See my separate comment further down for details: you *can’t* record internally/backup recording when connected via bluetooth to a smartphone. Not possible. You *can* trigger a recording if transmitter is in bluetooth mode *and* not connected to a smartphone (blue blinking light) - but if connected to a smartphone via bluetooth the recording button does nothing but angrily buzz and red light goes on and off again.
Dave, I FEEL your pain. I know the exact scenario- research, perfectionism, and being murdered in the comments for getting some fact or detail WRONG. Here’s a lil powder to get a cheer-me-up. And thanks always for the EXCELLENT work you do! P
Hi David, nicely done 🙂 1) If you have manually paired one Microphone / Transmitter to another device by Bluetooth, e.g. your mobile phone, it will NOT automatically re-pair to the DJI receiver when you put everything back into the DJI case. You have to put the Mic / Transmitter into its WiFi, not Bluetooth pairing mode before the resync will work. 2) I would also set 32 bit record up as that gives you something to rescue with more latitude in post from the Microphone / Transmitter recording. Note: the 32 bit recording is on the Mic / Transmitter only, it is not in 32 bit format when being transmitted to the DJI receiver. 3) You can switch off the function of the PWR button on the Mic / Transmitter which allows you to switch-on or off the noise reduction, so that it doesn't accidentally allow it to be switched. 4) If you've set auto record to ON and locked the record button, you can stop / start the recording from the receiver.
@@sturingnico There's the rub, you need the receiver for many of these 'settings'. So folks who have sold their original DJI Mic2 complete kit and just have the DJI Mic 2, will find themselves with less control. As an additional note to my original comment, when linking a DJI Mic2 by Bluetooth to a mobile phone or Insta360 X4 for example, even if you have enabled the Mic2's 32 bit float recording and / or the Mic2's Noise Reduction, both these TURN OFF when connected to the receiving device. I don't know why DJI did this, unless there was some kind of copyright on that functionality when not used with DJI receiver devices.
Holy crap, the DJI sounds way better now. I was a little put off by the DJI after that video until I saw this. Stoked, cause I still haven't pulled the trigger yet.
OMG I'm so glad I watched this, I just bought the DJI mic 2 and was SO confused why they sounded so thin out of the box, was considering returning them because of it, the first tip about the low cut filter genuinely saved the product for me, thank you!
I really loooove this video...not many of us can accept when we make a bobo, more over do a whole video with the changes and new perspective...thats why I love seen this guy. Honest, great, funny, what else you want XD
I was about to buy the RODE after seeing your first video but now you've got me 2nd guessing because the sound quality is a lot closer than before. I appreciate the update 👍🏽
It's tricky because they're both so good! If you're shooting a Sony camera, the new adapter is a pretty dang sweet sell, but you can't go wrong with either of them honestly
Thanks so much David. I also noticed the audio levels of the DJI Mic 2 are way low if I have my transmitter gain set to the default, 0. I have to add like a +20db boost to them in post. It gets a bit closer to the correct levels if I set the gain to the max +12, but it feels wrong to have to do that haha. Do you have similar issues?
After watching your last video I almost didn’t buy the DJI mic 2 but I thought something wasn’t right so I decided to see for myself glad I did. Figured out the low cut in a couple minutes and realized the mistake in your last video. Thanks for the update. This is a great mic.
Benefit of DJI clip retainer for the wire is that it will “lock” ANY lav mic. The Rode unit will only lock lav mics that have the lock. I suppose you could still wrap the wire around it’s clip if it fits without pinching the wire. Thanks for the helpful reviews!
Mate, Those mics were not supposed to be tested by being carried near to the mouth. By doing that, you are making it easy for DJI. All the tests should show how strong a wireless mic can pick voice when it’s hanged on a shirt or using a Lavalier Mic attached.
Great video but I have to agree. The audio test should be done with the microphone placed where a majority of people will be using it. Although this is great information on this video, audio quality when connected where the microphone needs to be, is the top priority. Are there any other tests from this gentleman with the microphone clipped in the appropriate location?
I appreciate you so much. You’re giving us all the info! Answering questions and correcting yourself when you make a mistake. I really like these wireless mics. Trying to decide if I need them (I want them for sure) and whether to get the DJI or the Rode…. 🤔
The Rode is significantly brighter in the top end and so seems more ‘present’ than the DJI. I’m not keen on the shiny plastic finish of the Rode though tbh. Swings and roundabouts …..
I think that's totally right, the Rode's built in mic has a brighter presence in the top end. But this is also both straight out of the transmitters without any editing. Pulled into edit, you can pretty much make either of them sound how you want
That routing path is more important for the longevity of the 90 degree connector than the "yank out" resistance. Trust me, back from the days of using wireless packs on my guitar...those 90 degree connections SUCK if they're not stabilized well. Flexing them back and forth nearly always ends up wearing it out, and boy howdy are those teeny tiny connectors difficult to rewire and repair. The routing detail behind the clip is a nice design feature to mitigate that for sure.
I am so grateful for your video. I just got the DJI2 and was watching on UA-cam how the rode pro had a better sound quality and I was about to change into the rode pro.
I am really glad that the DJI MIC2 came together with the Creative Combo. I will not get the receiver, since I am always going to have it paired with my OSMO Pocket 3. But I bought an extra MIC2 ... the white one ... and have it paired to my iPhone (as standard). And I still love my Røde Wireless Pro kit, and will still use those as main audio kit together with my Mirrorless cameras. :)
I'm also thinking about getting 2 DJI Mic2s, but was wondering if you can access all the settings (like disabling the low cut filter) without the receiver. Can you confirm if all the settings are available without the receiver? Thanks!
I don't know about 1 being pared at a time. But if you keep them in Bluetooth for the pocket 3 then put them in the case, they 100% stayed paired to your pocket 3 when you take them out. They do not default back to the receiver
Another tip: the BT audio quality is not as good as the standard mode. Record onboard the transmitter and use the BT audio in the video to sync up to the internal recording.
If connected with a smartphone via bluetooth the internal recording feature is disabled on the transmitter, I made a video about it a couple of weeks back - dji «informs» you about this hidden pretty well on the website :/ So only good quality option without the receiver is *not* connecting the mic to the smartphone, use internal recording, and then sync in post :/
@@valuemastery latest firmware on release, and latest firmware updated when it came some days ago - not sure how yours can record internally while connected to your smartphone since dji states it doesn’t on their website: «5. When the DJI Mic 2 transmitter is connected to a smartphone via Bluetooth, internal recording is not available.» Is you mic showing a steady blue light and you are recording in an app on the phone, while the recording light shows steady red? Because your mic can be «connected» via bluetooth and record internally, *if you are not actually recording in a camera app* on the phone - as soon as the mic is actively recording to an app on the phone it won’t record internally :)
One thing I think is worth mentioning is that the lav mic is an extra expense with the DJI Mic 2, but you get two lav mics included with the RØDE wireless Pro...
