistakes 1) not signing your painting 2) not signing the “actual” painting itself (not the back of the canvas) 3) not including key info on your piece of art 4) not being consistent with our signature 5) not using the right mark(s) for you stylistically as your signature 6) not using the right tool to make your signature 7) making your signature too big
I used my initials written in Sakura Pigma Micron Ink regardless of whether I am using watercolor, gouache, graphite, colored pencils because I want that to be part of my signature style. I do sign on the front right corner, completely sign the back, date the artwork was finished, what brand of medium & specific colors used, my reference number code, but no title (I have trouble with coming up with a titles). This was a wonderful valuable & informational video for me. Thanks for sharing this with us.
Signing my paintings on the backside of the canvas seems to be the best method for me. You can't detach the backside of the canvas from the painting, so it will be a part of the physical painting forever. Also it does not distract viewers from the painting itself. On the frontside there is my pure painting. I can't think of any disadvantages when signing a painting on the backside of the canvas. If someone wants to know who made this painting, he can simply look at the backside of it. Many painters in history have done so. I don't know why in this video, she has the crazy idea of stickers at the backside, because you don't put stickers at the frontside too. Right? Well, I use three things to sign my paintings on their backside directly on the canvas: 1. The actual precise date, not only the year, not only the month, but also the day when I finished the painting. 2. My unique seal as artist. 3. My signature. And all these three things I put directly on the backside of the canvas with non-removable colors. So it will be there forever. And the advantage is that the actual painting on the front is not disturbed. Also I can put a seal on the backside, which I could not do on the frontside the way I do it. The seal at the backside is so unique and makes it practically impossible to copy. It also enhances the security of the painting and makes it impossible to copy the painting. I also put the exact same seal on the certificate of authenticity. The color of the seal is extremely unique. In public galleries, exhibitions, museums there are informations next to each painting who painted it and when it was painted. The people working at galleries, exhibitions and museums have done the work beforehand to look at the backside of the painting and extract the information about who has painted it and when it was painted. So there is no need at all when it comes to public display to sign my paintings on the front. And when it comes to private collections, then there is always the certificate of authenticity that comes with the painting. So there is no need to put my signature on the front of the painting, because people who own my paintings know who made it and when it was made. And in case they forgot, they can either still look at the backside of the painting or at their certificate of authenticity. Anyways, my seal and my signature on the backside of the canvas of my paintings is always a guarantee that the painting will always be associated with me, since it can't be removed.
I really appreciate what you're saying here. You make excellent points and I will now add some ideas I had been missing to my own works. I will still continue one practice I (and some other viewers sharing here) do, which is to sign somewhere discreetly but quietly recognizably on the front of the painting as well. I share the perspective that I don't want my signature to dominate the art. One day I hope my style to be recognizable on its own. But I include the letters of my signature, plus a "trademark" little graphic, printed in tiny font usually towards bottom right, somewhere actually in the work itself. e.g. if it's an abstract landscape, the signature and graphic may be in small print along the edge of a bending leaf or petal usually near the bottom right. The signature thus does not compete for attn with the artwork. But comes as a playful surprise upon 2nd or 3rd gaze at the work. Galleries provide name cards. But in most home or office situations, artist description cards are not provided, and casual viewers wont pull artwork off the walls to search the back for identification. For me, until such day as I become as instantly recognizable as Picasso (lol), inclusion of my name and graphic as a subtle but predictable and discoverable part of the work where it can be detected upon close examination just hanging on the wall, will continue to be part of my "conversation" and self identification to the viewer. But I do like the idea of adding unique additional info and identifiers to the back of the work and any authentication papers as well. Great ideas from folks here. Thanks!
I can't speak for all , but I always try to camouflage my signuture in the art where possible. My opinion on this is it's the painting that's important, not my signature. Besides folks say it's fun searching for and discovering sometimes. I. e. the painting is the vehicle, I just hold the keys.
Excellent advice. Some have commented that it's a long video for something that seems so trivial as the signature, but signing your work is definitely an overlooked aspect in the making of a painting. I also paint thick and also inscribe my signature into my wet oil paint with a pointy object. A signature painted on can sometimes be covered up, but it's very difficult to get rid of a signature that's actually intaglioed into the paint itself.
Over the years I’ve signed my art with a husbands surname. So I have pieces out there with a variety of signatures. Nowadays there’s hardly a soul alive who knows me by my maiden name and I’m sick of carrying a man’s name into my art. So have taken to using my first and middle names as my signature, for they are the only two that are really my own.
