Renée Fleming - Ich ging zu ihm - Das Wunder der Heliane,E.W.Korngold
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- Опубліковано 13 жов 2024
- PROMS 2007
Royal Albert Hall, London
Renée Fleming, soprano
Ich ging zu ihm, Das Wunder der Heliane
Erich Wolfgang Korngold
BBC Philharmonic Orchestra
Gianandrea Noseda,director
Bellísima !! Magnífica soprano ❤
A great aria sung to perfection by the greatest singer of our time. So beautiful, so moving. Bravo Korngold, brava Renee.
Oh my god. This. And I knew her CD recording of this aria. I've only come across this performance now, in 2024, and it is such an extraordinary testament to what Fleming could do at her incandescent best.
In questa aria è immensa, sublime. Una voce sontuosa e luminosa che ti avvolge piano piano
This is really her at her best - iridescent, shimmering, luscious, lyrical waves of sound, swelling like the depths of the sea until they climax and break. Brings me to tears every single time.
Nie ist einem diese Stimme zuviel, sie ist in allen Lagen von einem unerhörten Ebenmaß!!!!
Larger than life. If I could hear this live I could die on the spot.
When I was age 14, I saw a movie where Wagner’s Liebestod was played, and it overwhelmed me!!! I am now 89-years-old, once again, I have been overwhelmed by the music of another German composer, Korngold!!! Combine this divine music with the Eternal Story, and we experience a bit of Heaven!!!
Korngold was Austrian
@@thomaslappas879 He was Jewish :)
One of the most outstanding performances I have witnessed on youtube! Ladies and gentlemen, it does *not* get any better then this!
Fleming is absolutely outstanding, and the score, libretto, orchestra, and conductor are all in sync with Fleming. Sublime perfection!
4:27-4:49 is one of the most compelling synchronizations I have ever seen or heard among orchestra, conductor and performer. And, from 3:24 to the finish has to be one of the most beautiful extended melodic and lyrical phrases in all of opera. Korngold was a genius!
Surely one of the greatest operatic arias of all time. A superb performance of course, but it is Korngold whom we must thank.
One of her great performances. I don't think this aria has ever been sung more beautifully.
Annemarie Kremer: more beautiful
Yes! Truly remarkable in every way! It’s one of those perfect moments that connects us with the Divine!
Oh Kremer isn't even close. She does a good job but the voice isn't really spot on when it comes to the top. Renee does it magical with a very golden and lush sound. And Anna Tomowa-Sintow who recorded the opera is the absolute best in it. She does something incredible with her voice in the last 30 bars. It's unbelievable
Im certain this should be added to the great soprano arias list with Marietta's Lied from Die Tote Stadt. What a thoroughly moving piece and sentiment.
Ms. Fleming possesses a great vocal talent and physical beauty. She also sometimes has a certain coolness in performance. Here she totally entered into the music or it entered into her. What a wonderful performance. Never seen her better. The reaction of the conductor and orchestra says it best.
I love her smile at the end. You can tell she's proud of what an accomplishment she just showcased. Unmatched singing and artistry--so glad she resurrected this stunning aria. Brava, Renee!
Simply astounding singing and commitment. A lifetime of singing Strauss (and others) produced this wonderment. Brava Renée.
Praise from Caesar !
Blown away here .
I was just reading a NY Times article about the opera, and this popped up. I love Korngold's lush post romantic music.
I must say, this one of the most beautiful arias I have ever heard !!
This is enchanting. Fleming's calling card is 100% emotional investment and musical understanding. (Look up her Daphne.) That's what makes this piece seem to be her own extemporaneous creation. For the first time, I believe in this character and in what deserves to become an opera with a place in every repertory.
Renee Fleming is at her finest in this performance. Her voice is in full command of the arias requirements, matched by fine musicality and fierce commitment and delivery to the dramatic moment. Brilliant!!Wonderful support by Noseda and the orchestra. Thrilling!
Una de las más bellas y conmovedoras arias de ópera que se han compuesto nunca. Te envuelve desde el principio y te va llenando de nostalgia y éxtasis a la vez, te arranca las lágrimas y al final te deja con una sonrisa triste como si en 6 minutos y pico hubieras vivido toda una vida. Es una de mis arias favoritas pero tengo que dosificarla si no quiero acabar agotado. Renée la canta maravillosamente, funde su voz con la música de tal manera que parece un manantial sonoro inagotable en un crescendo inparable. Para mí sólo la supera Lotte Lehmann, no por voz o técnica sino por que Lehmann te hace sentir ese dolor y tristeza inexplicable que te dejan al final con la sonrisa. En fin, Korngold es uno de los mejores compositores que he escuchado.
Absolutely amazing. It's rare that you find a singer that performs with expression that she does. And the story is so beautiful.
Gorgeous music sung by a truly gorgeous voice in its prime. Fleming's style in some music is sometimes too syrupy for my taste but here in this ultra-sensual music she is perfect. This live performance is every bit as good as her studio recording of the aria (apart from one small text glitch). Such a privilege to be allowed to bathe in that sensual velvety sound!
The shimmering beauty of her high notes are overwhelming! I just have to weep in order to relieve my heart!
This always kills me. It’s so incredibly beautiful...the words and the way she sings the piece. Everything is just so moving.