Yeah, if you look at the packages side by side, and factor in the price of 2 dji lavs, the Dji mic 2 is actually more expensive than the Røde package - dji costs less money for «a» package, but more expensive if you want lavs as well
Definitely a bonus on the Rode side and on the DJI side, the bonus is being able to buy the same product in multiple arrangements all the way down to just a transmitter for $99
@@DavidManningvlog Just too bad they couldn’t match the value of the Røde combo with lavs, which give you more options for less money :/ The Dji TX + RX combo is pretty good value for someone starting out just like me, not really needing the case and the extra mic, but a lav in there would have made it a perfect combo
@@DavidManningvlog that bonus diminishes though when you can’t do internal recording if buying just mic to connect to phone via bluetooth, and the mic not working with the iphone native video app via bluetooth, and not being able to disable the low cut filter with just the mic, or enable 32bit float with just the mic if using it as a standalone recorder *and* the audio via bluetooth to iphone quality is really sub-par. so the 1 tx and 1 rx combo is the only viable option for full feature set, but then one discovered the tx built in mic is noticably duller/muffled than the røde, and you need to buy a lav mic as well for the tx and then your close to the price of the 2 tx and 1 rx combo, which when buying 2 lavs in addition is more expensive then the røde set, which has slightly brighter audio on the wireless lav out of the box *and* comes with to wired lavs …
Thanks for bringing this to our attention. BTW you were not the only one not checking the low pass filter setting. There are many reviews out there were the DJI MIC 2 sounds a lot "weaker" then the Rode Pro. I just realized how much beter the sound from your main mic is compared to the DJU Mic. Whats your Mic/Sound setup?
Thanks for the review and updates to your previous review. No shame in being wrong when you're cool enough to set the record straight. I do wish a screw-on lav feature was an option for use with professional lav mics. The built-in noise reduction constantly varies the sound quality which is destructive. Always best to apply noise reduction in post. Always. It's great that filmmakers have so many compact and affordable options for audio. These may lack some of the features and performance of professional systems, but they are waaaay better than using on-camera microphones. Audio, is so, so, so very important. I'm glad that DJI is giving Rode some competition, which encourages improvements that users benefit from. Life is good.
Thanks for this. Your original video was one of many that caused me to cancel my order because I could not stand the audio out of the DM2. I agree that this is kind of (mostly) DJI's fault. This high-pass filter should NOT have been on by default. I know the DM1 had that, and I turned it off. Rode did not have this filter that I noticed. I don't recall the filter having such a huge effect on the DM1 audio, but my memory could betray me. So now, I have one issue with the DM2. The big-ass logo and reflective case that is also transparent showing the texture + detail of the electronics. The Rode suffered from this nonsense too, but I found some matte stickers on Etsy to cover it up. A lav mic should not be a distraction, and draw no much attention to itself than what is absolutely necessary.
Thanks for adding these points. I just watched the other video before and was surprised that the Mic 2 just seemed to sound more flat and worse. This clears that pont up. Also, great that you go and say "hey yeah I was wrong there", not many people can do that. That's big points in my book. 👍 Again, thanks!
It’s totally fine to be wrong once in a while. I’m an audiophile so I still prefer the rode mic. The wireless go transmitter also records internally just like the dji. And the rode logo is a bit inconspicuous unlike the dji which is right in your face screaming look at me.
Lol - is it that difficult to take a black sharpie to the logo if you're that bothered by it, as opposed to the larger, shiny square that weighs down the wearer's shirt, blouse, whatever more than the DJI?
I'm currently trying to decide between these mics. Even with the lo-cut filter off on the DJI I can still hear that the Rode audio quality is noticeably better even on computer speakers. Having said that I think all the packaging/UI advantages the DJI offers might offset it's slightly worse audio quality for me.
im so torn between these two, i think I prefer the audio sound of the rode wireless pros, but the transmitter interface and style on DJI system looks so much nicer. and having the option for a white transmitter for wedding dresses is also very ideal. thanks for the update!
to be fair, it's kinda on DJI for shipping the mic 2 with settings you can't change if you buy the stand-alone mic 2. It doesn't even have 32 bit float on as default. If you buy the mic 2 to use it with something other than an action 4 or mic receiver, you can't change any of the settings.
I have the dji mic 2 and have watched many videos already but I found this video very helpful. I thought the dji sounded more pleasing. I listened on Edifier speakers.
Professional audio folk here, I would NEVER turn a lpf on at the source. The only circumstance for that might be if it was a live broadcast and there was no other way to cut the lows (ie mixer) and I was worried about something like excessive wind or background noise. You don't get the lows back if you change your mind later.
@@todddammit4628 Professional audio folk here too ;-) there is actually one use case for the LCF (it's not a LPF) at the source, namely when the rumbling noises are so severe that they would clip your recording. But otherwise, I think you're completely right. (of course in that case it would be best to identify and remove the cause for the rumbling, but if not possible -> LCF)
@oppenheimer11 Sure. You need timecode when you simultaneously make several recordings from the same event, for example shooting video from different angles with a multi-camera setup, or recording audio independent from in-camera audio (or even with multiple mic channels). You need a way to synchronize all these recordings in editing. Doing this by hand can be challenging and time consuming. So, when you record synchronized time code with all your recordings, be it video or audio, post production will be a lot easier. When you only have one camera, and connect the mic to the camera, you won't need timecode - the camera will record video and audio in perfect sync. But as soon as you use external audio recorders (even the one that is built into the mic), you run in synchronization issues. There are professional audio recorders that record a timecode along with your audio. However, DJI Mic 2 can not do it on its own.
