His capability to deconstruct the subtleties of technique to their absolute essentials that you must focus on is remarkable. Thanks for sharing this Andrey!
Amazing. Such a detailed explanation. I wish this video existed 20 yrs ago when I used to comb youtube to try and find the key to unlocking the speed in my rest stroke.
Thanks for sharing this. It takes a lot of courage to let the whole world see you learning something...which involves not knowing, trying, not succeeding, making mistakes, and then gradually getting it. Bravo for you! By putting this out there you let us all have a master class with Pepe Romero! Terrific. Can you tell me who makes the guitar he plays? And yours?
Same. For examle if you play at super slow tempo, why holding tension,on fnger after striking a string? I think i) it is easier for mind or muscles to have 1 event for 2 fingers instead of 2 events,one after another ii) super slow speed is never used, except for learning
After 6 year.. I'll try to explain... play and relax the index are 2 different movements, then play and relax the middle are 2 other movements, if you play as Pepe explained they become only 2 motions instead of 4. Until you play slow it's a good practice to relax but as soon as you speed up your brain can't process all those movements so you have to learn to exactly relax when the next finger is playing. This is not a Pepe secret, i learnt the same technique when i was in conservatory, my teacher (Bruno Battisti D'Amario) called it the bicycle and it works the same even for free stroke scales or arpeggios. Hope this help 8 )
I love his dresscode. Raincoat and shorts.
Winter on the upper, summer on the lower.
His capability to deconstruct the subtleties of technique to their absolute essentials that you must focus on is remarkable. Thanks for sharing this Andrey!
Amazing. Such a detailed explanation. I wish this video existed 20 yrs ago when I used to comb youtube to try and find the key to unlocking the speed in my rest stroke.
Thank you so much for posting these fine videos. I really appreciate it.
This is awesome! Thank you tons! Perfect explantion to perfect technique! So happy today! :)
Thanks for sharing this great tutorial video.
Thank you Maestro Pepe Romero!
same way I teach striking combinations in martial arts one relaxes to return while the next one strikes : )
Thank you so much for uploading this video!
Pepe Romero is the best technics knwoledge classical guitar player in the world....
+jayasinghe arachchige amarasiri priyankara perera
His whole family, they are all masters..
Great master
Thanks for sharing this. It takes a lot of courage to let the whole world see you learning something...which involves not knowing, trying, not succeeding, making mistakes, and then gradually getting it. Bravo for you! By putting this out there you let us all have a master class with Pepe Romero! Terrific. Can you tell me who makes the guitar he plays? And yours?
Pepe plays a guitar made by his son Pepe Romero. But I don't know what Andrey played...
@@thibaultjaberg4658 Pepe Romero plays guitar made by his son. I play on Edmund Blöchinger .
Thanks Andrey!
thanks for sharing this
If you don't mind me asking, what strings is Mr. Romero using? They look so flexible :)
He is playing here Pepe Romero rectified hard tension strings. True, it is all about flexing string and guitar top.
Why does he have a blanket draped over his guitar ? Is it to protect it ?
por dios pepe, ponte pantalones a la proxima! ;P
+Alberto P de acuerdo!
I don't get one thing, why not relax after, why at the exact same time as the other finger?
Same. For examle if you play at super slow tempo, why holding tension,on fnger after striking a string?
I think
i) it is easier for mind or muscles to have 1 event for 2 fingers instead of 2 events,one after another
ii) super slow speed is never used, except for learning
After 6 year.. I'll try to explain... play and relax the index are 2 different movements, then play and relax the middle are 2 other movements, if you play as Pepe explained they become only 2 motions instead of 4. Until you play slow it's a good practice to relax but as soon as you speed up your brain can't process all those movements so you have to learn to exactly relax when the next finger is playing. This is not a Pepe secret, i learnt the same technique when i was in conservatory, my teacher (Bruno Battisti D'Amario) called it the bicycle and it works the same even for free stroke scales or arpeggios. Hope this help 8 )
He is dressed like a dandy