5 років тому+4
Karen, I would sign with whatever you feel represents you best. :-)
I try to avoid using sharpies directly on the canvas...they can bleed through some compositions. I would suggest using acrylic pens! Good content and thank you for posting!
I have signed with Poscas which I thought were acrylic, but have discovered that they smudge if the painting is brushed over with varnish, so I now use ordinary paint which I do find a bit tricky. Still learning.
Totally agree, I did not sign on front for a long time but finally my MARK, my signature simply appeared and it felt right to put on the front...it’s my identification, it’s always done in harmony, thoughtfulness with the piece. I never want it to be distracting from the piece itself. It certainly took time, even discovering the right tool to use. Thanks very good and clear.
I recently was blasted for just using initials. Thank You for saying that's ok. I'm not famous except among friends and family and I don't care. I'm just painting for them and because I love it. I have been signing LM on paintings since 1975. I do use acrylic paint and sign my whole name and title on the back. So my great grand nieces and nephews will know what it is.
5 років тому+1
Linda Myers sounds like you have a good plan for you Linda 👍🏻💛
Thanks Róisín, this video was super helpful. I particularly like that it's important to sign your art because it honours your work, very good advice! Thanks for being so clear and encouraging.
Great information. I'm saving this in my watchlist. And, thanks for not having music in the background, I have trouble paying attention to people when they do that.
I paint abstract and there isn’t always a definite way the piece should be hung so I sign on the back of the canvas to enable the client to choose how it gets hung! If it’s a commission piece I show it to the client before I varnish and if they have strong feelings about a hanging direction then I will sign it wherever they want and then finish it for them - one client wanted it signed through the middle which I thought was a bit weird but she was paying!!! If I intend for it to be hung a certain way I do sign the front or sometimes the side of the gallery wrapped box canvas - this is most often with multiple canvas pieces.
Thank you for your advice. One thing I'd add with regard to watercolor pieces. If you are planning to submit a piece for a competition, check with the organizers first. More often than not, the preferred way of signing a watercolor is underneath the painting, bottom right, in ✏️ pencil. 😉
I love scraping out my signature. Definitely the easiest thing to do. I love your idea of filling in with a color if the scraping doesn’t show up. 👍 Good tips, thank you!
When I started, I always forgot to sign my work. Now, it’s the first thing I think of when I’ve finished a painting. I sign everything I do, even cards. It is very important. Thanks for sharing your knowledge.
Signing ones work is always good, but I hardly ever do so for two reasons, 1 when I ' ve not finshed, because signing it makes me feel it's a finished piece. Number two most of times the client want the work immediately and I end up not signing , except most times, some of them would ask me to sign the work. Hence forth I will sign my works. Its importante to do so thank you for sharing
I have been doing a cartouche in the front which is basically etched into the painting when I paint impasto with oil paintings. I also add the information of the dimensions on the back of the painting.
This video is so great! I've looked for this information ALL OVER, and there is nothing that explains this really vital part of the process. I have never signed my paintings, but now I know exactly how and why and about the importance. Also was never clear about signing on the back, thank you for explaining!! And signing editions. Thank you Roisin!
Very grateful advice... I'm getting back into oil painting, switching from computer art temporary- who knows what will happen, but there's still nothing like a good set of oil paints on canvas. Very intuitive advice, thank you so much
Thanks for the validation. I've argued with some other artists for years about signing or initialing on the front of my work. Any further info goes on the back. 👍😉
Great Presentation 👍 Ahh... Yes! 📝 My Infamous Signature I am almost 64 years old (as of 2022) I have been doing Art all of My Life! My Mom said I was doing Murals on the walls at the age of two years old. She went on to say it wasn’t just scribbling but actual images. OK... so anyway I have had a lot of Different Names over the Years! LOL 😂 OH My Goodness!!! I could write a whole Book on that Subject. I do Totally Agree on the Importance of Picking something & Sticking with it so People can find You! I have more signatures than I can count 😉💁♀️ I feel like when I am gone people will refer to My different Signatures as “Periods of Time” in My Artist Journey!!! ...Ha-Ha 🕛
This is awesome information! I'm going to be starting my own small business and I did not know half of this information before I watched this. Information like how big the signature should be, including extra info about the painting or any piece really and what happens when you use more than one signature. Thanks for sharing this info! 😁
Thanks for this video. I paint impasto in oils and I really like the idea of using that wipeout tool for my signature. I am currently using an old Bic biro for this as I can write neater with something I am used to but I have ordered some wipe out pens to try as well.