@oppenheimer11 No need to start recording at the same time. In professional setups, a world clock is used. It's a small device that runs a clock and can send a clock signal to cameras and audio recorders, so they don't use their internal clocks, and instead record all the same time signal from the world clock. Professional cameras and audio recorders have a clock input, but that means that you have to run wires for the clock signal across all your recording devices on set. In editing, the editing software recognizes the clock signal embedded in all input files (video files and audio files), and automatically synchronizes them perfectly. If you don't want to run cables from the world cock to all recorders, you can shortly connect every device to the clock, and then disconnect. The cameras and audio recorders adjust their internal clocks to the world clock, and then continue to use their internal clocks. But over time there will be drift, so it's maybe good for the next two hours before you have to connect again. In earlier days, when no world clocks where used, filml makers used "claps". These are small chalksboards, where scene numbers where written on, and then (after recording started) the clap below the board was used to make a short click/clap noise. Later in editing, you can see the moment of the clap on video, and hear it in the audio files. So video ond audio where shifted to snychronize the clap event at the beginning of recording, resulting video and audio to by in sync. If you don't want to use a clap, you can simply manually shift your audio on the timeline until you feel that speach is lip-synced. But today's editor sofftware such as Fincal Cut Pro X offer a automatic function to do it for you, if you have embedded audio in the video. It works like this: Record good audio with the Mic2 on the person you want to record. At the same time, the video camera records video+audio, but that audio recording is not good to be used in the final output, because it is not near enough to the recorded person. However, it is good enough for the editing software to automatically sync the Mic recording with the camera audio.
It's mostly an amateur feature. You're cutting out a lot of noise which would be better dealt with in post and a pro would check all settings before they leave. As said before, the only reason you would really use it is in special circumstances. Most commonly when you don't have time to properly treat the audio.
I have a Sennheiser MKE2 lav mic and I routed mine under that little clip on the transmitter and it worked for 15 minutes then no more. I checked it with my other equipment and I didn't short the mic - but will not work on the transmitter anymore. Maybe think twice about routing yer lav under it. Just sharing my experience. Great video. Merci.
First off I really have enjoyed the dji mic 2 after removing the settings you spoke about. So when I grabbed the dji lav i was shocked at all my audio issues. Terrible sound. BUT when paired with a Rode Lav II it sounded fantastic. Odd but a great pair.
It sounds a lot better after the latest firmware update also, I was using just the transmitter and it sounded like noise reduction was on all the time and it's much better now, My guess is with the transmitter only it defaulted to the low cut but didn't show it in the camera menu.
Just get a DJI Osmo Pocket 3 and decided to dump my Rode Wireless GO II for the full DJI Mic 2 kit. I'm so surprised to see how much smaller the DJI Mic TX/RX is in person versus the Rode. That doesn't really come through on all the videos. Also loving the ability to change all the settings right on the TX itself and not have to use an app. Not sure if you know this, but once you pair each DJI Mic 2 to both the receiver and the OM3, you can toggle which link is active. Yes, every time you put it in the charging case and take it out it will be active in receiver (regular camera) mode, but you just toggle the button on the side to switch it to Bluetooth. You don't have to actually go through the Bluetooth pairing process over and over. I don't use timecode, so having one mic system that works both with the OP3 and my Nikon wireless camera, for simplicity, is worth any slight differences between the two mic systems.
The DJI set being in one box whereas the Rode has 2 soft cases to hold everything is significant when packing. Also, being able to do the settings on the DJI screen looks more convenient than having to access an app. Can the DJI files be deleted using File Explorer? Apparently the Rode files need the app. 👍😎🇳🇿✨
It will have to do more with the mics used than with the transmitter. I have a Sennheiser AVX lav mic which costs about 1200 Euro, and it connects fine with the DJI Mic 2 transmitter.
I could still easily tell which one was which. Myster mic 2 was the Rode, which still sounds much better than the DJI, and that's with laptop speakers. But it is closer now without the low cut engaged.
Especially when one mic already sounds how you want it to sound. But unfortunately, I will have to get the DJI mics because I have the pocket 3 and action 4 so it makes more sense. The Rode mic just sounds better.
@@sirgigolo you can use the road wireless Pro with your pocket 3. Yes, you need to plug-in the receiver, but is very easy to put a cold shoe adapter on the back of it.
Great review and update. Ended up going with the Rode Wireless Pro since it was on sale for $369 at B&H and included two lav mics. The DJI would have been much more expensive since it doesn’t include lavs in any of the available kits from what I saw.
Thanks for this video. I cant get in one thing - at 7:58 farmgent with noise rediction - is this setting activated on mic/transmitter itself and will be applied to transmitted signal to reciver AND to inplace record? Or just to transmitted? I think about to get one reciver only to record audio internally on the bike with GoPro 12 - I just dont need reciver - its bulky with silly "media mode".
8:56 Noise Reduction via bluetooth only works if the paired device has Wind Reduction internally such as thr DJI Pocket 3/Insta360 X3, DJI Action 4. I've paired my Mic 2 to my Samsung Galaxy S23 Ultra via Bluetooth and the noise/wind reduction does not work as the camera/voice recorder apps don't have that feature. So if a person is a smartphone content creator...they will need to pick up the kit that has the Rx in order to have Noise Reduction
Thanks for the Video!! We too would not have know about the looping the wire to secure it so big thanks for sharing that (seems obvious now we know lol)
Awesome as always David! I'm still rockin my OG Wireless Go but this stuff just gets better and better, there's just no excuse nowadays to have shitty audio as there's so much options.
@@Reviews4fun1yea with basic EQ the DJI sounds incredible. You wouldn’t be able to tell at all. Sure it’s an extra step, but it takes 5s once you know how to do it
The problem I have with the noise reduction is, as you talk it lets in that background noise so then you get a see/saw effect to the background audio which for me is very distracting, I'd much rather do it in post where the software is wayyyy better at the noise reduction. But yes, others may not care about that or even notice it. I like what I'm seeing with this DJI mic 2, seems though the next version will be better as hopefully they will add ability to download both transmitter onboard audio from the case directly, but I do love that the DJI has setting and control directly on the DJI is huge, so I'm going to buy the Mic 2, but I also hope they improve their lavs because the Rode is much flatter and lower profile which I like.
on the mystery test the #1 is the dji, the sound is more muffled, audible even on my smartphone speakers in 360p quality on the video -and yes, the dji mic 2 is much clearer if held in front of the mouth like you do, but the problem is: these are supposed to be clipped to the chest, or clipped onto a jacket lapelle, and when worn like the the muffled-iness of the Dji Mic 2 is even more noticable compared to the Røde Wireless Pro. Although the Dji Mic 2 package «is cheaper» than the Røde package, they cost approx the same if adding lavaliers to the dji mic 2 (which might make’m more expensive than the røde package). And to get the clearest sound possible from the dji mic 2’s the cabled lav is necessary, and places it closer in sound to the Røde (but without the lav on the Røde).
