Hooray for Tâches to get back into making content about bitwig. Imo bitwig videos are the best music making tutorials that are targeted to specific DAWs that exist and Tâches videos used to be one part of those. Looking forward to seeing more in the future again!
"Part of being a producer, I think, is creating millions of these [8 bar loops] and never quite finishing them". I feel both attacked and validated, which is the weirdest combination of emotions.
Hey, I'm glad it's not just me who creates endless 8 bar loops! lol. Although to be fair some of them do get pushed to 16 bar loops! I'm showing off, I know! (lol)
@@SR1Records Have no fear! Once tiktok has reduced everyone's attention span to under 60 seconds, we shall dominate this new musical landscape. All hail the 8 bar virtuosos!
if you have XY controller, you could do same thing with Vector-4 or even Vector-8 modulator, and thus having ability to float from one state to another in a much easier way than keeping track of all the knobs.
I switched to Bitwig almost exactly a year ago, learning from your videos and many others. I’ve never created more music in a year. This new feature you show here is to me the essence of what Bitwig is.
Рік тому+2
That's so wonderful to hear! Thanks for watching 🙂
Really love the idea of having lots of complicated tracks and effects and yet controlling them with a few controls. Achieved similar effect by mapping the same how knob to multiple effects but this is way cleaner and nicer! Love your energy and music too, keep it up!!
@ Yea, basically an assignable global modulator. Left side is one state, right side is another. The thing that’s different about is that you have 16 states you can have and by holding the A state (left side of crossfader) and selecting one of the 16 states (using the 16 step sequencer buttons) you can quickly change what the crossfader is assigned to. You can do the same with the B state as well. Endless possibilities. Don’t get sucked into it though! Deep rabbit whole there lol
@ Yep. To add to what @alexsenf said, the states are called "scenes" and you can assign parameter values to each scene and then cross-fade between two scenes at a time. You've created something similar except each "scene" gets its own knob, which is more flexible, although I'm guessing you could end up with some fairly extreme settings if multiple knobs affect the same parameter... Of course, the min/max concept from one of your other videos could easily solve this :) Really cool stuff!
Just finished the video and holy smokes this is going to be a game changer. From the myriad of tutorials I've watched, your macro knob one was the one that stuck. I've been using that trick on every project. Now the knob has been taking some steroids and hitting the gym.
Рік тому+1
@@Bomtoi Awww this makes me so happy! Thank you for sharing ❤
Since you've mentioned 'organic' and 'flowing' I love the efficiency of this approach, that's why I switched to Bitwig years ago; keeping the process as simple and intuitive as possible despite the gazillion of options under the hood. PS: Loving the vibes of that mix. Keep it up, greetings from Las Palmas GC 🤪
Good to see you again brother. Hey that intro button could act as a type of “ducking” when making background music for a documentary or something. When there is dialog in the video, “duck the vocals” and melodic bits but keep the beat and volume even.
I realised this sort of thing was possible when I noticed the new project modulators feature, but this is actually the first time I've seen anyone do it. It's incredibly useful!
This has other uses like when mixing, you could map a bunch of things accross a few tracks to one knob to make the comparison easier. E.G you want to turn down the treble of the vocal, but when you do that another instrument sounds muddy, so you think out that instrument in response… cue chain reaction. It would be good to sometimes map those things to a knob and compare before and after in a quick way
So, as you did this in the arranger, what if you did that in the clip launcher view and hit record whilst turning the macros? You could almost get the whole thing (automation etc) arranged in real time. Mind blown 🤯 I purchased Live years ago because the session view recording direct to the arranger blew me away. This is the next level of that paradigm. I love Bitwig ❤
@ yeah man. Sorry we didn't get the chance to meet when you were around. I'm loving your videos and super inspired to try bitwig after using Ableton for 12 years. Amazing content, no wonder I resonate with the music you make 👏
I love this in Bitwig, I was sorta doing stuff like this in Bitwig 4 by sending midi CC's to each track with the Note Receiver and having those CC's modulate things on each track, to do some stuff similar like I was doing with Scenes in my Octatrack, but this makes it so much easier. Bravo Bitwig. And of course you can have pages and pages of these modulators and switch between them on the fly. Really cool.
Wow, I never knew how knobs can take u to another level of composition and performance in most minimal way. thank you really. This would help my future set and productivity.
I’ve been dreaming a while for performance surface in bitwig and this global macros seems a clever idea. I think I will try incorporate it into starting template. Thanks for advice, mate!