What about abstract paintings? An artist may have an intention for the orientation that it should be hung. Then there are abstracts, especially square canvas or wooden boards, where someone who would like to purchase it but prefers a different orientation. Signing an abstract in the lower right hand corner basically dictates the artist’s intention and could very well get in the way of the painting to be sold. Your thoughts on signing abstracts please. Thank you.
If you are selling the work as a piece of home decor, orientation may not matter. If a unique work of personal vision or aesthetic (i.e. work of art), however, I propose that orientation the artist intended does matter. Ultimately, the purchaser of a work of any artist, abstract or not, : Holbein, Rodin, Mondrian, Pollack, Leonardo, Monet, can display the work in any orientation they wish. Perhaps it is only social convention that causes us to display them as the artist intended. I'm not certain that just bc a work is abstract, that the artist had no thoughts on orientation or should forfeit such thoughts to the preferences of a purchaser any more swiftly than a non abstract artist. Speaking for myself, as an artist I would sign as I wished reflecting the orientation I preferred ( if I had a preference). And as a purchaser, I would feel I am purchasing the vision as well as the product of the artist and would wish to respect that.
I am fairly new to painting and signing them has been a bit of a trial , I feel a bit embarrassed like I'm boasting look at me, I did this ha ha , I feel in a painting that hasn't got much in it the signature really stands out like a beacon, but I'm getting over it slowly ,so thanks for the tips .
BTW for those who don't know about acrylic paint pens (which as an amateur I find great for fine detail touch ups) Uni POSCA pens made in Japan, are great....I only mention these as several others below have done so :)
Thanks for the video, very interesting. I have been painting for many years and when we were studying for our degree in fine art, we were advised by our tutors not to sign on the front of the painting. Since then I have been generally signing on the back, probably erroneously. However, my work has changed, and I have been considering whether to find a monogram. I will take on board what you have posted and rethink.
Thank you! I found this interesting and helpful/informative. I always look for the signature in the bottom right-hand corner. I realize that some people have their reasons for putting it on the back but if I can't see the signature then I can't talk about the artist or look up their other work! I particularly liked the idea of making one's signature an extension of one's self and style of art.
At first I didn’t want to watch a 20 minute video but this was very helpful information. Are there any tools to sign artwork 🖼 using some kind of paint marker? I find it challenging to sign with a brush.
Thank you so much for this informative video. I was having my coffee “with you”. Maybe one consideration we need to add is the size of the frame because a signature on the bottom might be covered. Just a thought 😊. Best regards.
5 років тому
Yes Elizabeth, about an inch away from the canvas edge should clear it. Hope the coffee was good! :-)
Hi. This is the first time I’ve come across You so I went to look up your paintings. Oh my goodness, they are beautiful! (I didn’t catch the name of the signing tool...)
Lovely vid! Watched all the way through. Question Ro, what what you recommend for a full bleed print on paper? Sometimes I’m asked to make a large format one off stencil or screen print (not a series) & I’m procrastinating because it falls between a painting and printed poster. I get anxious and then just wanna sign the back lol. Thanks!
young artists might want to signature their art followed by a stylized mark/ initials to give them the option to be recognized by the mark only later on in their careers
Maybe establish a color code in the picture. As simple as a series of dots of color that occur always the same in always the same place, ie: lower right hand side. When you hang it in a show put the info, a short explanation of the code, as to what it is along with the name of the piece. Think about it because there are always ways to sign different mediums.
It could be fun to get those tiny glass beads and do a color combo or get initial beads and incorporate initial beads in the small corner of or close the a seam in your work. If it’s a tight weave is so a label.
Pastels is my most commonly-used medium. I sign using colored pencils because pastels are too easy for someone else to erase. Also, because a mat is necessary, sign your painting above the area where a standard-size mat would cover.