Can someone explain please? I was expecting to buy mic and that will make it to sound great. But when I hear samples of mic it sounds awful. Do I really have to do poster for sound? Or am I missing something? (Yes I have no fracking idea :D ) Thank you Love you forever.
funny thing .. I ordered the DJI Mic 2 before seeing your video .. then saw your video and thought the Rode Wireless PRO sounded better so I ordered those also LOL now I have BOTH of them and here I am seeing this video about the low cut setting .. I still love ya though because it's on me that I've made more silly decisions but I will have to force myself to use each mic every other time I film just to not feel like I wasted because I'll have FOMO if I return either :O
Is it possible to just use a DJI Transmitter, record audio on internal SC card. Then use post to manage audio. For my application, I need a mic to record on person and don't have a requirement for a 'receiver'. Or other options?.. Thank you
You did the right thing admitting that you were wrong. There is nothing wrong about it. It is much better than going around saying left and right that you are always right. Right?
I know this is old, but I just saw your OG yesterday and this today as I'm starting to look at the Pocket 3. I'm going to put my "dad voice" on and say, "Son, you were flat wrong about the low-cut filter thing. You got off to a good start, then you said, 'I mean kind-of DJIs fault'. Own your mistakes fully. Oh, and did you fully read the instructions? 😔" 😅
Two major questions so I use a GoPro hero 12 how many mics can I use at one time and is the audio that is recording into the GoPro the audio from the mics or would it be the audio from the GoPro? How do I synchronize both do I do it in post or is it already done upon the recording in the GoPro?
One issue with having the transmitter record locked on is that you can’t switch the transmitter into Bluetooth mode without going into settings on receiver and turning it off. (So if you want to hot swap from receiver to pocket 3 etc. you can’t do it easily) Also if your using Bluetooth on your iPhone / insata360 camera etc you can not record internally. For noise reduction I wish they would allow us to disable it completely. I have accidentally hit it a few times now. Otherwise, it is a great system, I think it’s more geared toward content creators than it is professionals, but for me, having ability to connect it to Bluetooth devices is what allows it to stay in my bag. I also have the rode wireless pro system but I don’t carry it unless it’s for specific reason..
I’m sorry: You *can not* record internally in the transmitter when connected via Bluetooth to a Smartphone. Not possible. I made a video about it couple of weeks ago - Dji has the info on their website, but pretty well «hidden» out of the way. So no, you *can’t* record internally if using bluetooth to connect to a smartphone, so *only* way of getting better audio if one only has the transmitter and a smartphone is to record video using internal phone mic, and use the Dji Mic 2 transmitter as a disconnected recording device, *then* it will record internally, but not in bluetooth mode.
You don't have to pair them again it just goes from transmitter mode (green) to bluetooth mode (blue) if you put it back to bluetooth mode it will be paired been using this with a osmo action4 for a while like this.
I'm a big fan of your content and I'm reaching out for some advice. I'm in need of a wireless solution to monitor audio, especially when I'm away from the camera or receiver. Could you recommend any reliable systems that offer wireless monitoring compatibility with headphones? I'm open to any wireless headphone options. Thanks in advance for your help!
Great post, well done ! Got it with pocket3 creator combo, but i noticed that when i play the video in the mimo app, my voice comes with a small delay after my lips move :P How could i fix this ?
I don’t see why you can’t pair with the receiver and the Osmo pocket. I believe you can have one Bluetooth pairing and to the receiver and change between these modes on the transmitters. It works with my phone but haven’t tested with the Osmo.
Lots of "DGI"s in this video. Sorry guys, pretty sure my mouth can't say DJI unless I'm really thinking about it😑
😂😂
See my separate comment further down for details:
you *can’t* record internally/backup recording when connected via bluetooth to a smartphone. Not possible. You *can* trigger a recording if transmitter is in bluetooth mode *and* not connected to a smartphone (blue blinking light) - but if connected to a smartphone via bluetooth the recording button does nothing but angrily buzz and red light goes on and off again.
🤣 Oh well.
It's the same for me!😂
@@andresjoberg Just tried it, and despite what you say, I can. Works just fine.
Dave, I FEEL your pain. I know the exact scenario- research, perfectionism, and being murdered in the comments for getting some fact or detail WRONG. Here’s a lil powder to get a cheer-me-up. And thanks always for the EXCELLENT work you do! P
It is fine to make mistakes or be wrong, it happens. No one is perfect. Worse is never admitting and insisting on being wrong. Keep up!
All about the "be a good human" movement lol
Hi David, nicely done 🙂
1) If you have manually paired one Microphone / Transmitter to another device by Bluetooth, e.g. your mobile phone, it will NOT automatically re-pair to the DJI receiver when you put everything back into the DJI case. You have to put the Mic / Transmitter into its WiFi, not Bluetooth pairing mode before the resync will work.
2) I would also set 32 bit record up as that gives you something to rescue with more latitude in post from the Microphone / Transmitter recording. Note: the 32 bit recording is on the Mic / Transmitter only, it is not in 32 bit format when being transmitted to the DJI receiver.
3) You can switch off the function of the PWR button on the Mic / Transmitter which allows you to switch-on or off the noise reduction, so that it doesn't accidentally allow it to be switched.
4) If you've set auto record to ON and locked the record button, you can stop / start the recording from the receiver.
hi, without a receiver how do I control those settings ?
@@sturingnico There's the rub, you need the receiver for many of these 'settings'. So folks who have sold their original DJI Mic2 complete kit and just have the DJI Mic 2, will find themselves with less control. As an additional note to my original comment, when linking a DJI Mic2 by Bluetooth to a mobile phone or Insta360 X4 for example, even if you have enabled the Mic2's 32 bit float recording and / or the Mic2's Noise Reduction, both these TURN OFF when connected to the receiving device. I don't know why DJI did this, unless there was some kind of copyright on that functionality when not used with DJI receiver devices.
Very crisp sound from that DJI lav. 👌
Holy crap, the DJI sounds way better now. I was a little put off by the DJI after that video until I saw this. Stoked, cause I still haven't pulled the trigger yet.
Sorry about that! Hahhaa! Man, when I realized it I was shocked that it was on by default
@@DavidManningvlogdo u recommend these mic than dji mic 1 , rode mic 1,rode mic 2 or iphone 11 promax without mic
OMG I'm so glad I watched this, I just bought the DJI mic 2 and was SO confused why they sounded so thin out of the box, was considering returning them because of it, the first tip about the low cut filter genuinely saved the product for me, thank you!