Renne Fleming is a nature's miracle. Thanks God for her.
0:00 to 7:54 was the best part!
Just coming back to this performance after some time away. Absolutely spectacular. It doesn't get better than this. Korngold sung by Fleming.
Renee Fleming is and always will be a spectacular soprano opera singer and humble wonderful person.💓😍💖😍💓😀❤
The whole aria is gorgeous, but from 3:24 to the end blew my away. It has to be one of the most intense, moving sections in all of opera. The building of the melody to the climax is so perfectly done, and the orchestral wave that comes along with it is as powerful and exquisite as the famed Liebestod.
CupidonetPsyche I agree!!! I listen to it over and over again!
CupidonetPsyche I, too, agree! The ending overwhelms me!
This is painfully beautiful.
This is so superbly done that I am breathless every time I watch it. How I wish the whole concert were available on DVD. Ms. Fleming, please go on sharing your extraordinary gifts with the world. Bless you!
Grandísima Renée!!!! Miracle.
Glorious singing! She is our national treasure!
Фантастика!!! Брава!!!!😍
Masterwork!
A marvelous rendition of a masterpiece!
Exquisita interpretación de Renée Fleming
Wonderful music, wonderful singer!
Fabulous rendition!!! Ms. Fleming ... chapeau!!! :-)
Stunning. Perfect voice for this music
Sublime!
wonderful...
It's perfect - so wonderful!
what a perfect voice from Renee Fleming for a perfect aria... i possess the recording from Anna Tomowa Sintow. each of them has her own beauty. I am still blown away from Fleming's full body sound in her high register... i had to cried...
Radiant
Ну это просто шедевр Какой же у нее голос Теплый необыкновенный и такой густой наполненный глубокой и мощной материей замечательной свободой Я бы сказала уникальный голос Выдающаяся а может быть и величайшая певица нашей современности
Hermosa Aria .,Magistral Voz de Renée Fleming
Gorgeous!!!
This is so wonderful. Do you have the rest of this concert?
Maravillosa Aria y voz
Kitch à mort mais le bonheur et le plaisir qu'elle a de chanter ça sont largement contagieux!!
You meant "Kitsch"? What is Kitsch about this? The composition or the singing?
@@andyschnabel5225 Kitch lorraine? Creo que eso es una tarta de huevos, queso y bacon.
Mais pourquoi donc considérez-vous Kitsch le style de Korngold? Parce qu'il se maintient toujours dans la tonalité, l'harmonie et la mélodie? Au contraire, je considère que c'est là justement où réside son génie et sa grandeur. Il n'a pas recours aux dissonances pour exprimer la tension psychologique des personnages. Mais Korngold exprimait encore les sentiments à travers la voix humaine, à la façon de l'opéra traditionnel. Il ne mettait pas l'expressivité des sentiments dans l'orchestre comme l'a fait Strauß. Quant au Kitsch, je réponds à présent à un autre commentaire. Cela n'a rien à voir avec la Quiche Lorraine. On a appellé Kitsch, à partir de la Seconde Guerre mondiale, le méli-mélo, le mélange abusif et de maivais goût que faisaient certains nouveaux riches qui s'empiffraient de piéces d'art vraies ou fausses et les mélangeaient chez eux dans un désordre épouvantable. Ils étaient capables d'afficher un buste ou un visage, copies en plâtre d'un original de l'antiquité grecque avec un meuble authentique d'époque ou un tableau original d'un artiste peintre de marque. Voilà pour le Kitsch. Le Kitsch c'est du toc, quelque chose qui prétend être de valeur alors qu'il ne l'est pas, du vrai-faux artistique. Le mauvais goût et l'ignorance des nouveaux riches. Je ne comprends toujours pas le sens de cette méprise de la belle musique de Korngold. Il a été un honnête et très grand musicien. Il est temps de lui rendre hommage. Hormis sa période viennoise des créations lyriques, il émigra aux Etats-Unis où il écrivit les bandes musicales de nombreux films, tout en conservant toujours son style musical si personnel.
Is this performance at the BBC's PROMS 32 event available on DVD? Anyone?
At 5:20 every muscle in my body was tied in a knot. Almost unbearable. Never have I heard her sing like this. I actually ache right now. Brava.
Incredible, unbelievable, intensively emotional simultaneously very professional and dramatically performed, even as a recording viewed on a minimal audio system not to be forgotten, so utterly strange that this composer gets so little attention
Listen to Anna Tomowa Sintow's rendition.
What a wonderful singer Renee Fleming is, and what a magnificent performance of this work.
I expected the conductor to fly off at any moment but unfortunately he kept flapping throughout the piece, which is supposed to be intimate and subtle. Fortunately the orchestra responded magnificently to what is in the score.
Listen to Lotte Lehmann - it's the unbeatable version!
a quién no le gusta?
And, to think, in its day, this opera was sidelined by a piece of jazz fluff called Johnny Spielt Auf.
👱♂️😂💙
EXQUISITE!
Interesting story. German Opera in the 20's seems to have been influenced by German (film) expressionism. Too bad you'd need someone who sings Brunhilde or the Empress to sing Korngold's music. I'd love to see her play Heliane.
I have to say this again. The idiotic show boat conductor here had to make the performance all about him, not Renee Fleming. His ludicrous flapping of arms distracted from the beauty of Renee's singing.