First of all, Róisín O'Farrell, I love your Irish accent ("11:48")! 😀👍 I often wish I were more connected to my English, Scottish, & Irish lineages, but to date I've not achieved that. An interesting fact that you may or may not already be acquainted with. I learnt some years ago from a reputable Jamaican newspaper's website (i.e. "Jamaican Gleaner") & an article on its series "Out of Many, One People" or some title like that to emphasize the multiethnic status of Jamaica's population & to imitate the national motto that speaks of this same phenomenon, I learnt that the accent of the Jamaicans in their speaking of English was primarily due to the African enslaved being most shoulder to shoulder with the Irish indentured laborers who were yet, of course, speaking the Irish brogue. In fact, I used to work telecommunications a lot in the past as employment & I would occasionally get Irish clients that I thought were Jamaican until they clarified that they weren't! So, yeah, that's the bit of trivia for you. Now, regarding this topic of yours you sought to do your presentation on, it is such a tremendously neglected topic albeit the topic being so essential & so it is precious that you've dealt with it herein, yet not only dealt with it, but dealt with it quite thoroughly & skillfully. Good job! The thing is, my late father having been the very gifted artist that he was made me to be well aware of many of these points from in my boyhood (or when I was a "lad," as the Irish would say ☺) & some I learnt myself -- except I wasn't really aware of what you said about using the same medium used to produce the artwork to sign with ("12:54") nor the subsequent matter of signing each piece before the varnishing or, in the case of oil painting, while the oil paint of the piece is yet wet. If this protocol is neglected, then one's work can either be thought forged or -- though I don't recall you articulating this, the thought did come to my mind -- maybe indeed become attributed to another devious enough to take it upon himself or herself to remove the original artist's signature to ascribe the artwork to himself or herself. So, yeah, very informative presentation for which I thank you & for which you ought to be appreciated, especially by artists who were completely unaware of these things. I'll be sure to check out your channel more once I've opportunity to do so. Be blessed, Róisín O'Farrell !
So yeah :) Great prose style, reminds me of the novels I used to read in my early life. Challenging to follow, saying the least. Cool though, didn't think anyone did that anymore!
7 mistakes
1) not signing your painting
2) not signing the “actual” painting itself (not the back of the canvas)
3) not including key info on your piece of art
4) not being consistent with our signature
5) not using the right mark(s) for you stylistically as your signature
6) not using the right tool to make your signature
7) making your signature too big
I used my initials written in Sakura Pigma Micron Ink regardless of whether I am using watercolor, gouache, graphite, colored pencils because I want that to be part of my signature style. I do sign on the front right corner, completely sign the back, date the artwork was finished, what brand of medium & specific colors used, my reference number code, but no title (I have trouble with coming up with a titles). This was a wonderful valuable & informational video for me. Thanks for sharing this with us.
Signing my paintings on the backside of the canvas seems to be the best method for me. You can't detach the backside of the canvas from the painting, so it will be a part of the physical painting forever. Also it does not distract viewers from the painting itself. On the frontside there is my pure painting. I can't think of any disadvantages when signing a painting on the backside of the canvas. If someone wants to know who made this painting, he can simply look at the backside of it. Many painters in history have done so. I don't know why in this video, she has the crazy idea of stickers at the backside, because you don't put stickers at the frontside too. Right? Well, I use three things to sign my paintings on their backside directly on the canvas: 1. The actual precise date, not only the year, not only the month, but also the day when I finished the painting. 2. My unique seal as artist. 3. My signature. And all these three things I put directly on the backside of the canvas with non-removable colors. So it will be there forever. And the advantage is that the actual painting on the front is not disturbed. Also I can put a seal on the backside, which I could not do on the frontside the way I do it. The seal at the backside is so unique and makes it practically impossible to copy. It also enhances the security of the painting and makes it impossible to copy the painting. I also put the exact same seal on the certificate of authenticity. The color of the seal is extremely unique. In public galleries, exhibitions, museums there are informations next to each painting who painted it and when it was painted. The people working at galleries, exhibitions and museums have done the work beforehand to look at the backside of the painting and extract the information about who has painted it and when it was painted. So there is no need at all when it comes to public display to sign my paintings on the front. And when it comes to private collections, then there is always the certificate of authenticity that comes with the painting. So there is no need to put my signature on the front of the painting, because people who own my paintings know who made it and when it was made. And in case they forgot, they can either still look at the backside of the painting or at their certificate of authenticity. Anyways, my seal and my signature on the backside of the canvas of my paintings is always a guarantee that the painting will always be associated with me, since it can't be removed.