I really loooove this video...not many of us can accept when we make a bobo, more over do a whole video with the changes and new perspective...thats why I love seen this guy. Honest, great, funny, what else you want XD
Great update, there needs to be a disclaimer: “warning, this video includes lav cable abuse viewer discretion advised” Great video bro! Thank you! 💪🏼
I was about to buy the RODE after seeing your first video but now you've got me 2nd guessing because the sound quality is a lot closer than before. I appreciate the update 👍🏽
It's tricky because they're both so good! If you're shooting a Sony camera, the new adapter is a pretty dang sweet sell, but you can't go wrong with either of them honestly
Thanks so much David. I also noticed the audio levels of the DJI Mic 2 are way low if I have my transmitter gain set to the default, 0. I have to add like a +20db boost to them in post. It gets a bit closer to the correct levels if I set the gain to the max +12, but it feels wrong to have to do that haha. Do you have similar issues?
Great Video!! DJI 2 for the win!!
After watching your last video I almost didn’t buy the DJI mic 2 but I thought something wasn’t right so I decided to see for myself glad I did. Figured out the low cut in a couple minutes and realized the mistake in your last video. Thanks for the update. This is a great mic.
Can low cut be switched on or off in Action 4 or Osmo pocket 3? Or do you need to buy the receiver as well?
@@SootheSound yup action 3 paired with mic 2 you can. Not sure about action 4
maaan, that cable pulling scenes killed me.
Benefit of DJI clip retainer for the wire is that it will “lock” ANY lav mic. The Rode unit will only lock lav mics that have the lock. I suppose you could still wrap the wire around it’s clip if it fits without pinching the wire. Thanks for the helpful reviews!
Integrity brotha. That's why I love your channel. Thanks for keeping it real/honest.
Oh my, what a blast! I watched to the end. Your humble honesty and humor made my day. Then there was the DJIs, Thanks!
Mate, Those mics were not supposed to be tested by being carried near to the mouth. By doing that, you are making it easy for DJI. All the tests should show how strong a wireless mic can pick voice when it’s hanged on a shirt or using a Lavalier Mic attached.
Great video but I have to agree. The audio test should be done with the microphone placed where a majority of people will be using it. Although this is great information on this video, audio quality when connected where the microphone needs to be, is the top priority. Are there any other tests from this gentleman with the microphone clipped in the appropriate location?
Fredo Heavy has a great dji mic post production video
What an intro on this DGI video 🎉 🙌
Dude, SO many DGI's when I started editing this🤣
I must say the clarity of your voice on the rode in the beginning comparison there is way way way better. Just off the bat.
I appreciate you so much. You’re giving us all the info! Answering questions and correcting yourself when you make a mistake. I really like these wireless mics. Trying to decide if I need them (I want them for sure) and whether to get the DJI or the Rode…. 🤔
The Rode is significantly brighter in the top end and so seems more ‘present’ than the DJI. I’m not keen on the shiny plastic finish of the Rode though tbh. Swings and roundabouts …..
I think that's totally right, the Rode's built in mic has a brighter presence in the top end. But this is also both straight out of the transmitters without any editing. Pulled into edit, you can pretty much make either of them sound how you want
@@DavidManningvlog Thanks David, that's a great insight.
That routing path is more important for the longevity of the 90 degree connector than the "yank out" resistance. Trust me, back from the days of using wireless packs on my guitar...those 90 degree connections SUCK if they're not stabilized well. Flexing them back and forth nearly always ends up wearing it out, and boy howdy are those teeny tiny connectors difficult to rewire and repair. The routing detail behind the clip is a nice design feature to mitigate that for sure.
A super solid design element! Dual use, protect the cable and prevent pull outs👍
Thanks for your honesty. We all make mistakes.
I am so grateful for your video. I just got the DJI2 and was watching on UA-cam how the rode pro had a better sound quality and I was about to change into the rode pro.
Awesome video! And your responsible attitude admitting that you're wrong and correcting them is very admirable!
It shows you care more about your viewers than bring right. Appreciate that David, thanks.
awesome! great video David
Everyone else does not seem to have noticed the low filter (high pass filter) either. You make me realise that the DJI Mic is okay.
I am really glad that the DJI MIC2 came together with the Creative Combo. I will not get the receiver, since I am always going to have it paired with my OSMO Pocket 3. But I bought an extra MIC2 ... the white one ... and have it paired to my iPhone (as standard). And I still love my Røde Wireless Pro kit, and will still use those as main audio kit together with my Mirrorless cameras. :)
I'm also thinking about getting 2 DJI Mic2s, but was wondering if you can access all the settings (like disabling the low cut filter) without the receiver. Can you confirm if all the settings are available without the receiver? Thanks!
I don't know about 1 being pared at a time. But if you keep them in Bluetooth for the pocket 3 then put them in the case, they 100% stayed paired to your pocket 3 when you take them out. They do not default back to the receiver
Another tip: the BT audio quality is not as good as the standard mode. Record onboard the transmitter and use the BT audio in the video to sync up to the internal recording.
If connected with a smartphone via bluetooth the internal recording feature is disabled on the transmitter, I made a video about it a couple of weeks back - dji «informs» you about this hidden pretty well on the website :/ So only good quality option without the receiver is *not* connecting the mic to the smartphone, use internal recording, and then sync in post :/
@@andresjoberg Maybe you had an older firmware version? My Mic 2 does record internally fine, even when connected to my iPhone via Bluetooth.
@@valuemastery latest firmware on release, and latest firmware updated when it came some days ago - not sure how yours can record internally while connected to your smartphone since dji states it doesn’t on their website: «5. When the DJI Mic 2 transmitter is connected to a smartphone via Bluetooth, internal recording is not available.» Is you mic showing a steady blue light and you are recording in an app on the phone, while the recording light shows steady red? Because your mic can be «connected» via bluetooth and record internally, *if you are not actually recording in a camera app* on the phone - as soon as the mic is actively recording to an app on the phone it won’t record internally :)
One thing I think is worth mentioning is that the lav mic is an extra expense with the DJI Mic 2, but you get two lav mics included with the RØDE wireless Pro...