Hurray you are back! Great stuff, that's the way to do it. It is becoming a real powerhouse for performance work, and this new hybrid of live in the studio. These new modulators really add a lot. Nice use of the sends!
Living in nature on Mallorca must be ideal for enhancing your inspiration and creativity. Would be quite interesting to learn more about your journey as creative professional and how you ended up there.
Рік тому+2
The Balearic Islands certainly did influence my music massively. What a nice idea :) Thanks!
@ wait, you live in mallorca? for some reason i thought you lived in the US, even though you have an english accent... must be heaven to live in the balearic islands
Рік тому
@@noodlesushii I grew up in Mallorca but I live in Laurel Canyon in Los Angeles now :)
When I came up with the idea of global modulation and made my 2 plugins ADSR and PerlinNoiseMod, I knew it would be a groundbraking idea, but I wouldn't have guessed that even Bitwig themselves like it so much that they implement it as a fully fledged DAW-feature and the main attractor of the latest version, which I myself ironically don't even own, because I just ran out of subscription that month. Now about your technique: I have thought about the possibiity to use global mods to make insane macros across the entire project in order to define how the sound should move into a new part gradually as well. And ofc it would be huge if we could modulate even the overall gain of the tracks for that and you sorta do that already. But I'd argue that Bitwig has to steal another feature, that can be found in most of my plugins, in order to nail this workflow. Because atm there's the undeniable problem that if you attach any type of modulation to a mixer track, then you can't really influence the base value anymore without also having to adjust the modulation, because you might still wanna use the fader simply for mixing purposes, as that's its primary function, but you also wanna keep whatever the destination of your modulation is at the same position. Atm it would move away from its value relative to the base value's changes though, so you have to adjust your modulation everytime you mix and I feel like that could get pretty annoying. Mixing should be as fast as possible, because it's a process where you shouldn't get stuck listening to a certain sound too long to prevent ear fatique, so the DAW needs to make sure to make it as simple as possible. In my plugins I solve this by letting people switch between relative and absolute modulation. Relative modulation is the modulation everyone knows, but in absolute modulation mode you can tweak the parameter value without moving the maximally modulated point. That enables you to really treat a macro control as something that moves a bunch of parameters between 2 fixed settings.
@ completely concur. Modulators and grid-arranger structuring were the 2 driving forces getting me in the bitwig game last year (from more traditionally structured daws like studio one and reaper). I'm here for the expansion of these 2 forces. I hope you make some more vids on these topics. They're really underrepresented here on YT.
That's an excellent set up for live mixing if you're doing a dj set I'd think. Super cool
Рік тому+1
It sure is! I'm really excited to use this feature in my live set too as it'll allow me to easily create breakdowns from any song parts that happen to be playing - regardless of whether individual stems are from different tracks :)
He's back! Great video taches! Like an extension of the min/max idea... How would you go about recording an arrangement out in this scenario though? Or is this more from a performance/live kinda vibe?
Рік тому+2
Great question! I'll make a video about this next :)
Man. It's like a new way to approach performing. My question is, can something crazy happen with the project level modulation and remote where you can activate clips while working in the arranger? The concept resolves around to not just be able to "jump to arranger" via the clip launcher, but to also jump back to a clip, or even activate one or man whilst playing the song throughout the arranger
Yes I'd love to see how the project level modulation could also be used on the Clip launching side too!
Рік тому
It works pretty flawlessly in both views - even a combo of the two. My next video will be on how this is a useful tool for laying down proper arrangements.
Really nice idea to modulate the send levels too! I use send tracks too rarely. Do you ever use the A/B mix crossfading or do you think it‘s obsolete now with project-level macros?
Рік тому
I've never really used the cross fader to be honest. I doubt i'll use it now that the project level macros allow for this kind of power.
How are you working this in with your older video on min/max automation where you were cutting out parts manually and automating individual parameters? I feel like this project level modulation may a better fit for a house arrangement style. Not sure if you changed you workflow from the min/max to this?
Great video. What is that mixer/controller on your desk?
Рік тому+1
It's the Faderfox MX12. I also have the Faderfox PC12 and use them as a pair for my live set. Having 12 channels of 1 fader, 3 buttons and 8 knobs is NEXT level and so much more customizable than using an APC40.
