This was great. Such a good lineup. Pat's powerful sense of swing and melodicism was one of the best in jazz guitar. He will be missed and not forgotten. RIP Pat
I grew up in the same neighborhood as neighborhood as Pat Martino did Pappas from 16th and wolf hours from 19th and Snyder what an incredible incredible guitars one-of-a-kind if you ever seen Pat play live you won't believe it truly a Prodigy from day one can you imagine playing for a jazz band with the guys in their mid-50s when Pat was only 15 years old that is truly incredible rest in peace and God bless you Pat Martino Johnny falasca
Pat Martino’s “SYMMETRICAL PARENTAL FORMS”. Pat was a genius who saw 2 chord types, the augmented triad and the diminished 7th chord, as being “symmetrical parental forms”. (Think equilateral triangle and perfect square.) 1) Play 554 on GBE which is a C+, or C augmented triad. It is also an E+ and an Ab+ but in different inversions (Symmetrical!). - If you LOWER any one of those notes, you will create a MAJOR TRIAD. You can form E/Ab/C , depending on which string’s note gets lowered. - If you RAISE any one of the C+’s notes, you will form a MINOR TRIAD (and not just any minor triad but the RELATIVE MINOR’S TRIAD). You will form C#min/Fmin/Amin depending on which string’s note gets raised. 2) Now play 4545 on DGBE, to form a Diminished 7th chord named for any one of those notes (F#, C, D#, A). - If you LOWER any one of those notes, you will form a DOMINANT 7TH CHORD (F7, B7, D7, Ab7). - If you RAISE any of the Diminished 7th chord’s notes, you will form a HALF-DIMINISHED 7TH chord (aka Minor 7b5). Those 4 chords now formed are: Amin7b5, Ebmin7b5, Gbmin7b5, Cmin7b5. - So the AUGMENTED TRIAD “parents” 8 other chords, 4 Major triads and 4 (relative) Minor triads. - So the DIMINISHED 7TH chord “parents” 8 other chords, 4 Dominant 7ths and 4 Half-Diminished 7ths. - Once you learn this, you can apply it in any key, any inversion, and anywhere on the neck. It is worth learning how to do. Pat Martino was a genius who had a unique understanding of the guitar fretboard. - RIP PAT!
Pat the great ! The bass solo alone is greaterthan anything I could ever play these guys are next level . That chordal riff lee did at 4:27 was fantastic wish his volume was a little louder for his solo
great musicians, no doubt (didn't know, Tom Kennedy is such a virtuoso on upright bass), but they mess up the form during the drum solo and have difficulties come in to headout. No problem anyway.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
No greater honor on this earth than to play alongside Pat Martino.
I was at this gig and it was the last time I saw Pat play live. Arigato.
One of the best fusion albums ever: Pat's Joyous Lake from the 70's.
Great Pat Martino👋👋👋
This was great. Such a good lineup. Pat's powerful sense of swing and melodicism was one of the best in jazz guitar. He will be missed and not forgotten. RIP Pat
He really was a giant!!!
I grew up in the same neighborhood as neighborhood as Pat Martino did Pappas from 16th and wolf hours from 19th and Snyder what an incredible incredible guitars one-of-a-kind if you ever seen Pat play live you won't believe it truly a Prodigy from day one can you imagine playing for a jazz band with the guys in their mid-50s when Pat was only 15 years old that is truly incredible rest in peace and God bless you Pat Martino Johnny falasca
Pat Martino’s “SYMMETRICAL PARENTAL FORMS”.
Pat was a genius who saw 2 chord types, the augmented triad and the diminished 7th chord, as being “symmetrical parental forms”. (Think equilateral triangle and perfect square.)
1) Play 554 on GBE which is a C+, or C augmented triad.
It is also an E+ and an Ab+ but in different inversions (Symmetrical!).
- If you LOWER any one of those notes, you will create a MAJOR TRIAD. You can form E/Ab/C , depending on which string’s note gets lowered.
- If you RAISE any one of the C+’s notes, you will form a MINOR TRIAD (and not just any minor triad but the RELATIVE MINOR’S TRIAD).