Yeah, if you look at the packages side by side, and factor in the price of 2 dji lavs, the Dji mic 2 is actually more expensive than the Røde package - dji costs less money for «a» package, but more expensive if you want lavs as well
Definitely a bonus on the Rode side and on the DJI side, the bonus is being able to buy the same product in multiple arrangements all the way down to just a transmitter for $99
@@DavidManningvlog Just too bad they couldn’t match the value of the Røde combo with lavs, which give you more options for less money :/ The Dji TX + RX combo is pretty good value for someone starting out just like me, not really needing the case and the extra mic, but a lav in there would have made it a perfect combo
You will also need to purchase a case or mount if using rode with iPhone and that white cable if you still have a lightning port.
@@DavidManningvlog that bonus diminishes though when you can’t do internal recording if buying just mic to connect to phone via bluetooth, and the mic not working with the iphone native video app via bluetooth, and not being able to disable the low cut filter with just the mic, or enable 32bit float with just the mic if using it as a standalone recorder *and* the audio via bluetooth to iphone quality is really sub-par. so the 1 tx and 1 rx combo is the only viable option for full feature set, but then one discovered the tx built in mic is noticably duller/muffled than the røde, and you need to buy a lav mic as well for the tx and then your close to the price of the 2 tx and 1 rx combo, which when buying 2 lavs in addition is more expensive then the røde set, which has slightly brighter audio on the wireless lav out of the box *and* comes with to wired lavs …
Thanks for bringing this to our attention. BTW you were not the only one not checking the low pass filter setting. There are many reviews out there were the DJI MIC 2 sounds a lot "weaker" then the Rode Pro. I just realized how much beter the sound from your main mic is compared to the DJU Mic. Whats your Mic/Sound setup?
Fancy that a youtuber pushing out a review without properly testing the product first. What a shock
I like the low cut filter.
Thanks for the review and updates to your previous review. No shame in being wrong when you're cool enough to set the record straight.
I do wish a screw-on lav feature was an option for use with professional lav mics.
The built-in noise reduction constantly varies the sound quality which is destructive. Always best to apply noise reduction in post. Always.
It's great that filmmakers have so many compact and affordable options for audio. These may lack some of the features and performance of professional systems, but they are waaaay better than using on-camera microphones. Audio, is so, so, so very important. I'm glad that DJI is giving Rode some competition, which encourages improvements that users benefit from. Life is good.
Thanks for this. Your original video was one of many that caused me to cancel my order because I could not stand the audio out of the DM2. I agree that this is kind of (mostly) DJI's fault. This high-pass filter should NOT have been on by default. I know the DM1 had that, and I turned it off. Rode did not have this filter that I noticed. I don't recall the filter having such a huge effect on the DM1 audio, but my memory could betray me. So now, I have one issue with the DM2. The big-ass logo and reflective case that is also transparent showing the texture + detail of the electronics. The Rode suffered from this nonsense too, but I found some matte stickers on Etsy to cover it up. A lav mic should not be a distraction, and draw no much attention to itself than what is absolutely necessary.
I like the action 4 with the mic2 setup for my moto vlog setup 👍 - i smashed the like button. Thanks for sharing the vid David 😃
Appreciate it brother!
Thanks for adding these points. I just watched the other video before and was surprised that the Mic 2 just seemed to sound more flat and worse. This clears that pont up.
Also, great that you go and say "hey yeah I was wrong there", not many people can do that. That's big points in my book. 👍 Again, thanks!
It’s totally fine to be wrong once in a while. I’m an audiophile so I still prefer the rode mic. The wireless go transmitter also records internally just like the dji. And the rode logo is a bit inconspicuous unlike the dji which is right in your face screaming look at me.
Lol - is it that difficult to take a black sharpie to the logo if you're that bothered by it, as opposed to the larger, shiny square that weighs down the wearer's shirt, blouse, whatever more than the DJI?
Awesome video very informative! Looking to wear these when im bowling for my channel.
Nice follow up.. I've been a Rode guy but I think I'm going to replace my current Go IIs with the new DJI setup..
IMHO you'll gain nothing by doing so, unless you find the new TX units sexy.
I'm currently trying to decide between these mics. Even with the lo-cut filter off on the DJI I can still hear that the Rode audio quality is noticeably better even on computer speakers. Having said that I think all the packaging/UI advantages the DJI offers might offset it's slightly worse audio quality for me.
im so torn between these two, i think I prefer the audio sound of the rode wireless pros, but the transmitter interface and style on DJI system looks so much nicer. and having the option for a white transmitter for wedding dresses is also very ideal. thanks for the update!
Spend 30 minutes developing an EQ preset and you can get the DJI sounding great (same with the RODE). I do wish DJI sounded better out of the box.
Personally the Rode Wireless Pro has more longevity and better investment than the DJI Mic 2
you convinced me, I ordered it :)
to be fair, it's kinda on DJI for shipping the mic 2 with settings you can't change if you buy the stand-alone mic 2. It doesn't even have 32 bit float on as default. If you buy the mic 2 to use it with something other than an action 4 or mic receiver, you can't change any of the settings.
I have the dji mic 2 and have watched many videos already but I found this video very helpful. I thought the dji sounded more pleasing. I listened on Edifier speakers.
My EQ settings make the DJI Mic 2 sound like a SHURE SM7B
Whats your mic settings?
Tell us the chosen one!
@@ValasResearchpost production
Turning the low pass on by default when a large percentage of your customers arent professional audio folks seems a bit daft.
Professional audio folk here, I would NEVER turn a lpf on at the source. The only circumstance for that might be if it was a live broadcast and there was no other way to cut the lows (ie mixer) and I was worried about something like excessive wind or background noise. You don't get the lows back if you change your mind later.
@@todddammit4628 Professional audio folk here too ;-) there is actually one use case for the LCF (it's not a LPF) at the source, namely when the rumbling noises are so severe that they would clip your recording. But otherwise, I think you're completely right.
(of course in that case it would be best to identify and remove the cause for the rumbling, but if not possible -> LCF)
@oppenheimer11 Sure. You need timecode when you simultaneously make several recordings from the same event, for example shooting video from different angles with a multi-camera setup, or recording audio independent from in-camera audio (or even with multiple mic channels). You need a way to synchronize all these recordings in editing. Doing this by hand can be challenging and time consuming. So, when you record synchronized time code with all your recordings, be it video or audio, post production will be a lot easier.
When you only have one camera, and connect the mic to the camera, you won't need timecode - the camera will record video and audio in perfect sync. But as soon as you use external audio recorders (even the one that is built into the mic), you run in synchronization issues. There are professional audio recorders that record a timecode along with your audio. However, DJI Mic 2 can not do it on its own.
