The reset audio engine tip was quick but very valuable for me since I do the JACK engine swith trick all the time when switching from external audiocard to internal mac audio after (de)connecting. Great stuff again Taches!
0:50. LOL! Oh, man. I'da definitely done it the peasant's way. The Peasant's Way. Nice album title. It won't be produced using Bitwig. Just by rubbing a couple of sticks together.
Hi.Thanks for the great tips.Can you tell me something.I have a WASAPI treiber. In all the time I have been using Bitwig, Bitwig has never crashed. All audio signals on the PC also work. Do you think WASAPI affects the quality of the export or the treiber does not affect the export?
Hi Tâches, I remember seeing one of your videos about increasing the bit-depth in the recording section of settings, allowing you to recover clipped audio from a mic recording, but I can't find it. Could you direct me to the right one?
Hi, can someone please tell me how to record modulations? I mean, I actually need the modulation movements to be recorded and the modulators disabled - is there some Write-Read functions for modulators? Im talking about a very common scenario for me, when I stop the production phase and move to recording and arranging... Hope you catch my drift, cheers and thank you.
I used to love Bitwig, but its pricing is nuts and it's really just a big modular synth with some Ableton features tagged on. It's great for weird blips and bleeps, but horrible for simple things like tracking, orchestral composing and basic songwriting. Awesome to see you're really pushing its boundaries. Prolly 2% of users would ever do any of this stuff on a daily basis I reckon.
Each to their own, Ableton always there for you... so is Cubase if you want to do Midi and go linear with comping.... what Taches is doing is pushing the creative edge and developing new workflows. Think of today, not to many people want to read newspapers with 2 hands anymore @CybreSmee
@@nitroedge Oh, I'm with you on that. 100% Tache is awesome. I'm just personally out of the Bigwig bubble now and my life is way less complicated (with more money in my pocket haha). All power to you my dude.
Bitwig is not the choice for orchestral composing, everyone knows that. However, the pricing is super competitive, and most people that use Bitwig choose it for "this stuff". You also misunderstand the software if you think it's a "big modular synth with some Ableton features tagged on".
@@BromeliadBro Well, I did use it for a year or so, pretty familiar with it. If you take out all the modular synth stuff it's a pretty average DAW. It quite literally is an orange Abelton. I don't think its competitive at all on price, considering Waveform does 95% of that for free (or $95 for the pro version) if you like your Abelton workflow. But you do you, my dude. As long as you make music and not spend all your time trying to understand the damn software haha.
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Infekt brought me here. Damn what an underrated tutorial channel. Thank you sir :)
Best Bitwig tips out there - always a must watch…. 😮❤
Glad you enjoy them! Thanks for watching ❤
The best! They always inspire me to create something even more generative.... He's the master and huge respect
your command of the english language is quite extraordinary
Thanks!
Thank you so much brother! Appreciate you :)
I'm one tip in and my mind is already blown.
Thanks for your great support ;)
you are a very helpful teacher and a beautiful man. what a combo :)
Great collection of really useful tips & tricks. Thank you 🌻🌻🌻
My pleasure 😊
Thanks alot for all of ypur great tutorials and workflow tips! Very inspiering to watch you master this program!
The reset audio engine tip was quick but very valuable for me since I do the JACK engine swith trick all the time when switching from external audiocard to internal mac audio after (de)connecting. Great stuff again Taches!
In the video, that part is cut ?
It's the last part. It is short indeed.
@@AlmerosMusicCode yeah. Right click there and the option shows up
Double useful, miss double like button )
Definitely keeping a couple of those thanks man!
You bet! ❤
0:50. LOL! Oh, man. I'da definitely done it the peasant's way. The Peasant's Way. Nice album title. It won't be produced using Bitwig. Just by rubbing a couple of sticks together.
Great stuff. Appreciated 😊👍
Also make the first module free or something so we can check it out before before buying please,.
Very nice tips and I really enjoy your 🗣
Hang on... Since when have FX been a thing?
Far and away the best addition to v5 was the project / track remotes, didn't know about group remotes 😎
WOW!!!!!!!!
😛
come play our festival in SK!
South Korea?
@ close! Saskatchewan
Hi.Thanks for the great tips.Can you tell me something.I have a WASAPI treiber. In all the time I have been using Bitwig, Bitwig has never crashed. All audio signals on the PC also work. Do you think WASAPI affects the quality of the export or the treiber does not affect the export?
Hi Tâches, I remember seeing one of your videos about increasing the bit-depth in the recording section of settings, allowing you to recover clipped audio from a mic recording, but I can't find it. Could you direct me to the right one?
Hi, can someone please tell me how to record modulations? I mean, I actually need the modulation movements to be recorded and the modulators disabled - is there some Write-Read functions for modulators? Im talking about a very common scenario for me, when I stop the production phase and move to recording and arranging... Hope you catch my drift, cheers and thank you.
3:45 arguing with yourself in the comment section, now in your daw)
Bitwig is slowly turning into GNU Emacs...
How so?
@ There's nothing you can't do with it.
Cool tips, thanks. Also, your casual, derogatory use of "peasant" and "pleb" is pretty wack. Some musicians also struggle financially, you know?
bit of an abrupt ending, sir.
Just keeping you on your toes!
I used to love Bitwig, but its pricing is nuts and it's really just a big modular synth with some Ableton features tagged on. It's great for weird blips and bleeps, but horrible for simple things like tracking, orchestral composing and basic songwriting. Awesome to see you're really pushing its boundaries. Prolly 2% of users would ever do any of this stuff on a daily basis I reckon.
Each to their own, Ableton always there for you... so is Cubase if you want to do Midi and go linear with comping.... what Taches is doing is pushing the creative edge and developing new workflows. Think of today, not to many people want to read newspapers with 2 hands anymore @CybreSmee
@@nitroedge Oh, I'm with you on that. 100% Tache is awesome. I'm just personally out of the Bigwig bubble now and my life is way less complicated (with more money in my pocket haha). All power to you my dude.
Bitwig is not the choice for orchestral composing, everyone knows that. However, the pricing is super competitive, and most people that use Bitwig choose it for "this stuff". You also misunderstand the software if you think it's a "big modular synth with some Ableton features tagged on".
@@BromeliadBro Well, I did use it for a year or so, pretty familiar with it. If you take out all the modular synth stuff it's a pretty average DAW. It quite literally is an orange Abelton. I don't think its competitive at all on price, considering Waveform does 95% of that for free (or $95 for the pro version) if you like your Abelton workflow. But you do you, my dude. As long as you make music and not spend all your time trying to understand the damn software haha.