I really appreciate what you're saying here. You make excellent points and I will now add some ideas I had been missing to my own works. I will still continue one practice I (and some other viewers sharing here) do, which is to sign somewhere discreetly but quietly recognizably on the front of the painting as well. I share the perspective that I don't want my signature to dominate the art. One day I hope my style to be recognizable on its own. But I include the letters of my signature, plus a "trademark" little graphic, printed in tiny font usually towards bottom right, somewhere actually in the work itself. e.g. if it's an abstract landscape, the signature and graphic may be in small print along the edge of a bending leaf or petal usually near the bottom right. The signature thus does not compete for attn with the artwork. But comes as a playful surprise upon 2nd or 3rd gaze at the work. Galleries provide name cards. But in most home or office situations, artist description cards are not provided, and casual viewers wont pull artwork off the walls to search the back for identification. For me, until such day as I become as instantly recognizable as Picasso (lol), inclusion of my name and graphic as a subtle but predictable and discoverable part of the work where it can be detected upon close examination just hanging on the wall, will continue to be part of my "conversation" and self identification to the viewer. But I do like the idea of adding unique additional info and identifiers to the back of the work and any authentication papers as well. Great ideas from folks here. Thanks!
your art studio is absolutely stunning
Thank you for your advice. It would have been nice to see examples.
Watching this in 2023. Great informative video. Thanks!!
You are an absolute gem Jose - thanks so much ❤
I can't speak for all , but I always try to camouflage my signuture in the art where possible. My opinion on this is it's the painting that's important, not my signature. Besides folks say it's fun searching for and discovering sometimes. I. e. the painting is the vehicle, I just hold the keys.
Excellent advice. Some have commented that it's a long video for something that seems so trivial as the signature, but signing your work is definitely an overlooked aspect in the making of a painting. I also paint thick and also inscribe my signature into my wet oil paint with a pointy object. A signature painted on can sometimes be covered up, but it's very difficult to get rid of a signature that's actually intaglioed into the paint itself.
Excellent comment!
Yes because I have a line up of people wanting to remove my signature and replace it with theirs. lol lol
that's really good advice. Thank you for sharing your thoughts
Over the years I’ve signed my art with a husbands surname. So I have pieces out there with a variety of signatures. Nowadays there’s hardly a soul alive who knows me by my maiden name and I’m sick of carrying a man’s name into my art. So have taken to using my first and middle names as my signature, for they are the only two that are really my own.
Karen, I would sign with whatever you feel represents you best. :-)
Hi Karen. I also had that same problem. So finally I decided to sign my first and middle name.
Lovely
Good for you ! I'm a man and all for empowerment of women so long as it doesn't get into stupidity.
Where I live in Quebec Canada women keep their name for life. When you marry you keep your name and cannot take your husband’s name.
I try to avoid using sharpies directly on the canvas...they can bleed through some compositions. I would suggest using acrylic pens! Good content and thank you for posting!
Thank you for this good suggestion - may I know what is a reliable brand?
I have signed with Poscas which I thought were acrylic, but have discovered that they smudge if the painting is brushed over with varnish, so I now use ordinary paint which I do find a bit tricky. Still learning.
Totally agree, I did not sign on front for a long time but finally my MARK, my signature simply appeared and it felt right to put on the front...it’s my identification, it’s always done in harmony, thoughtfulness with the piece. I never want it to be distracting from the piece itself. It certainly took time, even discovering the right tool to use. Thanks very good and clear.
Thanks Roisin,
Very valuable information that you have given to us the viewers. Thanks again.
This video was so helpful. I'm preparing for my first major show, and I will definitely use your advice. Thank you for sharing.
Good luck! I hope your dreams come true :)
I recently was blasted for just using initials. Thank You for saying that's ok. I'm not famous except among friends and family and I don't care. I'm just painting for them and because I love it. I have been signing LM on paintings since 1975. I do use acrylic paint and sign my whole name and title on the back. So my great grand nieces and nephews will know what it is.
Linda Myers sounds like you have a good plan for you Linda 👍🏻💛
Richard Diebenkorn painter of the famous Ocean Park series signed his finished pieces with "RD, date", i.e. RD 75 or signed on the back.
Thanks Róisín, this video was super helpful. I particularly like that it's important to sign your art because it honours your work, very good advice! Thanks for being so clear and encouraging.
You're welcome Helen :-)
Great information. I'm saving this in my watchlist. And, thanks for not having music in the background, I have trouble paying attention to people when they do that.