@oppenheimer11 No need to start recording at the same time. In professional setups, a world clock is used. It's a small device that runs a clock and can send a clock signal to cameras and audio recorders, so they don't use their internal clocks, and instead record all the same time signal from the world clock. Professional cameras and audio recorders have a clock input, but that means that you have to run wires for the clock signal across all your recording devices on set. In editing, the editing software recognizes the clock signal embedded in all input files (video files and audio files), and automatically synchronizes them perfectly.
If you don't want to run cables from the world cock to all recorders, you can shortly connect every device to the clock, and then disconnect. The cameras and audio recorders adjust their internal clocks to the world clock, and then continue to use their internal clocks. But over time there will be drift, so it's maybe good for the next two hours before you have to connect again.
In earlier days, when no world clocks where used, filml makers used "claps". These are small chalksboards, where scene numbers where written on, and then (after recording started) the clap below the board was used to make a short click/clap noise. Later in editing, you can see the moment of the clap on video, and hear it in the audio files. So video ond audio where shifted to snychronize the clap event at the beginning of recording, resulting video and audio to by in sync.
If you don't want to use a clap, you can simply manually shift your audio on the timeline until you feel that speach is lip-synced. But today's editor sofftware such as Fincal Cut Pro X offer a automatic function to do it for you, if you have embedded audio in the video. It works like this: Record good audio with the Mic2 on the person you want to record. At the same time, the video camera records video+audio, but that audio recording is not good to be used in the final output, because it is not near enough to the recorded person. However, it is good enough for the editing software to automatically sync the Mic recording with the camera audio.
It's mostly an amateur feature. You're cutting out a lot of noise which would be better dealt with in post and a pro would check all settings before they leave.
As said before, the only reason you would really use it is in special circumstances. Most commonly when you don't have time to properly treat the audio.
I have a Sennheiser MKE2 lav mic and I routed mine under that little clip on the transmitter and it worked for 15 minutes then no more. I checked it with my other equipment and I didn't short the mic - but will not work on the transmitter anymore. Maybe think twice about routing yer lav under it. Just sharing my experience. Great video. Merci.
First off I really have enjoyed the dji mic 2 after removing the settings you spoke about. So when I grabbed the dji lav i was shocked at all my audio issues. Terrible sound. BUT when paired with a Rode Lav II it sounded fantastic. Odd but a great pair.
Which mic was which during the mystery mic test?
Rode Wireless Pro :D
It sounds a lot better after the latest firmware update also, I was using just the transmitter and it sounded like noise reduction was on all the time and it's much better now, My guess is with the transmitter only it defaulted to the low cut but didn't show it in the camera menu.
Just get a DJI Osmo Pocket 3 and decided to dump my Rode Wireless GO II for the full DJI Mic 2 kit. I'm so surprised to see how much smaller the DJI Mic TX/RX is in person versus the Rode. That doesn't really come through on all the videos. Also loving the ability to change all the settings right on the TX itself and not have to use an app.
Not sure if you know this, but once you pair each DJI Mic 2 to both the receiver and the OM3, you can toggle which link is active. Yes, every time you put it in the charging case and take it out it will be active in receiver (regular camera) mode, but you just toggle the button on the side to switch it to Bluetooth. You don't have to actually go through the Bluetooth pairing process over and over.
I don't use timecode, so having one mic system that works both with the OP3 and my Nikon wireless camera, for simplicity, is worth any slight differences between the two mic systems.
RODE Still my favourite!
The DJI set being in one box whereas the Rode has 2 soft cases to hold everything is significant when packing. Also, being able to do the settings on the DJI screen looks more convenient than having to access an app. Can the DJI files be deleted using File Explorer? Apparently the Rode files need the app. 👍😎🇳🇿✨
Can you please compare the lav mics using both of these? I’d love to see which system sounds better using the lav mic. Thanks!
It will have to do more with the mics used than with the transmitter. I have a Sennheiser AVX lav mic which costs about 1200 Euro, and it connects fine with the DJI Mic 2 transmitter.
I could still easily tell which one was which. Myster mic 2 was the Rode, which still sounds much better than the DJI, and that's with laptop speakers. But it is closer now without the low cut engaged.
Yep and this is also straight out of the mics. In post, you can pretty much make either of them sound how you would like. Both super solid mics!
I wonder how many purchasers really want to have to mess with the eq in post. I sure wouldn't.@@DavidManningvlog
Especially when one mic already sounds how you want it to sound. But unfortunately, I will have to get the DJI mics because I have the pocket 3 and action 4 so it makes more sense. The Rode mic just sounds better.
@@sirgigolo you can use the road wireless Pro with your pocket 3. Yes, you need to plug-in the receiver, but is very easy to put a cold shoe adapter on the back of it.
Great review and update. Ended up going with the Rode Wireless Pro since it was on sale for $369 at B&H and included two lav mics. The DJI would have been much more expensive since it doesn’t include lavs in any of the available kits from what I saw.
thx, cool vid! like the beach part with the yellow text and lut fits well together
Thanks for this video. I cant get in one thing - at 7:58 farmgent with noise rediction - is this setting activated on mic/transmitter itself and will be applied to transmitted signal to reciver AND to inplace record? Or just to transmitted? I think about to get one reciver only to record audio internally on the bike with GoPro 12 - I just dont need reciver - its bulky with silly "media mode".
8:56 Noise Reduction via bluetooth only works if the paired device has Wind Reduction internally such as thr DJI Pocket 3/Insta360 X3, DJI Action 4. I've paired my Mic 2 to my Samsung Galaxy S23 Ultra via Bluetooth and the noise/wind reduction does not work as the camera/voice recorder apps don't have that feature.
So if a person is a smartphone content creator...they will need to pick up the kit that has the Rx in order to have Noise Reduction
With the dji you can plug in any mic and secure it!
Any mic will plug in and you can use the same wrap under technique to secure it, but there is no screw mount on the lav
That's good because in your first video I thought the DJIs sounded terrible.
If you have a Sony camera with no mic input but a Multi Interface Shoe then am I right in thinking that the DJI is your *only* choice?
Also, you can pair the transmitter directly to the phone via bluetooth, no need to pop the receiver in the phone!
Thanks for the Video!! We too would not have know about the looping the wire to secure it so big thanks for sharing that (seems obvious now we know lol)
Awesome as always David! I'm still rockin my OG Wireless Go but this stuff just gets better and better, there's just no excuse nowadays to have shitty audio as there's so much options.
great response to error. learned some new stuff
Why are you holding the mics instead of clipping them to your jacket?
Love the follow up! Great job!