Will there be a part 2, where you record the macro knob movements? I m still a beginner, and would love to know if there is a automation lane for each macro knob? If not, that would be a pity, because that would mean that later automation point editing just stays the same as in previous versions.
@@Centomila wow that's awesome! Would have tested it myself, but currently my windows is severely crashed. Having a extra automation lane which represents a huge amount of other automation is a game changer, much better overview.
Рік тому+2
My next video will be on this specifically and how it's super useful for creating fully-fledged laid-out arrangements 🙂
*Bitwig introduces something cool and innovative* "Still no MSEGs" - everyone *Bitwig Introduces MSEGs and WILD global modulation* "Still no MIDI step entry"
Your teache series has been direly missed.
Happy to be back :)
Finally, Bitwig will free us all from the enchanted 8 bar loop. I'm glad you're back
Oh how we love to leave loops unfinished hehe :)
Hooray for Tâches to get back into making content about bitwig. Imo bitwig videos are the best music making tutorials that are targeted to specific DAWs that exist and Tâches videos used to be one part of those. Looking forward to seeing more in the future again!
More to come! :)
haha i was about to say the same... Hooray for Tâches
"Part of being a producer, I think, is creating millions of these [8 bar loops] and never quite finishing them".
I feel both attacked and validated, which is the weirdest combination of emotions.
Hahahaha I love this
Hey, I'm glad it's not just me who creates endless 8 bar loops! lol. Although to be fair some of them do get pushed to 16 bar loops! I'm showing off, I know! (lol)
@@SR1Records Have no fear! Once tiktok has reduced everyone's attention span to under 60 seconds, we shall dominate this new musical landscape. All hail the 8 bar virtuosos!
@@TheCosmicTeapot HAHA! So true!
@@TheCosmicTeapot very good insight ! haha
if you have XY controller, you could do same thing with Vector-4 or even Vector-8 modulator, and thus having ability to float from one state to another in a much easier way than keeping track of all the knobs.
Ooooh GREAT idea!
Can you recommend a good value XY controller?
I've heard touch osc is a cheap alternative seeing as it can run in your phone 🙈
@@0FAS1 it can also run on windows, if you got touchscreen to make good use of it
I switched to Bitwig almost exactly a year ago, learning from your videos and many others. I’ve never created more music in a year. This new feature you show here is to me the essence of what Bitwig is.
That's so wonderful to hear! Thanks for watching 🙂
i dont switch i like option so i purchased 3 daw cubase ableton suite and bitwig 5 no i never have to pick only one :D
5:07 narrowly misses elbowing the mic... appreciated! great tutorial, thanks!
This is bitwig version of octatrack fader... love it...
Really love the idea of having lots of complicated tracks and effects and yet controlling them with a few controls. Achieved similar effect by mapping the same how knob to multiple effects but this is way cleaner and nicer! Love your energy and music too, keep it up!!
Woah
Didn't realise you were a Bitwig user :)
I feel like Jeremy uses everything. 😂
@ I am not but this video might get me to be
I love the idea of moving more towards performing on a mix using the project controllers, nice way to get unstuck with arrangements. Thanks @Taches
Nice to see how to use these new features in a real world scenario. Thanks
You're welcome brother!
Perfect for Live performance as well 🎉
Absolutely! I can't wait to perform my next live set using these features
Whoa, it's the Oktatrack fader... done Bitwig style. That's so awesome.
Do you mean the cross-fader? I'm not actually too familiar with the Octatrack
@ Yea, basically an assignable global modulator. Left side is one state, right side is another. The thing that’s different about is that you have 16 states you can have and by holding the A state (left side of crossfader) and selecting one of the 16 states (using the 16 step sequencer buttons) you can quickly change what the crossfader is assigned to. You can do the same with the B state as well. Endless possibilities. Don’t get sucked into it though! Deep rabbit whole there lol
@ Yep. To add to what @alexsenf said, the states are called "scenes" and you can assign parameter values to each scene and then cross-fade between two scenes at a time. You've created something similar except each "scene" gets its own knob, which is more flexible, although I'm guessing you could end up with some fairly extreme settings if multiple knobs affect the same parameter... Of course, the min/max concept from one of your other videos could easily solve this :) Really cool stuff!
Simple but effective! I would have never thought of going that deep with it.
So bloody efficient! Thanks for watching :)
Reminds me of Elektron Octatrack fader and scenes assignments 👍
I've never had a chance to play around with the Octatrack but that looks super cool 🙂
This feels like THE method to go from loop to song. Brilliant work
Thanks brother!