I paint abstract and there isn’t always a definite way the piece should be hung so I sign on the back of the canvas to enable the client to choose how it gets hung! If it’s a commission piece I show it to the client before I varnish and if they have strong feelings about a hanging direction then I will sign it wherever they want and then finish it for them - one client wanted it signed through the middle which I thought was a bit weird but she was paying!!! If I intend for it to be hung a certain way I do sign the front or sometimes the side of the gallery wrapped box canvas - this is most often with multiple canvas pieces.
Gary Brown Thanks Gary, that’s a good point 😄
Thank you for your advice. One thing I'd add with regard to watercolor pieces. If you are planning to submit a piece for a competition, check with the organizers first. More often than not, the preferred way of signing a watercolor is underneath the painting, bottom right, in ✏️ pencil. 😉
I love scraping out my signature. Definitely the easiest thing to do. I love your idea of filling in with a color if the scraping doesn’t show up. 👍 Good tips, thank you!
When I started, I always forgot to sign my work. Now, it’s the first thing I think of when I’ve finished a painting. I sign everything I do, even cards. It is very important. Thanks for sharing your knowledge.
You are very darling, Róisín, and this is very helpful. Thank you. 💖
Signing ones work is always good, but I hardly ever do so for two reasons, 1 when I ' ve not finshed, because signing it makes me feel it's a finished piece. Number two most of times the client want the work immediately and I end up not signing , except most times, some of them would ask me to sign the work. Hence forth I will sign my works. Its importante to do so thank you for sharing
I use Micron pens for works on paper. They are made with archival ink.
Love this! My name is Beth Lee, so I sign _blee_
Omg! Much needed information. All my questions answered. Thank you!!!!
This was by far the most informational video for this topic! Clearly presented, lots of valuable knowledge~ Thank you so much for sharing it!
Thank you for the informative video. This is something I've been struggling with. It's time I settle on my style of signature.
Great information. Presented very well. Thank you for sharing! You have a new subscriber 😊
Thanks for the well thought out information! I’ve been struggling with how to do this for quite awhile now. This really helped.
Thank you. You made it easy to comprehend. I’m lucky, I love my signature so it’s easy for me 😊.
Thank up Roisin for your video. Questions I often want to ask. You have answered.
I use a liner brush to sign my paintings, it works well with acrylics and oils .
I have been doing a cartouche in the front which is basically etched into the painting when I paint impasto with oil paintings. I also add the information of the dimensions on the back of the painting.
Thank you! I wasn't sure if I should sign some stuff. I sign my initials!
Great tips!!! I looked for the name of that brush and couldn't find anything on your blog about 'essential tools'. Thank you! PJ
I sign my initials,CjC, with a heart over the j. I add the year (ie: '24) just below it.
Signing my finished canvas is the only decent part of my painting! 😘 Thanks for the video, Roisin.
Thanks so much for the tips about signing your name. Looking forward to see more of your videos. Best wishes.
Thanks for sharing the tips on signing. Great advice🇨🇦
Loaded with info here. Wish I would have seen this before now.
if you use acrylic paints or mixed media you can buy things called acrylic permanent markers and use those.They are like pens that use acrylic paints.
This video was super helpful ❤ Really valuable advice❤ Thanks for sharing all this info
Thank you so much for sharing tips and advice! It's very helpful.😊💕
Signing my work brings me some kind of joy. Almost as much as the work itself. Your talk helped me understand this.
Thanks so much for the tutorial on signing!
Thank you for this information, I don't always sign, so I will in future.
Thank you for explaining this so well Good common sense here. ~ Lisa
I learned so much! Love your lecture style, too. Thank You so much.
This video is so great! I've looked for this information ALL OVER, and there is nothing that explains this really vital part of the process. I have never signed my paintings, but now I know exactly how and why and about the importance. Also was never clear about signing on the back, thank you for explaining!! And signing editions. Thank you Roisin!
You're so welcome :-)
Very grateful advice... I'm getting back into oil painting, switching from computer art temporary- who knows what will happen, but there's still nothing like a good set of oil paints on canvas. Very intuitive advice, thank you so much
Thanks for the validation. I've argued with some other artists for years about signing or initialing on the front of my work. Any further info goes on the back. 👍😉
Thank you for your advice.. it is appreciated.
These are really good tips.
Very helpful and clear! Thank you, I was wondering about that worked.
Signatures. Underestimated, interesting topic.
I always try to camouflage my signature. You can definitely see it if you look for it but it doesn't stand out all crazy. It's kinda my thing.
Thank you for a very informative video.