The Rode still sounds way more robust, the DJI mice sounds flat. They sound totally different even with speakers.
Heard another guy post process the dji and it sounded awesome
@@Reviews4fun1yea with basic EQ the DJI sounds incredible. You wouldn’t be able to tell at all. Sure it’s an extra step, but it takes 5s once you know how to do it
No question the Rode mics have superior audio over the DJIs. Tested the Mic2 kit and returned it for a Rode wireless pro kit.
DJI all the way for me !
Yeah rode still sounded more brighter i think dji is using cheap quality tech inside
The problem I have with the noise reduction is, as you talk it lets in that background noise so then you get a see/saw effect to the background audio which for me is very distracting, I'd much rather do it in post where the software is wayyyy better at the noise reduction. But yes, others may not care about that or even notice it. I like what I'm seeing with this DJI mic 2, seems though the next version will be better as hopefully they will add ability to download both transmitter onboard audio from the case directly, but I do love that the DJI has setting and control directly on the DJI is huge, so I'm going to buy the Mic 2, but I also hope they improve their lavs because the Rode is much flatter and lower profile which I like.
on the mystery test the #1 is the dji, the sound is more muffled, audible even on my smartphone speakers in 360p quality on the video -and yes, the dji mic 2 is much clearer if held in front of the mouth like you do, but the problem is: these are supposed to be clipped to the chest, or clipped onto a jacket lapelle, and when worn like the the muffled-iness of the Dji Mic 2 is even more noticable compared to the Røde Wireless Pro. Although the Dji Mic 2 package «is cheaper» than the Røde package, they cost approx the same if adding lavaliers to the dji mic 2 (which might make’m more expensive than the røde package). And to get the clearest sound possible from the dji mic 2’s the cabled lav is necessary, and places it closer in sound to the Røde (but without the lav on the Røde).
Can someone explain please? I was expecting to buy mic and that will make it to sound great. But when I hear samples of mic it sounds awful. Do I really have to do poster for sound? Or am I missing something? (Yes I have no fracking idea :D ) Thank you Love you forever.
Really thinking about buying this now. Especially with the Sony Hotshoe adapter.
funny thing .. I ordered the DJI Mic 2 before seeing your video .. then saw your video and thought the Rode Wireless PRO sounded better so I ordered those also LOL now I have BOTH of them and here I am seeing this video about the low cut setting .. I still love ya though because it's on me that I've made more silly decisions but I will have to force myself to use each mic every other time I film just to not feel like I wasted because I'll have FOMO if I return either :O
which one do you prefer since you have both ? im considering which mic is best ....
Can I only buy one mic to pair with my action 5 pro And don’t buy transmitter?
Do you mean can you buy one transmitter without having to buy receiver? Yes
What is the general recording time for both before you get drift.
Is it possible to just use a DJI Transmitter, record audio on internal SC card. Then use post to manage audio. For my application, I need a mic to record on person and don't have a requirement for a 'receiver'. Or other options?.. Thank you
You did the right thing admitting that you were wrong. There is nothing wrong about it. It is much better than going around saying left and right that you are always right. Right?
Hello, I have a question. What will the DM2's noise-canceling audio look like now that low cut is off?
Thank you and continue a good job.
I know this is old, but I just saw your OG yesterday and this today as I'm starting to look at the Pocket 3.
I'm going to put my "dad voice" on and say, "Son, you were flat wrong about the low-cut filter thing. You got off to a good start, then you said, 'I mean kind-of DJIs fault'. Own your mistakes fully. Oh, and did you fully read the instructions? 😔"
😅
Thanks very much!
Already bought the Rode Pro, just think it sounds better overall. Just wish it had the features of the DJI mic. Bottom line is sound for me though.
Two major questions so I use a GoPro hero 12 how many mics can I use at one time and is the audio that is recording into the GoPro the audio from the mics or would it be the audio from the GoPro? How do I synchronize both do I do it in post or is it already done upon the recording in the GoPro?
One issue with having the transmitter record locked on is that you can’t switch the transmitter into Bluetooth mode without going into settings on receiver and turning it off. (So if you want to hot swap from receiver to pocket 3 etc. you can’t do it easily) Also if your using Bluetooth on your iPhone / insata360 camera etc you can not record internally. For noise reduction I wish they would allow us to disable it completely. I have accidentally hit it a few times now. Otherwise, it is a great system, I think it’s more geared toward content creators than it is professionals, but for me, having ability to connect it to Bluetooth devices is what allows it to stay in my bag. I also have the rode wireless pro system but I don’t carry it unless it’s for specific reason..
Thanks for the update, the Low Pass filter should be turned off. The mystery mic #2 sounded better. I was hoping that was the DJI.
Great job on the video David! Thanks for making it.
Awesome video again David I am just wondering does the dji mic 2 work with the gopro hero 12 using Bluetooth
Do you have to use the transmitter to access the low pass filter? Can you access the setting on the Pocket 3 or app? Thank you.
The low pass filter setting can be accessed through the menu of the Pocket 3.
Thank you!
Can the Rode Mic II work without the receiver connected to a Insta359 X4 ?
I’m sorry:
You *can not* record internally in the transmitter when connected via Bluetooth to a Smartphone. Not possible. I made a video about it couple of weeks ago - Dji has the info on their website, but pretty well «hidden» out of the way. So no, you *can’t* record internally if using bluetooth to connect to a smartphone, so *only* way of getting better audio if one only has the transmitter and a smartphone is to record video using internal phone mic, and use the Dji Mic 2 transmitter as a disconnected recording device, *then* it will record internally, but not in bluetooth mode.
Yes this is true. You can not record on internally when connected via bluetooth.
Rode always sounds the best.
You don't have to pair them again it just goes from transmitter mode (green) to bluetooth mode (blue) if you put it back to bluetooth mode it will be paired been using this with a osmo action4 for a while like this.
I'm a big fan of your content and I'm reaching out for some advice. I'm in need of a wireless solution to monitor audio, especially when I'm away from the camera or receiver. Could you recommend any reliable systems that offer wireless monitoring compatibility with headphones? I'm open to any wireless headphone options. Thanks in advance for your help!
Great post, well done ! Got it with pocket3 creator combo, but i noticed that when i play the video in the mimo app, my voice comes with a small delay after my lips move :P How could i fix this ?
I don’t see why you can’t pair with the receiver and the Osmo pocket. I believe you can have one Bluetooth pairing and to the receiver and change between these modes on the transmitters. It works with my phone but haven’t tested with the Osmo.