You will form C#min/Fmin/Amin depending on which string’s note gets raised.
2) Now play 4545 on DGBE, to form a Diminished 7th chord named for any one of those notes (F#, C, D#, A).
- If you LOWER any one of those notes, you will form a DOMINANT 7TH CHORD (F7, B7, D7, Ab7).
- If you RAISE any of the Diminished 7th chord’s notes, you will form a HALF-DIMINISHED 7TH chord (aka Minor 7b5).
Those 4 chords now formed are: Amin7b5, Ebmin7b5, Gbmin7b5, Cmin7b5.
- So the AUGMENTED TRIAD “parents” 8 other chords, 4 Major triads and 4 (relative) Minor triads.
- So the DIMINISHED 7TH chord “parents” 8 other chords, 4 Dominant 7ths and 4 Half-Diminished 7ths.
- Once you learn this, you can apply it in any key, any inversion, and anywhere on the neck.
It is worth learning how to do.
Pat Martino was a genius who had a unique understanding of the guitar fretboard. - RIP PAT!
Thanks for the thoughtful comment.
@@GordiansKnotHere I;ll take your word for it. I think he played from the heart without any technical restrictions. Just fuckin play man!
@@barryjansen7057 Yeah , no sh*t! Sometimes I like to NOT think about anything when I play.
Pat the great ! The bass solo alone is greaterthan anything I could ever play these guys are next level . That chordal riff lee did at 4:27 was fantastic wish his volume was a little louder for his solo
This is going to be one of those videos I keep coming back to. The band totally kills it. Awesome personnel!
simply the man was always no 1
Rip Pat!! We will miss you
Bugger me! Pat's just fabulous!
thank You for sharing this amazing stuff! God bless you all!
Beautiful!
Rit looking very Palpatine. Darth Fastidious! Chancellor Palpatone!
SUPERBE !!!
I love the openness and sincerity of the interview at the end
What a great Performance!!! Great stuff to watch and Listen to.
My lord pat was on 🔥🔥🔥🔥
absolutly brilliant. ☆♡☆
I can't get over the fact that Pat Martino has passed on-----Damm!!!!!!!!!!!!! He is missed!!!!!!
Pat is real thing 👍
pat.....maestro
Great performance incredible playing.
Brilliant. Endlessly grateful for your posting this Master Class in musicianship.
Hell Yeah!
A fitting tribute to Pat Martino and of course, the great Wes Montgomery 👏 👍 👌
😢repose-toi en paix 🙏🎸
LEE AND PAT MADE IN HEAVEN!
RIP Pat; u lent authenticity upon ur solo entrance to 4 on 6. I’ll never b any good but u, Wes & George .. my “main men”. Rest easy now …
Dave Weckl amazing as always.
This is the best I have heard
very well..............................................
Dave..Uf🥁🔥
God Bless Bobby Rose also🙏🏿👑🕊️
Dave Weckl: like a machine gun shooting pats of butter. Impossibly smooth!
Wow 👌 👏
Thank You!
Weird seeing a mesa recto at a jazz gig but if it aint broke dont fix it 👍😁 TONE for days with all these greats thank you
pat pat pat pat pat patdammmmnnnn
😃🌸💙🌱
namida ga tomarimasen.
This is some Pat I filmed at Yoshi's a while back. ua-cam.com/video/j2Hq1zfNMvY/v-deo.html
wow!! Do you have full concert please? It's awesome
no, only two pieces were broadcast in Japan
now, full concert audio is available ua-cam.com/play/PLto6dwKRNU1fVW93kgomcGanVBjMdsfyi.html
Jazz just sounds better in Japan
Haha...Brilliant. 👍
🌱🙄💙🌾
anyone knows who made the Pat's Guitar. it's beautiful!
That is the Pat Martino signature, made by Benedetto.
great musicians, no doubt (didn't know, Tom Kennedy is such a virtuoso on upright bass), but they mess up the form during the drum solo and have difficulties come in to headout. No problem anyway.
Too big that coat Lee!
Monster bravo