Thanks for explanation and How to . This one definitely reason why I need to consider Bitwig to complement my usual DAW .
Hello Tâches, welcome back to Teaches! ❤
Thank you! 😃
Just finished the video and holy smokes this is going to be a game changer. From the myriad of tutorials I've watched, your macro knob one was the one that stuck. I've been using that trick on every project. Now the knob has been taking some steroids and hitting the gym.
@@Bomtoi Awww this makes me so happy! Thank you for sharing ❤
very inspiring tips and tricks, Really helpful! This feels more like the mindset of a dj who is building up a constantly morphing live set.
Since you've mentioned 'organic' and 'flowing' I love the efficiency of this approach, that's why I switched to Bitwig years ago; keeping the process as simple and intuitive as possible despite the gazillion of options under the hood. PS: Loving the vibes of that mix.
Keep it up, greetings from Las Palmas GC 🤪
Thanks friend! Greetings from LA :)
Brilliant!! Genius!!
Good to see you again brother. Hey that intro button could act as a type of “ducking” when making background music for a documentary or something. When there is dialog in the video, “duck the vocals” and melodic bits but keep the beat and volume even.
awesome to see a new production video from you! these are always so inspiring, thanks!
I realised this sort of thing was possible when I noticed the new project modulators feature, but this is actually the first time I've seen anyone do it. It's incredibly useful!
This has other uses like when mixing, you could map a bunch of things accross a few tracks to one knob to make the comparison easier.
E.G you want to turn down the treble of the vocal, but when you do that another instrument sounds muddy, so you think out that instrument in response… cue chain reaction. It would be good to sometimes map those things to a knob and compare before and after in a quick way
So, as you did this in the arranger, what if you did that in the clip launcher view and hit record whilst turning the macros? You could almost get the whole thing (automation etc) arranged in real time. Mind blown 🤯 I purchased Live years ago because the session view recording direct to the arranger blew me away. This is the next level of that paradigm.
I love Bitwig ❤
once so complex to make, now it's easy, good job bitwig 5 !
Can’t wait to try this out, thank you
Wow, this is epic. Gonna start playing around with Bitwig asap
I know you! Sending my love back to the lake ✨
@ yeah man. Sorry we didn't get the chance to meet when you were around. I'm loving your videos and super inspired to try bitwig after using Ableton for 12 years. Amazing content, no wonder I resonate with the music you make 👏
Neat jam, very informative as I have yet to use the new features. Thanks.
Thank YOU :)
Interesting to hear why you want a knob
Very helpful video! Thanks!
Thanks brother!
@ You are welcome. I really enjoy your tutorials. Allways straight to the point and super helpful!
I'm still on cubase because i am avoiding the hastle of learning a new daw but there is so much cool stuff on bitwig that i can't ignore it any more
Bitwig is just on another level man. LOVE this DAW.
It really is, isn't it! :)
game changer! thx so much man
You're welcome brother! Thanks for watching :)
“Slow manipulation from one state of being to another” well said!
the breakdown knob is especially compelling
Arranging has never been easier!
I love this in Bitwig, I was sorta doing stuff like this in Bitwig 4 by sending midi CC's to each track with the Note Receiver and having those CC's modulate things on each track, to do some stuff similar like I was doing with Scenes in my Octatrack, but this makes it so much easier. Bravo Bitwig. And of course you can have pages and pages of these modulators and switch between them on the fly. Really cool.
Wow, I never knew how knobs can take u to another level of composition and performance in most minimal way. thank you really. This would help my future set and productivity.
Happy to help! Enjoy :)
I’ve been dreaming a while for performance surface in bitwig and this global macros seems a clever idea. I think I will try incorporate it into starting template. Thanks for advice, mate!
Hurray you are back! Great stuff, that's the way to do it. It is becoming a real powerhouse for performance work, and this new hybrid of live in the studio. These new modulators really add a lot. Nice use of the sends!
My dude, thank you for this! Much appreciated!
You are so welcome :)
Nice one. Gonna download the update now and play with it!
Great and practical tip as always, missed your pearls of wisdom
Glad it was helpful! More to come 🙂
This is a very helpful video. One of the first new features I've seen in BW5 that resonates.
Glad you think so! It's simple but SO effective :)
hahaha now I'll assemble an octatrack on a bitwig
it's now so easy to make all the eleKtron chips on the fly
I got soo many loops whitout progression. This is going to help a lot!