Great Presentation 👍
Ahh... Yes! 📝
My Infamous Signature
I am almost 64 years old (as of 2022)
I have been doing Art all of My Life!
My Mom said I was doing Murals on the walls at the age of two years old. She went on to say it wasn’t just scribbling but actual images.
OK... so anyway I have had a lot of Different Names over the Years! LOL 😂
OH My Goodness!!!
I could write a whole Book on that Subject.
I do Totally Agree on the Importance of Picking something & Sticking with it so People can find You!
I have more signatures than I can count 😉💁♀️
I feel like when I am gone people will refer to My different Signatures as “Periods of Time” in My Artist Journey!!! ...Ha-Ha 🕛
Same here, LOL!
Hi Ro...bet your tea went cold:):).Very good video btw i am making 5out of 7 mistakes...
All the best
Ioannis from Athens Greece
Ioannis You’re so right! Don’t know why I bothered with the tea! 😄
Securi TEA blanket, ha ha! ;)
This is awesome information! I'm going to be starting my own small business and I did not know half of this information before I watched this. Information like how big the signature should be, including extra info about the painting or any piece really and what happens when you use more than one signature. Thanks for sharing this info! 😁
Thanks for this video. I paint impasto in oils and I really like the idea of using that wipeout tool for my signature. I am currently using an old Bic biro for this as I can write neater with something I am used to but I have ordered some wipe out pens to try as well.
Thanks so much - most informative.
This was a very helpful video. Thank you
What about abstract paintings? An artist may have an intention for the orientation that it should be hung. Then there are abstracts, especially square canvas or wooden boards, where someone who would like to purchase it but prefers a different orientation. Signing an abstract in the lower right hand corner basically dictates the artist’s intention and could very well get in the way of the painting to be sold.
Your thoughts on signing abstracts please. Thank you.
If you are selling the work as a piece of home decor, orientation may not matter. If a unique work of personal vision or aesthetic (i.e. work of art), however, I propose that orientation the artist intended does matter. Ultimately, the purchaser of a work of any artist, abstract or not, : Holbein, Rodin, Mondrian, Pollack, Leonardo, Monet, can display the work in any orientation they wish. Perhaps it is only social convention that causes us to display them as the artist intended. I'm not certain that just bc a work is abstract, that the artist had no thoughts on orientation or should forfeit such thoughts to the preferences of a purchaser any more swiftly than a non abstract artist. Speaking for myself, as an artist I would sign as I wished reflecting the orientation I preferred ( if I had a preference). And as a purchaser, I would feel I am purchasing the vision as well as the product of the artist and would wish to respect that.
Thank you, that is very helpful!
very useful info., thanks!
I am fairly new to painting and signing them has been a bit of a trial , I feel a bit embarrassed like I'm boasting look at me, I did this ha ha , I feel in a painting that hasn't got much in it the signature really stands out like a beacon, but I'm getting over it slowly ,so thanks for the tips .
BTW for those who don't know about acrylic paint pens (which as an amateur I find great for fine detail touch ups) Uni POSCA pens made in Japan, are great....I only mention these as several others below have done so :)
Thank you. Very helpful.
Thanks a lot for your sharing..👍👍👍♥️♥️♥️🌹🌹🌹
*Thank you So Very Much for this Great Info. I'm a newbie to painting & looking for all the info I need to do before selling. I just Subscribed. 🤗🤗🤗*
Good point--sign while wet, before varnishing.
Hi thanks for the tips. Please how do you sign a Triptych painting?
I vote you for "best question"! Did you find an answer anywhere?
Grateful TY great advice
Thankyou would love to see examples👍
Very helpful
This is helpful information. I haven't been doing this.
Thanks for the video, very interesting. I have been painting for many years and when we were studying for our degree in fine art, we were advised by our tutors not to sign on the front of the painting. Since then I have been generally signing on the back, probably erroneously. However, my work has changed, and I have been considering whether to find a monogram. I will take on board what you have posted and rethink.
Good advice. Thank you
I hear Ireland flowing through ... ☘️
The land of my lineage, County Kerry, Ireland 🇮🇪
M Beth
USA
Excellent !
Very good information, thank you!
Lot's of good information, thank you!
Great information! Thank you!
Thank you! I found this interesting and helpful/informative. I always look for the signature in the bottom right-hand corner. I realize that some people have their reasons for putting it on the back but if I can't see the signature then I can't talk about the artist or look up their other work! I particularly liked the idea of making one's signature an extension of one's self and style of art.