Yay! So glad I could help :)
Most Excellent
Thank you sir :)
Tremendous! I can use these Global modulators ike the octotrack fader boooooOOOooOOM
Living in nature on Mallorca must be ideal for enhancing your inspiration and creativity. Would be quite interesting to learn more about your journey as creative professional and how you ended up there.
The Balearic Islands certainly did influence my music massively. What a nice idea :) Thanks!
@ wait, you live in mallorca? for some reason i thought you lived in the US, even though you have an english accent... must be heaven to live in the balearic islands
@@noodlesushii I grew up in Mallorca but I live in Laurel Canyon in Los Angeles now :)
YES
Kudos, great use of the project modulation... as an old Cubase user, I've been using these mostly as VCA groups but this is quite inspiring.
Glad it was helpful! So much fun to be had :)
Nice to see you back at it.
Thanks friend :)
Bitwig is amazing. I love it soo much.. Thank you for the video. Greetings from Poland 😎
It sure is! Thanks friend :)
This is amazing!
he did this in like 5 minutes lmao
YIEEEHAAAA !!!! 💥
:D
When I came up with the idea of global modulation and made my 2 plugins ADSR and PerlinNoiseMod, I knew it would be a groundbraking idea, but I wouldn't have guessed that even Bitwig themselves like it so much that they implement it as a fully fledged DAW-feature and the main attractor of the latest version, which I myself ironically don't even own, because I just ran out of subscription that month.
Now about your technique: I have thought about the possibiity to use global mods to make insane macros across the entire project in order to define how the sound should move into a new part gradually as well. And ofc it would be huge if we could modulate even the overall gain of the tracks for that and you sorta do that already. But I'd argue that Bitwig has to steal another feature, that can be found in most of my plugins, in order to nail this workflow. Because atm there's the undeniable problem that if you attach any type of modulation to a mixer track, then you can't really influence the base value anymore without also having to adjust the modulation, because you might still wanna use the fader simply for mixing purposes, as that's its primary function, but you also wanna keep whatever the destination of your modulation is at the same position. Atm it would move away from its value relative to the base value's changes though, so you have to adjust your modulation everytime you mix and I feel like that could get pretty annoying. Mixing should be as fast as possible, because it's a process where you shouldn't get stuck listening to a certain sound too long to prevent ear fatique, so the DAW needs to make sure to make it as simple as possible.
In my plugins I solve this by letting people switch between relative and absolute modulation. Relative modulation is the modulation everyone knows, but in absolute modulation mode you can tweak the parameter value without moving the maximally modulated point. That enables you to really treat a macro control as something that moves a bunch of parameters between 2 fixed settings.
Cool concept :) I'd love to try your plugins!
@ yeah go ahead. i can recommend especially NEL and Manta. the links are in the videos that deal with the plugins
Great video. Thanks a lot.
Glad you liked it!
And I thought I was alone in thinking the global modulators (not the MSEG fiesta) was the single most exciting feature of BW 5.
Nice vid 👍
I have yet to ever connect with MSEGs on the deeply spiritual level most people seem to. Perhaps one day!
@ completely concur. Modulators and grid-arranger structuring were the 2 driving forces getting me in the bitwig game last year (from more traditionally structured daws like studio one and reaper). I'm here for the expansion of these 2 forces.
I hope you make some more vids on these topics. They're really underrepresented here on YT.
this is great ,,,, i guess what's next is to have some sort of way to save them like capture them like scenes
This is a great approach! I'm tired of making 8 bar loops and maybe this will be the way I start finishing things. Thanks.
Glad it was helpful! Thanks for watching :)
scenes basically!
Morphable scenes
@ yes, Octatrack-like scenes
So good you are back with Bitwig tutorials! Such a nice send Reverb! Could you please share what are Tank and Wet FX inside it?
Love your work!
Thank you! :)
Yesss! Welcome back 👍 Are you offering private tuition at the moment?
Thank Jim! I am indeed :) You can book in a lesson here: calendly.com/tachesteaches
nice 👍👍
Add a project macro to modulate the swing and tempo.
Nice
That's an excellent set up for live mixing if you're doing a dj set I'd think. Super cool
It sure is! I'm really excited to use this feature in my live set too as it'll allow me to easily create breakdowns from any song parts that happen to be playing - regardless of whether individual stems are from different tracks :)
@ What would you like to see added to Bitwig next?