At first I didn’t want to watch a 20 minute video but this was very helpful information. Are there any tools to sign artwork 🖼 using some kind of paint marker? I find it challenging to sign with a brush.
Thank you so much for this informative video. I was having my coffee “with you”. Maybe one consideration we need to add is the size of the frame because a signature on the bottom might be covered. Just a thought 😊. Best regards.
Yes Elizabeth, about an inch away from the canvas edge should clear it. Hope the coffee was good! :-)
Great video!
Hi. This is the first time I’ve come across You so I went to look up your paintings. Oh my goodness, they are beautiful! (I didn’t catch the name of the signing tool...)
Lovely vid! Watched all the way through. Question Ro, what what you recommend for a full bleed print on paper? Sometimes I’m asked to make a large format one off stencil or screen print (not a series) & I’m procrastinating because it falls between a painting and printed poster. I get anxious and then just wanna sign the back lol. Thanks!
young artists might want to signature their art followed by a stylized mark/ initials to give them the option to be recognized by the mark only later on in their careers
I'm in love !
I find that I'm not very happy with my current signature :) but don't want to change because I want it to be consistent with past pieces :)
Alina Art that’s a hard one. Ultimately you get to decide. 😄
@ yeah :)
Please may you give me the name of the brushed one may use for the signature.
Many thanks for sharing.
Can you do up your signature and use a stamp if you have a long name?
You are lovely thank you so much for your advice ❤️
need a suggestion for signing knitting and crocheting work lol
Susie in the country So funny 😆
Maybe establish a color code in the picture. As simple as a series of dots of color that occur always the same in always the same place, ie: lower right hand side. When you hang it in a show put the info, a short explanation of the code, as to what it is along with the name of the piece. Think about it because there are always ways to sign different mediums.
label
Embroider it.
It could be fun to get those tiny glass beads and do a color combo or get initial beads and incorporate initial beads in the small corner of or close the a seam in your work. If it’s a tight weave is so a label.
Pastels is my most commonly-used medium. I sign using colored pencils because pastels are too easy for someone else to erase. Also, because a mat is necessary, sign your painting above the area where a standard-size mat would cover.
First of all, Róisín O'Farrell, I love your Irish accent ("11:48")! 😀👍 I often wish I were more connected to my English, Scottish, & Irish lineages, but to date I've not achieved that.
An interesting fact that you may or may not already be acquainted with. I learnt some years ago from a reputable Jamaican newspaper's website (i.e. "Jamaican Gleaner") & an article on its series "Out of Many, One People" or some title like that to emphasize the multiethnic status of Jamaica's population & to imitate the national motto that speaks of this same phenomenon, I learnt that the accent of the Jamaicans in their speaking of English was primarily due to the African enslaved being most shoulder to shoulder with the Irish indentured laborers who were yet, of course, speaking the Irish brogue. In fact, I used to work telecommunications a lot in the past as employment & I would occasionally get Irish clients that I thought were Jamaican until they clarified that they weren't! So, yeah, that's the bit of trivia for you.
Now, regarding this topic of yours you sought to do your presentation on, it is such a tremendously neglected topic albeit the topic being so essential & so it is precious that you've dealt with it herein, yet not only dealt with it, but dealt with it quite thoroughly & skillfully. Good job!
The thing is, my late father having been the very gifted artist that he was made me to be well aware of many of these points from in my boyhood (or when I was a "lad," as the Irish would say ☺) & some I learnt myself -- except I wasn't really aware of what you said about using the same medium used to produce the artwork to sign with ("12:54") nor the subsequent matter of signing each piece before the varnishing or, in the case of oil painting, while the oil paint of the piece is yet wet. If this protocol is neglected, then one's work can either be thought forged or -- though I don't recall you articulating this, the thought did come to my mind -- maybe indeed become attributed to another devious enough to take it upon himself or herself to remove the original artist's signature to ascribe the artwork to himself or herself.
So, yeah, very informative presentation for which I thank you & for which you ought to be appreciated, especially by artists who were completely unaware of these things. I'll be sure to check out your channel more once I've opportunity to do so.
Be blessed, Róisín O'Farrell !
So yeah :) Great prose style, reminds me of the novels I used to read in my early life. Challenging to follow, saying the least. Cool though, didn't think anyone did that anymore!
Sure is the long way round to saying simple things, huh? Love it!
Thanks! This was very helpful!