We miss you :(
I'm back baby ❤
He's back! Great video taches! Like an extension of the min/max idea...
How would you go about recording an arrangement out in this scenario though? Or is this more from a performance/live kinda vibe?
Great question! I'll make a video about this next :)
Great video. Was that a doobie behind your ear in the last shot? 😜
It's actually just an organic cigarette hehe
Brilliant. Thanks!
You're welcome!
Thanks for another great video. I’m curious, where do u get vocals from?
Well dangit, I guess I'm going to have to upgrade from 4.10
Excellent video! Bitwig is blowing mind.
I'm curious what is the make of that mixing console you're using?
It’s the Faderfox MX12 - also for the Faderfox PC12 for added knobs
@ many thanks!
Man. It's like a new way to approach performing. My question is, can something crazy happen with the project level modulation and remote where you can activate clips while working in the arranger? The concept resolves around to not just be able to "jump to arranger" via the clip launcher, but to also jump back to a clip, or even activate one or man whilst playing the song throughout the arranger
Yes I'd love to see how the project level modulation could also be used on the Clip launching side too!
It works pretty flawlessly in both views - even a combo of the two. My next video will be on how this is a useful tool for laying down proper arrangements.
Works just the same :)
Really nice idea to modulate the send levels too! I use send tracks too rarely.
Do you ever use the A/B mix crossfading or do you think it‘s obsolete now with project-level macros?
I've never really used the cross fader to be honest. I doubt i'll use it now that the project level macros allow for this kind of power.
this video makes me want to make the switch to bitwig. got dammit
Get on it!
How do I view the project devices? I don't see that "PROJECT" panel in the devices panel.
How are you working this in with your older video on min/max automation where you were cutting out parts manually and automating individual parameters? I feel like this project level modulation may a better fit for a house arrangement style. Not sure if you changed you workflow from the min/max to this?
How are you managing to 'monitor in room' with what seems like zero leakage into the microphone?
My SM7B is pretty good at isolating my voice, plus I had the speakers down SUPER quiet :)
ah man...are you trying to get me to buy the yearly sub and upgrade to v5!? because this is pretty slick.
Yes. Yes I am :)
amazing! what midi controller are you using here on the right of your laptop?
Very cool, exactly something I have been wanting to know more about. 😎 What controller are you using in the video? Thanks 🤙
Thank you! It's called the Faderfox MX12 :)
@ cool thanks
Which midi controller is that? This is so exciting!
It's the Faderfox MX12. Absolutely phenomenal bit of gear - especially when paired with the PC12.
Can I do this on logic?
Great video. What is that mixer/controller on your desk?
It's the Faderfox MX12. I also have the Faderfox PC12 and use them as a pair for my live set. Having 12 channels of 1 fader, 3 buttons and 8 knobs is NEXT level and so much more customizable than using an APC40.
Hi, you mentioned a long time ago that you are creating a grid course? Did you finish it? Where can we purchase it?
I never actually got around to finishing it. Out of interest, what price point would you be comfortable with for a grid course?
@TACHESTEACHES Depends on the length, i guess, 30..50€
Will there be a part 2, where you record the macro knob movements? I m still a beginner, and would love to know if there is a automation lane for each macro knob? If not, that would be a pity, because that would mean that later automation point editing just stays the same as in previous versions.
When you automate the macro knob there is a dedicated lane on the master channel 🙂. You can also assign a custom name from the inspector panel.
@@Centomila wow that's awesome! Would have tested it myself, but currently my windows is severely crashed.
Having a extra automation lane which represents a huge amount of other automation is a game changer, much better overview.
My next video will be on this specifically and how it's super useful for creating fully-fledged laid-out arrangements 🙂
@ perfect!
Sweeet😊
yeah yeah, nice feature, but the browser sucks and is a big big step back. Feels like some sort of apple garage band browser
It seems that way at first but I’ll make a video about how to make it epic.
I get so frustrated that the only person who holds control is me
What do you mean?
@ i love distractions
❤BACK ATCHA
To me it seems you're doing the exact thing as removing things, honestly.
What do you mean?
intermittent lol
Like a cold sore but a little less undesirable
cant listen to any advicw with mic pacement like that
Fair enough mate 😋
And still no MIDI step entry. Bitwig, why?
*Bitwig introduces something cool and innovative*
"Still no MSEGs" - everyone
*Bitwig Introduces MSEGs and WILD global modulation*
"Still no MIDI step entry"